The third film in the Man With No Name trilogy finds Clint Eastwood and Lee Van Cleef returning. Interestingly, Van Cleef is playing a different character in this film. This time around he is the untrustworthy villain Angel Eyes.
Eastwood’s Blondie (the film’s “Good”) is introduced as a bounty hunter who captures the violent criminal Tuco (the titular “Ugly”). He turns him in to the authorities and collects the bounty.
But the film then takes a twist when we see Blondie save Tuco from a hanging. They meet up and we discover they are in cahoots. Blondie catches Tuco, collects the money and helps him escape so that the bounty on his head increases and they can do the whole act over again in a new town.
The two run across a carriage of dead people. They discover a lone survivor who provides information about a huge stash of gold hidden in a cemetery. Tuco finds out the name of the cemetery, while Blondie finds the name on the grave that holds the gold. The man dies shortly after. It turns out there was another man after him, the film’s “Bad”, nicknamed Angel Eyes.
The three form an uneasy alliance to find the gold and split it three ways. Of course, greed interferes with their teamwork.
Ennio Morricone scored all three of the Man with No Name films, as well and a seemingly endless list of films. His musical choices are beautifully sparse. He is not afraid of quiet or “solitary sounds”. The fact is, when you think of classic western soundtracks, you are most likely hearing Morricone in your head. And rightly so.
One of the things that stand out about Sergio Leone’s films is the wonderful talent he has for framing faces. In the Mexican Standoff between the three leads, it is a combination of extreme close-ups and distant wide shots that increase the intensity.
I noted the fact that Van Cleef plays a totally different character in this film. But the truth is, I am not entirely sure that Eastwood’s Man With No Name is the same character in each film. The character of Blondie feels a bit different from the prior films in his coldness.
If there was one criticism I could offer, it is the length of the film. Clocking in at three hours, The Good, the Bad and the Ugly can feel to drawn out. It could have benefited from a bit of editing to make the film tighter and allow it to move a bit faster.
One of the more interesting little bits of trivia is that there is a sequence where Van Cleef slaps a woman. They actually used a stunt double because Van Cleef stated his personal philosophy is that he doesn’t kick dogs and will not slap a woman on screen.