The Antici-(The Rocky Horror Picture Show, 1975)

I had never seen the Rocky Horror Picture Show until 2020. Like, I have heard many of the songs. I have seen pictures and heard about the midnight screenings. I am fully aware of Tim Curry’s fame largely being inspired by this role. I know of the film and it’s legend. But I have never, simply sat down and watched it.

And so now I have watched the the legendary film and…uh…

I did not hate it…it has it’s charms. But I don’t know that I loved it.  Maybe this is because the film made its cult status through being an interactive audience experience…and sitting in my living room alone is not the same.

The story feels largely like an inconsequential mess. But there is no denying that when Tim Curry comes on screen, he is just an absolute delight.  Curry is reckless in his enthusiastic performance and I really enjoy every moment he is on screen. This is not to downplay the other performances, as the central characters are all memorable and fun. But Curry has a habit of outshining people in films for me.

I am glad I finally took the time to watch the film for the music and the performances, feeling like I have filled in one of the most beloved midnight films of all time.

 

 

Open House Pt 5 (House: the Collection)

For a long time, it was hard to come by the films in this set, outside of the first two which were more well known. Until Arrow came along, a complete blu-ray set seemed an unlikely scenario.

House_Box_set

Each disc comes in its own case with reversible art, one side newly created artwork for the Arrow Releases and the other side the original poster or VHS art. I admit, my preference is to the original art.  The paintings are really nice, but the disembodied hand ring the doorbell is iconic.

The Box itself is sturdy, allowing for safe storage.

Each disc is loaded with extras, including bonus interviews, audio commentaries and all new documentaries for three of the films. I wish they had one for the third film. However, the Horror Show includes the American and European cuts in HD.

This is a good set, full of really good extras to let you immerse yourself in the history of each movie.

Open House Pt 2 (House II: the Second Story, 1986)

House_2_PosterJesse has inherited his ancestral home and finds himself drawn to the history of the structure.  His girlfriend works for a sleazy music executive and so his friend Charlie arrives with his girlfriend, the singer in a band to try and get her career a boost.

Jesse discovers that his great great grandfather (for whom he is named) may have been buried with a great treasure…he and Charlie decide to go to the graveyard nearby and exhume his grandfather.  When they find the  treasure, it is a crystal skull…but that is not all… great great grand dad is still alive. They bring him back, and it turns out that the elder Jesse is a kindly old cowboy who explains that the house is a unique nexus of time and space.  But they must protect the skull as evil seeks it out for evil’s own gain.

Each room can lead to another time and place, fraught with excitement and danger. And it is this premise that makes House II stand apart from the first film.

Rather than follow Cobb on another tale in the house, they opted to tell a stand alone tale in an all new house. The tagline was “It’s Getting Weirder” and boy how… the premise is really more of a sci-fi fantasy adventure with little horror elements. Heck the film features Jesse and Charlie acquiring a weird but cute Caterpuppy and a prehistoric baby bird.

The cast of characters are a lot of fun, especially Royal Dano as Gramps (who even gets an emotional moment when he realizes he looks more corpse than living man) and a real highlight in John Ratzenberger as Bill Tanner. The second Cheers alum in the franchise was a coincidence…but frankly it would have been a hilarious conceit to continue the trend.

The film did not do very well upon release, but found new life on TV as it was PG-13 and could actually be played virtually uncut.  And the fact is, this movie is just a lot of fun. It may not be much of a horror movie, but it is funny and exciting.

Sally Forth! (Onward, 2020)

Onward_PosterIt is Ian Lightfoot’s 16th birthday. Shy and reserved, he really has no friends and has always felt like his life was missing something very specific.  His dad.  When his mother was pregnant, Ian’s father died.  Sixteen years later the family has rebuilt itself with his big brother Barley and mother and his centaur stepfather.

Oh, yeah, by the way, Onward is set in a universe where the world is populated by elves, centaurs, ogres, mermaids, goblins and unicorns. Years ago there was magic, but as it was not something everyone could do, technology developed, starting with electricity…eventually, magic was largely forgotten.

On his sixteenth birthday, his mother hands him a gift from his father.  What they find is a wizard staff, a jewel and a spell that will bring their father back for one day so he can see who his sons have become.  Things go wrong and they bring him back from the waist down…this sets Ian and Barley on a quest to find a new jewel to complete the spell before sundown robs them of their time.

Onward keeps its world building deceptively simple.  The opening couple minutes set up exactly why we basically see a world a lot like our own, just with mythical creatures.  They have a lot of fun with a concept where technology has caused natural things to the different creatures to atrophy, so when Barley tries to tell people how things used to be, they laugh at him (why would a centaur need to run up to 70 miles when they have a car?) or become angry (are you telling pixies they are lazy for not flying?). And Barley seems easy to write off, all his knowledge is based in a Dungeons and Dragons style game that he claims is historically accurate.

I really found the characters endearing.  The side plots are also engaging, especially the boys’ mom who teams up with the Manticore (Octavia is delightfully manic) to secure a sword that can end a curse the boys are on track to unknowingly release.

The character designs are solid, though not groundbreaking for Pixar.  But they are fun to watch and the voice cast gives them a vivid life.  I also love how colorful the film it.  Even when they are contrasting the world without magic with a more grimy look, it is really nice looking.

I had a great time watching Onward and think people of all ages will really enjoy it.

Oh the Horror! (Cats, 2019)

Cats_PosterCats has a scene where Rebel Wilson’s Jennyanydots unzips her fur to reveal more fur and a costume and she eats cockroaches with human heads.

This is a nightmare.  And I do not know where the responsibility all is falling too.  The story is pretty odd and nonsensical. And the film never really justifies the nonsense. The visual effects work against the film as they are largely creepy and sometimes feel incomplete.  I don’t blame the effects artists…they were over worked and trying to deliver for an incomplete vision. The cast is amazing and practically the only person who seems to care is Ian McKellan, like everyone feels as if they are in a different movie.

I really cannot think of anything I liked.  I mean, some of the songs were enjoyable?

Cats is already going the Rocky Picture route, so maybe see one of the Cats Rowdy Screenings at an Alamo Drafthouse? I mean, I would consider watching it again there.

My Favorite Films of 2019 (Favorites, 2019)

So, I decided to go with a list of fifteen films on my list of favorite films for the year. I missed Parasite in theaters and so have not yet gotten to see it and I have not seen 1917 since it does not go into wide release until Friday.

  1. Knives Out
    Rian Johnson’s Knives Out was the most fun I had in the theater this year. I loved this movie. Original characters in a story that pays homage to classic whodunnits, it is filled with nothing but terrific performances with some fun twists. Johnson has announced a new Benoit Blanc mystery and I am excited.
  2. Jojo Rabbit
    You could never make Blazing Saddles today.  Comedy is too hard in today’s woke environment said Joker director Todd Phillips. Boo hoo, folks. Taika Waititi tells the tale of a young boy so dedicated to the Nazi cause, his imaginary best friend is Hitler.  A surprisingly funny and touching film, Jojo Rabbit is a gem.
  3. Little Women
    I have never read the book, nor seen any of the prior adaptions. But this movie worked so well. Gerwig and her cast weave together a beautifully engaging film.
  4. Uncut Gems
    Adam Sandler’s best performance since Punch Drunk Love, the Safdie Brothers give an intense story of human greed and misery.
  5. Midsommar
    Ari Aster does it again. Where Hereditary was full of darkness, Midsommar attempts the rare choice of a well lit horror. Tense, unnerving and a tad goofy, this film is terrific.
  6. A Beautiful Day In the Neighborhood
    While not flawless, this film is a beautiful exploration of love and forgiveness through the eyes of a heartbroken cynic who meets the beloved Mr. Rogers. Marielle Heller makes some beautiful choices (such as imitating the television show’s models for transitions).
  7. Dolemite Is My Name
    Eddie Murphy gives a great performance here.  The movie itself manages to be a crass love letter to Rudy Ray Moore, a man determined to make it against a world that seems to not be interested in his success.
  8. Ford vs Ferrari
    Really enjoyed this supposed “Dad Movie”.  Genius in the face of corporate roadblocks push the drama here.  The racing scenes are exciting and the film is inspirational.
  9. The Lighthouse
    I still do not know what to make of the film, but it is so visually beautiful, I still think about it.
  10. Us
    Some people got really hung up on the “how does it work” aspect. But honestly, Jordan Peele’s followup to Get Out had my attention from the beginning and just never lost me.
  11. Avengers Endgame
    Technically, I think Infinity War was the better movie…but this one was so much more satisfying.
  12. the Irishman
    While I think this has some great performances, I was not nearly as pulled into this one as I hoped. It was good, but was not my favorite Scorsese film. I know a lot of people praised this as a great triumph, but honestly, part of me feels like those folks felt obligated to really hype the film over the silly Scorsese/Marvel brouhaha.
  13. Once Upon a Time in Hollywood
    Fun film from Tarantino, not his greatest film, but entertaining and great performances.
  14. John Wick 3: Parabellum
    The weakest of the three films, but still an amazing feat of action choreography and enjoyable performances.
  15. Ad Astra
    A thoughtful Sci-Fi film with Brad Pitt as a detached astronaut on a mission to discover if his presumed dead father may still be alive. Beautiful visuals and a quiet pace make this a solid sci-fi film.

Honorable Mentions (in no particular order):

Doctor Sleep- I am almost tempted to switch out John Wick 3 for this one.  Doctor Sleep was a real surprise.

Ready or Not- This was just a fun and ridiculous horror film.

Spider-Man: Far From Home- I enjoyed this one a lot. Mysterio was a cool villain and it was nice to see a villain we had not seen before. Plus, the mid credit scene.

Klaus- A beautiful little animated film.

Godzilla: King of Monsters- I had a blast with this one.

Shazam!- This is a fun movie. I had a great time.

Trapped In a Fantasy (Isn’t It Romantic, 2019)

Isnt_It_Romantic_PosterRom Coms are an often maligned genre. Much like Horror, if a Rom Com is done well, people try and argue it is not really a Rom Com. This is a lot to do with the fact that Rom Coms have a pretty solid formula that has worked for a long time.

Isn’t It Romantic attempts to mock the formula by working from within. Natalie was thrilled by Romantic Comedies as a child, until her mother made it clear that she would never be desirable and needed to settle for pretty much anything she gets in life.

So when we find her as an adult, she is a meek woman, interested in her male best friend Josh (who clearly thinks the best of her and is constantly trying to get her to step outside her walls). She is walked over by her coworkers who do not take her ideas seriously.  After a mugging goes way awry, Natalie wakes up in an amazing hospital emergency room greeted by an incredibly handsome doctor.

Natalie finds that New York is now smelling better, her apartment is gigantic and her dog is well groomed. Natalie tries to find her way out and decides the only choice she has is to play by the rules of a Rom Com.

The film indulges all the tropes with a wink, some too far better effect than others. The inability to actually get to have sex with handsome suitors is pretty amusing.

At the same time, early in the film, we get an extended sequence where Natalie explains why Romantic Comedies are toxic where we are told exactly what we will experience. The film also does nothing to really develop any of the characters outside Natalie.  Josh gets the most development as a character, at least enough to get why she likes him.  And while it is entirely predictable that they are going to end up together, it is at least understandable that the two always had feelings for each other.

Isn’t It Romantic does manage to subvert certain of its core criticisms of the genre and the cast is entertaining enough in spite of the lack of character development.  It is not as genre busting as it sets out to be, but it has its moments.

The Bigger They Come Part 14 (Godzilla, the King of the Monsters, 2019)

Godzilla_King_of_the_Monsters_PosterReturning to the present after Kong Skull Island’s 70’s setting, Godzilla: King of the Monsters is our chance for some giant monster against monster action.

With a quick revisit to the destruction of the end of 2014’s Godzilla by Gareth Edwards, we meet the Russell family who are searching for their son while Godzilla fights the MUTOs.

Jumping to the present, Mark and Emma Russell are estranged, with Emma continuing her scientific work with Monarch. When Emma and their daughter Maddie are kidnapped by Echo-Terrorists, along with a weapon that allows for some communication with the titans, Mark is recruited by Monarch to help get them back.

It turns out to be more complex than that, some believe that the Titans are the key to healing the planet.  But their confidence lacks important data that could doom the planet and humanity.

So… One of my complaints with Edward’s Godzilla was it’s slow drawn out reveal of Godzilla. This was the umpteenth version of Godzilla and the slow reveal was unnecessary and pretty annoying. Here, we get to start seeing the titans very quickly and dramatically.  Director Michael Dougherty knows that a movie called Godzilla: King of the Monsters will need to deliver on the monsters.

And boy does he.  The film has several exciting sequences as Godzilla fights the new renditions of classic ToHo monsters. The designs of the creatures are great, they have a sense of life and threat.

I also liked the human characters in this film. It was nice to see Ken Watanabe and Sally Hawkins return from the previous film. Chandler is solid as a character who would just as soon see the titans all dead, but is forced to confront his anger and bitterness to save his family and the world. Vera Farmiga is both sympathetic and frustrating as Emma, who loves her family, but seems to skirt the line of ethics in her choices.  And Stranger Thing’s Millie Bobby Brown is very good as the surviving child who really wants to do what is right and also honor her lost brother.  The film has a fun supporting cast as well.

I really enjoyed this film.  The myth building, the action and the characters came together for crazy monster bashing fun.

 

Pokémon Is a Mystery (Pokémon Detective Pikachu, 2019)

Pokemon_Detective_Pikachu_PosterI will be honest…I went into this film knowing very little. Pokémon rose to prominence at a time where it passed me right by. So, I sat in the theater basically knowing that Pokémon are super powered animal things that people catch or somethings.

Thankfully, Pokémon Detective Pikachu gives you just enough information to make it easy enough to follow.

Justice Smith is Tim Goodman…a young man who once aspired to be a Pokémon Trainer, but after his mother dies and his relationship with his father fell apart, he never even took on a Pokémon partner.

After he is informed his father is dead, he finds his father’s Pikachu, who has amnesia, but is certain that Tim’s dad is alive.  Unexpectedly, Tim is able to speak with Pikachu (voiced by Ryan Reynolds). Reluctantly, the two try and determine what has happened to Tim’s dad.

This brings them into contact with Lucy, an aspiring reporter who is certain she is onto a dark secret involving Pokémon.

After the debacle involving Sonic the Hedgehog, it is interesting to see how successfully the filmmakers adapted the aesthetic of the cartoon designs to a live action setting.  The various Pokémon simultaneously are cartoonish, but feel very plausible in the world we are watching.

The humor is well played throughout the film, embracing the absurdity of it’s premise.  And there is a really good chemistry between Smith and Reynolds, they play off each other really well.

All in all, as someone that had no attachment to the Pokémon franchise, I had a lot of fun watching Pokémon Detective Pikachu.  It was goofy fun, And the reviews from my two nephews (six and eight) was that they loved it.

 

Rebirth of the Demon (Hellboy, 2019)

Hellboy_2019_PosterFor a time it appeared as if 2008’s Hellboy and the Golden Army was the last time we were going to see Hellboy on the big screen. But then, a few years ago, new talk of a third Hellboy film emerged.  Guillermo Del Toro and Perlman both had expressed plenty of interest.  But then something happened.  Creator and owner of Hellboy, Mike Mignola and Del Toro could not come to a unified vision and Mignola brought his character to a new creative team.

Rather than continue the story began with the Del Toro films, Mignola, Director Neil Marshall and screenwriter Andrew Cosby start fresh.  Hellboy is tasked with fighting the all powerful Blood Queen to save the world.  Dismembered by King Arthur, an evil creature who seeks revenge on Hellboy starts to piece her back together. Once she regains all her power, she will be able to unleash monsters upon the world that will bring about the end of humanity.

But Hellboy is the key to her goals, so not only is Hellboy having to fight the bad guys, the good guys largely do not trust him and some are actively out to kill him. Hellboy also struggles with his relationship to his earthly father Professor Broom and their goals.  If their purpose with the B.P.R.D. (Bureau Paranormal Research Defense) is killing monsters, why did he save Hellboy at all?

It is hard not to compare this with the two prior films.  All three had good casts. Harbour is pretty good in the role. Ian McShane is a very differy Professor Broom.  He offers similar sentiments about Hellboy’s potential, but he is a far gruffer father figure as opposed to John Hurt’s kindly old man.

Sasha Lane is an interesting addition as Alice Monaghan, a psychic and medium with a long friendship and connection to Hellboy.  His main conflict within the team is Ben Daimio.  A military man who hides a big secret and has no trust for Hellboy, Daniel Dae Kim manages to avoid the cliche of the guy with a big secret not get annoying. It is hard not to miss Abe Sapien in the film, as he was such an integral character in the previous films.

Milla Jovovich is, honestly, playing a pretty stock evil character, but it works in the context of the story. I appreciate that the film continues to use the creatures of myth, such as faeries and bizarre ancient looking gods.

I think the new Hellboy design largely works and does not feel like they are just trying to imitate the Del Toro looks.  And yet…

Well, the film treads some similar territory as the first. We are getting a new beginning… but the plot is hinged on Hellboy possibly bringing about the end of the world and his temptations to do so. We get some of the same visuals we have seen in the previous films, with no real fresh approach.  Growing horns, flaming crown…but the story just never feels like it finds it’s footing as a new and exciting role.  I never felt a real rush of excitement or engagement- in spite of liking the characters.

While some of it works, there is also a lot of really dodgy CGI that is, at best, about as good the stuff we saw in the previous two films over ten years ago.

Finally…the film is ridiculously more gory than is necessary.  It is full of digital blood and absurd levels of violent gore.  Where as the Del Toro films delighted in the monsters and fantasy, this film seems to find its joy in simply being gory. I guess this should not surprise us, as the filmmakers did talk about the freedom of an R-Rating…and just a few days before the film’s release the studio released a trailer all about how the film is an awesome orgy of violence and language…full of grossness and gore…and the swears.

I actually hate having to say that this film is a real disappointment.  While I was disappointed when the work with a third Del Toro film fell apart, I still hoped the new team would create a memorable and fun film. It has a great cast, some fun ideas.  And with a better story?  We could have gotten something great…both fresh and familiar…and it just is not.

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