It Conquered the World (It Came From Another World, 2007)

The A-Rockin’ Scientist Professor Jackson is back!!! Along with the Canoe Cops!!!! Wait one second…

Associate of Professor Jackson Dr. Frasier is in the woods when he witnesses a meteorite fall to earth. He goes to investigate and appears to be attacked by a force from the meteor.

Professor Jackson is called in to determine what has happened to Frasier. He goes out and is assisted by the Canoe Cops, Sven and Gustav. They locate Dr. Frazier, who seems unaware of just how long he has been gone. They bring him home and Professor Jackson runs tests to see if he is okay. But of course, he isn’t. Because there would not be a frickin’ movie if he was fine. Frasier is possessed by an alien intelligence that seeks to rule the earth. He uses mind control on the Professor’s girlfriend and escapes to set his diabolical plans in motion.

Again, Professor Jackson must save the world..but can he stop the evil alien fiend being that has possessed his dear friend?

This one has it all. A ping-pong ball eyed alien! Romance! A Canoe Paddle Battle! Science! Josh Craig returns to the role of Professor Jackson, this time with an even more pronounced Shatner inspired vocal pattern. It is a bit over the top but is also a lot of fun.

Like the Monster of Phantom Lake, the budget reads in the film as “No Budget”. As noted, the evil alien is actor Mike Mason with what look to be ping pong balls for eyes. As a semi-sequel, Jackson and Elizabeth are the only characters to return. The film acknowledges his love interest Stephanie…with a single line noting she is dead.

This one has more jokes slipped into it, as well as a musical number. This time around it is a slickly produced song…but played off as being performed by the cast. There are split screens, clearly different singing voices and far more instruments than the cast members are playing (the song was performed entirely by Mihm).

It Came From Another World is an enjoyable romp.

October 19, 2017 0

Humanoid From the Deep (The Monster of Phantom Lake, 2006)

Christopher R. Mihm’s debut is a tale of toxic waste and teens in danger. Professor Jackson (a professor of science!) and his assistant Stephanie have come to the woods of Wisconsin to study the local frogs. Meanwhile, a group of teens is on a camping trip to celebrate graduating from high school. Unbeknownst to any of them, a local company has its employees dumping toxic chemicals into the lake.

When the shell-shocked veteran Michael “Lobo” Kaiser falls into the toxic lake, he is mutated into a giant algae monster that begins to attack those around the lake. It falls to the Professor and Stephanie to figure out how to stop the monster.

The Monster of Phantom Lake features a monster that looks like it was made from paper mache and duct tape…and this works within the confines of the film. With large round and unblinking eyes, the mouthless creature successfully evokes a b-movie monster from the 50’s.

The teens are noticeably not teens and their dialog sounds like what adults in 50’s Hollywood thought teens sound like. The dialog, in general, is quite campy and dated, such as when the professor cheerfully notes he does not pay much attention to the talk of women.

Then there are goofy additions like the Canoe Cops Sven and Gustav. The joke is they get around in a canoe. And they have Norwegian accents. This aspect is a very Minnesota thing.

What brings it all together is a sense of sincerity. Mihm is not mocking the films of the 50’s. Instead, he is looking back fondly. This is not to say they lack humor. The laughs, including the dated language and cheap effects, are intentional. They are simply not derisive.

There is a warm-hearted charm to the Monster of Phantom Lake and it’s simplicity, looking back to a far complex time for movies.

October 18, 2017 0

Up In Flames (Spontaneous Combustion, 1990)

Sam discovers that his parents were part of an experiment with nuclear power while he was in the womb. Upon being born, he is proclaimed a perfectly healthy baby. Shortly after his parents burst into flames (spontaneously!).

Sam discovers he has the power to make things burst into flames. When he gets angry, he causes people to erupt in violent flames. But it is not just other people. When a victim burns, so does he.

There are some goofy moments, like when staring into a fire, he has memories from before he was born. Or the fact that they talk about Spontaneous Human Combustion as a totally scientific fact and common occurrence. Or the psychic radio host.

What really makes this work is Brad Dourif’s performance. Sam is kind and sweet, so when he starts to struggle with his power, he is pretty sympathetic. This is especially true as he becomes unable to know who he can trust.

The ending gets a little convoluted, trying to be both tragic and “happy”.

The effects in the film are quite good, if somewhat hyper-dramatic.

Overall, though largely forgotten, this is a pretty strong effort from Hooper.

October 6, 2017 0

They Are Us (Invaders From Mars, 1986)

One night, young David witnesses a spaceship landing just beyond the hill. After his father returns from checking it out, he seems…different. His father seems detached. Like he is trying to determine how to behave. David uncovers an invasion from the martians and must try and figure out who to trust. His teachers? The Military? His fellow students?

Based on the 1953 film, Hooper returned to sci-fi quickly after his space vampire movie Lifeforce. A decidedly more mainstream film, this falls squarely into the territory of the paranoid alien invasion films. And it is pretty effective in that regard. David soon finds his parents and classmates under the influence of the martians, and his only chance for help from Linda, the school nurse. They eventually find help from the military, who lead a retaliatory attack.

The film is very lush and colorful, with Hooper embracing vibrant reds. The creature effects by Stan Winston are great and the Martians are utterly unearthly.

The script is very effective. In a few brief moments, Dan O’Bannon establishes how close David is with his parents, so that we can tell that something is wrong a scene later when his dad has been taken over by the martian invaders.

There are some great performances here, with a solid group of actors including Karen Black and James Karen.

Really, the only thing that frustrated me with the film was the choice of ending. It is frustrating with it’s choice to muddy the reality of the story. But aside from that, I found Invaders From Mars an enjoyably film from Tobe Hooper’s filmography.

October 5, 2017 0

October: The Dead, Martians and Atomic Brains

Welcome to the month of October. As with every year, it will be scary movies all month. Themes for this month include the films of George A. Romero and Tobe Hooper.

I had started doing a zombie theme for the month, but the death of Romero in July prompted an exploration of his films, as I really had only seen a few. And I had not seen some key parts of his older work, so it was interesting to take a look at films like Martin and Season of the Witch (one I find myself generally thrilled with and the other…well…).

Only a month later, Hooper passed. Now, I have covered a few Tobe Hooper films in the past so I will not be creating new entries for those. For Lifeforce, the Texas Chainsaw Massacre, the Texas Chainsaw Massacre 2 and the Funhouse…click the links). I confess Hooper’s films start to take a sharp turn after the Mangler (which is more a crazy mess than a classic). I am going to also include his Masters of Horror episodes Dance of the Dead (which seems like it would be a Romero title for a zombie movie set at a rave, oh wait, that was one of the Return of the Living Dead films) and the Damned Thing.

Also, later this month, I will be going through the entire filmography of Christopher R. Mihm, a local Minnesota filmmaker. He has a new movie coming out this month, the Demon with the Atomic Brain. His films are loving odes to the horror and sci-fi films of the fifties and sixties. His Mihmicerse is populated with ghosts, mutant animals, and Nazi Killing Weresquitos. I will expound more as we get to the films later this month.

Hope you have as much fun reading these as I have had writing them.

October 1, 2017 0

Why Did It Have to Be Aliens? (Indiana Jones and the Kingdom of the Crystal Skull,2008)

Or…Indy Gets Old. Lucas envisioned a new Indiana Jones trilogy, with one change. Where the first three films focused on religious and supernatural artifacts, the new films would focus on science fiction themed artifacts. Kingdom of the Crystal Skull is set in the 1950’s for this reason, and instead of Nazis, the villains are Russians.

The film opens with Indy and his friend Mac as prisoners of the Russians. They are taken to Area 51 to locate a potential weapon. Jones mounts an escape that leads to one of those narrow escapes that got a lot of ridicule…hiding in a fridge to avoid a nuclear explosion. I am not sure this is really any more outrageous than his other exploits in other films. Is it crazier than jumping from a plane in an inflatable raft? Indy returns to his college job, only to find himself pursued by the CIA and the Russians.

He runs into a kid named Mutt…Mutt wants his help to save his mom…Marion Ravenwood. What follows is an adventure involving the Crystal Skull. The real Crystal Skulls are carved human skulls. People believed they were ancient creations, but all the skulls studied have revealed to have been made in the 19th century and there does not seem to be any mythology that corroborates the claims of being Mesoamerican or even Native American.

The film ignores this and posits that there is a hidden city in the Amazon jungles. And the skull is not human, but rather an elongated alien skull. The film indulges aliens and psychic powers. But a lot of the action harkens back to the earlier films.

At the same time, there is little room for anything resembling an emotional resonance…this is because the film relies heavily on goofy moments. The action is full of it. During an overly long chase (where the Crystal Skull keeps leaping between Indy’s crew and the Russians) Mutt gets caught in a tree. He ends up swinging Tarzan style through the trees surrounded by monkeys.

The film also never really surprises. From the moment Mutt appears, you can see where his storyline is leading. Mutt is also kind of annoying. I mean, he is less annoying than Sam Witwicky in the Transformer films…but he gets irritating none the less.

On the other hand, it is really great to see Marion back on the screen. And she gets some real good moments within the action scenes. She is not just there to be saved, but does the saving. And the cast is a high point. You have Cate Blanchett as the lead Russian, John Hurt as an old mentor of Indiana Jones, and Jim Broadbent in a small role as Indy’s boss.

And John Williams provides the score. John Williams has created many iconic themes from Star Wars to Superman. And his soundtrack in all the Indiana Jones films is top notch. As the main Indy theme plays in every movie, it makes you anticipate excitement.

Indiana Jones and the Kingdom of the Crystal Skull is a disappointing return for a cinematic hero.

September 27, 2017 0

Space Suckin’ (Lifeforce, 1985)

When I planned this post, Tobe was still with us. In October, I will be exploring some other Hooper films. But my thoughts go out to Hooper’s friends and family.

Set in 1985, the international space shuttle the Churchill is observing Halley’s Comet. They discover an object hidden in the tail of the comet, only to discover it is a giant spaceship. The craft is full of corpses of strange humanoid bat creatures…and then there is the weird part. Three beautiful humans encased in crystal coffins. The Churchill goes silent, and is only discovered after it appears to be adrift. It is found with only one remaining crew member (Col Tom Carlsen) and the beautiful young woman.

Col. Colin Caine is trying to determine what has happened, but a new threat arises when the beautiful girl awakes and we discover she is a life draining energy vampire. Seducing a young guard, she dramatically draws his life energy out, leaving a desiccated corpse. It all created a domino effect as it turns out those she drains are not dead, but now lesser vampires. They can return to life briefly, but without regular energy infusions, they die permanently. Caine and Carlsen start trying to track down the Space Girl (this is actually how the character is credited) who is moving through London psychically, while her body is hidden away.

The visual effects in Lifeforce are very strong. The corpse monsters (and there transformations) are especially cool sequences. There is a sequence where the Space Girl reaches out to the leads building a blood body that is effective (though the two bodies are clearly dummies).

The cast is good, with Railsback’s Carlsen being a seemingly dubious character who seems more obsessed with the Space Girl rather than stop her. The film aims to be pretty epic, but can veer into some real campy territory. Most notably, although the beautiful young actress Mathilda May only appears as the Space Girl for about ten minute or less? She is naked for about twelve of those minutes. Sure, by Game of Thrones standards, that seems quaint…but it was a pretty big deal at the time.

There is a goofy charm to the film, and most of the strengths are the presence of British Thespians such as Frank Finlay and Patrick Stewart (who shares an on screen kiss with Railsback). Hooper has certainly made weirder films (*cough* the Mangler*cough*)

September 1, 2017 2

Home Alone (Night of the Comet, 1984)

The world is abuzz over the arrival of a comet that will come unusually close to the earth. High schoolers Regina and Samantha are not into it and miss the show. They awake the next morning to discover that the world has changed.

Apparently, the comet came a little to close…people outside were reduced to dust, while most people indoors are simply disintegrating a bit more slowly, resulting in scary mutants. Only people, Such as Regina and Samantha, who were protected by certain environments were unaffected. After meeting up with a guy named Hector, the girls make contact with people who claim they can be of help…hint, they are not decent people.

Night of the Comet is a very teenage take on the whole “Last Person on Earth” concept. At first, there is little drama, as the girls were miserable putting up with their stepmother. So they celebrate, raiding a shopping mall. Of course, this does not last long and soon Regina, Samantha and Hector find themselves trying to escape a dark cabal of scientists. And it works pretty well. Catherine Mary Stewart and Kelli Maroney are engaging leads and the film has several great b-movie favorites.

If you start to heavily scrutinize “how stuff breaks down” if there is nobody around to run it, the films tidy ending probably falls apart…but it is a fantasy and it is a fun one.

August 31, 2017 0

Beat Cops (Alien Nation, 1988)

It is the near future of 1991…three years prior, an alien ship appeared above Los Angeles. It was full of an alien race we nicknamed the Newcomers. Genetically bred for adaption, they adapt quickly to life on earth, forming communities, entering our schools and workforce.

In this world, we meet Detective Matt Sykes. It is quickly established he does not like the Newcomers in any way. He refers to them by the slur Slags and expresses only disdain for their presence. Sykes and his partner Bill interfere with a robbery resulting in Bill’s death. Angry and determined to get back at those responsible, Sykes volunteers to work with the first Newcomer Detective Sam Francisco (Sykes resents the “gag” name and renames Sam as George). What follows is both a personal journey for Sykes and a professional journey for the two detectives as they uncover a dark conspiracy to exploit the weaknesses of Newcomers for great profit.

Science Fiction has always been a vehicle for exploring the human condition and our moral failings. Alien Nation tackles bigotry and xenophobia which can be a rather treacherous territory. Mainly, this is because the aliens are stand ins for…well, not white people. It has been pointed out that one of the problems with the X-Men as the metaphor for bigotry school of thought is that…well…shooting lasers from your eyes is a legit dangerous and deadly power… having black skin is not.

Alien Nation avoids this by an extremely careful world building. The Newcomers are, in many ways, no different from humans, both in virtues and vices. They have some physical differences (two hearts, get drunk on sour milk, cannot process cooked meats and so on) and look different (Newcomers are bald with spotting on the back of their heads)…yet seek to have a better life than the one they left behind.

A lot of what makes the film work beyond the well thought out Newcomer earth based culture is the performances by James Caan and Mandy Patinkin. Using the “Mismatched Buddy Cop” formula allows the story to move at a quick pace. This also can make it easier to ignore certain weaknesses in the metaphor. Sykes overcomes his bigotry in a matter of days, though even at the end, apologizes to George for how awful he will be towards him in the years to come (a moment played for laughs). Truthfully, this is a shortcoming of the film medium, everything needs to occur quickly, so a nuanced journey from bigotry to goodness is not generally in the cards.

Alien Nation is ambitious and largely hits its mark with thoughtful performances, a well thought out world, and good special effects. It feels, in some ways, more timely now than it did in 1988.

August 30, 2017 0

Lost in Space (Enemy Mine, 1985)

In the future, mankind has colonized space, but this has brought fresh dangers. Mankind is at war with a reptilian race called the Draks. During a firefight Earthling pilot, Willis and Drak pilot Jeriba find themselves stranded together on a hostile planet.

The two mortal enemies find themselves in a situation that requires cooperation to survive. Willis and Jeriba (who Willis refers to as Jerry) slowly build a bond, and as the years pass, their relationship becomes more like family.

Enemy Mine is a very simple story from Director Wolfgang Petersen (Das Boot and the NeverEnding Story). But this is because it really is more of a science fiction fairy tale. with the moral more important than the specifics of the story. And the moral here is that we are all more alike than we think. Or as Sting once philosophized…the Russians love their children too.

The film keeps from getting bogged down by any truly elaborate cultural details for the Draks. Their religion is relegated to a book that Jerry reads. He teaches the ideas to Willis, who finds that the religious beliefs are scarcely different from the ideas found within Christianity.

It is the makeup and Louis Gossett Jr.’s performance that sell the Draks as a completely non-human race. Gossett gives movements that are more like a lizard. And even after Jerry has learned English, he affects an accent of one who is not used to the language. Considering how cumbersome the makeup must have been, it is a real testament to Gossett Jr.’s talent to make it all come together so well.

Enemy Mine is at times thrilling, funny and ultimately heart warming.

August 29, 2017 0