Hot News (Bombshell, 2019)

Bombshell_PosterBombshell is the dramatic recounting of the harassment scandal surrounding Fox News top guy Roger Ailes in 2016. Focusing on a wide eyed new Fox News employee Kayla Pospisil. An ambitious Conservative Christian, she finds her reality challenged as she starts to rise through the ranks, eventually becoming a victim of Ailes.

Robbie’s Popsisil is a composite character invented for the film. Robbie manages to be sympathetic in spite of her aspirations. Theron and Kidman do a good job disappearing into their famous roles, as does Lithgow.

The real MVP of Bombshell is the make-up, which made many actors near unrecognizable.

This being your standard “inspired by a True Story” fare, there is a lot of embellishment (outside of actual Fox News personalities, the central people Kayla interacts with the most are fictional, including Kate McKinnon’s Jess Carr).

The story playing out is pretty engaging, but the film seems unsure of what it wants to be. Is it a drama that indicts a sick corporate culture? Is it a satire of a sick corporate culture? Is it just the facts?

The main story is bookended by two very different set pieces.  It opens with Megyn Kelly (Theron) giving us a tour of the Fox News offices. It closes with a Gretchen Carlson (Kidman) speech about sexual harassment in the work place.

Bombshell is largely well made, bolstered by excellent make up and good performances.  But it’s lack of focus on what type of film it is trying to be definitely is a detriment.

Back On Your Feet (Life of the Party, 2018)

Life_of_the_Party_PosterOn the day that they drop off their daughter for her senior year of college, Dan announces to Deanna that he has been cheating on her with another woman and wants a divorce. Broken hearted, Deanna decides to rectify her one big regret in life…that she quite college to marry Dan.  She signs up at her daughters school (which is Deanna’s old school) to complete her archeology degree.

She runs into mean girls, makes friends with the girl’s in her daughter’s sorority and even strikes up a romance with a much younger guy.

The film relies pretty heavily on college movie tropes, but never does a lot of interesting things with them.  The conflicts are mostly quickly resolved with very little impact.  For example, the Mean Girls subplot runs through the entire film, it’s resolution is solved by a sentence and suddenly, those girls think Deanna and her friends are okay. Late in the film Deanna does something that hurts her daughter, and they get over it right away, since the action backfires on Deanna and threatens her education.

On the other hand, in spite of McCarthy playing Deanna as talkative and awkward, her daughter and the sorority sisters embrace her right away. And while played for humor, the relationship with fraternity guy Jack is actually kind of cute. They bond right away over wine and he genuinely likes her.

In spite of the film not really doing much with it’s tropes, I did get some laughs (Especially when McCarthy is sharing the screen with Rudolph). It is a pretty light comedy, and can be enjoyed on a lazy rainy afternoon.

Monkey Business (Monkey Shines, 1988)

Monkey_Shines_PosterBased on a novel by Michael Stewart, Monkey Shines is the tale of a quadriplegic man who given an enhanced monkey as his helper.  Allen is an athlete who is left wheelchair-bound after a terrible accident.  Initially, he is stuck with a rather unsympathetic nurse (who lets her parakeet fly around the house) named Maryanne.  He struggles, and his girlfriend walks out on him (only to start dating the doctor who saved his life).  His friend Jeffrey (a scientist experimenting with capuchin monkeys) and a trainer, Melanie, introduce him to Ella.  A capuchin meant to perform tasks for Allan, she initially shows a great amount of intuitiveness, selecting music Allan would like to listen to.  As time goes on, Allan and Melanie also start to build a romantic relationship, while he and Ella seem  to be developing a deeper bond.

But as the story progresses, the bond seems to become more and more primal, thus more dangerous.  Allen has visions of running around, at about the height of a monkey.  As he gets agitated, so does Ella.  And he starts talking about he and Ella as “We”.

While the film starts out shaky, with the initial accident looking almost comical, Romero quickly finds footing in Allen’s struggle with his new situation.  The slow changes from where we see his temper growing shorter and shorter, combined with his growing paranoia over his connection to Ella is very effective.  This is especially seen in his relationship with Maryanne, which rapidly deteriorates with the addition of Ella to the house.

Monkey Shines is a compelling thriller that should really be remembered more as one of Romero’s film canon.

Wedding Crashing (Mike and Dave Need Wedding Dates, 2016)

mike_and_dave_posterMike and Dave are brothers who party hard…so hard that their family is frustrated at how they ruin every even.  To be allowed at their sister’s wedding, they are required to bring respectable dates.  Mike and Dave get the idea to go on TV and put the call out to get some classy ladies.  Alice and Tatiana are lazy who cannot hold a job, in part because they would rather lay around smoking weed.  They see Mike and Dave and decide to con their way into a free Hawaiian vacation on Mike and Dave’s dime.  Crazy adventures follow.

Well, more like “Standard Comedy Misadventures.”  As you might suspect, the ruse is discovered, things fall apart and then the leads must fix their screw up.  It is a pretty standard trope.  The problem for this film is nothing distracts you from the highly predictable beats.

Most of the characters are very loose sketches.  And while I suspect it is intentional, Adam Levine’s Mike is far less sympathetic than Efron as Dave.  This is mirrored in Plaza’s Tatiana and Anna Kendrick’s Alice.  But that ends up working against the film.  While there are funny points, nothing makes the movie stand out.  It is trying to be in the vein of Wedding Crashers, but feels like a film trying real hard to look like it is pushing envelopes…but even those moments feel heavily cliched.

The film had a lot of potentials, as it has an excellent comedic cast.  I went in hoping to really enjoy this film as some crazy farce.  Instead, I found long stretches where the film comes to a standstill.   At barely over an hour and a half, this is not a good thing.

In the end, Mike and Dave Need Wedding Dates is a derivative comedy that is mildly amusing…but I suspect will largely be forgotten.

Something Is Off (Get Out, 2017)

get_out_posterGet Out is about a young photographer named Chris meeting his girlfriend Rose’s parents for the first time.  He is a bit nervous that they might be upset that their daughter is dating a black man.  When they arrive, he finds that there is something a bit…off.  Her parents are white progressives, who would have voted for Obama for a third term if they could.  The only black people he meets seem to be in a daze.

The white people in town offer casual racism, except they seem to believe they are being positive in their objectification.  I cannot really say more without ruining the film.  Directed by Jordan Peele of Key & Peele.  I admit, I was surprised that a skilled comic making his directorial debut has made a terrific and tense thriller.

Peele has recommended seeing this in the theaters with an audience, and he is right.  This film is meant to be seen with a group.  It would be incorrect to call this a horror movie, it is a excellent thriller.  Peele knows how to use tropes of the genre without making them feel like tropes.  The film has light moments, mainly provided by LilRel Howery as Chris’ friend (and dedicated TSA agent).  Everybody turns in great performances, with the film having a creepy vibe that grows throughout the film.

Get Out is a terrific film worth checking out while it is still in theaters.

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