Boldly Going Pt 13 (Star Trek Beyond, 2016)

After Into Darkness, Trek lost Abrams to Wars. Simon Pegg stepped up as a screenwriter with Doug Jung to try and get the Kelvin timeline back on track. The studio also decided to try out an action director, Justin Lin, who had success with the Fast and the Furious franchise.

I have already reviewed this, and one of my early criticisms was that the film is a bit slow going at the open. But after repeat viewings, I found that I really am not sure what I would do to speed things up.

After a fun little bit that sets up the film’s macguffin, the film focuses on where the characters are at. They pick up about half way through their five year mission, which finds Kirk feeling lost and unsure. In a clever bit of dialog, he comments that their mission has begun to feel “episodic”. Spock receives word of the passing of his future self (as Nimoy had passed away by this point) and questions whether he should stay with Starfleet or focus on the survival of the Vulcan race.

But after a mysterious pilot arrives at the space station where the Enterprise is docked, the Enterprise and her crew head to help the pilot’s disabled ship on the other side of a nebula. After they are attacked and the Enterprise is destroyed (the second time in this timeline!) Kirk and the team find themselves trapped on a planet with aggressive aliens bent on getting the piece of a weapon that the Enterprise had.

Beyond is pretty much a 180 degree turn from Into Darkness. It is fun, Elba plays a solid villain with a twist. Sophia Boutella is a highly entertaining character named Jaylah who is befriended by Scotty and Kirk. There is some solid character stuff with McCoy and Spock.

This is an action packed film that I find myself enjoying more each time I watch it. It makes me wish a follow-up in the Kelvin timeline were a lock instead of so uncertain. Of the timeline, I have really enjoyed two of the films, so I am definitely open to more.

June 18, 2020 0

Oh the Horror! (Cats, 2019)

Cats has a scene where Rebel Wilson’s Jennyanydots unzips her fur to reveal more fur and a costume and she eats cockroaches with human heads.

This is a nightmare. And I do not know where the responsibility all is falling too. The story is pretty odd and nonsensical. And the film never really justifies the nonsense. The visual effects work against the film as they are largely creepy and sometimes feel incomplete. I don’t blame the effects artists…they were over worked and trying to deliver for an incomplete vision. The cast is amazing and practically the only person who seems to care is Ian McKellan, like everyone feels as if they are in a different movie.

I really cannot think of anything I liked. I mean, some of the songs were enjoyable?

Cats is already going the Rocky Picture route, so maybe see one of the Cats Rowdy Screenings at an Alamo Drafthouse? I mean, I would consider watching it again there.

February 22, 2020 0

And Starring Jeff Goldblum as Jeff Goldblum (Thor: Ragnarok, 2017)

Thor has been a fun character in the Marvel Cinematic Universe. He is cheerful, boisterous and powerful. He is also boastful and over confident. This drove his first film, while the second film seemed a bit aimless.

In Avengers: Age of Ultron, Thor had a vision of the end of Asgard. He left to get answers and was missing for Civil War. After Thor and Loki locate Odin, they are warned of the coming of Hela…their sister and the goddess of death Almost immediately Hela arrives and destroys Thor’s hammer. In their fight, Thor and Loki are separated and tossed into space. While Hela conquers Asgard, Thor finds himself on the planet Sakaar. Captured by the Grandmaster Thor must fight in the Contest of Champions..and the champion he must defeat? His pal Hulk.

Marvel has done pretty well in tapping directors with limited experience in big budget films and having it work out in their favor. Here they brought on New Zealander Taika Waititi, who is known for his unique comedies. Check out the films Hunt for the Wilderpeople and What We Do in Shadows and while laughing, you will likely not think “a Super Hero movie is next!”. But it pays off.

Thor is full of great action and humor. Unlike the previous two films, which were very earth centric, Earth has a brief cameo in the beginning. Otherwise the film is heavily focused on Asgard. To be frank, the previous films really failed to let Jane Foster shine and the relationship never had the strength of either Tony and Pepper or Steve and Peggy. So, the film quickly addresses that “they broke up”.

The film works to give most of the leads “something to come back from”. Thor must figure out who he is without his hammer, Hulk must get back to Banner, Valkyrie must reclaim her glorious standing as an Asgardian Warrior. There is not a lot to these arcs, of course, but the performances and interplay of the characters make it almost easy to miss.

The cast really makes the film. Hemsworth and Hiddleston have a solid chemistry together, where you buy right into their weird sibling relationship in which Loki will betray Thor over and over and Thor is still going to give him a chance. Tessa Thompson gives a real spark to Valkyrie, who could have been a pretty one note character. Cate Blanchett’s Hela is actually not any deeper than previous Marvel Cinematic villains, but Blanchett seems to have had a lot of fun in the role and the result is that I enjoyed her as a villain. It was great to see Mark Ruffalo back as Bruce Banner. The character is a bit shell shocked, which makes sense, as he has been “hulked out” for about two years, ever since the rampage in Age of Ultron.

And of course, there is Jeff Goldblum. The actor you hire when you want a Jeff Goldblum-esque performance. But seriously, Goldblum always delivers, and his Grandmaster is the Jeff Goldblumiest thing you will see all year. Unless Jeff Goldblum is Jeff Goldblum in another film before December 31st, 2017.

Thor: Ragnarok is a real blast of a film. It is light hearted, exciting and quite funny.

November 7, 2017 0

Daytripper (The Dark Tower, 2017)

The Dark Tower has had a long trek to the silver screen. There have been attempts for many years…at one point, there was an announced plan that included A movie and television series, so the story would keep going between films. Very ambitious, but questionable how to make it work. The Dark Tower series by Stephen King is a sprawling epic. There are eight books in the series at this time.

Roland Deschain is a Gunslinger. They were similar to an order of Knights, though are modeled closely on the old west. Roland is the last of the order, and he seeks a dark sorcerer The Man in Black to take revenge. Roland has lost his way, no longer focused on protecting the Dark Tower. The Dark Tower, by the way is the center of the universe and protects the Universe from “What is Outside”. Meanwhile, in our world, Jake Chambers has nightmares about the man in black and Roland. He ends up finding a house from his dream and there finds a portal to another dimension and…

Sound complex? That is because it is. For one? This film is not so much an adaption as a sequel, even though it borrows elements from the first novel, the Gunslinger, such as meeting Jake Chambers. The movie is set up as a sequel to the seventh book. And so the film rushes to fill in as much information as possible, explaining stuff that probably makes more sense if you have read all the books.

In the books, King liked to tie in parts of his other novels, characters pop up, terms…in this film, you will maybe recognize the reference to Jake’s “Shine”. And so the film spends a lot of time and dialog trying to catch the audience up…and the end result is that everything feels like cliff notes. The film never truly gets to breathe, so big “moments” in the film never resonate quite like they could. Even “lighter” moments feel like they deliver no payoff or relief. When Roland asks if bullets are hard to come by in “our” world…Jake tells him he will really like our world. This should be a moment that delivers at least a chuckle…and the audience I was with simply sat silent.

This is not to say there is nothing I liked. Both Elba and McConaughey turn in good performances, which is to be expected. McConaughey portrays the Man in Black with a calm menace. He never seems to panic or lose his cool…even when doing evil, he maintains a gentle and assured tone. Elba plays the Gunslinger in the mold of the embittered and broken Western Hero. He also finds himself becoming a new father figure to Jake, progressing towards the restoration of his role as Gunslinger.

Visually, the film is pretty good, though a bit overdone in the de-saturation of color. But the visuals of Roland loading his guns, shooting his guns…the monsters look good…but in the end, the immensity of the source material kind of over runs the film. Those who have read the books are likely to be frustrated by the liberties, those unfamiliar with the books left confounded by all of the information they have to unpack.

August 5, 2017 1

The Hunter or the Hunted? Pt 5 (Prometheus, 2012)

Resurrection seemed to kill the franchise. But after two Alien vs Predator films, Ridley Scott became very annoyed and wanted to right the ship. Kind of. The vaguely titled Prometheus would be set before Alien, but it was not a direct prequel. Rather, it would be Alien Adjacent. This certainly made for an intriguing idea, and trailers showed a lot of hints of the unfamiliar future with brief glimpses of familiar sites.

The final product is an imperfect attempt at an epic tale. Borrowing heavily from Erich Von Daniken’s Chariots of the Gods, Prometheus opens with a gorgeous and vast shot of lakes and mountains. We travel along this landscape until we come upon a “man”. He is tall and muscular, with marble like skin. A large spaceship (which is the same type of ship from the first Alien where the eggs are discovered) is leaving him behind. He drinks a strange black drink and instantly his body starts to break down and he falls into the water, his DNA dispersing.

If you are not sure what Chariots of the Gods is, it was a book in the 70’s that claimed that all religion and technology we know today was the result of guidance from extra-terrestrials who were revered as Gods. Prometheus takes this a step further, positing that mankind was created by these aliens. They become known as “the Engineers” in the film. Considering that Scott completely ignores the Alien vs Predator films, I am surprised he pretty much steals this concept from them.

The film leaps to the future, where we meet Elizabeth Shaw and her fellow archeologist (and boyfriend) Charlie. They have been traversing the globe comparing various ancient sites, specifically the artwork of cultures from all over the world that share common themes. They believe they have assembled the coordinates to a home world of “The Engineers”. A crew is assembled by dying Peter Weyland to visit the planet. They are told he will be dead by the time they arrive.

Once on the planet, the crew discovers an ancient ship with bodies of the engineers and holograms of them running from some threat. Many poor choices are made and everything goes wrong.

The film gives us all sorts of “almosts”. Almost a facehugger. Almost an Alien. Almost the planet from Alien. The film has grand attempts to explore themes of faith, diety, humanity and creation. A lot of this focus is on Shaw and the Synthetic David. David is one of the more interesting characters…he is also both sympathetic and disturbing.

The ending is a massive storm of confusion and destruction, in which Shaw becomes determined to discover why the Engineers have chosen the course they chose in relation to humanity.

Prometheus is gorgeous to watch, which breath taking visuals. It is a stunning and spectacular feats with a strong cast, including Noomi Rapace, Charlize Theron, Idris Elba and Michael Fassbender. Fassbender especially shines as synthetic David.

But the story seems only half cooked. They have ideas at play that never meet fruition. The unanswered questions seem allowable, as the film was clearly left open for a follow-up. With Prometheus, we have a film that is not terrible but not quite great. And if it was part one, it might even be a great start and set up. But, that was not not meant to be. Instead we are left with an incomplete story.

June 1, 2017 0

The Bigger They Come Part 4 (Pacific Rim, 2013)

Guermillo Del Toro is a man of unique vision. He always has his own take on traditional monsters. In Cronos, he tackled vampires in a heartbreaking tale of a grandfather who finds a mysterious device. Both Crimson Peak and the Devils Backbone are period pieces focusing ghost stories where humans are the truly frightening characters. And so we find that del Toro’s love letter to Japanese giant Monster movies and Anime mech cartoons and brought together with his own vision.

In a near future, the earth finds itself under attack by giant monsters nicknamed Kaiju. At first, the giant creatures are able to be taken down with conventional weapons…but as newer Kaiju emerge, a new approach is needed. The nations of the world build giant robots, called Jaegers, controlled by two pilots who are psychically linked. Raleigh and Yancy Becket are celebrity pilots, but when a fight with a Kaiju ends in tragedy, Raleigh walks away.

He is called back into action by Stacker Pentacost and paired with young pilot Mako Mori. Raleigh, Mako and several other pilots are about to take on a special mission. They need to close the interdimensional portal in the Pacific Ocean.

As expected, Del Toro created a visual feast. The Kaiju are immense and impressive. The Jaegers have weapons and are exciting to watch. The characters are not especially unique but are used effectively. Charlie Day and Burn Gorman are entertaining as eccentric scientists specializing in Kaiju sciences. And the always enjoyable Ron Perlman is a stylish black market dealer who traffics in Kaiju parts. And Idris Elba is always reliable for a gruff but heroic role.

Fun and bombastic, Del Toro has given us a fun film. It is not a deep film, but it is a ride.

March 14, 2017 0

Elves! But DARK Elves (Thor: The Dark World, 2013)

Thor’s post Avengers story stays outside of the world of S.H.I.E.L.D., Iron Man and Captain America. It focuses squarely on Thor, Jane Foster and Asgard.

The story opens with Odin telling the tale of how the universe had once been in darkness, and after a time, the dark elves sought to plunge the universe back into the darkness. They were stopped by Odin’s father who had their weapon (the Aether) hidden deep below the ground of…somewhere. Jane Foster is doing the whole “Chasing Anomalies” thing and stumbles on the Aether which she absorbs. Thor shows up because suddenly the Bifrost Bridge has been restored. He brings her to Asgard, the Dark Elves show up, things go very badly and Thor is forbidden from heading out of Asgard. So Thor frees the imprisoned Loki for help in slipping out “unnoticed”. This is one of the film’s big set pieces. Eventually Thor tries to destroy the Aether and is unsuccessful, and the dark elf Malekith gets hold of it.

There is a battle on earth which nearly succeeds in destroying everything. But Thor saves the day (with help from none of the Avengers) and the universe does not blink out of existence.

Thor: the Dark World is not terrible. It has some real fun moments, mostly provided by Loki. And the action scenes are very well done. Taylor is a pretty accomplished television director, including Game of Thrones. He is able to frame exciting battle sequences. Hemsworth is likeable as Thor, Hiddleston’s Loki is entertaining as usual.

The film attempts to really show Jane Foster is a scientist. There is a cute moment where Jane asks if a magical piece of Asgardian equipment is a quantum field generator. The person working it states it is a “Soul Forge”. Jane asks if the Soul Forge transfers molecular energy from one place to another. The person responds, “yes”…and Jane quietly tells Thor proudly that it is a Quantum Field Generator.

Loki gets most of the best character moments, both in humor and drama. But the story has holes. Why do the Elves want to erase the universe? Why not bring in the Hulk to fight the nearly indestructible Berserkers? If it is not Odin on the Throne towards the end…just where is Odin. It is pretty average, especially in comparison to Captain America: the Winter Soldier and Guardians of the Galaxy. It also does nothing to advance the characters beyond where they already were. It is primarily to introduce the Aether, which will be part of the third Avengers film.

September 26, 2016 0

Hammer Time (Thor, 2011)

As Marvel worked their way to the Avengers, they had a bit of an issue. Thor is supposedly a god, as are all his friends and family. How does this fit into the Marvel world? Their resolution was that they are mistaken for gods, but really their magic is just science we do not understand yet.

Thor is introduced as a brash young man, a drunkard who cares more for fun than responsibility. This frustrates his father Odin to no end. On the other hand, his brother Loki is a schemer who wants to rule. All of this leads to Thor being cast from Asgaad and his powerful hammer being taken from him. Thor discovers he cannot wield the hammer until he proves himself worthy. After being found by scientist Jane Foster and her team Darcy and Erik Selvig, they find themselves being watched by S.H.I.E.L.D., specifically, Agent Colson. They have found the hammer, which nobody can move.

The film is a fish out of water story. And Hemsworth, who was not a name brand actor at the time, had a certain charm he brought to the role. Of course, eventually Thor must get his hammer and put an end to Loki’s plan.

The human characters suffer in this film. Clark Gregg knows his role backwards and forwards. And Kat Dennings has a lot of fun as Darcy. Stellan Skarsgård is entertaining as father/scientist figure. kay, it seems like it is mostly Jane Foster. The film tried to set her up as the smart scientist, but she really spends hr time mooning over Thor.

The Asgardians are a fun lot of both character actors and name talent. Anthony Hopkins brings a regal presence to Odin, while Renee Russo brings wisdom and motherly compassion to both her sons. The Warriors Three and Sif are strong warriors, but also know celebration. Tom Hiddleston plays a Loki who is both very likeable and duplicitous.

The film makes some choices that seem rather counter intuitive. Supposedly the destruction of the Bi-Frost severs the connection from Asgard to earth, but that does not last long. Nor is it really ever explained. In addition, a big plot whole is…if Thor has never been to Earth before this…how are there legends of his exploits?? Unlike Captain America: the First Avenger, Thor feels more like it is busy setting things up for the Avengers than being it’s own story. It is an enjoyable film overall, but it feels like it could have been stronger, especially considering the talent at the directorial helm of Kenneth Branagh.

September 25, 2016 0

Summon the Spirit (Ghost Rider: Spirit of Vengeance, 2011)

It was a little surprising that Ghost Rider got a sequel. Or is it a reboot. The film is never really clear. It simply ignores the previous film, yet stars Nicolas Cage again. This time it is directed by the guys behind Crank. The trailer showed Ghost Rider pissing fire. Which just seems so crazy that it sets high expectations for hilariously absurd action.

Considering the movie has gun toting monks protecting the son of Satan from Satan, it seem like the film will be all kinds of crazy.

And yet…for being a movie from the the guys who made Crank and Crank 2? It is remarkably tame. Oh, there are things about the film that work. There are jokes that land, action scenes that are exciting to watch.

The story is not very complex, a young mother is trying to keep her son out of the hands of his father…the devil. The kid could be the Anti-Christ, so along with the help of some monks, she is keeping him hidden. But the devil’s henchmen are closing in, until Johnny Blaze shows up. He gets into all sorts of battles with the henchman and starts to bond with the kid. Idris Elba shows up to be bad-ass with the promise of curing Blaze of his curse. Guess what happens when he is cured?

If you suggested he realized it was a mistake and gets his power back…you would be right.

The effects are good and there is even some creative uses of the Ghost Rider’s abilities. The Ghost Rider actually looks really cool in the film. As I said, there are jokes that land, for example, the devil resurrects a henchman, but gives him the power to cause things he touches to decay. Which becomes a problem when he tries to eat food…until he finds a Twinkie.

And yet, the film gets too slow at times, and the characters are very stock types. The story is not compelling enough to give you concern for where it is going. There are no real points where the film gives us a surprise, it is in fact quite a by the books tale with no twists or turns.

September 22, 2016 0

To Infinity And… (Star Trek Beyond, 2016)

In the third film since J.J. Abrams rebooted the Star Trek Universe, we get an original story. And really? It is quite a bit of fun. It begins a bit shaky with attempts to give us brief character moments that are not entirely effective. It is nice to see McCoy taking a bigger role then the last film, and more of a focus on the friendship of he and Jim. And hey, they are actually in the midst of their five year mission of exploration! The previous two films were set before that.

We find James T. Kirk having lost his way in the far reaches of space. Not literally, but spiritually. He is not alone, Spock is having a personal crisis regarding his role on the enterprise versus feeling of obligation to his fellow Vulcans. While visiting a space station, they are contacted by an unfamiliar species, a captain who begs for help for her stranded ship. The Enterprise takes her out only to be attacked and (in the long standing tradition of Trek) destroyed. To be honest, this sequence gets a little boring as it seems endless and kind of confusing. But when the crew lands and is dispersed on a nearby planet, the film kicks into gear.

I was skeptical of bringing a director of the Fast and Furious (admittedly director of some of the best films in the franchise) in to direct. But Justin Lin shows a lot of skill at making an energetic sci-fi film. The villain’s full motives are mysterious at first, but when revealed it all falls into place.

Everyone’s performances are true to form and this feels like an action packed version of the original crew. It is not that much deeper than the previous two installments, but it is far more effective in it’s story telling. Personally, I found the interaction between Spock and McCoy tremendously enjoyable. they had nice moments of expression of concern and admiration as well as some entertaining banter. Kirk’s “ladies man” persona is downplayed in this film, he never even hits on Jaylah, the pretty alien girl.

If ranking the Altered Timeline films, I would say Beyond is easily the best as it hits it’s marks. The villain is a strong and compelling threat (something the previous entries suffered at) and the villains plan at least makes sense and is not entirely dependent on complete coincidence. Okay, maybe a slight coincidence. But I enjoyed Star Trek Beyond, and enjoyed it very much.

July 23, 2016 0