Reboot, Restart (Jay and Silent Bob Reboot, 2020)

Jay_And_Silent_Bob_Reboot_PosterKevin Smith created a splash with Clerks in the early 90’s.  He had a string of hits, but somewhere around 2001 he started to fall out of favor.  Now, I actually like Smith’s general work and some cringe takes over the years, he comes off as a well meaning guy who wants to entertain through stories. He started doing national tours where he pretty much just chatted and told stories about his career (this has resulted in some rather entertaining DVD sets). His movies have not fared as well among critics and general audiences (though I liked Red State and Tusk).

I like Smith and feel like people are a little too hard on him. Maybe I have missed something unforgivable. But anyways… 2001 was the year that Smith put out Jay and Silent Bob Strike Back.  Unlike previous works, there was no real “message” or exploration of ideas about relationships and the like. The film was just a wacky hijinks filled raunchy comedy.

Jay and Silent Bob find out that Banky sold the film rights to a major studio to create a Bluntman and Chronic (the comic Holden and Banky created in Chasing Amy). Angry that they are not seeing any of the profits, they set out to sabotage the film.

I worked at a video store when it came out on DVD.  Every night when we closed up shop, we threw in that DVD and laughed our asses off as we did our closing duties. Jay and Silent Bob Reboot feels, well, inevitable.

Picking up around seventeen years later, Jay and Silent Bob discover that Bluntman and Chronic is getting rebooted and they are not being compensated.  So they set off to sabotage the film by going to Comic Con.  The hiccup is the discovery that Jay’s beloved from Strike Back- Justice- had a daughter with Jay that she never told him about named Millenium, or Milly. Justice is now married to a woman named Reggie Faulken. Yes, Smith is geeking out hard here.

After meeting, Milly forces Jay and Silent Bob to take her and her friends to Comic Con with them (without knowing who Jay is, as Justice makes him promise to not reveal he is her father). Hijinks ensue.

There are some good laughs, mainly falling into cute references, rather than joke based hilarity.  The cameos are ranging from fun to “because they could get them”…but what really stands out with the film?

Smith wanted to say something here.  Like, his desire to communicate overwhelms the film.  And not in a terrible way, I actually like what he is saying…it feels far more personal than some of his other attempts at sentimentality.  Family seems to have been the spirit here, and I truthfully like that.  Even when we revisit characters like Holden and Alyssa from Chasing Amy, it is to show them both at a better place in their lives and their relationship.  Smith pushes the notions that family is bigger than traditional ideas of a nuclear family. Family is what you make of it, don’t fear parenthood, no matter how scary it may seem.

This is not to say the film is not goofy, it is…and while some humor feels repetitive or just fell flat for me early on, by the end of the film, Smith won me over.

The Past, Present and Future of the DC Cinematic Universe Part 7

That’s it!  The end is here!

Bringing everything to a close, we look at what the future may hold for DC’s Cinematic Universe.

All Marvel characters and footage © 2018 Marvel Comics Group

All DC Characters and footage © 2018 Warner Brothers

 

Part 1- https://youtu.be/D2zovFL1QgQ
Part 2- https://youtu.be/oy51WH3O86o
Part 3- https://youtu.be/1rrpUwYehuI
Part 4- https://youtu.be/alRmOuCRP9o
Part 5- https://youtu.be/r9J8CFRnkP0
Part 6- https://youtu.be/0N16wEC6hxE

The Past, Present and Future of the DC Cinematic Universe Part 4

Batman V Superman: Dawn of Justice continues…a movie in which the most compelling hero is not Batman or Superman. And is the best thing in spite of have no discernible plot-line of her own.

Marvel and it’s related characters are © 2018 Marvel Entertainment

DC and it’s related characters are © 2018 Warner Brothers.

Part 1- https://youtu.be/D2zovFL1QgQ
Part 2- https://youtu.be/oy51WH3O86o
Part 3- https://youtu.be/1rrpUwYehuI

Social Justice Warriors (Justice League, 2017)

Justice_League_PosterWhen it comes to the movies?  DC has been struggling to  keep up with Marvel.  Part of this is really that DC did not lay out a plan from the start. While Marvel Released films with an aim toward the Avengers, DC was trying to figure out where to start.  The Nolan Batman films were a critical success, but also very much their own universe.  When they made Green Lantern, most attempts to build a larger never made it out of the script.

There was talk for several years starting off the DC Movie Universe with a Justice League film to be be directed by George Miller. This never came to pass, and when Zack Snyder and Christopher Nolan began their work on Man of Steel it was decided this could be the start.  They did not do a ton, only lightly seeding references to a larger DC Cinematic Universe.

DC decided on following up Man of Steel not with Wonder Woman or Batman, but Batman V Superman.  Like Man of Steel, the reaction was mixed.  I am not a real big fan of either film, primarily because I feel like they are doing a rush job.  The films try and tackle big notions….but they have not earned it. Suicide Squad followed (troubling that we are meeting villains before the connected heroes). I did not mind Suicide Squad, I found it generally entertaining…but not as solid as Deadpool (whose success they were clearly aiming for).

The DC Cinematic Universe was desperate for an outright hit.  Luckily, Patty Jenkins and Gal Gadot delivered that with last summer’s Wonder Woman.  And so, for me, I had a little bit of hope they might look at this success and decide to use it as a template to right the ship.  Earlier this year, Zack Snyder announced he was stepping down for family reasons (His family was dealing with a tragic suicide of one of his children). It was announced that former Marvel architect Joss Whedon was brought in.  Whedon punched up the film with new dialog and reshoots.  And what is the end result?

Superman is still dead. The world is in chaos. Bruce Wayne is actively trying to bring a team together to protect the world from the larger threats. The threat here is from Steppenwolf…he came to earth once before in an attempt to destroy the planet, but was fought off by the Amazons, Atlanteans and human kind. His weapon, three items call Mother Boxes were split among the three groups and hidden away.

Batman also has a plan to bring Superman back, which Wonder Woman is uncomfortable with, but finally agrees to. And so, the team unites and takes on Steppenwolf.

So….is this redemption for DC?  Is this the second most awesome DC Cinematic Universe flick?  The answer is “Yes”. Buuuuuut….

Okay, so, the film opens with a nice little video, kids talking to Superman with there cell phone right after he has saved some people. And then we get Batman stopping a petty crook, except that it is a ruse to catch a creature called a para-demon.  The thief asks Batman if things are getting worse because they know Superman is dead.  This is followed by the film showing the world falling into despair, set to a haunted version of Leonard Cohen’s Everybody Knows. This is all quite nice.

We also get a rather fun action sequence with Wonder Woman stopping a terror group.  This really is not a plot enhancing moment.  It is just a lot of fun to watch.   And the film has a lot of these.  There is a lot of fun action moments.  Ezra Miller and Jason Momoa clearly are having more fun than Ben Affleck.  Barry Allen has the same backstory of the the TV show (Dad in prison for murder of mom)…this is fine of course.  But it is not a storyline that really leads anywhere. I like the general characterization here though.  Barry is awkward with people in part because how time feels for him.  Admittedly, this is very similar to the comic book version of Marvel’s Quicksilver in which time moves so slow for him, he describes every minute of every day as being like waiting in line at the DMV.  Except, instead of being a jerk, Barry just struggles to slow down his thinking enough to not sound like he has severe ADD.

Aquaman has always been a sore spot of a character for DC.  He tends to get mocked endlessly for being able to “talk to fish”.  Here the film compensates a bit by making him a tough and jovial guy.  At one point he looks to Batman, smirks and says, “Dressed as a bat, I dig it.”

Cyborg is in kind of a thankless role.  He fills in the technology blanks. Ray Fischer is really likable in the role.  It just is that he feels like things just happen randomly to him.  At one point, his suit takes over and starts shooting at the newly resurrected Superman.  The idea that the mechanics are in control in such a fashion is interesting, but we do not really get an indication earlier that the mechanical part can go rogue, beyond it apparently making regular upgrades.

Gadot is spot on in her Wonder Woman boots.  The character is again a high point.  Digital mustache issues aside, Cavill is finally getting to be a Superman who likes himself. Superman seems to be more earthling than Kryptonian here.  And this is something that corrects the previous two films.  I understand the arguments about Superman and a connection for people who fall into the category of “Other”.  But Superman’s other status in the films were relegated to him acting like a life he never had was more his identity than the planet on which he grew up.  There are ways to portray the identity of “Other” without sacrificing important parts of the Superman mythos.  In this film, he no longer speaks about “on my planet”.  No, Earth is his home.  Lois is his home. Martha Kent is his home.

The action is pretty solid.  And the humor is there.  The film has bright colors! So, why did I add a “buuuuuuuuut”?

At one point, Aquaman says to the Flash, “So you were struck by lightning?”  Flash responds “Yeah, well that is the condensed version.”  And that is how the movie feels.  Apparently there was a mandate to keep the film at about two hours.  And boy is that apparent.

So many scenes feel cut short, so many conversations feel truncated.  At times, the film moves at “fan montage Youtube video” fast. We get brief glimpses of characters we want more of…and admittedly, Commissioner Gordon and Lois Lane will probably be far more prominent in the Batman and Superman follow-ups.

And then there is Steppenwolf.  A rather uninteresting character.  Remember Ronin from the first Guardians of the Galaxy?  Steppenwolf has the same goal…but without the nuance. The film is incredibly unclear about why this is…but it also does not hint at the notion there is someone behind Steppenwolf. He is a remarkably boring villain. And when you compare unfavorable to a weaker Marvel movie villain?  That has to hurt.

So, what we are left with is a film that is better than Man of Steel, Batman V Superman and Suicide Squad…but nowhere near as strong as Wonder Woman.  But that said? I had a lot of fun watching Justice League.

Blind Faith (Daredevil, 2003)

Daredevil_PosterOh… Daredevil…

On the heels the success of the X-Men, Marvel pushed forward to get other properties going.  Spider-Man was in the works and so was the Hulk.  This was before Marvel Studios existed and the company was working with other studios.  There was no cinematic universe, because different studios had the rights.  Then the Marvel brass worked out a Daredevil deal.  Daredevil was getting a resurgence due to the Marvel Knights line (being one of Kevin Smith’s first gigs for the big two).  Daredevil had a classic background among Marvel books and certainly, would be less costly than Spider-Man or the X-Men.

Add to that the interest from some high profile actors and everything seemed good on paper.  And so the film got greenlit.  Unlike the X-Men, Spider-Man and Hulk, they opted to go with a director who was relatively unknown.  Daredevil was Mark Steven Johnson’s second film, having recently directed Simon Birch.

Casting news was where the strength was.  You had Ben Affleck as the Daredevil/Matt Murdock, Colin Farrel as Bullseye, Jennifer Garner as Electra, John Favreau as Foggy Nelson, Joe Pantoliano as reporter Ben Urich and the most controversial choice…Michael Clark Duncan as the Kingpin.  The fans were unhappy, because the Kingpin was a large and rotund white man.  The problem is, there did not seem to be a way to translate that without it looking pretty comical.  Duncan actually is a large man, and had both the muscle and height to be an imposing threat, as the Kingpin should be.  Granted, this was years before Vincent D’Nofrio made the role his.

Oddest casting complaint:  They totally whitewashed Electra!!! (for those unsure why this is so strange…Electra is Greek but more than one person seemed to think she was Asian)

The film introduces us to Matt Murdock.  He idolizes his boxer father (a nicely cast David Keith) until the day he discovers that his father is also working for the local mob as an enforcer.  Matt gets into an accident as he runs away and gets a chemical splashed in his eyes.  Matt is blinded, but soon discovers his other senses have taken on enhanced sensitivity.  It creates an echo effect that allows Matt to “see”.  What is really neat in the film is that they do let us see from Matt’s perspective.  The way the film shows his powers is pretty wild, a world that is turned into sensory braille.

Grown up Matt is a lawyer, specializing in helping the poor in Hell’s Kitchen by day and dressed up at night as the Vigilante Daredevil.  The police deny he exists, but he does leave telltale signs.  Ben Urich is trying to prove the Daredevil is real.

Daredevil himself is working to track down the Kingpin.  He scours seedy locations for lowlifes working his way towards the Kingpin, as the law has been unable to take the crime boss on.

The Kingpin hires expert assassin Bullseye to take out Nikolas Natchios (Erick Avari).  He and his daughter Electra are in town for a gala event.  Daredevil interferes and had a battle with  Bullseye.  Bullseye succeeds in killing Nikolas using one of Daredevil’s fighting sticks.

Electra goes on a revenge kick and falls in love with Matt/Daredevil.  Meanwhile, Bullseye is now trying to take out the Daredevil and Electra is trying to kill Bullseye, because it turns out she is a ninja because…of course she is.

In a fight with Bullseye, tragedy strikes and Matt finds himself on his own.  He is getting more and more desperate, and eventually takes down Bullseye.  He manages to get to the Kingpin, in a big fight, the Kingpin is taken down.  Happy ending, people!

The film got a very lukewarm reception when it opened on Valentines Day.  This is not a totally unexpected.  It is not a terrible movie, but it is far from perfect.  The story seems to attempt to force a lot of stuff from the comics.  It is clear that the primary source of inspiration comes from Frank Miller years.  No big surprise, as those were part of the innovative years of Daredevil (before his more recent run by folks like Ed Brubaker).

But there seems to be some problems with a single movie that takes a massive character arc and compresses it.  The film tries to take the character from a positive place and drag him through hell, all while also bringing Electra into it and having him take down the Kingpin.  It seems a bit counter intuitive, considering they were attempting to get a franchise started.  The darker edge seems like it might have been better saved for a sequel, as it all feels very rushed and not fleshed out here.

There seems to be confusion in the script as how to present Daredevil as well.  Noble hero or grim vigilante.  You have a sequence where he could save a rapist he failed to put away or let him get killed.  Yeah, he may be a rapist and therefore scum…but it really is not the best portrayal to show Daredevil so callous about death.  Then there is the moment where Daredevil dives in through a window and takes to pummeling one of Kingpin’s enforcers.  Daredevil realizes that he is being watched…by the enforcer’s terrified kid.  This would have been a great bit in a stronger film.  In a sequel, you could have really sold a tale about Matt Murdock wallowing in darkness and being pulled back to reality.  And that is what they are trying to do here…but it never has enough time to make it work.

It is nice the way they try and weave Murdock’s Catholicism into the story (with some great shots of Daredevil standing atop a cathedral to boot).  It is fairly nicely handled with some interaction between Matt/Daredevil and his Priest.

Affleck does pretty well, though he and Garner (ironically for the time) don’t have a lot of chemistry.  I am not sure I feel Ben fully carries the movie as a solo hero, he has little support from other heroes like the X-Men.  Colin Farrel is pretty entertaining and he clearly just decided to really ham it up.

The odd thing with Bullseye is he has no costume.  On the one hand, I get the concerns about his outfit from the comics.  On the other, they gave Daredevil a pretty close approximation to his comic book costume.  Bullseye simply has a bullseye carved into his forehead.

Jennifer Garner is kind of lifeless.  I never really buy Electra’s hearbreak and thirst for vengeance-even though they give us a training montage set to a Evanescence song.  The direction of the film feels pretty pedestrian, resulting in a film lacking real identity.  And nothing really saves it.  There is not a real unique sense of style to the film.

The film does a nice job in addressing Matt’s powers though-including how distracting they can be.  In the film, he sleeps in a sensory deprivation chamber.  And as I said, the times when we see things through Daredevil’s sonar are nicely handled.

But ultimately, while I appreciate the effort, in the end it is a film that is simply “okay”.  The director’s cut is actually a slightly improved version, though the flaws remain.

The Most Ultimate Edition

Batman_V_Superman_ultimate_edition_coverSo, I took the time to watch the Ultimate Cut of Batman V Superman.  And you know what?  It is a great improvement.  It was enough for me to consider the film enjoyable.

The added footage really enhances the story filling in the blanks.  We now understand why Superman misses something that results in major death and destruction, and to cap it off, we see him helping locate survivors.  Also, while I already thought Bruce Wayne’s introduction was one of the best sequences in the film, we get extra seconds to show Bruce’s dedication to helping survivors.  This version also explains why Batman’s branding of criminals “results in a death sentence”.  It is part of Luthor’s plan to manipulate Superman’s perspective on the Batman.

On top of that, while we got evidence of Lois Lane’s dedication to find answers, finally we see Clark actively doing investigative reporting into Batman, as well as the discover of Luthor’s reach in influencing public opinion towards some of Superman’s actions.

This is not to say all my concerns and criticisms are alleviated.  For one, I really wish they would have Superman talk less like Earth is not his home.  He has spent 99.9% of his life on Earth.  Raise by citizens of earth.  He sees them as mom and pa.  He loves Lois.  He still talks about Krypton as “My world” as if Earth is not also his world.  Batman is a great detective, except where Luthor’s plan comes into play.  Superman gives up trying to convince Batman to help him a little to quickly and goes into fight mode faster than Superman really should.  Superman is not a dumb brute.  And honestly, I cannot help but find the thing that gets Batman to pause is…their mothers are both named Martha.  While that is certainly an interesting coincidence…but that that is the only thing that causes Batman to question his view on Superman seconds before killing him…oi.

But still, the Ultimate Version has made this a much better film, one I feel more confident in.  If this had been the theatrical version, the list of my negative feelings would not be nearly as long.  In addition, after watching the promo trailer for the upcoming Justice League, I am actually looking forward to seeing it.  The preview has an interesting take on Aquaman, Flash looks like a brighter heroic addition to the DCU.  Even Batman and Wonder Woman have some fun banter.

It is to early to state as fact of course, but the Wonder Woman trailer looks exciting and fun.  It looks like the Wonder Woman movie people have been wanting for a long time.  And if Suicide Squad is as fun as it looks…well, DC might have three winning films in a row.  Four if you include the Ultimate cut, though “winning” might be a slight overstatement.  But the future is showing a brighter potential for DC films.

Super Pals In Conflict (Batman V Superman:Dawn of Justice, 2016)

batman_vs_superman_pop_art_postersThis film has been both hotly anticipated and less than interesting depending on who you ask.  In fact, the talk at the beginning of the week was that people had seen the movie and loved it.  It was starting to look like Deadpool all over again.  The early reaction made me wonder if my preconceptions were fair.  Then, as the week progressed and more official reviews started to come out?  It started to suggest my low expectations were warranted.  Of course, I still felt I needed to see the film before declaring it a dud or success.

I am inclined to say it is better than the (at the last time I checked) 30% Rotten Tomato rating.  But it is not truly great either.  Clocking in at two hours and forty minutes, it is reaching for a standard of epic.  Snyder and Nolan have emphasized that their films are different than those of Marvel.  And it is true…the Marvel films, to a large extent, combine humor, adventure and suspense.  Sure, some do it better than others.  But they are lively fun films.  Snyder has describe wanting his DC Cinematic Universe to be more epic Greek Myth.

Affleck actually works well in the role.  There was plenty of online hemming and hawing…but Affleck’s Batman was pretty strong.  Jeremy Iron’s Alfred worked very effectively for me.  I enjoyed the larger screen time to Laurence Fishburne’s Perry White.  He seems to be having a lot of fun as the tough Editor in Chief of the Daily Planet.  I liked Amy Adam’s Lois Lane in Man of Steel, and she is just as good here.  In spite of criticisms of the Man of Steel, I like Henry Cavill and feel he gives us the best Superman we can hope for given the material.  I also liked when they focused on Lois and Clark’s relationship.  I also enjoyed the brief time given to Gal Gadot’s Wonder Woman and find myself looking to her solo film now.

The weakest link of the characters was Jesse Eisenberg’s Lex Luthor.  The character never feels as brilliant or as menacing as he should.  Instead he just comes across as weird and quirky.

I can appreciate that they tried to make the destruction of Man of Steel a real sticking point that Superman has to face.  That his heroics can even see negative results.  This does really give a plausible motivation to Batman.  The Batman we get in the film is cynical and has given up hope, rather than seeing Superman as that hope, he becomes determined to stop Superman.  When Lex Luthor manipulates events, Batman falls over the edge.  This actually works pretty well.  It is an old comic book trope where two heroes meet, not realizing they are on the same side and fight, before realizing they are on the same side.  The first Avengers film did this in very entertaining fashion in about five minutes.  Here, Superman and Batman spend a majority of the film in distrust.

However, the film is just so packed with advance planning for the cinematic universe, they start forcing stuff into the film to prepare us.  This also becomes confusing on telling apart dreams from memories from possible future events…at one point I was trying to determine if Bruce Wayne was having a potential prophetic vision.  The film also lacks a strong central antagonist, and the introduction of Doomsday for the final battle just makes the film feel overloaded.  The film feels bloated and confusing, and could use some streamlining.

It is also obvious that the criticisms of the Man of Steel’s massive destruction really stung Snyder.  At points a general points out that they cleared an area, a newscast points out that the workday is over and everyone had gone home…Batman explains he chose a particular area for a fight because it was abandoned…the filmmakers really want you to know just how many people are not getting killed.

The movie is full of iconic visuals of Superman, Batman and Wonder Woman, and that is what they feel like.  “Remember this panel from Dark Knight Returns?!”  But they do not enhance the story.  And Snyder’s cynical approach infects even the color grading.  It is almost a dull and faded world.  I am missing vibrant color in the DC Universe.

In the end, like Man of Steel…there are things I really did like.  There are things I really did not care for.  The film just misses the mark in a way that bums me out.  I want to leave a movie starring Superman feeling hopeful and happy.  I cannot say that here.  The film never earns it’s deeper questions of hero worship and power, or the repercussions of Superman’s actions.  I appreciate that they tried to aim for depth…it just is not as deep as they would like us to think it is.

Spider-Man Swings Past the Origin

The site Collider has a discussion with the writers (though, the actual interview occurred on the Andy Greenwald Podcast) of the rebooted Spider-Man franchise.

comics-spider-man_00426012Much talk has been given about Spider-Man’s second reboot and his entering the the Marvel Cinematic Universe.  The hype is getting so ridiculous that an article appeared in my Facebook feed *confirming* Spider-Man would appear in Civil War.  People are so desperate for angles that they are confirming stories confirmed months ago.

The more interesting part is the address the most common concern people seem to have about the reboot.  Are we getting stuck with another origin story?  The fact that Spider-Man is appearing in Civil War would indicate the answer to be no.  The MCU has been fairly good at not jumping backwards.  The timeline appears as if they will be jumping into a story with an active Spider-Man.

This interview suggests that, currently, they are not writing an origin movie:

“I think that everybody feels like you know he got bit by a spider and you know Uncle Ben died, and we probably don’t need to revisit that.”

“We want to explore the fact that just because you get superpowers doesn’t make you into a really sophisticated, successful adult. He’s still a kid and he’s clumsy and he’s a geek and he’s a bit of an outcast, and in many ways the superpowers amplify that and exacerbate his trying to fit in.”

This is good to see.  Truthfully, the origin movie is rarely needed.  I get that there are all sorts of fun that can occur with someone learning their powers.  But a simple solution is set the story early in the hero’s career.  This allows for amusing and dramatic stumbles  due to inexperience.  You can still set up the rivalries.

affleck_batmanIn that sense, I get the idea that DC is working with.  It seems like Batman v Superman will be introducing characters who are already active.  I am not fully behind the “older Batman” approach…but in a way, I appreciate the way they seem to be avoiding another Batman origin story.  Sure, it appears we will see some flashbacks, but comics have always reflected on characters origins in their storytelling.  But Warner Brothers and DC seem to be realizing they can start the story later in the career of the character.  Really, I think it would have helped Man of Steel to start in his early career, instead of the introduction to his world as fighting a massive and destructive battle with Zod.

To be fair, Marvel has not just given us origin films.  The Incredible Hulk was not an origin tale and really, Thor was an established Asgardian Warrior.  But Marvel really has leaned heavily on origin films.  And it certainly worked for the best with Captain America.  So it is good to see that Marvel and their screenwriters understand that it is just not necessary to retell the Spider-Origin all over again.

Blog at WordPress.com.

Up ↑