Mary and Charles are the mysterious mother and son that have arrived in a local small town.Charles is handsome and charming, while his mother is ethereal and elegant. Quickly, Charles seems interested in local Tanya.
While she thinks his interest in her is romantic, it turns out that his real purpose is far more sinister. Charles and his mother are actually supernatural creatures…shapeshifters known as Sleepwalkers who go back centuries. They survive by feasting on the life force of young virginal women.
Sleepwalkers is an original idea from Stephen King’s mind. It is an interesting general concept. But the mystery quickly is sideline by comedy and gore. Featuring some decent digital morphing, the shapeshifting in the film is an okay effect. The film is never scary, but there are also some good practical effects.
This is more comedy than horror, with the Sleepwalkers having the weakness of being killable by cat scratches. There is a scene where a guy is killed by a corncob. There is a scene with cameos from Tobe Hooper, Clive Barker, John Landis, Joe Dante and Stephen King that is largely a comedy bit (but lacking…ahem, Wes Craven). The Sleepwalkers are given to hackey one liners, especially Charles.
I enjoy the film as a goofy horror film. And it has a really good cast. But my favorite thing is honestly the music. The soundtrack is punctuated by a really haunted theme that features a sad and ominous hum. It also features a terrific use of an older song called Sleepwalk.
Sleepwalkers is not a classic horror film…it is, however, a lot of schlocky fun to gather wisth some friends around the Halloween season for some laughs and fun jumps.
All things must end they say. It seems like May 4th is the appropriate day for me to put out my review of the final film in the “Skywalker Saga”. While I saw the film twice in theaters, December and January passed before I started playing catch up…and then I decided to wait for the 4K release of the film so I could get one more watch. And I finally committed to a third watch.
The film opens with a quick update crawl telling us the Emperor is back. And the story picks up with Supreme Leader Kylo Ren trying to locate the Emperor so he can defeat him. But quickly, we learn the Emperor has plans and wants Kylo to help, in exchange for an army that the Emperor and his Sith Cultists have been building for thirty years.
We then get reintroduced to Finn, Chewie and Poe, who are gathering data from someone who reveals there is a spy within the First Order. Rey is busy training to be a Jedi under the watchful eye of General Leia Organa. Once they find out the Emperor is definitely back, they determine they must take the fight to the Emperor, but the problem is that Exogol, the home planet of the Sith, is not on any map. They need a special Sith device that will lead them to the planet. So Ray, Finn, Poe and Chewie go off on a series of adventures.
So, the core question, if you are reading this, I suspect is “Did I Like It?”
I…guess? I mean, I did not hate it? But I did not love it?
Some Spoilers ahead…
It was great to see the characters return. It was nice to finally see Lando back. I like the way they used Hux in this film. I feel like John Williams did a solid job with the soundtrack. The action sequences were great. I was not super bothered by the return of the Emperor, since the old Extended Universe used the idea that the Emperor had been using cloning technology to extend his life. I also am never bothered by “new” Jedi powers being revealed in the films. The power to move objects was introduced in Empire, as were actual Force ghosts. And the powers exhibited in this film really build on stuff we have already seen.
Babu Frick is awesome.
At the same time?
A large chunk of the film feels like course correction. It feels like J.J. Abrams and writer Chris Terrio are trying to respect that Rian Johnson’s The Last Jedi Happened, but also trying too soft reboot. When Kylo Ren told Rey her parents were nobodies, he was not lying…he did not know the dark truth that her father was the clone son of Emperor Palpatine. And they were really good people trying to protect her from the Emperor. It is weird to think that Rey has had almost no interaction with Poe, but somehow they are besties in this film.
We have heard about the Knights of Ren for several years now and we meet them in this film. Kind of. I have no idea if they have names, but the movie shows them walking around. We have a Storm Trooper say they are scary. That is pretty much it. There is one fight with them towards the end and they are quickly dispatched. Otherwise we just see them walk around.
The way they tried to retro fit previously unused Carrie Fisher footage in the film never feels organic. At no point does it feel like anyone is interacting with her. Which leads me to this frustration… Abrams and Terrio sidelined Rose Tico in the saddest way possible. They make her a sidekick to a digital restoration of Carrie Fisher. Why was she not part of the action on the Millenium Falcon in the early part of the film? Why was THIS guy there instead???
The film has multiple points where it raises the stakes dramatically, only to reveal that there was nothing to worry about. Major story impacting incidents are reversed so that we lose nothing as fans. There is not anything that engages our emotions for the story. And that is where I lean towards feeling disappointed with how the Skywalker Saga comes to a close. It is fun, but not as satisfying as I had hoped it might be. It has some good ideas, such as Storm Troopers who rebelled against the First Order. But then instead of the obvious plot point of Finn having inspired Storm Troopers to refuse their orders, it is just never something that is connected.
So… I did not hate the film. There is stuff I really enjoy and stuff that annoys me. It kind of evens itself out.
The Child’s Play franchise is seven films in and has a TV series in the making, so when a remake of the 1988 original, it was met with…skepticism. Especially as the film has no real ties to the original film via writer or director.
Here we get the basic story idea. Andy gets a doll that turns out to be dangerous and homicidal.
Here, Andy is a bit older. His mother gets a Buddi Doll that has AI and can connect to your Smart Home devices. It was returned as defective, and Andy’s mom takes it to give her son, as Andy is becoming more and more withdrawn. At first, the quirks do not seem to be to big a deal…until Chucky tries to kill the family cat after it hurts Andy. Andy forbids Chucky from killing. And for awhile, they become close friends.
But after some other kids discover that Chucky can swear and be generally rude, they want to hang with Andy. It is only after Chucky murders someone that they all realize how dangerous Chucky actually is.
And a lot of the film is pretty effective. I like Andy and his mom. And I think the AI take actually works in some interesting ways. Chucky is not inherently homicidal. He becomes increasingly so, desensitized by his environment and working as a stalker. He is not killing people out of a love for murder…but rather a warped ideal of his relationship to Andy. And while this comes at the sacrifice of Dourif’s memorable characterization, I really appreciate the new approach.
Andy’s friends are a bit obnoxious, and honestly, it seems like much of the film they made sure to give Chucky victims who were pretty morally reprehensible. I mean, there is only one character he kills that I genuinely liked. I appreciated the attempt they made with Brian Tyree Henry’s Detective Norris, making him a friendly face in story…but the character is kind of dull (which is definitely not Henry’s fault, we saw him be pretty wonderful in Into the Spiderverse in a similar role.
And…well…Chucky’s design should have gone through a few more revisions. He looks genuinely goofy sometimes.
But I found myself largely entertained by the film and felt it has far more positives than negatives. I walked out feeling pretty satisfied with a film that I confess to having not had a lot of hope for.
I will be be honest. Walking out of Star Wars: The Last Jedi, I had no idea just how controversial this film would be. I wrote my first review and then rewrote it due to a spoiler claim. I watched as the film seemed to rise with critics and fall with some fans.
So I went to see the film a second time in the hopes of determining my feelings on the film. Do I think it sucks on a second viewing? Did I see those glaring flaws?
And so here we go…let us dive into the Last Jedi…
Spoilers, spoilers and and in the words of Artoo, “Bleepin’ Spoilers To Follow”!
The Last Jedi opens in the middle of an evacuation by the Resistance. Due to their actions in the Force Awakens the Resistance is no longer underground, and they have no cover from the New Republic as, well, the First Order obliterated them. While the Starkiller Base was destroyed, that does not mean the First Order is no longer a threat. They have located the Resistance Homebase and arrive in the middle of the evacuation. They bring in a super ship called a Dreadnought.
They are startled as a lone fighter appears to face the ship. It is Poe Dameron and BB8. Dameron is patched through and messes a bit with Admiral Hux. This is, for me, anyways a good little bit. It also worked for both audiences I saw it with. Poe starts firing on the ship, leaving the Hux confounded, but the Dreadnought Captain realizes what is happening. He calls for tie fighters to be scrambled, As Poe takes out the last of the cannons, Leia calls for him to abort the attack.
Dameron rejects the command, noting that taking out a Dreadnought is a big deal. He has the fleet launch their bombers. But as they near the Dreadnought? the Tie Fighters start taking the bombers out. The last bomber is in position and Poe is calling for them to drop the bombs. But the bomber’s, uh, bomb guy is out called. Gunner Paige tries to grab the trigger, but gets nocked down, in a last minute move, she gets the trigger and drops the bombs, sacrificing herself. We see her holding a medallion, which seems important.
Poe and the remaining fleet return, the ships jump to hyper space. There, Leia demotes Poe for his refusal to follow orders. He points out the gamble was a success, but Leia notes that the cost was to high. They lost all their bombers. They lost countless pilots. At the same time, Finn wakes up from his injuries received in the Force Awakens. He meets up with Poe and asks where Rey is…
Rey gives Luke the lightsaber…he looks at it and…tosses it aside?! Luke is not happy to see Rey at all. In fact, he walks off bitterly. Rey is perplexed. She tells him the Resistance…his sister…needs him. And Luke responds with derision. He mocks the notion of the legend returning with his laser sword and sending the First Order packing.
Rey follows Luke around a bit, but his day to day is kind..bizarre yet mundane. Luke went to find a place to hide and die. Rey suddenly feels a pull and finds an old tree…inside is a collection of books. Luke asks Rey why she is there.
Rey notes there has always been something inside, and now it seems to be growing. Rey wants to understand it. But Luke is convinced the Jedi should end.
Meanwhile, not long after having dropped out of hyperspace, the First Order shows up right behind them. The Resistance realizes they were able to track them through hyperspace. They put it together that the ships only have enough fuel for one last jump through hyperspace. The First Order launches their ship.
As Tie Fighters attack, the pilots race for their X-Wings. But along comes Kylo Ren. He and Leia seem to sense each other, he flies into the Resistance ship’s hanger.
All the X-Wings are destroyed. Ren and two other tie fighters approach the bridge of the ship, Kylo hesitates, but the other ships fire, blowing the ship bridge wide open. Leia appears dead, but then her eyes open and she flies to the bridge where medical officers retrieve her.
The Resistance opts to get out of the range of the main First Order ships, forcing the Tie Fighters to fall back and also allowing the shields to hold up under the First Order Barrage. It is announced that Leia’s command is passing onto Commander Holdo. Instantly there is friction between her and Poe. Poe clearly thought he should be leading, and he demands to know the plan. The only answer he gets is… “Be a good soldier.”
Finn tries to escape, hoping to find Rey, but runs into Rose. Rose is introduced in tears, looking at a familiar medallion. We find out her sister was the bomber gunner from the beginning of the movie. She recognizes Finn and starts gushing about what a hero he is. He is embarrassed, but then Rose realizes he was trying to take an escape pod. She stuns Finn and as she is hauling him to the brig, he mentions that the First Order can track them through hyperspace. They start to contemplate this and formulate a possible plan.
All the while, Rey has found herself psychically connected to Kylo Ren. They are conversing at times, Ren making his pitch on how terrible Luke is. Luke merely tells Rey that Kylo attacked him. But Kylo states Luke tried to kill him, claiming it was self defense to attack Luke. After confronting him, Rey finds Luke did indeed have a moment of fear, when he considered killing Kylo Ren, but he realized it was wrong. Unfortunately, Ren awoke to just see Luke standing over him and freaked out.
Luke starts to train Rey in a rather…unique fashion. He at first mocks her…he has her close her eyes and says to reach out. She literally reaches her hand out. He starts to tap her hand with a weed. Rey starts to get excited until she opens her eyes to realize what Luke was doing…but her second attempt starts to yield results. Luke explains that the Force is not a magic rock moving power. It is more like the tension between things.
Poe finds out from Holdo that they plan to have everyone take the emergency transports to reach a nearby planet. Poe thinks the idea is terrible. He works on a plan with Finn and Rose. They reach out to Maz to try and figure out a way onto Snoke’s ship. She tells them to go to find the Master Codebreaker. He will be at a Las Vegas type of place. Rose and Finn go to find him. In the meantime, Dameron leads a mutiny against Holdo, believing her plan will get everyone killed.
Finn and Rose arrive at their location, and in a humorous reference to the New Hope, Rose tells Finn what a terrible place they are visiting (not unlike Mos Eisley) and then it is a beautiful location. One the surface. They see the Master Codebreaker, only to be promptly arrested for a parking violation.
They end up in a cell with a guy who claims he can get them in. At first they reject him, but he ends up helping them escape. They may work their way back toward’s Snoke’s ship.
Rey and Chewbacca leave Luke behind, as Rey believes that since Luke won’t return, Kylo is their only hope. Rey arrives on Snoke’s ship and is brought before Snoke. He reveals that she and Kylo were connected by him. He had thought that Luke Skywalker was the Force Equal for light to Kylo’s darkness. But he now realizes it was Rey.
Holdo and Leia end the insurgency, stunning Poe. They start to send out their transports. But Holdo stays behind.
In an unexpected moment, Kylo uses the force to slice Snoke in two. This results in a battle between Snoke’s guards, Rey and Kylo. Rey believes the tide has turned. But Kylo reveals that he wants Rey to help him reshape the galaxy.
Poe Dameron wakes up to find that he is on a transport ship to reach the planet. And the danger increases when Rose, Finn and the Codebreaker are caught. The Codebreaker betrays them and tells the First Order about the escape plan. The First Order starts firing on the transports. But Holdo takes the main ship and then jumps to light speed, splitting Snoke’s ship in half.
Finn, Rose and BB8 escape the ship, as does Rey. They arrive at Chait (a planet that initially looks like Hoth). Kylo claims that Rey killed Snoke and basically takes up the mantle of Supreme Leader. They arrive on the planet surface, planning to destroy the Resistance. Finn and Poe take junk ships to try and destroy a giant battering ram laser thing.
The planet surface, instead of snow, is covered in salt, and just below that is red. It creates this really cool visual. They end up failing to stop it…but when all hope seems lost…in walks Luke Skywalker. He takes a moment with Leia to apologize. He then marches out and stands before the First Order Walkers. They fire on him (at the order of Kylo Ren). When the smoke clears, Luke is still standing.
Kylo steps down and confronts Luke in person. They start to fight, but Kylo seems unable to lay a blow on Luke. Meanwhile, Poe realizes Luke is giving them time, and they look for a way out. They follow some animals to find an exit…blocked by boulders.
It is revealed that Luke is projecting himself across the Galaxy. Then Luke fades away. Rey moves the boulders so the last of the Resistance can escape. They all climb aboard the Millennium Falcon and fly off.
As noted, the film has been…controversial. While critics has mostly loved it, the audience reaction seems largely split with a leaning towards negative. Some of these reasons are, well…okay… flawed.
One of the first negative articles I saw included the phrase “There is no gravity in space”. STOP SAYING THIS PEOPLE. There is gravity in space. But it functions a bit differently. But more importantly? Star Wars is not a hard science series. X-Wings would not fly like they do in any of the films. The Star Wars films disobey science all the time. The Empire Strikes back has space ships dropping bombs in space. Yes, yes, light speed would work differently than it does in the film. Stop arguing science against Star Wars films you do not like. Because the films everyone agrees are good are every bit as guilty.
Hologram Luke. Really, it is more like Astral Projection. We have not seen this in prior films. However, both Empire Strikes Back and Return of the Jedi introduced new Force powers. And certainly, the Star Wars world was in it’s infancy then. But at the same time, maybe the Astral Projection was a lost or forgotten thing. It is presented as immensely taxing. Snoke merely tied Rey and Kylo Ren together psychically, and he noted that would have torn either of them apart. So, it stands to reason it would not be something Jedi used a lot, if at all. Plus, it is certainly an extension of the concept of the Force Ghost. I actually liked this. I like how there are a few queues (that I missed on my first viewing) that something is off. Luke’s beard and hair lack any gray, and he does not effect the ground around him. Seriously, if you can accept Force Ghosts, but not Astral Projection? You probably need to be a fan of something else.
Related to that was “Space Leia”. After being pulled into space by an explosion, Leia opens her eyes and flies back to the ship. While I think the way it was shot is a little goofy, the concept itself is fine. Leia is Force sensitive, and in a life or death situation, using the Force to save her life is plenty believable. If the force can pull a lightsaber across a room to a Jedi, certainly a person can use the Force to pull themselves towards an object.
A couple things that I found a little disappointing. The class issues of the Las Vegas resort is lacking room to breathe and explore it. It all feels rushed. They need to find the Codebreaker and take off.
Then there is the fight with Captain Phasma. Phasma has a cool look with the Metallic Storm Trooper armor. She was set up as something big, even though she was disposed of quickly in The Force Awakens. Here, they have a decent fight and then she falls into a pit of fire.
The fight is to quick, so Phasma becomes kind of like Darth Maul…gone to quickly. However, I loved the exchange with Finn in which she tells him he will always be scum. Finn looks at her and says, “Rebel scum.” It is a great moment for Finn. I would also note that I have seen people constantly refer to Finn as a janitor, suggesting he should not be a good fighter based on this. But the problem with that logic is…he was raised and trained as a Storm Trooper. He has combat training, regardless of his assignment as a janitor.
I also found it frustrating that as Finn was about to sacrifice himself to destroy the laser battering ram, Rose blows through and stops him. Now, mind you, I like Finn, and did not want to see him die. But I also felt it would be a dramatic and heroic moment. I found myself admiring Finn as he was flying into the mouth of the cannon.
Now, some have made a big deal that the Last Jedi is an attack on Mansplaining. I am not convinced that it is this extreme. I think it is a bit simpler than that.
One of the things I really enjoyed was how the film thwarted my expectations. As a movie going culture, we have been heavily trained to be sympathetic to guys like Poe Dameron. Poe is kind of the John McLane character here. In any other film, Poe would be the guy who knows more than his leadership. When they announce that Leia is in a coma and they have chosen her successor, Poe clearly thinks it will be him. But instead it is Holdo. Oscar Isaac has a pretty hilarious reaction, as you see him practically ready to stand up and thank everyone…only to be deflated. In the case of Dameron, I think he would have reacted to command the same from a man as he does women. Poe does not think he is smarter than them because he is a man. He thinks he knows more than everyone else.
And in almost any other film, he would be proven right. Poe, Rose and Finn would have succeeded and been hailed as heroes. But the Last Jedi takes a huge risk. Many are using the rule of the “Idiot Plot” to condemn this particular story point. The Idiot Plot is a story point dependent on people not knowing vital information. Specifically, everything would be solved if somebody just told another character simple information.
This is a common plot device in sit coms and romantic comedies. And yes, as tropes go, it can often be very frustrating in those types of movies. And sometimes films and shows will have elaborate reasons why two characters cannot show such information. But it is not always applicable just because you can look and say “Gee, if so-and-so only knew this…” Context matters. Here, Poe is a soldier. A demoted soldier no less. And he was demoted for his reckless decision making which results countless deaths. People keep saying that Holdo could have averted the problem by simply telling Poe everything. But it is Poe that decided he is smarter than everyone else. It is Poe that decides to not tell Holdo of the plan he sets up, mocking her for keeping him in the dark.
Holdo and Leia are not incompetent leaders. Instead, it is Dameron’s single minded arrogance that causes the problem. His unwillingness to trust his boss. We have an endless supply of films about rebellious cops and soldiers who buck the system. And here we see that play out…and it backfires spectacularly. This may seem like the idiot plot on the surface, but looking below that surface makes plenty of sense as to why they told Dameron to just trust them.
It was quite interesting to see a story played out so differently than the conventional tropes.
Kylo’s story is interesting to me. Early in the film, Snoke berates him for getting beat by Rey and mocks his wearing of his mask. Ren leaves and angrily smashes the mask. Much of his journey in this film seems to be from that of wanting to be Darth Vader to accepting a different path. His interactions with Rey certainly give us a look at his continuing conflict, and it is understandable why Rey thinks he could be won over.
In spite of Snoke’s death at Ren’s hands, I feel the story is not over and need to withhold judgement for this unexpected move seeming premature.
The reveal that Luke is living alone, bitter and unwilling to help rubbed a lot of people, including Mark Hamill, the wrong way. But I think it was an interesting choice that made a lot of sense. Luke ran from both his failures and his legend. I suppose the Force Awakens could have opened with Luke having successfully rebooted the Jedi Order. But this is far more interesting. We find Luke resentful of not being left alone. He believes that the Jedi is a concept unworthy of continuing. And in some ways, this feels true.
The prequels established that the Jedi were a flawed bureaucracy, not cool Intergalactic Knights. The original trilogy showed Ben Kenobi to be a guy more than willing to stretch the truth.
And to this, we find Luke to be a pretty terrible teacher. And why wouldn’t he be? Even when he agrees to train Rey, it is with the attitude that all the rules of the Jedi are garbage. The Force is not for special people. The Force is not about your family line. The Force is available to all, if they are open to it.
And there is the Rub. Luke has closed himself off to the Force. In doing so, he has cut himself off from life. He cannot sense the activities of his loved ones. He did not feel it when Han Solo was killed by Kylo Ren. And Luke is fearful of the power he sees in Rey.
It is only when he realizes his failures should not define him that he sheds his fears. In opening himself back up to the Force, he is able to tap into power that even he had not experienced in the past. And upon completing his mission to help Rey and Leia? He finds Peace within the Force. He tells Kylo Ren, “Be seeing you.” It sounds like there is more to come with Luke. By the end of the film, Luke is reconnected with the Force and in unity with it.
The film’s biggest reveal is that of Rey’s parents. The Abram’s film showed us that Rey’s parents had left her with Unkar Plutt. Fan speculation was all over the map. Is she a Kenobi? A Skywalker? The Last Jedi loudly declares they were nobody. They were junkies who sold her to get money for a fix. They are buried in paupers graves on Jaaku. The Force Awakens hinted that Rey’s parents were not that important, despite claims otherwise. Maz tells Rey they both know her parents are never coming back.
This works for me. It of course, also works for the themes of the Film. Snoke believed that it was the Skywalker line that would stand in his way. It is why he converted Ben Solo. The fact that Rey is some random Force Sensitive person? That she is not some part of a prophesied blood line? I find this a very satisfying answer.
Are there things that I think could have been done better? As noted, yes. But are these failings greater than the things the film does well? Not by a longshot. Johnson has given us an unpredictable, interesting film that still reflects it’s predecessors. The Last Jedi is a strong Star Wars film that has me interested in seeing the next chapter of this story.
After the prequels, Star Wars appeared to be…well, complete. Lucas was no longer talking about a third trilogy. All had gone quiet on that front. Instead, Star Wars thrived in animated fare like the Cone Wars cartoon and in comic books through Dark Horse. Dark Horse had even started a Canon series that took place between a New Hope and Empire Strikes Back.
But then, in 2012, came a very unexpected announcement. Disney had purchased Lucasfilm and all it’s properties. And with this announcement came the news that they were working on a new trilogy. And on top of that, Disney would also be making Star Wars films set outside the main storyline.
This came with some controversy, as Disney declared that the extended universe of Novels and comics were, in no way, canon. Only the Six movies counted. This was partially to allow new novels and comic books to start building the universe anew. Dark Horse lost the rights and Marvel took up telling all new stories within the Star Wars universe.
J.J. Abrams was brought in fresh from rebooting Star Trek (ironically enough, he was often criticized for bring a Star Wars attitude to the franchise) to create the new story that would continue the adventures. Of course, Harrison Ford, Carrie Fisher and Mark Hamill were all brought in to reprise their roles (some more limited than others). So let us go forward, back to that galaxy far, far away…and be ready for spoilers!
Opening up about thirty years after Return of the Jedi, we are greeted by a star destroyer. It appears that while the Republic was restored, the remnants of the Empire formed as the First Order. The First Order is getting bolder and are trying to wipe out the Resistance, led by General Leia Organa. She has sent a top Resistance Pilot named Poe Dameron to the planet Jakku in an effort to get information that could lead them to Luke Skywalker.
First Order ships arrive on the scene, and Poe tries to escape, but his ship is damaged. He puts the top secret info into his astro droid BB-8. The droid goes on the run and Poe is captured by the mysterious Kylo Ren. It is quickly revealed that this is the son of Leia and Han Solo.
In the middle of this, one of the Stormtroopers seems out of step with the others. When they return from Jakku, he removes his helmet to reveal a young man who is not a clone (later in the film, it is explained the First Order takes young children from their families and trains them to be unquestioning soldiers rather than clones). The Storm Trooper helps Poe escape. In the middle of their escape, Dameron asks what his name is, and the Trooper responds with FN2187. Poe determines that he will just call him Finn, and the newly christened Finn declares he likes it. They crash back on Jakku. Finn cannot find anything but Poe’s leather jacket. He wanders the desert planet, tossing aside his Storm Trooper armor.
Meanwhile, BB-8 has been found by the young scavenger Rey. She helped BB get away from a junk collector and offers to help the droid get to the city. They arrive and Rey finds herself being followed. BB-8 sees Finn in Poe’s jacket and Rey attacks. Finn claims to be a member of the resistance, and that he can help. Finn hears a familiar sound and they realize they are under attack from the First Order.
They rush to find a spaceship. Finn points to a ship offscreen and Rey mocks it as being garbage, but the ship she wants blows up…resulting in her yelling out “The garbage it is”…but it turns out to be a very famous hunk of junk. It is the Millennium Falcon. Rey pilots while Finn mans the guns. This leads to a very exciting chase through the air forcing the two to rely on their best wits. At one point, Rey flies the ship through the carcass of a crashed Star Destroyer.
Once they reach space, they start to try and figure out how to get BB-8 and Finn back to the Resistance. Finn, of course, has no knowledge of the Resistance, but manages to convince BB-8 to play along. They are overtaken by a larger ship, and it turns out to be Han Solo and Chewbacca.
Things take a turn for the worse as two factions Han has double crossed show up. After a narrow escape, the newly formed crew head to meet up with someone Han knows can help. Their mission is now to get BB-8 to the Resistance, especially after they find that BB-8 holds coordinates to finding Luke Skywalker. They reach a lush planet and Han brings them to the temple of Maz.
Maz is a small alien who is even older than Yoda. She apparently has a crush on Chewbacca (she refers to him as her boyfriend, and it is unclear if this is playful or serious).
Finn confesses that he was a Stormtrooper and he is terrified. He only wants to run as far from the First Order as possible. Maz points him out to a couple of guys he could run with. Rey gets distracted, believing she hears a child calling for help. She goes to the basement of Maz’s temple where she finds a trunk with a familar item. Luke’s lightsaber, last seen in the Empire Strikes Back. As soon as she touches it, she faces a barrage of visions and sounds, voices and images of the past and future.
Rey runs from the Temple in terror. Unbeknownst to Maz, Han or the others, spies for both the Resistance and the First Order have sent out alerts, as the First Order and Resistance are both on the hunt for BB-8.
The first order has a new weapon they call Starkiller Base (this is a reference to the original scripts for Star Wars, when Luke was named Luke Starkiller). It is basically a variation on the Deathstar, except they used an actual planet to create it.
Having seen Rey run off, Finn starts to run for her, but everyone is stopped by a sight in the sky. The Starkiller Base has fired on the Republic’s central planets. The First Order knows that the Republic has been helping the Resistance, and without them, the Resistance loses key support. Everyone on the ground near Maz’s temple can see the lasers burning through space towards their targets.
Then, the First Order shows up, firing on the temple and it’s fleeing occupants. Rey and BB-8 are running through the forest while Stormtroopers are in pursuit. Han, Chewbacca and Finn fight Stormtroopers trying to get to Rey, but end up overwhelmed. Meanwhile, Kylo Ren has found Rey.
Ren discovers that Rey has seen the map and dismisses the need for BB-8, instead taking Rey with him. In the meantime, the Resistance shows up with X-Wings to chase off the First Order troops, saving Han, Finn and Chewbacca.
They are greeted by General Leia Organa, who embraces Han. Now, instead of running from the First Order, Finn argues for a direct assault on Starkiller base so they can save Rey. It is also revealed that Poe survived the crash landing, just as Finn had.
Rey is being interrogated by Kylo Ren, though, he seems to have deeper motives. He sees that Rey seems to have a natural gift for the Force, much like his grandfather.
After Ren leaves, Rey feels emboldened and tries a “force” trick by getting a guard to unlock her restraints. The seen is quite entertaining, and more played for the humor than the drama. But the scene works pretty well, showing Rey both a quick learner and more than willing to accept things on faith.
Back at the Resistance base, they prepare for their attack. They plan for Han, Finn and Chewbacca to take out the shields that will allow the Resistance fighters, led by Poe to take out the base before it can fire. The Starkiller Base’s primary weapon actually requires the energy of a star, so they have until the star being used for power is snuffed out.
Arriving in the Millennium Falcon, the heroes go in to find both Rey and set up the destruction of the base. As they search for Rey, Han realizes she has already escaped. They meet up with Rey and start planting explosives. Han sees Kylo and calls out to him. Han and Kylo meet on a bridge. Han reaches out, and Kylo speaks hesitantly, wanting his fathers help. Solo promises to help him, in this moment, Han’s facade of cocky hero drops to reveal a father who lost his son, and sees an opportunity to heal the relationship.
Instead, Kylo impales him with his lightsaber. Han, in a touching moment, touches the face of his son before falling from the bridge. Angrily, Chewbacca fires and hits Kylo Ren. The horrified trio of Rey, Finn and Chewbacca race out of the structure, setting off the bombs. This allows the X-Wings to start strafing the surface. Chewbacca heads for the Falcon, while Finn and Rey run into another obstacle…
Finn turns on the lightsaber and engages Ren, but it is a short fight. He starts to use the Force to grab the lightsaber the unconscious Finn dropped, but instead, it find’s Rey’s hands. This is a really nice dramatic and exciting moment, scored just tight by John Williams.
Rey and Kylo have a furious lightsaber duel, only to have the planet starting to break up around them. Ren tells Rey he could train her, she may be a strong raw user of the Force, but he can teach her better control. They are split apart by the turmoil around them. Chewbacca appears with the Falcon and they get Finn, leaving before the Starkiller Base is fully destroyed.
Returning to the base, Rey meets Leia (an they embrace, which Abrams admits was probably a mistake, there is no reason for the attachment, as Leia and Rey have never met). Using the information from BB-8, they have the missing puzzle piece. Earlier in the film, it is revealed R2-D2 has been in powersave mode, he wakes up and provides the rest of the map. Rey and Chewbacca fly off to the remote planet that Luke is staying on. Rey walks up and stands before Luke reaching out with his old lightsaber and the film ends…
Probably the two biggest knocks against the film were the fact that it mirrors A New Hope far to much and Rey is a Mary Sue.
The film does follow the beats of a New Hope quite closely. A young desert planet nobody is drawn into a larger battle of intergalactic forces and learns to use the force…while helping to destroy a planet sized planet destroyer. But I do not find this overall a problem. The repetition is certainly a valid storytelling device. I confess, I wish the big plot device did not hinge on a planet killer all over again, but I do like the visual design of Starkiller Base.
But the whole “Rey is a Mary Sue” thing. This is often leveled as a criticism along with folks upset by the film having “diversity”. Finn is played by a black man, Rey is, of course, a girl and Poe is played by a man of Cuban and Guatemalan heritage.
Before then, the casts were largely white. Lando and Mace Windu were exceptions. And I think Mace was mainly “Wouldn’t it be bad ass if Samuel L. Jackson was a Jedi???” There is a silly contingent of people out there that are certain having non-white male actors in roles is a problem. It somehow ruins the stories to have a variety of actors. They claim, of course, not that their problem is the diversity, but forced diversity. But John Boyega’s presence did not force some magical change on the story. Opening up considerations for actors in the Star Wars universe is hardly a problem. Especially when you consider how baked in the cake it is with Star Trek. And it sure seems to work okay there.
But back to Rey. So, Mary Sue is a term that is a part of fan fiction. If you are not aware, Fan Fiction communities are folks who love to write stories continuing the adventures of shows, movies, comics, etc that they love. Sometimes they work within the cannon of the franchise, but often, this is their way of saying “what should have happened.” Some writers are specifically focused on relationships they want to see that the official works clearly won’t be doing (*cough, cough* Finn and Poe *cough, cough*). But the most derided thing in fan fiction is the dreaded “Mary Sue”. A Mary sue is a character that is created by the author that is simply better and smarter than everyone else. There is nothing they cannot do. They always save the day and fix everything. It is generally believed that a Mary Sue is a way for the author to insert themselves into the story.
In the film we see Rey fly the Millennium Falcon, fix the Millennium Falcon, use the Force and have a lightsaber duel with a trained Sith Lord. Does this make her an all powerful Mary Sue?
There, that was not so hard.
Not satisfied? Okay…then we are going to break this all down.
Rey just happens to be a pilot who can just happen to fly and fix the Millennium Falcon. She even seems to understand it better than Han Solo. But let us look at Rey’s history. As a child, she is left with junk dealer Unkar Plutt. Her whole life has been as a scavenger. She plunders the ruins of the crashed ships that litter the surface of Jakku. This means she has some basic technical understanding of how ships function.
We know Rey is familiar with the Millennium Falcon, because when she is running with Finn, he calls out the Falcon and she says they are not going to take it because it is garbage. Unkar Plutt owns the Falcon at the beginning of the film. We know this in part because as Rey fires it up, he yells out about his ship. Later Rey tells Han about modifications that Plutt made that she disagreed with. So, she has been in the Falcon probably many times. So, between being a scavenger and working for Plutt? It stands to reason fixing ships would be a skill she might have.
She also points out how she has flown ships before, though never in space. And even with this, the film portrays her as a pilot who gets farther on luck than actual skill. When she first tries flying the Falcon, she nearly crashes it. This is not Mary Sue Territory.
Rey uses the force pretty well with no training. So?
Okay, okay. First off, the films have clearly established that those who are Force Sensitive may find themselves using it without even realizing it. You do not have to have training to use it, training simply helps you better control it it. Rey does a bit more than we see Luke do in the first film, which does not mean anything. Luke has nobody to duel Lightsabers with, that falls to Obi Wan in the first film. Luke has no more training than Rey in the beginning of Empire when he uses the Force to retrieve his lightsaber from the snow. There is no in movie argument that he could not have done that in a New Hope. So, this notion that a person who is Force Sensitive cannot do Jedi mind tricks and the like is not based in anything other than “It was not done by Luke in a New Hope”, which is, frankly, not much of a point at all. Still not Mary Sue territory.
Rey fights a trained Sith in a lightsaber duel. This often is argued that she wins. But that is absolutely false. Nobody won the fight. It was a draw. And you might think this still favors the Mary Sue Argument. But, no, it does not. Early on in the film, we see Rey protects herself with a staff. As a scavenger, a weapon is probably a necessity. And she uses a staff. It is pretty clear she uses the lightsaber in a similar fashion. But still, how could she fight Kylo Ren to a standstill? Well, right before this confrontation, Ren has killed his father and Chewbacca shot him with his bow. They spend the entire film establishing just how powerful that bow is. In the fight, Ren is clearly in pain, and he constantly pauses to punch himself in the side, apparently trying to blunt his pain. He also has been wounded by Finn in their brief lightsaber duel. Rey is fighting a wounded man who still manages to nearly best her, only the destruction of the Starkiller Base ends their fight.
So, in closing, the Mary Sue accusation does not hold up under scrutiny. In addition, unless you are condemning the original trilogy, the arguments for Rey as Mary Sue apply every bit to Luke Skywalker. If you think Luke is not a Mary Sue (or, Gary Sue, because people seem uncomfortable applying a feminine descriptor to a male character) than Rey cannot be either.
A few things that were bothersome…
Captain Phasma played by Game of Throne’s Gwendolyn Christie. While I liked the character’s visual look (and loved that they were comfortable always keeping the Helmet on, leaving for mystery), I felt like the character never got to show off, so to speak. They hired Christie, who is a commanding physical presence and she never really gets her moment.
Supreme Leader Snoke is only seen in in the form of a giant hologram. Who he is gets played up as a big mystery, but I do not find him particularly threatening here.
I was not sure how I felt about Luke being this legend and enigma in this film, the Last Jedi has given me perspective I will address in that piece.
But, for me, the positives vastly outweigh the negatives. I enjoyed returning to the universe and the characters. Seeing Han Solo and Chewie and General Leia were all welcome.
Driver gives a fascinating performance. His Kylo Ren worships his grandfather Darth Vader. He seeks to be like him, but he is a young fanboy desperate for approval from Snoke, but struggling with a part of him that still desires the love of his parents. The first six films all focused on the allure and deceit of the Dark Side. The Dark Side is an almost romantic threat that can overpower good. The Force Awakens is the first time we see the idea that the Light Side of the force has it’s own pull. And I like this.
I really like Rey and Finn. Both are in struggles that sometimes cause them to be overtaken by fear. Finn has only known the First Order, and the concept of friends like Rey and Poe quickly start to give him a new kind of hope. Rey has never had the courage of Jakku believing that some day her parents will return. When Maz points out that Rey knows this is not true, but she has the potential of a new family, Rey is terrified to face this and runs. Poe Dameron is one of those fun swashbucklers, who makes things work by kind of flying by the seat of his pants and hoping it all pays off.
When I saw the Force Awakens in 2015, I enjoyed it a lot. I have revisited the film a few times in the past few years, and my feelings have not changed.
It took three agonizing years for the audience to get the answers to our questions. Excitement built with the initial announcement of Revenge of the Jedi. A bold and powerful title, it had fans eager. Before long, the title shifted to Return of the Jedi. Lucas noted that the Jedi do not deal in revenge.
And this seems a fair assessment for what little we really knew about the Jedi at this point. It did not matter though. Return was a good enough title and certainly not something to dampen the fan excitement.
And so, here we go…as with the previous installments, we are going to spoil the heck out of this one.
Picking up some time after Empire (weeks? Months? It is not entirely clear) we are introduced to Darth Vader arriving at a…half built Death Star. Did not work the first time, but the Empire does not give up so easily.
Meanwhile, C-3PO and R2-D2 arrive at Jabba’s palace. 3PO notes a sense of dread as he points out that Lando never returned from his visit. Upon gaining their audience with the immense slug-like creature, R2 plays a message which understandably freaks 3PO out, as Luke bargains for Han Solo and offers the droids as good will gifts. Jabba laughs this off, keeps the droids and starts up a party, complete with singers and a dancer. Half way through, he pulls the dancer towards him aggressively, as soon as she is close, he drops her down a pit. We don’t see what is down there, but it sounds pretty terrible.
3PO is now his translator, and that is good, because a bounty hunter shows up to claim a bounty on Chewbacca. After a tense negotiation, the party goes on and Chewie is led away. We discover later the Bounty Hunter is Leia in disguise. She frees Han from the Carbonite only for them to get caught. Han is jailed away, while Leia suffers a creepier situation…
Leia gets to be the sex object for a good chunk of the film. While the films had not shied away from the notion that Leia is beautiful, this feels…a bit creepier. The film implies some unsavory things for a film largely seen as a kids film. Granted, when I was eleven, all of it went over my head. But still…anyways, Luke shows up and Jabba instantly tosses him into his death basement. There, look has to outwit the Rancor, a large creature with a big appetite. I suddenly find myself wondering just where Jabba got this thing. Is it native to Tatooine? Is it something Jabba imported? Like an exotic pet? Are there laws against importing Rancors? Anyways, Luke kills it, angering Jabba, who decides to have Luke, Han and Chewbacca tossed into the Sarlaac Pit, where they will be digested for thousands of years.
No worries though, Luke has a plan. R2 has his lightsaber and shoots it to Luke from his barge. It turns out Lando is posing as a guard and Leia finally gets in on the action again and chokes Jabba with her chains. This sequence has one of the original trilogy’s most infuriating moments for many fans. Remember this guy?
He is the bounty hunter who caught Han Solo because Darth Vader gave him Han encased in Carbonite. And yet, somehow? The guy has a reputation as an intergalactic badass. Boba Fett does nothing on film to warrant this, but his rather embarrassing death (Han Solo accidentally sets off Fett’s jet pack, shooting him into the side of the barge and then on down the Sarlaac’s gullet.
This so bothered some people that in the comics being published at the time (by Marvel) had an issue that brought him back. After laying waste to Jabba’s thugs, the heroes head off.
Luke Makes a stop on Dagobah where he finds Yoda near death. Yoda confirms that Vader is indeed his father. After Yoda passes away, Obi Wan’s ghost visits.
Old Ben explains that really, when he said that Darth Vader killed Luke’s father, it was true…in a way. It all depends on how you look at it. Of course, a person being corrupted is not actually the same thing as another person killing them. And frankly, this should have been a hint for us all that maybe the Jedi were a bit ridiculous. In Empire, there was a reference made to their being another in an exchange between Ben and Yoda as look sped off for Bespin. This becomes clarified to explain that Luke had a Twin sister, who he realizes is Leia.
Luke shows up at the rebel fleet just in time to join Han and Leia as they lead a team to take down the shield protecting the new Death Star that is powered on the forest moon of Endor. Lando will lead the fleet in the assault on the Death Star itself, taking the Falcon with Han’s blessing…and a promise to not get a scratch on the ol’ ship.
On Endor, the rebels get help from the natives, little teddy bear creatures called Ewoks. They help Leia and Han make an assault on the base powering the shield. Luke has gone to meet Darth Vader and is brought before the Emperor. The hope of the Emperor is to win Luke over to the Dark Side. He taunts Luke repeatedly trying to drive Luke into trying to kill him in anger.
Luke and the rebels are shocked to discover that the Death Star is fully operational, and Luke gives into his anger. Vader protects the Emperor and they two duel. After near defeat, the rebels on Endor take out the shield and Lando’s forces are able to set off the chain reaction necessary to destroy the Death Star.
Before it reaches critical mass, Luke has almost defeated Vader, only to find himself halted seeing Vader’s mechanical hand, and looking to his own mechanical hand.
Just kidding. This is actually a good call back moment. Luke sees that he is in some ways now like his father, and is shaken back to reality. He tosses aside his lightsaber. The Emperor uses his force lightning to kill Luke…as he is dying, Luke calls out to his father…And Vader picks up the Emperor and throws him down a shaft.
With his dying breathes, he asks Luke to remove that dark visage and allow him to look upon Luke with his own eyes. He asks Luke to let Leia know that Luke was right…that there had been some good in him after all.
On the moon of Endor there is celebration with a song containing the lyric Yub Yub. Luke stands with his friends and then looks off and sees Anakin, Ben and Yoda smiling at him and the credits roll!
Jedi has always taken a lot of crap for the Ewoks. It turns out they were originally supposed to be Wookies, but Lucas felt that Chewbacca had established that they were to technically minded. This does not make sense. Chewbacca merely proves Wookies are adaptable and intelligent. But while the Ewoks are a bit to cutesy at times, their inspirations are kind of interesting. Lucas had a fascination with how effective the Viet Cong was, in spite of their technological inferiority. They knew their land and turned it into their strategy.
Return of the Jedi really cemented the myth that Lucas had this all planned out. That he had this big screen play that he chopped into three parts. And it only got bigger from there. Supposedly, this was actually a nine part series. But by the early 90’s Star Wars was mainly kept alive through the expanded universe of comics and novels. Every now and then there would be a story about Lucas and his massive epic…but it seemed pretty clear that we were never going to see more movies.
This allowed people to ignore those little leaks where people would point out that when they started filming Empire nobody knew Vader would be Luke’s father. Or that while the line about “there is another” did indeed refer to a sister for Luke, it was not Leia…they had no idea who or where the sister was.
Harrison Ford did return for Jedi, but he really felt that Han Solo should have died. I kind of agree. It would have been a tough pill to swallow, but it would have hit home that they were at war. Not everyone gets that happy ending. But the film really does act like the story is over. The Rebels win, Vader is redeemed and Jabba is a grease spot on the desert floor.
There have been rumblings of late from folks who feel the later films present the Jedi in a disparaging light, but I disagree. This was always there. We just wanted to ignore it for the legend. Ben Kenobi deceives Luke throughout the series. He does not want Luke to redeem Vader, he hides the information thinking it will be easier for Luke to kill Vader. Empire and Jedi both call Ben’s wisdom into question, heavily.
With the impending prequel films, the Special Edition of Return of the Jedi was, again, largely cosmetic in it’s changes. Some were more extreme than others. For example, the Sarlaac Pit was not just a pit with tentacles. Now it had an extendable beak or mouth or something. But the largest change was in two sequences. One was Jabba’s palace. The musical number that proceeds the death of a slave girl was a pretty small affair. Now there is a space rock number with dancers and a really articulate digital band. The song is…well, not really terrible, but certainly not going to find it in many folks digital playlists.
And then there is the final scene. Instead of just showing us the celebration with the ewoks, we see various planets celebrating the end of the Empire. And this:
This was before Attack of the Clones had cast it’s grown up Anakin. By the time the movies were released on blu-ray, we got this revision:
Anakin sure is looking creepy there. This change creates un-necessary questions. Why are Ben and Yoda Old? Why is Anakin looking younger? I suppose the argument is based on the idea that this was the last time from before he turned to the Dark Side…but that is kind of a silly and arbitrary choice.
So, of the original trilogy, this is the weakest entry, but it still is a lot of fun. It has plenty of humor and excitement and really is an enjoyable watch.
Star Wars became a world wide phenomenon. This meant that Lucas would get to build on his adventure. Already there were comics from Marvel, novels inspired by the first film and toys galore. How could they deny giving the audience more?!
And so, Lucas set forth to continue the story of intrepid rebels trying to take down the galactic Empire. This time he stepped back a bit from both writing and directing. Lawrence Kasdan stepped in as screen writer and Irvin Kershner as director.
Spoiling the Heck out of the Star Wars movies continues here!
Picking up anywhere from a few months to maybe even a year or two after a New hope, Empire opens on a secret Rebel base on an icy planet called Hoth. Han is trying to get out back on the run from Jabba the Hutt, feeling it is no longer safe for him. Han and Leia argue over his leaving, Han believing it is because Leia having feelings about him, Leia apparently feeling he is an asset against the Empire.
Luke has had a vision of Ben Kenobi which advises him to go to a planet called Dagobah and find a Jedi Master named Yoda. When the Empire finds the hidden base they attack. After getting the rebel fleet on it’s way, Han, Leia, Chewie, and C-3PO find themselves on the run in the Millenium Falcon. Luke and R2-D2 go off to find Yoda.
Dagobah turns out to be a swamp planet with no technology. Yoda himself seems to be a confused little kook at first, but really is a character meant to challenge Luke’s pre-conceived notions of what a Jedi Warrior is.
Darth Vader is on the hunt for Luke Skywalker. The motives for this are not entirely clearly during the film. We learn that Vader is, in fact, the right hand man of the Emperor.
The Emperor sanctions the search for Luke, for he sees the potential of a great new ally for the Empire. To this end, Vader has gone as far as hiring bounty hunters. I confess, one bounty hunter stood out to me above all the rest…
No, not him…
Yeah…Bossk. But he did not become the legend that was Boba Fett. Which is garbage.
Meanwhile, Han and Leia try hiding out with an old friend and associate of Han’s named Lando Calrissian. Lando is a reformed scoundrel turned legit businessman, running the sky based Bespin. But Lando, trying to protect his city cuts a deal with Darth Vader.
Vader torments Han and Leia enough to cause a disturbance within the force powerful enough to nudge Luke a few solar systems away (I am guessing, the fact is, the relationship of various planets to each other is never really clear in the world of Star Wars). Luke immediately seeks to rush off to help his friends, but Yoda and the Ghost of Obi Wan implore him to stay and focus on his training.
Vader has Han Solo frozen in Carbonite as a test to see if it will work for his plans to capture Luke. As Lando starts to realize he is going to see Vader continue to change the rules, he helps Leia and Chewbacca escape. Luke and R2-D2 arrive in Bespin, quickly becoming separated as Luke enters a confrontation with Vader.
Leia, Lando, Chewbacca, C-3PO and R2 fail to save Han, with Boba Fett managing to leave with the frozen body. They make their way to the Falcon instead. Luke and Vader’s confrontation ends with Luke losing his hand and lightsaber, and nearly his sanity. In one of the most earth shattering moments of all cinema, Darth Vader reveals that Kenobi lied. Vader did not kill Luke’s father…he was Luke’s father. Luke cannot accept this and appears to leap to his death. He manages to catch some outcropping below the city and reaches out through the force, connecting to Leia. She has Lando turn the Falcon around until they can rescue Luke.
Empire felt like a bit of a revelation for a franchise films. It was not merely a retread of the the first film. It felt like a natural extension. Han and Leia’s relationship grows from a complicated adversarial friendship to a romantic one. Luke learns that the dark side is not merely an external force. And the film ends on that heavy note of Luke discovering that Vader may be his father and Han has gone missing. The Carbonite subplot with Han was actually something of a safety move. It was uncertain if Harrison Ford would be willing to return for the third film, so it was a way to write Han Solo out if necessary.
Yoda, a small green puppet with big ears came to amazing life, voiced by Frank Oz, who (as well as going on to be a noted director) was part of Henson’s Muppet troop and the voice of Miss Piggy. Yoda was small, but as noted earlier, was meant to teach Luke very important lessons about his expectations. He describes Yoda (not realizing he is talking to Yoda) as a great warrior. Yoda just laughs and declares that “Wars do not make one great!” Luke Struggles with the force, moving small rocks and the like. Yoda can move Luke’s X-Wing without breaking a sweat. Luke finds himself unable to deny his worry about his friends. He is easily given to fear.
And again, that reveal. For the next three years, we argued about whether it was true. I mean, surely, Darth Vader was a liar, right? There is no way this could be true!
For the special edition of Empire Strikes Back, the work was largely cosmetic. And for the most part, I approve. There were some dialog changed (there is a redundant scene of Darth Vader telling his people to ready his ship so he can return to his star destroyer). I really liked the changes like blending the snow speeders into the picture better. One of the issues when they made the film was compositing the speeder on a white background. The lines around the ship were glaring. So they faded the images just enough…which resulted in the ability to see through the snow speeders. This was fixed for the special edition.
The city of Bespin was now full of windows allowing sweeping cloud fill skylines. And they expanded some of the stuff with the Wampa snow creature, allowing us to see more of the creature. But there was not anything I would call a “new scene” in the sense of that the Jabba scene was. But there was one change that made some folks genuinely mad.
The original film features a hologram of the Emperor that is distinctly different from the version we see now. This is because the actor playing the Emperor in Empire is Marjorie Eaton. The voice provided was Clive Revell. In Return of the Jedi, they cast Ian McDiarmid as the Emperor. And so, for the special edition they more closely approximated the look of the Emperor for the hologram with McDiarmid.
The Empire Strikes Back is the high mark of the Star Wars franchise. It is powerful, without losing the sense of fun and grandeur of the first film.
In the 70’s a young filmmaker convince a movie company called 20th Century Fox to let him make a film by pretty much forgoing massive creative fees and keeping the licensing, which he turned into a massive empire. George Lucas had an idea for an epic space film. Now, if you follow the “Official Story”, Lucas had a bible he stuck to. He Cut the original film into parts and made the first part into Star Wars.
The truth is a bit murkier. It is certainly plausible he had a larger epic ready…but it is pretty obvious that the story was evolving as he went along. But I am getting way ahead of myself. Originally just released as Star Wars, the film was later retitled as episode 4 and “A New Hope”.
Nothing But Spoilers ensue!
The film opened with the now iconic screen crawl telling us of the war between the cruel empire and scrappy rebellion. We quickly are introduced to the villain Darth Vader. Dressed in black with ominous breathing apparatus, Darth Vader intimidates the crap out of people with his super deep voice.
A young woman sends two droids on a mission, which leads them to a nearby desert planet. There, the droids (named C-3PO and R2-D2) end up in the ownership of Lars Owen. R2-D2 is a spunky little droid who is actually trying to find a mysterious individual. This man is Obi Wan Kenobi, or as Luke Skywalker knows him, “Old Ben”. Skywalker is Owen Lar’s nephew. He is not content with being a farmer, he wants to join the rebellion.
Ben reveals he is a member of the order of Jedi. Knights who defended the galaxy against darkness and protected the weak. They get help from hotshot smuggler Han Solo and his partner Chewbacca (a large alien covered in hair, looks kind of like a bi-pedal dog). They save the Princess (well, sort of, as she ends up taking over the rescue) and the rebels lead an assault on the ultimate weapon…a planet killing space station called the Death Star.
And if that sounds like the most awesome thing in the world, five year me can assure that it most definitely was! But seriously, I saw A New Hope at five years old and it made a powerful impact on me. Both in general of a love for movies and as a specific thing, Star Wars. I wanted Star Wars clothes, I wanted the toys and Lucas got my parent’s hard earned cash.
But what did I love so much?
Was it how hard core science drove the images on the screen? Well, um, no. The films are not seeking to be scientifically accurate. The smaller spaceships fly like they are in World War 2 dog fights, there is sound in space and so on. Star Wars wants to draw you in and does so with exciting visuals and sounds.
And the Star Wars films began a revolution in visual effects. He used the existing technology and worked with upstart creatives to make the technology that did not exist yet. And while today computers and CGI rule the day, the practical model work of Star Wars holds up in the present.
The characters drive this film. Luke Skywalker is one of those characters who works effectively as the audience proxy. He is young and stuck in a life that is less than the one he desires. He wants to break free. He is also a bit whiny, but in a way that is probably more relatable than we want to admit.
Princess Leia is an inversion of the damsel in distress. At first, it seems she is the woman who must be saved. But when Luke and Han Solo arrive, they muck up her rescue, requiring her to help get them out. Leia is brash and tough, and a really great character.
Ben Kenobi is the wise old knight. He tells us tales of the Jedi as the most noble policemen in the galaxy before they were decimated by the evil Darth Vader. Vader killed Luke’s father, who was Kenobi’s friend.
And this first film establishes Vader as a cruel master of the Force, though working in the service of Gran Moff Tarkin. He is not really a sidekick, in spite of a comment from Princess Leia, the film clearly implies Tarkin and Vader have discussions about how to proceed with their policies.
The interesting choice Lucas makes though, is to frame the story not through Luke’s eyes. Rather he does so through the two droids. R2-D2 and C-3PO are thrown into the center of the war which, well, C-3PO is woefully not qualified for. 3PO is a fussy butler, a protocol droid. He basically is a translator, his hands cannot even effectively hold weapons. His companion, on the other hand, is a tough little fighter. R2-D2 is an astro droid, essentially he is a co-pilot for smaller space ships and also maintenance for larger ships. R2 speaks exclusively in beeps and squawks. The film only gives us any kind of hint as to what he is saying through other characters. Apparently, it is a commonly understood language, and everyone knows what R2 is saying, and so their responses are able to give the viewer context.
Meanwhile, there is Han Solo and Chewbacca. Han is the adventurer Luke wants to believe he can be, but disappoints Luke because he is a craven mercenary. Technically, he and Chewie are smugglers for the underworld of the Star Wars universe. And Han has a price on his head, which may have made him an easier sell for Luke and Ben’s needs. Chewbacca is, like R2, a character who has no english dialog. He howls and growls. In this case, not everyone apparently speaks wookie, but Han clearly does and gives us insights into Chewie’s comments. Between this, body language and the various inflections of Chewie’s growls, Chewie can be funny and sympathetic. In one scene, Han warns C-3PO against letting R2-D2 beat Chewbacca in a game. 3PO notes that nobody worries about upsetting droids. Han notes Wookies are noted for…less than sportsmanlike responses to losing. Chewie leans back and puts his hands proudly behind his head which really sells the joke in the scene.
One of the defining moments for Han is when he is confronted by a bounty hunter named Greedo. Greedo tries to extort Han, but Han uses this to slowly get his gun, allowing him to fire on Greedo before Greedo can pull the trigger. When we reach the end of the film, Han has gone from focusing only on his own survival to taking a risk for Luke and a cause bigger than himself or money. Sort of.
The thing to remember with Star Wars is that it has been an ongoing adventure in revisionism. Lucas initially made subtle changes to the film. Calling it Episode 4, naming it a New Hope. But with the announcement of a planned new trilogy, Lucas saw another opportunity. He would use modern technology to beef up his original trilogy of films. He had his teams clean up effects, enlarge the impact of other effects and expand the scope of the films.
Some of this involved making Mos Eisely look bigger and more populated. Making some of the stiff creatures look more lively. making sure wheels were not visible beneath Luke’s landspeeder (kind of a hovering dune buggy) and so on. But Lucas also added scenes that had long been thought lost to time.
For instance, Han has a run in with Jabba the Hutt. The sequence was filmed with a human actor and they intended to super-impose a stop motion creature over the actor. But they could never make it work. So, by the time they reached Jedi, they got to totally come up with Jabba completely from scratch. But now the technology made it possible to go back and re-examine the scene. And so they got to work on creating a digital Jabba. The results were…well…
Mixed. It does not look awful, but it sure looks dated. And the scene is solely interesting as an artifact of history. As a story scene it adds nothing to the tale. And not knowing who Jabba was or what he looks like built up his threat across three films, and here, it kind of makes him seem…gentle.
Most of the additional stuff in the Special Editions does not bother me. I am totally fine with seeing effects cleaned up. But there is one intensely controversial change. Even people who have not seen any Star Wars films are probably aware of the “Han Shot First” movement. In the remastered and expanded edition, Greedo gets a shot off before Han shoots him. This of course, makes Han appear less cold blooded. Sure, you could argue self defense before, but it definitely made Han seem like a sketchier dude, and increasing the power of his arc in the original.
This is certainly not enough to kill my love for the original film. The good of Star Wars far outweighs the bad here. The story is exciting, the characters engaging and the film has a killer musical score. I feel like I should have mentioned that sooner. John Williams defined movie music for much of the seventies, eighties, and nineties. And Star Wars was the Cornerstone of that.
The Star Wars story kicked off with a bang and still fills me with the same joy I felt as a kid watching it in 1977.
The Last Jedi picks up shortly after the Force Awakens. It begins with a bold battle that has powerful repercussions on the characters.
Rey is trying to get Luke to come back with her to help the rebellion. But Rey finds herself unsure of her true goals.
This new Star Wars film is building off the questions and set up of the Force Awakens, and yet, it addresses them in very unexpected ways.
Characters you know are the heroes find themselves the ones needing to learn the lesson. Others are trying to come to terms with their celebrity status. Others are trying to come to terms with heroes not living up to their expectations, and in some cases, even face betrayal.
I found Mark Hamill’s performance as Luke to be Hamill’s strongest performance in the entire series. He is funny, frustrating, heartbreaking and heroic. And the film does this very well.
The film will likely frustrate people who have heavy theories about just how the new trilogy ought to play out, but I found Rian Johnson’s (Brick, Looper) choices to not satisfy those pet theories kind of…well, satisfying.
I appreciated the visual style, there is some genuinely gorgeous action in the film.
I really enjoyed the film, and feel it is one of the stronger films within the Star Wars story.
Village of the Damned is Carpenter’s second remake. This one is not quite as inventive as the Thing. Here, Carpenter sticks much closer to the source material. The film begins in an idyllic small California town where there is a community barbecue. In the midst of the festivities, the entire town falls unconscious. The government enters the scene very quickly to assess the situation. They find there is a line that can be crossed, where a person will pass out. Almost as quickly as it hit, the town wakes up.
Soon, six women discover they are pregnant. The babies are all born at the same time (but one is stillborn), and the government leaves behind researches to keep an eye on the newborns. As the years progress the five children are becoming quite peculiar and are surrounded by mysterious tragedies. The children all have silvery hair (the actors are quite annoyed that people think they wore wigs. They did not) and are immensely smart. They are eventually kept away from other children and taught by Christopher Reeve (in his last role before being paralyzed). Reeve’s Alan Chaffee knows there is a problem brewing and starts trying to find ways to block the children’s psychic powers. He also starts to connect with the young David, who seems to have more empathy than the other children. This is, in part, due to the stillborn having been meant to be his partner.
Really, the visuals of the film are striking. The five children with shocking silver hair and the subtle visual effects (primarily in their eyes and faces, the more intensely they focus, the more their alien physiology becomes dominant).
The performances are all dependable for the needs of the film. Reeve makes good use of his decent guy reputation and Kirstie Alley is good in the role of cold and calculating government liaison Dr. Susan Verner. But really? the standouts are Thomas Dekker as David and Lindsey Haun as Mara. Haun is chilling and full of menace, while Dekker’s growing humanity makes him truly sympathetic in his loneliness.
While not as unique as his previous remake, the Village of the Damned is a nicely done horror film that pays homage to more classic horror.