Scream and Scream Again (Scream 3, 2000)

Unlike Scream 2, this follow up took three years. And was it worth the wait?

Set a few years after the second film, Sydney lives in a remote location and is employed as a crisis hotline worker. But when murders start occurring the set of the latest Stab film (the movie series within the series based on the events of the series), Gail, Dewey and Sydney find themselves pulled into the plot of a possible trilogy.

Bringing everyone together for this one is a bit more convoluted. Dewey has been hired by the actress playing Gale (Parker Posey who is terrific and plays off against Cox really well). Gale is there to investigate after the killing of Cotton Weary. And Sydney is there… because? Like I said…convoluted. And while the film makes an effort to be clever…it just feels tired.

The twists and reveals are downright tortured as the film reveals a mastermind who was behind the other two films.

While there are some fun things in the film, and it is not unbearable…you can tell this was not written by Kevin Williamson who was too busy with Dawson’s Creek to return. And so only hal;f the magic is there. Craven does what he can, but Scream 3 feels like a true stumble for the franchise, especially for one to end on.

Open House Pt 5 (House: the Collection)

For a long time, it was hard to come by the films in this set, outside of the first two which were more well known. Until Arrow came along, a complete blu-ray set seemed an unlikely scenario.

House_Box_set

Each disc comes in its own case with reversible art, one side newly created artwork for the Arrow Releases and the other side the original poster or VHS art. I admit, my preference is to the original art.  The paintings are really nice, but the disembodied hand ring the doorbell is iconic.

The Box itself is sturdy, allowing for safe storage.

Each disc is loaded with extras, including bonus interviews, audio commentaries and all new documentaries for three of the films. I wish they had one for the third film. However, the Horror Show includes the American and European cuts in HD.

This is a good set, full of really good extras to let you immerse yourself in the history of each movie.

Open House pt 3 (House III: The Horror Show, 1989)

House_3_PosterAfter the failure of House II and the collapse of New World pictures, the franchise took a bit of time off.  When Sean S. Cunningham found new studio for funding, the new team wanted to give the franchise a fresh start. So in America, they called the film the Horror Show, while in Europe it would be called House III. Cunningham decided this was better than nothing.

But the end result is that there is nothing that really ties the film to the franchise. There is no house the film is centered around.  Instead, the film focuses on traumatized detective Lucas McCarthy.  A family man, he is overwhelmed by nightmares about Max Jenke, a notorious serial killer he put away. Okay, most of the kills happen in the house and Max’s spirit is primarily focused on the McCarthy family, but the house never feels like a center piece or character as the two prior films.

But when Jenke is put to death by electrocution, he is actually set free as a vengeful spirit and sets out to torment McCarthy.

McCarthy must try and stop Jenke, while convincing himself, the police and his family that he is not going crazy and homicidal. This film also lacks the sense of fun of the previous two entries, it’s tone dreadfully dark. I mean, Brion James turns in a wicked performance, but he is a much darker take on the Horace Pinker character, making this film a more dreary ride.  Even with Lance Henrickson at the lead, it never rises above the standard fare of super natural horror. Writer Allyn Warner even took the infamous Allan Smithee credit. This one just lacks the identity of the first two films.

The Hunter or the Hunted? Pt 2 (Aliens, 1986)

Aliens_PosterAbout seven years after Alien, hotshot director James Cameron brought the franchise roaring back to life.  Rather than make a generic sequel, Cameron made a bold choice.  The first film was a haunted house movie, Cameron opted to make a war movie.

Ripley is awakened 50 years after the first film to find everything she knew is gone.  On top of that she is plagued by nightmares of the alien creature.  Ripley joins a mission at the request of the corporation to check on a colony that is on the same planet they found the eggs with the alien xenomorph.  It is promised to Ripley this is a search and destroy mission.

She is joined by a platoon of Space Marines.  They don’t believe her claims of an alien monster, but of course, they soon find out she is neither crazy nor a liar.  And then things get bad.  And then?  They get worse.

Aliens is one of those rare sequels that manages to rival it’s predecessor.  Ripley is angry and aimless at the film’s beginning.  When she discovers a young girl named Newt hiding in the remains of the colony she starts to see beyond merely destroying the aliens.  In the extended cut of the film, it is revealed that Ripley had a daughter on earth who grew up and died in the time Ripley floated through space.  This gives an added dimension to Ripley and her dedication to Newt throughout the film.

The marines are a hearty and confident lot.  Their banter feels natural as they trade insults and yet fight to protect each other when it all comes crashing down.  They are a compelling group.  And then there is Bishop.  A synthetic or android, Ripley does not trust him, due to the fact that the android on her ship tried to murder her.  Bishop represents the other side of that coin.  He is kind and polite.  He is also willing to risk himself.  At one point, after volunteering for a risky mission he states, “Believe me, I’d prefer not to. I may be synthetic, but I’m not stupid.”  How much of this is programming that compels him, versus a certain human quality is unclear.  He notes his programming prevents him from causing harm to a person, but does that programming extend to risking himself to save a person from outside threat?

This is a near perfect action film, with thrills and twists and turns.  It manages to expand upon the mythology of the first film’s animal without being a tired retread of information.  The performances are compelling and the visual effects have withstood the test of time.  On top of that, in spite of being a sequel, you could go into Aliens never having seen Ridley Scott’s film and follow the story with few, if any, questions.

 

Fishies Pt 2 (Piranha II: The Spawning, 1981)

piranha_ii_spawning_posterSet in the Caribbean (though, no pirates) Piranha II: The Spawning is the story of Scuba Instructor, a police chief (her ex-husband) and a biochemist (her current boyfriend) trying to determine the cause of several gruesome deaths.

There are lots of people who are eaten by the Piranha…but there is a twist…apparently the piranha have mutated and can now fly.  Yes…fly.  They flap their fins and fly around.  In spite of this, the hotel manager refuses to cancel a beach side fish fry.  Because there is always one guy who refuses to listen to the people setting off the alarms.

Frankly, the film is pretty dull.  This is no fault of the cast (which includes Lance Henrikson in his sixteenth of 227 roles)…the concept just goes nowhere and it lacks any actual tension.

Piranha II was James Cameron’s first feature length film.  He was also fired.  His name remains as the director due to a contractual obligation that the film have an American director.  Cameron filmed the movie but was not allowed to cut it or see the footage.

Cold Fear (Harbinger Down, 2015)

harbinger_down_poster

This film, in part, was a response to the 2011 Thing prequel.In early interviews, (Harbinger Down Director) Alec Gillis had emphasized that it was going to be a mostly practical film.  Even the special features show an awful lot of practical work in the behind the scenes.  The studio “had a change of heart” and decided the film should favor digital over practical.

There is a place for the tool of digital.  But the avoidance of practical hurts film.  Alec Gillis, coming from an award winning practical effects background, knows this well.

Harbinger Down was a film made in part to showcase practical effects.  It is for lovers of monster movies.

It tells the tale of Sadie, a student studying climate change effects on Beluga Whales who brings her professor and fellow student on her grandfather’s crabbing boat the Harbinger.  They discover an old soviet ship in the ice and once on board, horror based mayhem ensues.

Evoking memories of John Carpenter’s the Thing (right at the beginning there is an easter egg for those of us who love the Thing) and the films of the Alien franchise, Gillis clearly set out to make a classic monster movie.  Using the familiar elements of people trapped in a remote location facing a scary unknown, Gillis charges forward.

The film has great practical effects driving the action and scares.  The monster is lifelike and gruesome.  but it is not enough to have cool effects.  If the cast cannot hold up their end, a film will fall apart.  Luckily, Gillis has a terrific cast.  The characters feels defined and are entertaining.  Especially likable is Winston James Francis as Big G.  Star Lance Henrikson is great in the role of gruff but decent Graff (captain of the ship and Sadie’s grandfather).

The film has moments of humor that allow us to get to know the characters before it all falls apart on them.  The cast makes the most of their roles, whether large or small.

Harbinger Down is a solid monster movie, one that pays tribute to the great monster movies of the early 80’s.  It deserves a watch by lovers of monster movies and practical visual effects.

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