John Rogers, one of the writers of the abysmal Catwoman film once also wrote “There are two novels that can change a bookish fourteen-year old’s life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.”
And the Lord of the Rings is definitely one of those book series that had legions of admirers. Ralph Bakshi has adapted the three books into two animated films in 1978 and 1980. And there were a lot of false starts until the late 90’s. The first plan was to try and make one film…then they thought they could convince a studio to do two…but somehow, Peter Jackson convinced New Line the only proper way to do the film was to adapt each novel and film them back to back. They then took it a step further and released the special edition DVDs. These sets were expanded to include many scenes not used in the theatrical releases. My reviews will be of the Expanded Editions.
The story of the Lord of the Rings is that long ago the evil Lord Sauron tricked the leaders of the Elves, the Dwarves, and Man, creating powerful rings for them all…secretly creating the one ring that would rule them all. In a battle between Sauron and the final alliance of men, dwarves, and elves, Sauron was defeated. Instead of destroying the ring, Isildur keeps it for himself. He is eventually killed. The ring was then lost to time. It was found by a creature who hid with it in the mountains. It eventually fell into the hands of the Hobbit Bilbo Baggins. He has had it ever since. The Fellowship of the Ring is the beginning of the final push to destroy the ring.
The wizard Gandalf the Gray calls upon Frodo, nephew of Bilbo for this task. He sends Frodo on, promising to meet in a small town. Frodo is accompanied by his friend Samwise (or more simply, Sam). Soon after leaving, they are joined by fellow Hobbits Merry and Pippin. As they go on their journey, they pick up help from the mysterious ranger Strider (Revealed to be Aragorn, a descendant of Isildur).
When Frodo is wounded by a Ringwraith (the souls of the original nine kings of men who were enslaved to Sauron), he is whisked away to the Elvish city of Rivendell. There they meet up with what are to be the final members of the Fellowship of the ring, the Elf Legolas, the Dwarf Gimli and Boromir, son of the Steward of Gondor.
They find themselves constantly under attack, primarily from Sauroman, a wizard like Gandalf, but having chosen to serve Sauron. Using magic and a new generation of Super Orcs he tries to stop them at every turn.
Filmed in New Zealand, almost every shot of this film is awe-inspiringly beautiful. The Hobbit Shire has been carefully created bringing the environments of the book to life in a vibrant way.
Along with the sets, the film’s costumes are incredible. Everything has power and weight. The craftsmanship of the weapons and costumes immerses you into this world.
The visual effects have withstood the test of time. A lot of Weta Workshop’s work is a combination of digital and practical. But unlike far too many movies, the digital is groundbreaking and almost never distracting (except in it’s dedication to looking natural). The Fellowship of the Ring broke new ground in its digital work to create massive armies that seemed to move without being duplicated.
The film also uses a lot of practical tricks to create the illusion of different heights. Both Hobbits and Dwarves are supposed to be significantly smaller than the rest of the cast, and in spite of actors who are as tall as anyone else in the cast, using perspective tricks, smaller actors as stand-ins they manage to create a nearly seamless illusion.
And then there is the cast. Some scoffed when Elijah Wood was cast as Frodo. The books describe Hobbits in a fashion that insinuates, they are naturally a bit hairy and pudgy. But Wood (and really the other hobbit actors) are rather attractive. But They all do quite well. And Wood and Sean Astin really sell the deep and heartfelt friendship between Frodo and Sam. Frankly, I love the fact that the films capture this love. Films featuring male relationships can often be quite superficial.
Ian McKellen, so compelling as Magneto in the X-Men films carries great weight here as the wizard Gandalf. He is warm, yet can seem stern and menacing when necessary. And he brings a sense of grandeur so necessary for such a character. Viggo Mortenson brings a quiet nobility to Aragorn. And Cate Blanchett’s Galadriel as an unearthly and elegant beauty.
This is not to suggest there are no flaws. While not as large of an issue here, Gimli can often be reduced to comic relief (the same with Pippin and Merry). On the other hand, the storytelling is more expedient than the books. Often, Tolkien can seem a bit obsessive in his world-building, with sudden diversions into poetry and legends and language of Middle Earth. The filmmakers wisely cut the Tom Bombadil sequence. While this is a fairly loved section of the book, the screenwriters are correct that it undercuts the narrative of the Ring to suddenly have a character who is not impacted at all by it. Especially so early in the story. Personally speaking? I don’t care for that section of the book, and so I did not miss it within the film.
The Fellowship of the Ring is s very strong adaption of the book, full of epic adventure. It was a risky venture that paid off quite well for the filmmakers and the studio.
Polly and Seth are looking for a cheap motel after ruining their tent while camping, only to run across Dennis and Lacey, criminals on the run whose car has broken down. After they hit an animal on the road, they have to replace the tire, only for one of them to contract a bizarre virus or parasite that looks like an oily splinter. It takes over the host, turning them into some sort of strange spike covered creature. They then find themselves trapped in a gas station trying to keep the monsters out and determine a way to escape.
Beginning with a tragic attempt at Exorcism, the Possession Experiment leaps ahead about 20 years and introduces us to a theology student choosing to do a thesis on the inviting of a possession. Surely, this is a wise move.
So…apparently, a horde of angry and evil Orcs travel through a portal to take over the world of Azeroth. Some of the Orcs side with the humans, because “Not All Orcs” or some such.
1999’s remake of William Castle’s House on Haunted Hill began a series of remakes of mid to late 1950’s horror films. This one keeps the core idea. An eccentric rich man and his estranged wife throw a party, offering a million dollars to whomever lives through the night.
The A-Rockin’ Scientist Professor Jackson is back!!! Along with the Canoe Cops!!!! Wait one second…
Christopher R. Mihm’s debut is a tale of toxic waste and teens in danger. Professor Jackson (a professor of science!) and his assistant Stephanie have come to the woods of Wisconsin to study the local frogs. Meanwhile, a group of teens is on a camping trip to celebrate graduating from high school. Unbeknownst to any of them, a local company has its employees dumping toxic chemicals into the lake.
