Elves! But DARK Elves (Thor: The Dark World, 2013)

Thor’s post Avengers story stays outside of the world of S.H.I.E.L.D., Iron Man and Captain America. It focuses squarely on Thor, Jane Foster and Asgard.

The story opens with Odin telling the tale of how the universe had once been in darkness, and after a time, the dark elves sought to plunge the universe back into the darkness. They were stopped by Odin’s father who had their weapon (the Aether) hidden deep below the ground of…somewhere. Jane Foster is doing the whole “Chasing Anomalies” thing and stumbles on the Aether which she absorbs. Thor shows up because suddenly the Bifrost Bridge has been restored. He brings her to Asgard, the Dark Elves show up, things go very badly and Thor is forbidden from heading out of Asgard. So Thor frees the imprisoned Loki for help in slipping out “unnoticed”. This is one of the film’s big set pieces. Eventually Thor tries to destroy the Aether and is unsuccessful, and the dark elf Malekith gets hold of it.

There is a battle on earth which nearly succeeds in destroying everything. But Thor saves the day (with help from none of the Avengers) and the universe does not blink out of existence.

Thor: the Dark World is not terrible. It has some real fun moments, mostly provided by Loki. And the action scenes are very well done. Taylor is a pretty accomplished television director, including Game of Thrones. He is able to frame exciting battle sequences. Hemsworth is likeable as Thor, Hiddleston’s Loki is entertaining as usual.

The film attempts to really show Jane Foster is a scientist. There is a cute moment where Jane asks if a magical piece of Asgardian equipment is a quantum field generator. The person working it states it is a “Soul Forge”. Jane asks if the Soul Forge transfers molecular energy from one place to another. The person responds, “yes”…and Jane quietly tells Thor proudly that it is a Quantum Field Generator.

Loki gets most of the best character moments, both in humor and drama. But the story has holes. Why do the Elves want to erase the universe? Why not bring in the Hulk to fight the nearly indestructible Berserkers? If it is not Odin on the Throne towards the end…just where is Odin. It is pretty average, especially in comparison to Captain America: the Winter Soldier and Guardians of the Galaxy. It also does nothing to advance the characters beyond where they already were. It is primarily to introduce the Aether, which will be part of the third Avengers film.

September 26, 2016 0

Hammer Time (Thor, 2011)

As Marvel worked their way to the Avengers, they had a bit of an issue. Thor is supposedly a god, as are all his friends and family. How does this fit into the Marvel world? Their resolution was that they are mistaken for gods, but really their magic is just science we do not understand yet.

Thor is introduced as a brash young man, a drunkard who cares more for fun than responsibility. This frustrates his father Odin to no end. On the other hand, his brother Loki is a schemer who wants to rule. All of this leads to Thor being cast from Asgaad and his powerful hammer being taken from him. Thor discovers he cannot wield the hammer until he proves himself worthy. After being found by scientist Jane Foster and her team Darcy and Erik Selvig, they find themselves being watched by S.H.I.E.L.D., specifically, Agent Colson. They have found the hammer, which nobody can move.

The film is a fish out of water story. And Hemsworth, who was not a name brand actor at the time, had a certain charm he brought to the role. Of course, eventually Thor must get his hammer and put an end to Loki’s plan.

The human characters suffer in this film. Clark Gregg knows his role backwards and forwards. And Kat Dennings has a lot of fun as Darcy. Stellan Skarsgård is entertaining as father/scientist figure. kay, it seems like it is mostly Jane Foster. The film tried to set her up as the smart scientist, but she really spends hr time mooning over Thor.

The Asgardians are a fun lot of both character actors and name talent. Anthony Hopkins brings a regal presence to Odin, while Renee Russo brings wisdom and motherly compassion to both her sons. The Warriors Three and Sif are strong warriors, but also know celebration. Tom Hiddleston plays a Loki who is both very likeable and duplicitous.

The film makes some choices that seem rather counter intuitive. Supposedly the destruction of the Bi-Frost severs the connection from Asgard to earth, but that does not last long. Nor is it really ever explained. In addition, a big plot whole is…if Thor has never been to Earth before this…how are there legends of his exploits?? Unlike Captain America: the First Avenger, Thor feels more like it is busy setting things up for the Avengers than being it’s own story. It is an enjoyable film overall, but it feels like it could have been stronger, especially considering the talent at the directorial helm of Kenneth Branagh.

September 25, 2016 0

Going To War (Punisher: War Zone, 2008)

Third times the charm! While I enjoyed the second shot at the Punisher starring Thomas Jane, it appears a lot of people did not agree. The Punisher is one of those tough characters. He is brutally violent and (in large part) that is where his entertainment comes from…how far will he go to take out the underworld? So, for the next attempt at the Punisher, much like the Hulk, they tossed aside the prior film. They dumped Director Jonathan Hensleigh and lead Thomas Jane. They replaced them with Director Lexi Alexander (Green Street Hooligans) and the new Punisher Ray Stevenson (Rome).

Like the Jane version, they draw from a variety of eras of the Punisher. While the plot feels very Garth Ennis, the choice of villain is a character he never used. That being the Len Wein/Ross Andru creation Jigsaw (Dominic West, 300 and the Wire). But they do borrower characters he brought to the series, like the Punisher Task Force-Detective Martin Soap (Dash Mihok, Kiss Kiss Bang Bang and the Day After Tomorrow) and Paul Budiansky (Colin Salmon, Resident Evil & Strikeback).

The film opens with Punisher playing with some adorable kittens…just kidding.

Just kidding..we meet mobster types meeting at a nice looking mansion. Billy (West) steps out of a limo and check himself in the mirror…he is a pretty boy who wants to climb higher in the mob, but he is given no respect by the local “Godfather”. As everyone sits down for dinner, the lights go out. Suddenly a flare is lit and the Punisher runs across the table and chops off the “godfather’s” head. And then the carnage starts… the Punisher takes out the entire house of mobsters, while Detective Soap and his partner are stumbling into the yard…his partner comes across the Punisher…Castle puts his hands over his head and turns around. The officer gives Frank the keys his car.

A chase after Billy results in his apparent death. Martin Soap. Soap is the master of exposition and gets us from Frank’s “origin” to the current scene in about three minutes…giving the viewer everything they need to know.

I won’t lie…this is about as good of a Punisher movie as you will get. It is true to character, completely violent with absurd and over the top villains. Jigsaw gives a huge speech to recruit the gang members in front of screen with a giant American flag projected on it. Hutchison is terrific in the role of Looney Bin Jim…he is uncomfortably menacing…not quite Heath Ledger’s Joker-but still scary all the same. It is a shame Hutchison will be remembered more as the “Old Guy who Married a Teenage Girl”. And you cannot get more over the top in a movie like this than cannibalism. Well, the Punisher does kill 81 people.

Dominic West is no slouch either. He plays Jigsaw and a man gone over the edge, flamboyant in his new-found skin. West brings an appropriate amount of the absurd to the film. Wayne Knight, on the other hand, draws it back. Instead of going for broad humor, he plays Micro as a dedicated soldier trying to provide backup. One of the things that is interesting here is that the filmmakers are clearly using Garth Ennis as a template. Yet Jigsaw is not a villain Ennis ever used.Nor did Micro appear in his work (havibg been dead since the 1990’s. I am always sympathetic to Julie Benz, though her accent seems to slip at times. And hey, what’s not to like about Colin Salmon? Dash Mihok makes a terrific Martin Soap…ineffectual and bumbling, but ultimately in Frank’s corner.

And Stevenson? Wow. He looks like Frank walked out of the comics. He is really imposing, and able to make Frank work in the quieter moments.

The movie works really quite well. Smartly, they put Frank in the role of protecting a family, and it is the interactions with Grace that humanize him. As villains go, they played it smart. In some comics, relate-able villains, or at least villains who see themselves as the heroes are great. But for the Punisher? You need remarkably un-sympathetic villains. At no point can you look at Jigsaw and his men as misunderstood. They are just terrible people and you want Frank to do his job and end them.

There are nice little touches, such as the The Bradstreet Hotel-named for long time Punisher cover artist Tim Bradstreet. The visuals are really nice, with great use of the landscape, and the colors are very vibrant.

The film ends with Frank standing at the top of a set of stairs, behind him a neon cross that says Jesus Saves…the J,E,U & S all flicker out to just leave the word Saves and the screen goes black except for the neon “Saves”. I am not really sure what the director is trying to do with the image. But it looks kind of nifty.

Lexi Alexander did a great job with this interpretation of the character, making a film that effectively captures it’s source material.

Marvel set Punisher aside for film. There was talk a few years back, which I felt seemed like a terrible idea. The only way I saw it working was if you put it on HBO, Starz or Showtime. On the networks there is no way it would be unrecognizable. Of course this was before Netflix and the Daredevil series.

September 24, 2016 0

Doling Out the Punishment (The Punisher, 2004)

There is a lot to like…and yeeet…

Created in the early 1970’s by Gerry Conway, John Romita Sr. and Ross Andru, he debuted in Amazing Spider-man # 129, the first attempt at the Punisher was in the 80’s. It starred Dolph Lundgren. At the time the casting seemed like an obvious choice. But then the movie came out. It was really more like they had a Dolph Lundgren action movie and decided they should market it as the Punisher because…hey, why not? He did not even have the skull as part of his outfit.

The Punisher was enjoying a resurgence thanks to the immensely popular series being handled by Garth Ennis. Ennis brought a wicked sense of humor to the character combined with an over the top approach to the violence (certainly not a new formula for Ennis, but rather his stock and trade).

Certainly, the Punisher seems like an obvious character to adapt. He is not special effects intensive and his costume is not that complex. To accommodate the age of the actor (Thomas Jane) they opted to make him an Iraq War vet who is now in the FBI. After a drug bust results in the death of drug lord Howard Saint’s (John Travolta) youngest son, Frank Castle finds his entire family dead. In the comics, it is his wife and kids…in the film? It’s at a family reunion. So, like, the entire extended family is slaughtered. Talk about raising the stakes.

Frank survives the attack, because boy would this be a short movie if he died… and goes out for revenge. Frank hides out in a shabby apartment complex that also is inhabited by Joan the Mouse (Rebecca Romijn), Spacker Dave (Ben Foster) and Bumpo (John Pinette). Joan is a nervous woman, hassled by an abusive boyfriend, while Bumpo is an overweight guy with a grand love of cooking. Spacker Dave is just kind of a strange dude. They are curious about their new occupant, who never seems to interact with them.

Frank has converted his apartment to an armory. He kidnaps low-level employee of Howard Saint Mickey (Eddie Jemison). In an odd torture sequence (done more to show how clever the Punisher is-as he never actually hurts Mickey) he coerces Mickey to be his eyes and ears and his informant.

Castle works his way through Saint’s men working up to Saint himself. In the end, the Punisher leaves Joan, Spacker Dave and Bumpo behind (but leaves them a little gift) and gets ready for the Punisher 2.

I said there is a lot to like. For one thing, the film has a terrific cast. Jane is a credible Frank Castle and is able to make the character dark and brooding-while finding the humor. Frank doesn’t crack jokes, but his actions can border on the comical. During his torture of Mickey, he explains how a blowtorch flame is so hot, it feels cold as it cooks the skin… he then presses a popsicle to the sufficiently freaked out Mickey’s back. When the session is done, he shoves the popsicle in Mickey’s mouth (causing Mickey to realize he was played). The fight with the Russian follows the comic closely, with Frank taking a beating while his neighbor obliviously prepare a meal.

The film touches on the quirkiness in the Ennis Punisher run. The inclusion of Joan, Spacker Dave and Bumpo was good, as it gives the Punisher some human interaction that is not fighting or killing. The Punisher is a smart and clever man in the film, which is an important aspect of the character.

Romaijn is kind of odd choice for Joan. In the comic, Joan is pretty plain… Romaijn is/was a Super model. They end up making her Hollywood Plain. She does a good enough job…but still…

The flaw of the film is Howard Saint. Not because Travolta is bad in the role. He chews the scenery in an entertaining way. But he really is “generic mob villain.” Welcome Back Frank (the clear inspiration for much of the film) featured a memorable mobster in Ma Gnucci and her sons… Ma survives an attack from the Punisher and is just as dangerous with no arms or legs.

To include over the top stuff like the Russian (Kevin Nash) and Harry Heck (country singer Mark Collie-the character is the answer to “What if Johnny Cash was a mob assassin?”) but then not go as over the top with the main villain? It just keeps the film from being as good as it could have been. The issue with the Russian is that he is silent. In the comics he is ridiculously talkative. Plus, they never use Detective Soap from the comics, who played for strong comic relief throughout Ennis’ run.

And in the comics, the Punisher punches a bear. Why wasn’t that in this film?!

September 23, 2016 0

Stabbing the Franchise (Elektra, 2005)

No. Just…no. I refuse to review this.

Stop looking at me. I will not review it.

Absolutely no way.

Oh, OK…I finally sat through Catwoman…it seems unfair to avoid Elektra.

The film opens with General Zod telling us that Elektra is important to the forces of good and evil. We then get a sequence with Lucius Malfoy. He is telling a black ops type security team they are protecting him from Elektra. They fail. It is shot really nicely, most everything is awash in darkness, so the red of Elektra’s outfit is striking. And there ends the best thing I can say about the film.

We learn Electra is doing the paid assassins gig and is apparently a bit quirky about her DNA. We see her training with Stick (Terrence Stamp) and I am unsure if this is a flashback. She later meets this girl stealing a bracelet in a house that I guess is Elektra’s new house. his introduces us to Elektra’s motivation and her crisis of conscience as an assassin. The little girl is under siege by magical ninjas called the Hand.

When I say magical, I am not making an amusing joke. they can give you instant diseases, turn into smoke, have living tattoos and so on. When Elektra finds herself in a losing side of a battle with the Hand, Stick and a cavalry of Ninjas (we know they are good, cause their ninja clothes are white…seriously, it is that on the nose. It is an hour in, by the way when I realize Stick is blind.

I cannot think of a whole lot positive to say about Elektra. It is… Mystifyingly incoherent. It never really makes much sense, even after things are explained. Interestingly, it is a spinoff of Marvel’s Daredevil movie…but makes no connection. Her death is referred to in vague terms. The villains lack personalities…they are strictly defined by their powers. It is hard to care about the events of a film when you cannot be given a reason to care beyond being told repeatedly “this is important.”. The film lacks any characters for the viewer to connect to. Oddly, I chose to watch the directors cut…how much less incoherent was the theatrical cut of this film?!

While there are all sorts of references to the comics, they are not used well. And when you see how well the Netflix Daredevil series handles some of these same characters, it makes the film that much more disappointing.

Elektra certainly gives Catwoman a run for the money for a top spot in the Worst Comic Book Movie competition. Catwoman still wins…but it had a tough competitor.

September 20, 2016 0

Blind Faith (Daredevil, 2003)

Oh… Daredevil…

On the heels the success of the X-Men, Marvel pushed forward to get other properties going. Spider-Man was in the works and so was the Hulk. This was before Marvel Studios existed and the company was working with other studios. There was no cinematic universe, because different studios had the rights. Then the Marvel brass worked out a Daredevil deal. Daredevil was getting a resurgence due to the Marvel Knights line (being one of Kevin Smith’s first gigs for the big two). Daredevil had a classic background among Marvel books and certainly, would be less costly than Spider-Man or the X-Men.

Add to that the interest from some high profile actors and everything seemed good on paper. And so the film got greenlit. Unlike the X-Men, Spider-Man and Hulk, they opted to go with a director who was relatively unknown. Daredevil was Mark Steven Johnson’s second film, having recently directed Simon Birch.

Casting news was where the strength was. You had Ben Affleck as the Daredevil/Matt Murdock, Colin Farrel as Bullseye, Jennifer Garner as Electra, John Favreau as Foggy Nelson, Joe Pantoliano as reporter Ben Urich and the most controversial choice…Michael Clark Duncan as the Kingpin. The fans were unhappy, because the Kingpin was a large and rotund white man. The problem is, there did not seem to be a way to translate that without it looking pretty comical. Duncan actually is a large man, and had both the muscle and height to be an imposing threat, as the Kingpin should be. Granted, this was years before Vincent D’Nofrio made the role his.

Oddest casting complaint: They totally whitewashed Electra!!! (for those unsure why this is so strange…Electra is Greek but more than one person seemed to think she was Asian)

The film introduces us to Matt Murdock. He idolizes his boxer father (a nicely cast David Keith) until the day he discovers that his father is also working for the local mob as an enforcer. Matt gets into an accident as he runs away and gets a chemical splashed in his eyes. Matt is blinded, but soon discovers his other senses have taken on enhanced sensitivity. It creates an echo effect that allows Matt to “see”. What is really neat in the film is that they do let us see from Matt’s perspective. The way the film shows his powers is pretty wild, a world that is turned into sensory braille.

Grown up Matt is a lawyer, specializing in helping the poor in Hell’s Kitchen by day and dressed up at night as the Vigilante Daredevil. The police deny he exists, but he does leave telltale signs. Ben Urich is trying to prove the Daredevil is real.

Daredevil himself is working to track down the Kingpin. He scours seedy locations for lowlifes working his way towards the Kingpin, as the law has been unable to take the crime boss on.

The Kingpin hires expert assassin Bullseye to take out Nikolas Natchios (Erick Avari). He and his daughter Electra are in town for a gala event. Daredevil interferes and had a battle with Bullseye. Bullseye succeeds in killing Nikolas using one of Daredevil’s fighting sticks.

Electra goes on a revenge kick and falls in love with Matt/Daredevil. Meanwhile, Bullseye is now trying to take out the Daredevil and Electra is trying to kill Bullseye, because it turns out she is a ninja because…of course she is.

In a fight with Bullseye, tragedy strikes and Matt finds himself on his own. He is getting more and more desperate, and eventually takes down Bullseye. He manages to get to the Kingpin, in a big fight, the Kingpin is taken down. Happy ending, people!

The film got a very lukewarm reception when it opened on Valentines Day. This is not a totally unexpected. It is not a terrible movie, but it is far from perfect. The story seems to attempt to force a lot of stuff from the comics. It is clear that the primary source of inspiration comes from Frank Miller years. No big surprise, as those were part of the innovative years of Daredevil (before his more recent run by folks like Ed Brubaker).

But there seems to be some problems with a single movie that takes a massive character arc and compresses it. The film tries to take the character from a positive place and drag him through hell, all while also bringing Electra into it and having him take down the Kingpin. It seems a bit counter intuitive, considering they were attempting to get a franchise started. The darker edge seems like it might have been better saved for a sequel, as it all feels very rushed and not fleshed out here.

There seems to be confusion in the script as how to present Daredevil as well. Noble hero or grim vigilante. You have a sequence where he could save a rapist he failed to put away or let him get killed. Yeah, he may be a rapist and therefore scum…but it really is not the best portrayal to show Daredevil so callous about death. Then there is the moment where Daredevil dives in through a window and takes to pummeling one of Kingpin’s enforcers. Daredevil realizes that he is being watched…by the enforcer’s terrified kid. This would have been a great bit in a stronger film. In a sequel, you could have really sold a tale about Matt Murdock wallowing in darkness and being pulled back to reality. And that is what they are trying to do here…but it never has enough time to make it work.

It is nice the way they try and weave Murdock’s Catholicism into the story (with some great shots of Daredevil standing atop a cathedral to boot). It is fairly nicely handled with some interaction between Matt/Daredevil and his Priest.

Affleck does pretty well, though he and Garner (ironically for the time) don’t have a lot of chemistry. I am not sure I feel Ben fully carries the movie as a solo hero, he has little support from other heroes like the X-Men. Colin Farrel is pretty entertaining and he clearly just decided to really ham it up.

The odd thing with Bullseye is he has no costume. On the one hand, I get the concerns about his outfit from the comics. On the other, they gave Daredevil a pretty close approximation to his comic book costume. Bullseye simply has a bullseye carved into his forehead.

Jennifer Garner is kind of lifeless. I never really buy Electra’s hearbreak and thirst for vengeance-even though they give us a training montage set to a Evanescence song. The direction of the film feels pretty pedestrian, resulting in a film lacking real identity. And nothing really saves it. There is not a real unique sense of style to the film.

The film does a nice job in addressing Matt’s powers though-including how distracting they can be. In the film, he sleeps in a sensory deprivation chamber. And as I said, the times when we see things through Daredevil’s sonar are nicely handled.

But ultimately, while I appreciate the effort, in the end it is a film that is simply “okay”. The director’s cut is actually a slightly improved version, though the flaws remain.

September 19, 2016 0

Hooked On a Feelin’ (Guardians of the Galaxy, 2014)

When Marvel announced Guardians of the Galaxy, it was met with a pretty collective “huh?” The announcement of director James Gunn was not much help. Gunn had directed 2 films prior. The Sci-Fi comedy Slither and the dark super-hero satire Super. His writing credits were a bit more substantial. While comic fans knew who the Guardians of the Galaxy were, the masses did not. And this did not bode well for early anticipation.

And yet…James Gunn managed to deliver one of Marvel’s best films to date. A traditional “Mismatched Crew Saves the Day” tale, the writing and performances make the most of the weirdness to carve a very fun film.

The film opens with young Peter Quill at the bedside of his dying mother. When he runs off, he is abducted by aliens. Because in Marvel’s world, that is just the kind of stuff that happens. After a heavy-hearted beginning, we are introduced to grown up Quill. In what seems like a serious sci-fi moment, Quill walks the landscape of a dead planet. He pauses and puts on earphones and the booming sound of Come and Get Your Love. This sets up a tone for the film that is highly effective.

We learn that Quill is not the brightest and gets by on luck. As he tries to pawn off the magical McGuffin he steals from an old temple, he finds himself dealing with the green skinned Gamora who is after the McGuffin. At the same time, Rocket (a talking raccoon) and Groot (a talking tree) are bounty hunters pursuing Quill. This leads to all of them being imprisoned. They are forced into a team, getting a late addition of Drax (Also green skinned and also tattooed). Drax wants to kill Gamora, because she is an associate of the mad Kree Warrior and religious zealot Ronan. Ronan killed Drax’s family and he is seeking his vengeance. Quill talks the other four into a prison escape, as Gamora knows someone who is interested in the McGuffin.

The prison escape is both action packed and highly entertaining. Gunn keeps everything moving, and even when the film slows down? It has momentum. Gunn makes sure not to ignore the development of the Guardians. They have opportunities to grow and Gunn (along with initial screen writer Nicole Pearlman) and overcome their situations. Vin Diesel has one line, yet manages to imbue different emotions every time he says it. When Drax discovers that Ronan does not appear to remember him or his family…he is lost and beaten. He was entirely of no consequence to Ronan. It causes him to alter his perspective. He also starts to get the value of his friends. Even if he does not understand how to talk to them.

The film focuses on the Guardians as David’s to Ronan’s Goliath, and it really works. The cast is effective, Probably the biggest flaw of the film is Ronan. This has not been uncommon, a lot of the Marvel Cinematic Universe films seem to be thin on their villains (usually expecting to be overcome by good casting). Otherwise the film is full of humor and excitement. Gunn took an unknown group of characters and made a strong tale of friendship and misfits overcoming adversity.

September 18, 2016 1

Burning Love (Iron Man 3, 2013)

When they announced Iron Man 3’s villain there was concern The Mandarin was a character with a rather troubling past. An evil magical Asian. Then they announced he was being played by Ben Kingsley. He isn’t an example of Whitewashing exactly (Kingsley is not white). But in the end, this was not the big concern for most viewers. Favreau was out…Lethal Weapon scribe Shane Black was in.

Borrowing from the comic’s Extremis story-line, Tony runs into a guy trying to outdo his armor by creating soldiers who don’t need armor. They are living weapons. The problem is that they are volatile and prone to exploding. Then there is the mysterious terrorist the Mandarin. As Tony finds the situation escalating, he goes into hiding. He is still struggling with Post Traumatic Stress for the alien invasion in the Avengers. As it all comes together Tony discovers a few twists, including the possibility the terrorist organization does not even exist.

As usual, the cast is stellar, and Kingsley’s reveal is entertaining. Though as the Mandarin he has this weird southern drawl that seems…out of place. But other than that, the performances are quite good.

Of all the action sequences, there is a sequence where Iron Man saves people in freefall that is just great.

The effects are strong, though at times the powers seem arbitrary. People with Extremis technology exhibit some really random powers (such as breathing fire). They do look pretty cool though. Also, the ending seems to make no sense. Tony destroys all his armor for…I guess…reasons? It feels like they were trying to put a stamp of closure on the Iron Man franchise when we knew he would be back for another Avenger’s movie.

All in all, I found Iron Man 3 a bit of an improvement over the second film. It has intrigue, action and humor.

September 16, 2016 0

Strike While the Iron Is Hot (Iron Man 2, 2010)

Seriously…Iron Man 2… not Invincible Iron Man??? What a miss…

Anyways, The first Iron Man was a surprise hit. Marvel was building towards their shared movie universe and did not want to mess that up. So, they stuck to their guns. Favreau was back to direct Downey Jr. and the entire cast that survived made it back for the sequel.

Well, almost everyone. Terrence Howard tried to renegotiate his fee, and Marvel was not interested…so they asked him to not let the door hit him on the ass and brought in Don Cheadle. I was pretty torn. I thought Howard did well and was likeable as Jim Rhodes. On the other hand? Love Don Cheadle.

One of the harder parts of Iron Man is his rogues gallery. He fights a lot of armored guys. That can get repetitive…on the other hand, you have guys like the Mandarin. A Magical Asian. So they went with…um…Whiplash. I wondered how they could make that interesting They kind of succeeded.

Whiplash is obsessed with Stark because he feels Stark’s father betrayed his father. The other villain in the film is Tony’s weaker competitor, Justin Hammer. Hammer is trying to give the government the same kind of technology Stark has. Ultimately they achieve it by using Whiplash, who has knowledge of Tony’s tech.. The film also introduces us to Natasha Romanoff, also known as the the Black Widow. Whiplash is freed from the authorities by Hammer who wants to use his expertise. Hammer is cocky, but he he is less competent than Tony or Whiplash, who double crosses Hammer to get his revenge on Tony.

There is a lot to like here. But the best stuff is almost all at the end. We get Stark and Rhodey fighting together against Hammer’s drones, Black Widow kicking butt and just a lot of cool stuff. But at times, it feels like it is taking forever to get there. This film has the exact opposite issue of the first film. The build up is not all that involving as an audience member, but the ending is great.

Again, the chemistry between Downey and Paltrow is magnetic. And Cheadle slides right into the role like he was always there. Johansson gives us just a taste of the character to come, and it is great. Rockwell is wonderfully sleazy as Justin Hammer. Samuel L. Jackson’s Nick Fury is established as a major player tying the Marvel Cinematic Universe together.

Iron Man 2 is not quite the follow up I would have hoped for, but it would not sink the franchise or the MCU either. It is one of the weakr entries, but strong enough to not be totally dismissed.

September 15, 2016 0

The Iron Age (Iron Man, 2008)

Simply described as: How to start building your bigger, badder franchise.

Iron Man has a history going back to 1990 in attempts to bring it to the screen. Stuart Gordon (Re-Animator) was on board for Universal…years later, Nick Cage and Tom Cruise sought the role of Tony Stark. When They announced Director Jon Favreau as director and Robert Downey Jr. as Tony Stark/Iron Man, there seemed to be a collective “Meh.” I get why Favreau was not instantly met with a cheer. He had three films to his credit as director. The idea that he had the chops as director to take on something of this level certainly was at least hinted at with Zarthura… but I was more perplexed by the indifference to the ever talented Downy Jr. He seemed all to well suited for the role of a care free playboy that is Tony Stark.

The film opens in Afghanistan, with Stark riding in a Humvee. He has some playful banter with the soldiers, before they fall under attack. The film does a terrific job of switching the tones from the casual goofing off at the start to the harrowing action and destruction that follows. After diving behind a rock, Tony is surprised as a rocket lands next to him… Stark noticed his logo on the side of the rocket as it explodes. We see rough shots of men holding him captive before jumping back in time. We discover that Stark lives a pretty carefree life…he pays little attention to time, does not worry about losing large sums of cash while gambling and has a way with the ladies. He seduces a reporter only to leave dealing with her the next morning to his personal assistant Pepper Potts (Gwyneth Paltrow). He’s a genius who is constantly trying to occupy his mind (playing with cars) but also a terrific pitchman.

When we get back to Afghanistan, Tony discovers he is a prisoner of the Ten Rings, along with Dr. Yinsen (Shaun Toub) who saved Tony’s life. The Ten Rings want Tony to build them a new weapon. For parts, they show him a massive collection of Stark weaponry. Tony refuses to help. Once alone, Yinsen compels Tony to use his talents to fight back. Under the guise of agreeing to make the new weapon, Tony starts designing and building a means of escape. First, he builds a new version of the magnet repealing shrapnel from his heart. One that does not require a car battery.

It turns out to be a suit of armor. In a thrilling escape, Tony fights the minions of the Tenth Circle, but losing Yinsen in the process. One of the nice things that the script and performances manage is a convincing friendship between the two, so Yinsen’s death feels like it truly impacts start and that he is both heartbroken and angry at the loss. After returning to the states, Tony calls for a press conference where he announces-much to the shock of his second in command Obediah Stane (Jeff Bridges)-he is taking Stark Industries out of the Military Industrial Complex. We also meet an important character to the Marvel movie franchise. Agent Phil Colson (Clark Gregg) introduces himself to Pepper, wanting to discuss Tony’s escape.

Obediah seems to be an understanding and caring guy. He’s concerned about the future of the company, but seems to think they can make it work based off of the mini-arc reactor in Tony’s chest (the magnet in his chest). Tony starts to upgrade his reactor and build a new suit of armor. There are a lot of fun scenes with Tony stumbling through building high tech armor. This leaves Tony concerned about his friendship with Lt. Col. James Rhodes (Terrence Howard). Rhodey is seemingly frustrated that he sees Stark walking away from helping the military.

Stane reveals he locked Tony out of the company, as Tony is pushing for a more peaceable direction for the company. Seeing news about the Tenth Circle in Afghanistan, Tony suits up and hurtles through the sky. He takes out the Tenth Circle, destroying their weapons. He gets the attention of U.S. Military, which leads to an exciting cat and mouse game with Tony and two fighter jets.

Stane works to build a much bigger and more aggressive suit of armor. Of course, Stane and Tony come to blows in an big armor battle.

The chemistry between Tony and Pepper is excellent. It is playful, flirty and not overwrought with melodrama. Paltrow was a terrific choice and the character really shines. Downy Jr. and Paltrow are able to really make the relationship sell with the audience.

Downey Jr is terrific in the role. He seems to effortlessly move from fun and flirtation to passionate and intense focus. At no point does he seem like an ill fit for the part…Tony Stark works in this film because you believe Downey Jr.

Bridges makes a terrific Obediah Stane. He seems so kind and generous at the beginning, but when the charm needs to give way to menace, he really pulls it off. Howard’s Rhodey is a nicely handled role. He is a pro as a soldier, but he knows his friend well, and commits to helping him in any way he can.

Again, watching Tony develop the new armor provides a lot of laughs (Tony gets hurt a lot). His mechanical assistants seems full of personality and humor as we watch them work together. The armor effects are terrific and give the illusion of weight and mass that feels like it was on the set. It feels like it really would be functional. Even when they deviate (such as Jarvis being an A.I. instead of a real person) it often favors the film.

I felt the biggest flaw in the film was the end battle. It felt tacked on, like they suddenly realized they were almost at the end and had not resolved the main conflict with Stane. It’s almost to quick, and honestly a little confusing as to how the giant arc reactor was impacting what was going on (it seems to hurt Stane, but help Tony).

All in all, Iron Man was an exciting and fun film, cementing the idea that Marvel movies were fun and exciting rides…but that they also had solid performances and decent-if not outright terrific-stories. Of course, while it was exciting that they were doing something new-a movie universe-it was hard to tell if this would be a successful venture or a failed experiment.

September 14, 2016 0