Up From the Depths & In Your Face (Jaws 3-D, 1983)

Jaws 3-D was almost titled National Lampoon’s Jaws 3, People Zero…or so the story goes. Spielberg apparently nixed the idea. Instead, we got Jaws 3-D. Set years after the second film, Mike Brody works for Sea World and is dating marine biologist Kay. His little brother Sean comes in for a visit and becomes smitten with Kelly, a Sea World Performer.

Sea World is preparing to unveil its new Undersea Kingdom…a sprawling underwater complex for tourists to enjoy. Overseen by the flamboyant Calvin Bouchard, he spares no expense when he sees potential dollar signs. He also brings in celebrity game hunter Manimal…uh…Philip Fitzroyce. Manimal…look it up, folks.

A baby great white enters the bay and is trapped inside. When discovered Kay convinces Bouchard to allow her to catch it for study, noting that having the only great white in captivity would bolster Sea World’s reputation. But baby jaws is the least of their problems when momma comes looking for her baby.

Jaws 3-D features an all new cast, with Dennis Quaid stepping into the shoes of Mike Brody. The film actually has a pretty good cast. Lea Thompson (in her film debut) as Sean’s love interest and Louis Gossett Jr. are fairly memorable.

But the story just is not all that compelling. Moving the setting to a theme park might make it all look bigger, but it is a pretty hollow story with no real emotional resonance.

In addition, I would say the film has some of the worst shark effects of the entire film, with the sharks looking like plastic toys. Jaws 3-D is inferior to both Jaws and Jaws 2.

September 13, 2017 0

Up From the Depths Redux (Jaws 2, 1978)

When you beget the first summer blockbuster, the studio will want to get back to that gold mine. Of course, Steven Spielberg did not return…reports include production conflicts as he was working on Close Encounters of the Third Kind. Others report that he thought sequels were a joke. Close Encounters also prevented Dreyfuss from Returning.

However, much of the central cast did return. Set a few years after the first film, Brody is still the Chief of police. He is struggling with his teenage son Mike. And when there are some mysterious deaths, Brody jumps to his default…a big shark. Unsurprisingly, everyone tells him he is crazy…I mean, ANOTHER shark? Who is this guy? John McClane?!

Of course, it is a shark, another great white to be exact…and it falls on Brody to put an end to it.

Jaws 2 is not really terrible. It can be downright suspenseful in fact. There are moments of high drama. But in this film, there is no Quint or Matt Hooper for Martin to play off of. He gets support from his wife, but in the end, it is all on Brody’s shoulders to kill the shark.

The film skips the hiding of the shark as the director felt there was no way to duplicate the original film’s big reveal. And he is correct. But the shark in this film seems even more rubbery, especially noticeable in a scene where the shark barely misses Mike Brody and slides against the boat.

Jaws 2 is a decent attempt to follow up the original, but in the end, it more imitates it, with only limited success.

I do have one question…after the events of the first film…who the heck voted to keep Mayor Vaughn in charge of things????

September 12, 2017 0

Up From the Depths (Jaws, 1975)

In 1975, Steven Spielberg created “The Summer Blockbuster”. Based on the book by Peter Benchley Jaws tells the story of police chief Martin Brody, who must deal with an aggressive great white shark that has invaded the beaches of his island community.

The film opens on a beach party, a young woman named Chrissie runs off with Cassidy for a late night skinny dipping session. While Chrissie swims, Cassidy passes out on the beach. Suddenly, Chrissie is jerked under water…she surfaces, now frightened, then she thrashes violently. We never see her attacker as she disappears below the water.

Chief Brody is a man frightened of water, yet lives on an island (He tells Matt Hooper that it is only an island if you are looking at it from the water). When the coroner suggests Chrissie was the victim of a shark attack, he leaps into action, only to be shut down by the Mayor, who does not want to close the beaches during tourist season. Only after a very public series of attacks do they allow Brody to take measures to destroy the shark. He is joined by marine biologist Matt Hooper and the gruff Quint.

Jaws may have kicked off the concept of a Summer Tentpole film, but that does not mean it is light fare. While there are plenty of thrills, Spielberg is focused on the characters and their stories. Brody loves his family and becomes worried for their safety. His wife Ellen is constantly trying to fight his obsession with the danger of the shark. But even she finds it hard not to give in. In one scene, Brody tells his son to get out of his small boat. Ellen tries to convince him not to worry…until she sees a picture in a book that Brody is holding showing a shark tearing through a boat.

The film has many great character moments, such as when Martin and his oldest son are sitting at the table and the son starts to imitate his father. It is a touching moment showing the connection Broody has with his family. Then there is a moment between Hooper and Quint on Quint’s boat where they compare scars.

The performances in the film are compelling. Roy Scheider, Robert Shaw and Richard Dreyfuss have a terrific chemistry.

The shark (nicknamed Bruce) tends to look pretty fake, and due to limitations of the time, Spielberg chose to cut the movie in a way that would hide these issues. And it is a wise move that builds suspense effectively.

In later years, Benchley became an advocate for sharks, feeling both his book and the film created an irrational fear of sharks that resulted in people slaughtering them. But still, Jaws is an effective classic, worth watching.

September 11, 2017 0

Red Balloons (It, 1990)

Stephen Kings has had many stories brought to the screen with varying success. In 1990 he had a good year. We saw the release of Misery and the birth of the “Stephen King Mini-Series Event” on ABC.

The film begins with a young girl being attacked and killed. We the audience, of course, know it is Pennywise…but while the police are doing their work, Mike Hanlon, Local Librarian, shows up. He finds a picture from his past, and he knows it is time to bring all his friends back home to make good on a promise.

As Mike calls each friend, they seem almost confused as to who Mike is, but we get treated to extended flashbacks to their childhoods thirty years prior.

The kids discovered an evil that feed in the town every thirty years. They believed they were able to defeat the creature, but promised to return home if the creature ever came back. And now that it has, the now grown group of friends return to Derry to try and destroy it forever. Of course, Pennywise tries to prey on their fears and use as many tricks to stop them as he can. but they refuse to back down and run away.

The cast is pretty solid. John Ritter is Ben, former fat kid Ben who is now a hard drinking and partying architect. Annette O’Toole is grown up Bev who married a man as abusive as her father. Harry Anderson is a little over the top hamming it up as comedian Richie Tozier (young Ritchie is played by Seth Green). Really, the whole cast is pretty good.

Of course, what really make the mini-series memorable is the performance of Tim Curry as Pennywise. It is a highly memorable turn and a highlight of Curry’s career.

Veteran horror director Tommy Lee Wallace does pretty good with his budget. He makes sure to focus on the skills of his stars to sell the intensity of moments. And that is a good thing. Why?

Probably the biggest sore spot for It is it’s visual effects. Some are good low budget effects. And you do not forget look of Pennywise. But the creature design for the final battle of the film is…uh,.. disappointing.

It is a bit more successful than many of the film adaptions of King’s horror work because it has room to breathe. It is carried more by it’s performances than anything else. And while some of it can feel almost hokey today, it still is a fun watch.

September 10, 2017 0

You’ll Float Too (It, 2017)

When I heard they were making an “It” movie…I thought this would be a bad idea. It is a decent sized novel. Steven King horror novels have a pretty painful track record on film. and tended to find more success in the genre of the TV Mini-series. And we already had an It mini-series back in 1990. Tim Curry pretty much defined the look of Pennywise in that series.

So, to say I went in with low expectations is an understatement.

It is the tale of a group of friends in the town of Derry who learn of an evil force in their town. Derry has a sordid history, and grownups and children alike just disappear. After Bill’s younger brother Georgie disappears while playing in the rain, he becomes obsessed with discovering what happened to Georgie. As he and his friends have frightening encounters with a demonic clown, they band together to try and stop it.

Is it a scary movie? Yeah, it delivers some solid scares along with a real creepy vibe. The new design of Pennywise is brilliantly unnerving. Add to that a bone chilling performance by actor Bill Skarsgård. It is a visually rich fright-fest.

But what really makes It highly effective? It’s kids. These kids are a solid set of actors who can create sympathy, frustration and inspiration. When Bill delivers a speech about why they need to enter the creepy house? You kind of want to enter the house with him. Richie provides a whole lot of comic relief (played by Stranger Things’ Finn Wolfhard) who constantly makes bad sex jokes and raises his hand for high fives that never arrive. Sophia Lillis imbues Bev with a kindness that makes it clear why the boys start to have a crush on her. These kids have some rotten lots in lives. Overbearing parents, abusive parents…and bullies. Vicious bullies.

It is not really about stopping a monster clown. It is about overcoming childhood fears, finding strength and help in your friends. And simply growing up.

It manages to be one of those rare things… a really good Stephen King horror movie.

September 9, 2017 0

How to Be a Dad (Little Evil, 2017)

Gary’s life seems to be going pretty good. He just married his dream girl Samantha and he is working to get to know his new stepson Lucas. Lucas is a special child. As in, he is the spawn of Satan.

Gary does not, of course, accept this right away. But mysterious events and death seem to give signs that Lucas is not all right. Little Evil is a comedy brought to us by the same guy who made Tucker & Dale vs Evil. That film was a funny send-up of slasher films ranging from the Texas Chainsaw Massacre to the Wrong Turn franchise.

One might question where the humor is in the religious horror of satanic kids…but writer and director Eli Craig finds the spot where they can intersect. Ans as with his previous film, does so with some sweetness and heart.

After an Omen-like incident at school, Lucas and Gary are sent to counseling. For Gary, this means a support group for fathers (which is attended by his friend Al…a lesbian struggling with her stepson’s lack of athletic ability). There, he is initially assured that these types of things are normal. But as deeper research finds, there is a lot of tragedy that seems to follow Lucas. And so Gary struggles to find a way to stop the son of Satan.

The cast is a strong comedic group. Led by Adam Scott (Parks and Rec) the character of Gary remains largely sympathetic throughout the film, which is important for those moments when he “veers off the path of good parenting”. Bridget Everett’s Al could have stayed in it’s “Butch Lesbian” stereotype lane…but she brings such an exuberance to the character that Al stands out and of course, brings plenty of humor. Evangeline Lilly (Ant Man and Lost) has a role that could get overshadowed, but she brings the appropriate heart to the role.

Little Evil is a lot of fun, though it does not quite reach the levels of insanity of Tucker & Dale Vs Evil. This is partly due to the narrow nature. They are really parodying the Omen here. Unlike Tucker and Dale, where there was an homage a minute to some slasher film, Little Evil is more restrained.

If you liked Tucker and Dale, you will more than likely enjoy Little Evil. And I would dare say that as long as the subject matter does not make one too uncomfortable? Non-horror fans may enjoy it as well. The film has not gory, and the visuals are not terribly frightening. Afterall, the goal here is not scares. It is laughs and maybe a bit of sentimentality.

September 3, 2017 0

Taking Notes (Death Note, 2017)

Meet Light Turner. He is in high school and frustrated by bullies. He is also angry that the drunk driver who killed his mother walked. One day, a notebook falls from the sky. It is full of rules, and comes with great power. Oh…and a demon or a death god or some such thing. This tall creature with a love for apples is named Ryuk.

Ryuk explains that all Light must do is write the name of a person (while picturing their face) and a method of death…and it will happen. Light initially believes himself to be dreaming, but when he realizes that a local bully indeed died as he wrote in the book, he starts to get an idea. With his girlfriend Mia, he begins a campaign against crime causing the death of hundreds of terrorists, murderers and other terrible people. He attributes it to “Kira”. But Kira attracts the attention of the authorities, including his own father, Detective James Turner. Joining Light’s father is Watari and the mysterious L.

The film follows Lights attempts to not get caught, while trying to figure out how to avoid killing good people. L knows Light is behind Kira…but is not sure how he is doing it.

Death Note is a pretty interesting concept. However, it is based on an anime series as well as a manga series. And here they have forced the entire series into under two hours. Which results in a major rush to tell the story. So interesting concepts (Light cannot simply write L’s name in the book, because they do not know his real name and almost nobody knows what he looks like. But everything has to play out so fast that there is no opportunity to fully explore these things.

And it is to bad. Director Adam Wingard has a good cast at his disposal. Shea Wigham is quite good as Light’s father. And Get Out’s Lakeith Stanfield is good in the role of the mysterious L. Willem Defoe obviously had some fun as the voice of Ryuk. Had Netflix maybe planned this as a start of a series, the film might have worked better. While I am sure the goal includes further films, trying to force Lights tale into such a short space simply results in it being hard to connect with the characters.

September 2, 2017 0

Space Suckin’ (Lifeforce, 1985)

When I planned this post, Tobe was still with us. In October, I will be exploring some other Hooper films. But my thoughts go out to Hooper’s friends and family.

Set in 1985, the international space shuttle the Churchill is observing Halley’s Comet. They discover an object hidden in the tail of the comet, only to discover it is a giant spaceship. The craft is full of corpses of strange humanoid bat creatures…and then there is the weird part. Three beautiful humans encased in crystal coffins. The Churchill goes silent, and is only discovered after it appears to be adrift. It is found with only one remaining crew member (Col Tom Carlsen) and the beautiful young woman.

Col. Colin Caine is trying to determine what has happened, but a new threat arises when the beautiful girl awakes and we discover she is a life draining energy vampire. Seducing a young guard, she dramatically draws his life energy out, leaving a desiccated corpse. It all created a domino effect as it turns out those she drains are not dead, but now lesser vampires. They can return to life briefly, but without regular energy infusions, they die permanently. Caine and Carlsen start trying to track down the Space Girl (this is actually how the character is credited) who is moving through London psychically, while her body is hidden away.

The visual effects in Lifeforce are very strong. The corpse monsters (and there transformations) are especially cool sequences. There is a sequence where the Space Girl reaches out to the leads building a blood body that is effective (though the two bodies are clearly dummies).

The cast is good, with Railsback’s Carlsen being a seemingly dubious character who seems more obsessed with the Space Girl rather than stop her. The film aims to be pretty epic, but can veer into some real campy territory. Most notably, although the beautiful young actress Mathilda May only appears as the Space Girl for about ten minute or less? She is naked for about twelve of those minutes. Sure, by Game of Thrones standards, that seems quaint…but it was a pretty big deal at the time.

There is a goofy charm to the film, and most of the strengths are the presence of British Thespians such as Frank Finlay and Patrick Stewart (who shares an on screen kiss with Railsback). Hooper has certainly made weirder films (*cough* the Mangler*cough*)

September 1, 2017 2

The Hunter Or the Hunted? Pt 6 (Alien Covenant, 2017)

After the beating Prometheus took from critics and fans, the rumor is that Ridley Scott proclaimed, “They want Aliens? I will give them f___ing Aliens.” And so the Prometheus sequel morphed into an Alien Prequel.

Set ten years after Prometheus, we are introduced to a ship called the Covenant. It is carrying thousands of colonists (and embryos) and is headed for a distant planet suitable for human colonization. Piloted by a crew of married couples. When tragedy strikes and kills the captain, the crew goes to fixing the ship. They desire to honor the death of their captain, but Oran (now as the acting captain) is focused on the business. As they finish the work, a transmission is intercepted. It leads to the discovery of a habitable planet just weeks away. Somehow this transmission and planet escaped notice. Oram wants to visit the planet, as their original destination is seven years away. Daniels (who was married to the deceased Captain) expresses concern that this is a bad idea. Also on the ship is a Synthetic named Walter (played by Michael Fassbender). While he looks like David, he is a decidedly different character.

They land on a lush, yet seemingly lifeless planet. And things rapidly descend into horror. Some of the crew is exposed to spores that result in proto-xenomorphs that burst from the backs of victims. You know, instead of from the chest. David saves the crew, only to be revealed as a lone hermit who spent the last ten years trying to create a weaponized life form. In a flashback we discover that when Shaw and David arrived at the planet, he dropped the goo on the Engineer populace. Now he hopes to do the same to humanity.

The film borrows from all the previous films in it’s resolution. For example, there is an airlock fight like Alien and Aliens. The film has a lot of ideas that never play out. And worse, the questions of Prometheus are cast aside, as is Shaw. The film telegraphs it’s twist ending from miles away.

The film takes several moments to cast Billy Crudup’s Oram as a disgraced man of faith. Not disgraced in regards to his faith, but rather that his faith has had him blackballed from further advancement within the company. The problem is, aside from a couple mentions of his faith, we never really see what that faith is in…or why it has been an impediment.

Daniel seems to be in shock the entire film, some of which is understandable, but then she suddenly becomes the “Ripley” of the film. And they try and out-Ripley with Daniel. She swings around the outside of a ship with a giant gun blasting away at the xenomorph.

For the large part, the effects are good, though there is one scene where a newly birthed xenomorph is clearly (and pretty embarrassingly) CGI. Like Prometheus, the ideas seem unexplored and the story incomplete.

I did not hate the film. Fassbender was great in his dual roles. Walter had an entirely different tone and cadence to David. I have always liked the design of the Alien franchise. And the ships in Prometheus and Covenant do not feel like they cannot occupy the same space as the rest of the franchise. In Alien we saw an industrial transport ship in Aliens a military vessel, in the third film a dilapidated prison and in Resurrection a military station. All of these were utilitarian. The Prometheus was a private company’s high tech research vessel and the Covenant is a luxury transport.

I really like the design of the proto-xenomorphs. They are creepy and unnervingly vicious. I liked the characters for the most part, and felt Danny McBride’s Tennessee one of the more stand out characters, in spite of being a fairly standard character in these types of films. I would put Covenant above, say, the Alien Vs Predator films or Alien Resurrection. But it does not rise to Alien or Aliens either. The movie takes so many shortcuts, it results in characters looking a bit stupid. “Lets not wear protective gear in a new environment, after all, we can breath the air!” It is still a disappointing follow up with a annoying and dismal final reveal.

June 2, 2017 0

The Hunter or the Hunted, Pt 3 (Alien 3, 1992)

The success of Aliens had the studio rushing to try and get an Alien 3 going. There were a lot of false starts and bad ideas that led to what we got. Good scripts got tossed aside for weird ideas. There were questions on whether Weaver wanted to return. While she did finally return, she pushed for this to be the end of Ripley’s journey.

Music video director David Fincher was given the job of bringing the film to life. It should be noted, Fincher was deeply unhappy with his experience and even producers admit they treated him very badly. Which is unfortunate. Because the end result was a muddled and overall messy film with some good ideas and some terrible choices.

After the events of Aliens, Ripley, Newt, Hick and Bishop are in hypersleep on a small escape pod. There is a malfunction that results in the ship crashing on a small prison planet. Only Ripley survives. The prison operates on a skeleton crew, primarily made up of the inmates. Most have adopted a form of Christianity that sees themselves as so unable to resist the draw of sin, living on a planet without temptations is their only choice. As religious leader Dillon (Charles S. Dutton) notes, Ripley’s arrival has put temptations back in place.

An alien facehugger has escaped with Ripley and finds a host. This film added a new twist to the series. It suggested that the alien xenomorph actually borrows traits from it’s host. In this case it is a dog. This results in a xenomorph that runs around on all fours and is more canine in it’s movement.

Once the xenomorph is discovered, Ripley and the inmates struggle to defeat it. Alien 3 is an attempt at not repeating the previous films. So they drop Ripley on a planet with no weapons. Unfortunately, a lot of the decisions with the script resulted in nullifying the progress of Ripley in Aliens. Killing her defacto family put her back at square one. The studio interference left us with a film disowned by it’s director and far more to weaken it. The strengths are few and far between. The religious aspect is kind of interesting and the cast is terrific. Yet these things cannot save a slapped together script and poor CGI.

May 30, 2017 0