4K Review: Under the Sea (The Little Mermaid, 1989)

Little_Mermaid_CoverThe Little Mermaid is famous for being the film that brought Disney back to prominence as the source of classic animation. With top notch animation and memorable songs, it really earned this reputation. Borrowing from Hans Christian Anderson’s fable, Disney worked its magic by ignoring, you know, the super depressing bits.

But the film’s visual flair, music and vocal performances are effective and charming. Ariel is a lovable lead, you really root for her. In part, Jodi Benson and completed by the fluid animation. The attention paid to Ariel’s body language and facial expressions make her a character the viewer cannot help but adore.

Of course, you cannot ignore one of Disney’s finest villains. Ursula (inspired by John Waters Muse Divine) is a visual treat. Instead of a fish’s tail, Ursula has an octopus body (which doubles as her dress). She is brash and revels in her wickedness in that way only certain villains cannot without losing the audience.

And Menken’s score  along with the songs he and Howard Ashman  wrote are infection.

Now, what does the new Signature 4k offer?  There are some new features, the most notable being Menken sitting down with five of the voice actresses from some of Disney’s biggest hits, including Ariel herself, Jodi Benson.  This is not greatly illuminating but it is pretty fun.

The set also imports all the special features from the Diamond edition several years back.

The audio is great, and I don’t have much to say beyond that.  The songs sound wonderful and unless you are just using your TV speakers, I did not notice anything that should trouble a viewer.

But what about the video?  I was a bit concerned because, as I understand things, Disney simply used the scan of the film from the previous blu-ray edition.  And at first, I felt like the 4K picture was not really any stronger than the blu-ray.  However, once you get to more colorful sequences, you start seeing the benefits of the High Dynamic Range.

Overall, if you have a 4k TV and player, I think this is a pretty worthy purchase. If this is a double dip, you may want to take that into account.  If you don’t care about the new features, then really, you should be fine with your prior blu-ray.  The 4k version is not so drastic that you are cheating yourself with the blu-ray.

Groundh-er-Christmas Day (the Christmas Do-Over, 2006)

Christmas_Do-Over_PosterKevin is in a miserable place. His rock star dreams never panned out. His marriage collapsed, his former in-laws hate him and his son does not yet see what a lousy dad he has. He barely plans for a Christmas gift for his son and on Christmas Eve, he does anything he can to avoid participating.  When his son makes the wish that everyday could be Christmas, Kevin pays the price…

Kevin finds himself restarting Christmas Eve over and Over.  The film follows a very specific (and familiar template). First Kevin is confused and each day goes very badly for him. Then he starts to put the things he witnesses to use. He tries to scheme his way through things. This actually is played largely for comedy…especially how he works hard to undermine his wife Jill’s new boyfriend Todd. Honestly, this goes on so long it almost had me concerned he might get rewarded…but the film actually addresses it when one of Kevin’s attempts to escape the loop result in him realizing Kevin is actually a good guy who makes Jill happy.

The film is actually largely entertaining. Jay Mohr always makes for a good ass. Daphne Zuniga plays Jill, and is quite sympathetic. And a lot of the scenes of Kevin trying to scam the system are funny. And there are even some genuinely sweet moments as Kevin starts to see how badly he screwed things up.

The film has a small but good cast. The frustrated in-laws are played byTim Thomerson and Adrienne Barbeau. Ruta Lee is amusing as the heavy drinking Granny (let us ignore that she is only about ten years older than either Barbeau or Thomerson)…the one family member outside of his son who still likes Kevin.

The biggest pill of the film to swallow is, funny enough, not the concept. Instead, it is the ending. The ending is wrapped up in seconds, tosses characters aside for an unearned “Hero Gets what they Want” end. Instead of working within the framework of the lesson he learns, meaning he simply needs to accept the consequences and be the better man he learned to be? It gives us a less than five minute “Everything is fixed” ending. Very disappointing for an otherwise light and entertaining holiday movie.

 

You Can Never Have Too Much Spider-Man (Spider-Man: Into the Spider-Verse, 2018)

Spider-Man_Into_PosterA few years ago, after the big Sony hack, Sony and Marvel resumed the failed talks about  Spider-Man films. It resulted in the very fun Spider-Man: Homecoming, pretty much run by Marvel. But Sony still holds the rights to do with the Spider-Man characters what they want.  And so…that gives us this animated feature.

Miles Morales lives with his mom and dad, but is starting life at a new school. After a frustrating week, he goes to see his uncle Aaron, who takes him to a hidden place where he can do some street art. Miles gets bit by a Spider-Man. When he witnesses a tragedy and finds himself having to make a promise to Spider-Man moments before he is killed…with no idea how to do it. Until he stumbles across Peter Parker…Spider-Man???

They discover that whatever the Spider-Man of Mile’s Morales’ world was trying to thwart has actually brought several Spider People into Miles’ world. But the world may end and so they have to team up to send everyone home and stop the destruction of the Spider-Verse.

And you know what? This only sounds confusing.  Because the movie manages to make everything pretty darn simple. Our focus is on Miles, and even the Spider-Man we meet in the beginning is a celebrity. We don’t get to know him. We just get glimpses, enough to know he was a real hero.

The film also gives us intros to each character that are a whole lot of fun. Each Spider-Man has a unique look and artistic style. And it even impacts how they interact with the world they are in. Spider-Man Noir speaks in dark pulpy fashion and is always in black and white. And he is perplexed by color.

Jake Johnson’s Spider-Man is one whose life went a bit off track compared to the Spider-Man of Mile’s world.  Spider-Gwen is keeping the world at bay, avoiding really connecting to people. And Spider-Ham is just hilarious.

This movie has a lot of heart, there are genuinely touching moments. Moments between Miles and his father, Peter and the life he has left in his universe (wondering if it is even worth going back to). Miles and Gwen, Miles and Peter….

But the film is also ridiculously funny.  I mean, seriously funny. And part of that is in how the movie makes use of its medium. I cannot recall another animated film that took such grand opportunity to put it’s possibilities on full display.

In my book? This has been the best of all the Spider-Man movies. I want more with these characters. I want more movies with this version of Miles and his family and all the other Spider-People. This was a genuinely fun movie and I recommend checking it out. Sony raised the bar here…And I did not expect that.  But Marvel better pay attention.

 

Dilemmas 2 (A Christmas Prince: the Royal Wedding, 2018)

AMBER AND THE PRINCE ARE GETTING MARRIED!!!!!!!!! OMG!!!!!!!

Christmas_Prince_Royal_Wedding_posterSo, Amber has made a name for herself blogging about her relationship with the Prince and his family. But, surprise, surprise, none of this is sitting well with the Royals. Well, the Queen and the Prince are a bit distracted by unrest in the country. But the employees of the royal family are dead set on keeping the protocols as the wedding looms.

Amber’s New York bred father is in town and things are off to a rocky start (a new actor is in the role and there is a sort of funny gag where Emily tells Amber that he looks different without his goatee). As the country is in turmoil, the problems become bigger as Amber’s blog gets taken down by the royals and her plans to pick the royal Christmas tree is constantly getting interrupted.

The problem is, the austerity subplot kind of undermines Amber. She seem’s downright petty at times. People are losing their jobs and she is mad about her wedding dress. However, the film does try and fix this, as it does show Amber trying to get to the bottom of just why the country’s infrastructure program is performing so abysmally.

They try and do some surprises, both with returning characters and new ones…but I have to say, the biggest twist was pretty easy to anticipate.

I think if you loved the first one, you will enjoy this one. I found the first film perfectly light entertainment, but I do feel like this film hurts itself with its attempts at real world issues being forced into a fairytale format. I did not hate it, but I cannot recommend this one unless you were a die-hard fan of the first film.

Dilemmas (A Christmas Prince, 2017)

Christmas_Prince_PosterAmber is a journalist with big dreams to break a big story. She gets the assignment to go to a small country and cover its playboy prince, who seems far from ready to inherit the throne.  She arrives, only to find that the story she was sent there for is pretty much canceled. But as she expects to return home, she is instead mistaken for the new tutor to the prince’s younger sister, Emily.

Amber plays along but as she gets to know the family, she finds herself torn between her ambition and their welfare. In the middle of this is a scheming cousin who seeks to take the throne for himself.  As with all deception based stories, this all blows up with Amber looking to be the bad guy on the surface, especially after the schemers find paperwork she had uncovered regarding a secret with the prince.

The film sticks closely to a very romanticized portrayal of royalty. The Prince is a pure heart who loves children (in one scene he misses a big event, leaving Amber and Emily to find him having a snowball fight with kids at the orphanage). Emily starts out as a pretentious brat, but is quick to warm to Amber and the two develop a rebellious friendship. And the Queen seems cold at first, but we soon learn she is much kinder than she lets on.

On the other side, Amber is the kind of reporter you expect in this type of story. She really wants the story, but she is also kind and sweet, and the idea of destroying lives for even the biggest story eats at her.  The film tries to mine its emotional content from the trope of “Career or Doing What Is Right”. And yet, it feels pretty pedestrian connected to the fact that her real problem is tied to romantic feelings for the prince. Don’t get me wrong, I think the whole “If I Do This Am I Sacrificing My Soul” is a totally valid trope.  But it seems like whenever we see women facing a dilemma of “doing the right thing, even if it means giving up what you want most”, it always is tied to romance.

That said? I was amused in the film.  I like Rose McIver (from watching four seasons of iZombie) and Alice Krige does a solid job as the Queen…she is able to sell the turn from stern to kind quite well. The film does nothing new for it’s genre…but I did enjoy it as a cute bit holiday entertainment.

Hunky Clause Is Coming to Town (The Christmas Chronicles, 2018)

Christmas_Chronicles_PosterTeddy and Kate grew up in a happy home with joyful parents and a truly festive father. Through a series of home videos we meet the family, first Doug and Claire, then Teddy and soon Kate. But by the time we reach the present, the happy family is in a different state…Claire is a nurse struggling to keep her fraying home life together at all. Doug is nowhere to be seen and the once tight-knit Teddy and Kate are in constant fights, in part because Teddy has become withdrawn and started to follow a path of crime.

When he is forced to babysit his sister on Christmas eve, Teddy gives into Kate begging him to watch an old Christmas video. Insisting she sees Santa slip into the picture, they set up to watch for Santa.  But rather than just get video proof, Kate slips into Santa’s slay. The two are soon revealed and after a crash landing find themselves having to help Santa successfully get his reindeer, hat and presents and everything delivered within a few hours or ruin Christmas.

It is a pretty simple story with common beats, kids who need to learn the truth about themselves and Christmas…redemption.

Does this mean it is bad or even just boring? Actually, no. The film actually is pretty entertaining. It is light and fun, but still can hit some emotional resonance.  The reveal of why their father is no longer there and how this drives Teddy.

Of course, the biggest help for the film is Kurt Russell as probably the toughest hunk of a Santa Ever. Russell plays the role with a nod to the notion that he is not really the most likely candidate for Santa…but he brings his own kindly tough guy charm to the film. This is a modern Santa, yet still a very magical one.

For me, this one mostly hits the right notes, enough to find it an entertaining holiday film.

Plus, while obviously animated, it was kind of nice that they did not just put a bunch of kids in pointy ears and call them elves.

Bless the Beasts and Wizards (Fantastic Beasts 2: The Crimes of Grindelwald, 2018)

Fantastic_Beasts_2_Crimes_Grindelwald_PosterThe first film, Fantastic Beasts and Where to Find Them had Newt Scamander, witches Tina and Queenie and muggle Jacob trying to save a young but powerful man from being both destroyed by his power and that of being a pawn by a wicked wizard. In the end, it appeared the young man, Creedence, was dead and the villainous Grindelwald was revealed.

The sequel picks up with an action packed escape by Grindelwald before returning to Newt Scamander who is trying to get his right to leave the country reinstated. The Ministry of Magic reveals that Creedence is alive and well.  He is hiding in Paris trying to find out who he really is. He has fallen in love with a young woman. Tina and another Auror trying to catch Creedence (but with different goals).  Jacob has regained his memory and he and Queenie are an item, but after a fight, Queenie runs off to Paris to find Tina, but Grindelwald is in Paris looking for Creedence…confused yet?

I actually quite liked the first film. I enjoyed the introduction of a decent and prominent “muggle” character. I felt the four leads had a nice chemistry. I was sympathetic to Tina’s attempts do things all by the book, but also her sympathy for Creedence in the film.

And yet, this film has none of that. For one thing, there are about twenty separate storylines, separating almost all the characters for a large part of the movie. So, it is all really a mess. And by themselves, some of the characters start to become grating.

The film is full of scenes giving us back story and it becomes super clear from the earliest moments in the film that this is literally all a set up. The film  is more interested in its world building and fan service with origins to characters that never needed an origin. A lot of things feel like they will not pay off until a later film.

The last half hour or so just keeps hitting the audience with twists and reveals…and none of them feel consequential.

I mean, I basically liked Jude Law as a young Dumbledore. But can I say…the most controversial casting of the film was Johnny Depp. And I really do wish the filmmakers had listened to the outcry.  Because, honestly? This is one of the most uninspired and dreadfully dull Depp performances I have ever seen.  It is just lifeless.

This ends up being a lackluster sequel…and I am disappointed to say it did not keep me entertained.

Back In Action (The Incredibles 2, 2018)

Incredible_2_PosterRight before the film starts, the cast and crew pop up on screen to tell us the fourteen year wait for the sequel will totally be worth it. Not exactly needed of course. Hey, my butt is already in the seat.

The original Incredibles film was a fun comic book film that was doing that Marvel type of action four years before we got Iron Man.  Probably of all the Pixar films, the Incredibles was one of the few that readily seemed to be set for sequels. But when asked, Pixar tended to defer to the availability of Brad Bird.

After the collapse of the highly anticipated Tomorrowland…Pixar got their chance.

Set shortly after the end of the first film, we discover things did not go so well. People still feel that the heroes do more damage than good. Enter brother and sister Winston and Evelyn Deavor. They want to convince the world that super-heroes are necessary, and so they convince Helen Parr to resume life as Elastigirl (noting she had a much lower history of property damage). Bob, on the other hand, becomes a stay at home dad. Bob really wants to be fighting as Mr. Incredible, but he is trying to step back and be a supportive husband ad father.

A lot of the moments I enjoyed most were with Bob and the kids. While the first film revealed baby Jack Jack to have a variety of powers, the Parr family never actually witnessed it. While Bob is initially excited, he finds it taxing, one more problem along with trying to help Dash with schoolwork and Violet come to terms with a frustrating love life. There is a genuinely sweet moment when Bob is exhausted and apologizes for not being the father he wants to be…Violet has a look of kindness as she reaches out to reassure him. It is a really sweet moment.

Flipping the situation for Helen and Bob works very well in the film. The Elastigirl scenes are fun and exciting.  There is a great fight scene where she is in the position of having to keep her eyes closed to avoid being hypnotized. Bird and company make this quite exciting.

The film also gives us something new, which is other Supers beyond the Parr family and Frozone. This leads to an action packed finale where saving everybody actually falls onto the Parr kids.

The Brad Bird voiced Edna Mode returns for a fun sequence that explores Jack Jack’s abilities.

I feel Pixar has created a pretty successful sequel here that compliments the original film quite well.

Serious Teens (Teen Titans Go To the Movies, 2018)

Teen_Titans_GTTM_PosterWhen the Titans fight a giant balloon, the day is saved by Superman, Wonder Woman and Green Lantern, who are all on their way to the premier of Batman’s new movie. The Titans are informed that they are a bit of a joke, and not really deserving of an invite. After sneaking into the premier, The director of the film announces that the entire DC Universe is getting movies. Everyone. Except the Teen Titans…and especially not Robin.

Robin obsesses with how to get a worthy arch villain to make him memorable. They think they have a lead when they run afoul of the villainous Slade. Slade is a master manipulator and has a name that is fun to say very dramatically.

Having brought the Cartoon Network cartoon to the big screen, they try and make it a big enough deal for the jump. And you definitely see a difference in the budget with the animation.  It all looks good, and they have fun with applying various artistic styles.

The story is pretty predictable and the film hits all the expected beats. This is all about the juvenile jokes, sight gags and a few musical numbers. Oh, and an endless series of easter eggs. Frankly, is a running joke regarding the Challengers of the Unknown mean anything to the film’s target audience?

That said, it is passable entertainment, but this is not a film like the Lego Movie, which can be rewarding entertainment for parents in the audience…but it is likely kids who like the show will have a good time.

The Length of Love (The Book of Life, 2014)

Book_of_Life_posterLa Muerta rules over the joyful Land of the Remembered, while Xibalba rules over the Land of the Forgotten. He tries to convince La Muerta to change sides, but she is not interested.  He proposes a wager. Observing the rivalry of two young boys (Manolo and Joaquin) over their friend Maria, each god chooses a boy as the one who will marry Maria.

La Muerta disguises herself as an old woman who asks if Manolo might give her a piece of bread.  Instead he generously offers a full loaf. Xibalba tries the same thing, but Joaquin is not so giving. Maria is sent off by her father, returning years later.  Sensing Maria is favoring Manolo, Xibalba tricks Manolo into giving up his life.

In the afterlife, Manolo discovers he has been duped and seeks the help of La Muerta.

The design of this film is remarkably charming.  The framing device is that a museum tour guide is telling the story, and all the characters look like wooden puppets.

The Land of the Dead is a wonderfully bright and colorful world. The characters are full of charm. La Muerta is a kind and gentle, yet fearless goddess.  Xibalba on the other hand is both scheming and yet friendly (he is voiced by Ron Perlman, whose performance is just a lot of fun).  And while the story frames Manolo as a kind and generous artist and Joaquin as a cheerful braggart? Joaquin is not a villain.  The story is pitting the two against each other, and it obviously favors Manolo as the man for Maria. But Joaquin is seen as simply misguided and in need of a lesson. The film has sympathy for him.  And then there is Maria.  She is not interested in belonging to anyone and regularly challenges her two friends. And there is Chuy the pig who makes a sound like a goat.

The music of the Book of Life blends American Pop music with latin flavors to great effect.  But the highlight are the two original tunes I Love You To Much and the Apology Song.

The Book of Life is a charming fairy tale of love, loss and rebirth.

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