Meet the New Kids (Toy Story 3, 2010)

While Pixar had pushed the Cars franchise at an aggressive rate, their other films had been allowed to remain largely untouched. In spite of the second film’s success, it was not until 2010 that we saw the third installment of the Toy Story films.

This time, we find Andy getting ready for college. When the toys are accidentally mistaken as trash, they decide to stow away in a box marked for the local daycare center.

Woody promises them it will be terrible, and shortly after they arrive, he tries to sneak out to return to Andy. However, on his way, he is found by young Bonnie, who brings him home.

The other toys are greeted by Losto (a stuff bear) and the other toys. They sell our old friends on what a paradise the daycare is. But the truth is much darker. Lotso is pretty much the Godfather of the joint. He runs the show and force new toys to be played with by the youngest kids in the daycare…regardless of whether these toys are meant for that age or not.

This is a pretty crazy story, but it works pretty well. Lotso is charming at first, but you learn he has turned dark from rejection. Meanwhile, his henchman Ken is taken with Barbie. At first she is smitten, but when she discovers what Lotso does to the other toys, she rejects the cushy life Ken offers.

Meanwhile, Woody is also living a good life with Bonnie and her toys, but he wants to return to Andy…and when he finds out the truth about Lotso and the Daycare, he is determined to save the other toys.

The animation in this is pretty terrific and has come far. Textures, vibrant colors, hair…everything looks great. And this time around they have opted for a more stylized look to the human characters which is some much more pleasant to watch than the humans of the previous films.

As usual, there is a lot of heart to this film…it is a bit heavy as the toys contemplate death and complete destruction…but still, it really tugs at the heartstrings.

Again, the performances of the voice cast bring this to life in a way a lot of films fail. Even the stunt casting never feels like a mere stunt. The performances feel full of care, and everyone delivers.

Somehow, Pixar managed to keep the same quality in three films, avoiding the dreaded failure within the franchise that each announced film brought. Toy Story three would have been a perfect cap off to the series, really. You would have had a high quality trilogy. It is full of love, humor and even grown up fears and emotion. Toy Story 3 is a great continuation of the Toy Story Series.

June 26, 2019 0

Collectability (Toy Story 2, 1999)

Toy Story had almost cemented itself as a classic in the public mind within a few short years.

This time, they open with a massive space adventure sequence which introduces Buzz’s arch nemesis Evil Emperor Zurg.

When Woody gets stolen by a collector at a yard sale, Buzz mounts a rescue mission. But for Woody, it turns out to not be as simple.

Woody discovers that he is not some random doll…but that he was originally part of a popular fifties toy and TV show combo. And he finds out he was the last piece of the puzzle for a toy collector who plans to sell his collection to a museum in Japan.

At first, Woody is terrified by the notion. But the rest of the collection (A cowgirl named Jessie, a horse named Bullseye and Stinky Pete-a toy still in his box, never opened) slowly convinces Woody that maybe life in a museum would not be so bad.

The film has a lot of fun, expanding both Woody and Buzz’s respective worlds. They also find a new way to advance the story and give us “Buzz Does Not Know He is a Toy” in an entertaining way.

Jessie and Bullseye are engaging and lovable, making it easier to understand why Woody might consider abandoning Andy. Kelsey Grammer gives Stinky Pete just the amount of charm at the beginning to hint there may be more for him than we think. Admittedly, he is a bit of an indictment of collectors, as being left in the box plays a major motivation for Pete.

The animation shows some improvement here, though the human characters look…uh….freakish. However, with Wayne Knight’s toy collector Al and the old man are much more cartoonish. And it works more effectively when we see them on screen.

Toy Story 2 is a terrific follow up to the original, improving some things in the technical aspects and giving us a pretty tale revisiting characters we have come to love.

June 25, 2019 0

The Secret Life of Toys (Toy Story, 1995)

In the 80s Pixar’s team thought that computers could usher in a wave of new animation….animation by computer. They made their name in the industry with the short The Adventures of André and Wally B. A few years later it was followed up by the Tin Toy.

When it came to their first feature, the team at Pixar looked at their limitations and based the film in those parameters. They chose to focus on characters that did not need to look “realistic”. Toys are made of plastic and fabric.

The concept is that toys are living things that have a purpose…and that purpose is to be a friend to the child to which they belong. And in this case, it is the toys of a kid named Andy.

Life in Andy’s room is full of adventure. Andy Imagines scenarios in which his toys, ranging from a slinky dog to a dinosaur to cowboy named Sheriff Woody. Woody is Andy’s favorite and the “leader”. But all that changes on Andy’s birthday when he receives the exciting new Buzz Lightyear action figure. A futuristic action toy that can shoot lasers, Woody wonders if he has lost his place in Andy’s heart. The other toys are in awe of Buzz and this only compounds Woodys fears.

Jealous, he ends up alienating himself…and then when he accidentally causes Buzz to be lost, the other toys no longer trust him. This forces Woody to go on a rescue mission, facing himself and also needing to consider the possibility that a change in status is not bad.

A lot of what sells this film is the performances. Especially Hanks as the slightly uptight Woody and Tim Allen as the toy who does not realize he is a toy, Buzz Lightyear.

The movie has a ton of fun with the conceit of living toys. Most of the toys are generic (outside of Mr. Potato Head and a couple much older toys) but this works pretty well. It allows the voice talent and script to imbue the toys with some genuine personality.

Even now, the animation holds up. Sure, compared to later films even within the franchise everything is much simpler to look at, lacking a lot of texture…and when we do see people’s faces…well, let’s just say they look like the 2019 Chucky.

But this is a film that manages to overcome those limitations with solid storytelling and performances. There is both heart and humor that has made this film a classic of modern animation.

June 24, 2019 0

New Model (Child’s Play, 2019)

The Child’s Play franchise is seven films in and has a TV series in the making, so when a remake of the 1988 original, it was met with…skepticism. Especially as the film has no real ties to the original film via writer or director.

Here we get the basic story idea. Andy gets a doll that turns out to be dangerous and homicidal.

Here, Andy is a bit older. His mother gets a Buddi Doll that has AI and can connect to your Smart Home devices. It was returned as defective, and Andy’s mom takes it to give her son, as Andy is becoming more and more withdrawn. At first, the quirks do not seem to be to big a deal…until Chucky tries to kill the family cat after it hurts Andy. Andy forbids Chucky from killing. And for awhile, they become close friends.

But after some other kids discover that Chucky can swear and be generally rude, they want to hang with Andy. It is only after Chucky murders someone that they all realize how dangerous Chucky actually is.

And a lot of the film is pretty effective. I like Andy and his mom. And I think the AI take actually works in some interesting ways. Chucky is not inherently homicidal. He becomes increasingly so, desensitized by his environment and working as a stalker. He is not killing people out of a love for murder…but rather a warped ideal of his relationship to Andy. And while this comes at the sacrifice of Dourif’s memorable characterization, I really appreciate the new approach.

Andy’s friends are a bit obnoxious, and honestly, it seems like much of the film they made sure to give Chucky victims who were pretty morally reprehensible. I mean, there is only one character he kills that I genuinely liked. I appreciated the attempt they made with Brian Tyree Henry’s Detective Norris, making him a friendly face in story…but the character is kind of dull (which is definitely not Henry’s fault, we saw him be pretty wonderful in Into the Spiderverse in a similar role.

And…well…Chucky’s design should have gone through a few more revisions. He looks genuinely goofy sometimes.

But I found myself largely entertained by the film and felt it has far more positives than negatives. I walked out feeling pretty satisfied with a film that I confess to having not had a lot of hope for.

June 23, 2019 0

How Are We Alive (Toy Story 4, 2019)

Honestly, the Toy Story films are something rare. Never feeling like a cash grab when you actually watch them, they stand together in a way other animated franchises rarely do….even from Pixar.

Each film finds some new approach to its characters, new and thoughtful hopes and fears. And this time it is no different. Though, the big questions are…well bigger.

Before the story begins proper, the film addresses why we did not see Bo Peep in the third film. Granted, Bo is mentioned in a moment of that film as having been given to a new home, but here we get an action packed opener set several years ago, when the toys were still Andy’s. Unlike the previous two films, which showed us Andy’s imagination, this sequence is the toys trying to save another toy in danger of being lost in a storm. This sets Bo up as being a bit more action oriented, since in earlier films, she is never given a lot to do, other than be the presumed love interest of Woody.

Everyone is shocked to find Bo is being given away, as Molly (Andy’s little sister) no longer is interested her. Bo tells Woody it will be okay and then the film picks up present time, with young Bonnie terrified of her first day at Kindergarten. Against everyone’s recommendations, Woody stows away with Bonnie. At school, she creates a little friend she nicknames Forky. When Woody sees how much joy he brings Bonnie, he becomes convinced he must protect Forky at all costs.

When the family takes a road trip, Woody and Forky become separated, they run into several obstacles when trying to get back to the family.

And honestly, the film works most of the time. What happens to lost toys? Well, here we see a whole tribe under the loose care of Bo Peep. I liked this adventuresome Bo Peep who represents a possibility that has never occurred to Woody.

There are also a lot of fun new characters, such as Duke Caboom and Giggle McDimples.

The biggest problem of the film is its central conflict character. Gabby Gabby is set up right away as a dark character. We eventually learn the reasons why, and unlike Lotso in part three, she is offered a redemptive arc. Unfortunately, it is so rushed that it makes things very problematic. I was not sure initially if it bothered me…but how it plays out could have been done in such a better way.

However, largely, this film is very entertaining and many times managed to tug at my heart strings more than once. I liked the characters and had a good time overall. This is not a quartet of near perfect films due to a few issues with Toy Story 4, but it is a pretty solid set of films. Toy Story 4 could have used another pass, but it is a strongly entertaining film.

June 22, 2019 0

Trapped In a Fantasy (Isn’t It Romantic, 2019)

Rom Coms are an often maligned genre. Much like Horror, if a Rom Com is done well, people try and argue it is not really a Rom Com. This is a lot to do with the fact that Rom Coms have a pretty solid formula that has worked for a long time.

Isn’t It Romantic attempts to mock the formula by working from within. Natalie was thrilled by Romantic Comedies as a child, until her mother made it clear that she would never be desirable and needed to settle for pretty much anything she gets in life.

So when we find her as an adult, she is a meek woman, interested in her male best friend Josh (who clearly thinks the best of her and is constantly trying to get her to step outside her walls). She is walked over by her coworkers who do not take her ideas seriously. After a mugging goes way awry, Natalie wakes up in an amazing hospital emergency room greeted by an incredibly handsome doctor.

Natalie finds that New York is now smelling better, her apartment is gigantic and her dog is well groomed. Natalie tries to find her way out and decides the only choice she has is to play by the rules of a Rom Com.

The film indulges all the tropes with a wink, some too far better effect than others. The inability to actually get to have sex with handsome suitors is pretty amusing.

At the same time, early in the film, we get an extended sequence where Natalie explains why Romantic Comedies are toxic where we are told exactly what we will experience. The film also does nothing to really develop any of the characters outside Natalie. Josh gets the most development as a character, at least enough to get why she likes him. And while it is entirely predictable that they are going to end up together, it is at least understandable that the two always had feelings for each other.

Isn’t It Romantic does manage to subvert certain of its core criticisms of the genre and the cast is entertaining enough in spite of the lack of character development. It is not as genre busting as it sets out to be, but it has its moments.

June 10, 2019 0

Rom Cooking (Always Be My Maybe, 2019)

Always Be My Maybe is the story of Sasha and Marcus, lifelong friends whose lives are dealt a painful blow that causes them to lose contact for over a decade. Sasha grows up to be a world famous Chef, while Marcus lives with his father and has a band that has never left the block he lives on.

They are brought back together and struggle to get their friendship back on track. Of course, there are several impediments towards rekindling their romantic feelings.

And, honestly? Always Be My Maybe feels like it should be a real lackluster affair. It crosses every “t” and dots every “i” of the Rom Com formula. It never really holds any surprises….and yet?

Always Be My Maybe succeeds. A lot of this is due to the cast. Park and Wong have a real chemistry (no doubt from a longstanding friendship). They feel like they have been long time friends. And their supporting cast is great. James Saito is heartwarming and kind as the father to Park’s Marcus. Michelle Buteau is the assistant to Wong’s Sasha (and an old friend of Marcus’ as well) who is both warmly friendly and a bit of attitude, without tipping into Sassy Friend stereotypes.

And Keanu Reeves… well, he is great.

The film does have some pacing issues, but nothing that really overwhelmed the film for me.

Always Be My Maybe rises up to make a solid and enjoyable Rom Com.

June 9, 2019 0

Exes (Dark Phoenix, 2019)

So…after a long delay that has pretty much reached the point where the X-Movies from Fox seem to be just getting pushed out to clear the slate, Dark Phoenix has been released. This is the series second attempt at pretty much the same story.

Set about ten years after X-Men Apocalypse, Dark Phoenix opens with the X-Men as fairly beloved by the public. They are now celebrities, but on a mission in space, this is all jeopardized as Jean Grey is hit by a strange cosmic anomaly that causes her powers to grow exponentially.

This results in her finding out facts about her past that drive a wedge between Jean, resulting in a character dying due to her actions. A second group, expressing interest in her power tries to seduce Jean while the X-Men are fractured between those that want to save Jean and those who feel she should be dead.

And honestly…the second shot is not a redemptive one. The whole ten year jump deal seemed to cause more problems. There are plenty of indicators of interesting story stuff going on between the past two films. But it almost seems like they forgot about stuff they established in Apocalypse. They had established stuff like the Hellfire Club as far back as First Class and yet, leave them aside for a bland sub-story threat.

The film introduces a new threat that has never been seen before in the X-Men franchise…the series has never even suggested this type of threat is out there. It seems logical that it could exist in a universe of mutants, but it also feels entirely out of left field.

We have yet a new world ending threat that honestly…feels kind of boring. Characters are used blandly, Storm and Nightcrawler feel like characters that Kinberg forgot were in the movie until the big fight.

Apparently they had their big end fight in space and reshot the film to set it…um…on a train. And the train fight is pretty cool. But not enough to save the film. The effects work fine, and the mutant effects work fine.

A lot of the performances feel like the actors are kind of ready to be done with this series. Sophie Turner’s performance is the best…she gives a genuinely strong performance.

As the film likely to be the finale for the Fox Franchise, Dark Phoenix is a pretty weak send off. I was disappointed that they could not recover from the failings of Apocalypse. but hey…we finally got Dazzler…so that is something?

As an aside, I am a bit amused at just how everyone appears to keep ignoring the New Mutants and are treating this as the final Fox X-Men film. But let’s face it…we don’t know if we will ever see that one released.

June 8, 2019 0

The Bigger They Come Part 14 (Godzilla, the King of the Monsters, 2019)

Returning to the present after Kong Skull Island’s 70’s setting, Godzilla: King of the Monsters is our chance for some giant monster against monster action.

With a quick revisit to the destruction of the end of 2014’s Godzilla by Gareth Edwards, we meet the Russell family who are searching for their son while Godzilla fights the MUTOs.

Jumping to the present, Mark and Emma Russell are estranged, with Emma continuing her scientific work with Monarch. When Emma and their daughter Maddie are kidnapped by Echo-Terrorists, along with a weapon that allows for some communication with the titans, Mark is recruited by Monarch to help get them back.

It turns out to be more complex than that, some believe that the Titans are the key to healing the planet. But their confidence lacks important data that could doom the planet and humanity.

So… One of my complaints with Edward’s Godzilla was it’s slow drawn out reveal of Godzilla. This was the umpteenth version of Godzilla and the slow reveal was unnecessary and pretty annoying. Here, we get to start seeing the titans very quickly and dramatically. Director Michael Dougherty knows that a movie called Godzilla: King of the Monsters will need to deliver on the monsters.

And boy does he. The film has several exciting sequences as Godzilla fights the new renditions of classic ToHo monsters. The designs of the creatures are great, they have a sense of life and threat.

I also liked the human characters in this film. It was nice to see Ken Watanabe and Sally Hawkins return from the previous film. Chandler is solid as a character who would just as soon see the titans all dead, but is forced to confront his anger and bitterness to save his family and the world. Vera Farmiga is both sympathetic and frustrating as Emma, who loves her family, but seems to skirt the line of ethics in her choices. And Stranger Thing’s Millie Bobby Brown is very good as the surviving child who really wants to do what is right and also honor her lost brother. The film has a fun supporting cast as well.

I really enjoyed this film. The myth building, the action and the characters came together for crazy monster bashing fun.

June 1, 2019 0