Imitation of Life (Scoob!, 2020)

So, originally, May was bringing the first theatrical Scooby Doo film in over a decade. Thanks to a Pandemic (and no doubt a hope by the studio to replicate the success of Trolls World Tour on VOD) it is instead reaching us in our homes.

Opening with a tale of how the gang met, the film jumps to the present, where an investor wants to financially support the Mystery Inc gang…as long as they leave out Shaggy and Scooby. Before the gang knows what is happening, Scooby and Shaggy run off on their own. When the two are attacked by robots, they are rescued by the Blue Falcon and his trusty partners Deedee and Dynomutt.

At first the duo are thrilled at the idea of hanging out with their favorite super-hero, but as Scooby seems to be drawn towards the Falcon’s adventure, Shaggy starts to become jealous. At the same time the Blue Falcon is doubting himself as a hero, fearing he can never match up to his father, the previous Blue Falcon. All the while the rest of the gang is trying to locate Scooby and Shaggy before the villain Dick Dastardly does so that he can unveil his evil master plan.

Scoob! is entertaining, though probably, kids will enjoy it far more than adults. The plot gets a little convoluted, eschewing the traditional Scooby Doo format of a simple mystery that needs unmasking and goes for a big and over the top plot. It is pretty clear that part of the purpose of Scoob! was to set up a Hannah-Barbara extended universe of films. And that sometimes overtakes the film. Dick Dastardly and his dog Muttley are here…we meet Captain Caveman and the end credits suggest future appearances by characters such as Jabberjaw and Atom Ant.

The film is trying really hard to be current and hip, which generally fails to work. I watched Scoob! with my nephews. They actually liked the film…but when we are introduced to the Blue Falcon, he dabs. My nine year old nephew states (and this is a direct quote) “He dabbed!!! That is SO SAD!!!! Nobody dabs anymore!”

Another area that hurt the film for me a bit was the voice cast. Since the death of Casey Kasem, Matthew Lillard has provided the voice of Shaggy. And he really is the voice (and managed to really capture the feel in the live action films as well). Grey Delisle Griffin has been the voice of Daphne Blake for nearly twenty years. I get that they are trying to be a new youthful take, but kids don’t see movies for the voice actors. And no disrespect is meant to Will Forte…but the end result here is that Shaggy sounds like someone trying to approximate the sound of Shaggy. I feel like it is a bit of a loss on our part that Lillard and DeLisle Griffin were not invited to return. It is pretty clear both love the characters and that is just missing here. While it is very clear they were disappointed, both actors have responded with a lot of grace.

One thing I did really like is the basic animation style. It walks a nice line of bringing the 2D animation to life. I really enjoy how they recreated the original opening Scooby Doo, Where Are You? title opener in the new style, so we get some fun throwbacks to the classic Scooby Doo monsters. And there is some neat 2D art used with the end credits.

Overall, Scoob! is not a disaster, but it is a whole more likely to entertain kids more than those with affection for the classic mystery solving team.

May 18, 2020 0

Quicktime (Sonic the Hedgehog, 2020)

Sonic popularity came about at a time when I had no access to video games. So I watched a lot of the discourse around the film lacking any real skin in the game. There are two things that stood out. One was the initial trailer that drew outrage over the look of the Sonic. This led to the studio rushing back to the drawing board and aggressively redesigning and animating an all new Sonic model. Since the movie was released, it seems pretty universal that the altered model is a big improvement.

The second issue seemed to revolve around how relevant this would be for young kids. One example is that on Fandom’s Charting with Dan, Dan Murrell and Lon Harris asked if kids really cared about Sonic. But honestly, at the time, the only reason I expected to see the movie, it was because my nephews liked Sonic and wanted to see the movie.

We are introduced to young Sonic, who lives on a magical island in another universe and is looked after by an Owl. She warns Sonic that he has special abilities that people will always want to exploit, and so he must always keep himself a secret. She gives him special rings of gold and explains to him that if trouble ever happens, he must escape to another universe using the rings. When they are attacked, Sonic is forced to leave on his own. He ends up in our world, where he spends the next ten years living in hiding.

He lives his life alone, pretending to have friendships with all the locals, with a special attachment to the local Sheriff, who he has named Donut Lord. Meanwhile, Donut Lo-uh Tom lives with his wife and is trying to chase a life of excitement by joining a larger police force. When Sonic accidentally causes a massive power outage with his powers, the U.S. Government sends out eccentric scientist Doctor Robotnik to find Sonic.

Tom finds himself road tripping with Sonic to San Francisco to locate his lost rings, bonding and trying to escape the grasp of Robotnik.

And you know…the movie is actually a lot of fun. Ben Schwartz voices Sonic with an excited child like quality. James Marsden is always a solid Every Man (in spite of his leading man good looks). And Jim Carrey is clearly having a blast here.

The CGI works pretty well, and successfully bridges the cartoonish and real.

I am not a huge fan of the whole “You can Never Share Your Secret” narratives, as it often feels kind of an easy setup. But for the most part, once the movie kicks into gear, you kind of forget about it until the end. Some of the humor falls flat (like the running jokes about Olive Garden).

But I was far more entertained by this film than I expected to be. Sonic is one of the more fun video game adaptions and makes for nice light entertainment.

May 8, 2020 0

Sally Forth! (Onward, 2020)

It is Ian Lightfoot’s 16th birthday. Shy and reserved, he really has no friends and has always felt like his life was missing something very specific. His dad. When his mother was pregnant, Ian’s father died. Sixteen years later the family has rebuilt itself with his big brother Barley and mother and his centaur stepfather.

Oh, yeah, by the way, Onward is set in a universe where the world is populated by elves, centaurs, ogres, mermaids, goblins and unicorns. Years ago there was magic, but as it was not something everyone could do, technology developed, starting with electricity…eventually, magic was largely forgotten.

On his sixteenth birthday, his mother hands him a gift from his father. What they find is a wizard staff, a jewel and a spell that will bring their father back for one day so he can see who his sons have become. Things go wrong and they bring him back from the waist down…this sets Ian and Barley on a quest to find a new jewel to complete the spell before sundown robs them of their time.

Onward keeps its world building deceptively simple. The opening couple minutes set up exactly why we basically see a world a lot like our own, just with mythical creatures. They have a lot of fun with a concept where technology has caused natural things to the different creatures to atrophy, so when Barley tries to tell people how things used to be, they laugh at him (why would a centaur need to run up to 70 miles when they have a car?) or become angry (are you telling pixies they are lazy for not flying?). And Barley seems easy to write off, all his knowledge is based in a Dungeons and Dragons style game that he claims is historically accurate.

I really found the characters endearing. The side plots are also engaging, especially the boys’ mom who teams up with the Manticore (Octavia is delightfully manic) to secure a sword that can end a curse the boys are on track to unknowingly release.

The character designs are solid, though not groundbreaking for Pixar. But they are fun to watch and the voice cast gives them a vivid life. I also love how colorful the film it. Even when they are contrasting the world without magic with a more grimy look, it is really nice looking.

I had a great time watching Onward and think people of all ages will really enjoy it.

March 8, 2020 0

The Gift of Serving Yourself (Klaus, 2019)

Jesper has lived a life of luxury and privilege. His father has gotten him into the prestigious academy he runs for mail service. In a last and desperate move to teach his son responsibility, he assigns Jesper to a remote island in the arctic circle. He has one year to amass 6,000 letters from the island…except he arrives to discover the are two feuding sides and nobody uses the mail service.

He discovers an old toymaker and stumbles upon a plan to get letters generated by getting kids to write letters to Klaus asking for toys.

As they make their deliveries, the town starts to see change and a friendship develops between the two men. Adding to the mix is the local school teacher, Alva. At first she has given up hope and the school is functioning as the local fish store. And as the children begin to change, so do their parents.

Klaus is a beautifully animated film with a pretty timeless story. A unique take on the myth of Santa Clause, the vocal performances are terrific (J.K. Simmon’s has a perfect gruffness that manages to move from mysterious to friendly as Klaus).

This is a wonderful film that can be enjoyed with a family in the holiday season.

December 15, 2019 0

Meet the New Kids (Toy Story 3, 2010)

While Pixar had pushed the Cars franchise at an aggressive rate, their other films had been allowed to remain largely untouched. In spite of the second film’s success, it was not until 2010 that we saw the third installment of the Toy Story films.

This time, we find Andy getting ready for college. When the toys are accidentally mistaken as trash, they decide to stow away in a box marked for the local daycare center.

Woody promises them it will be terrible, and shortly after they arrive, he tries to sneak out to return to Andy. However, on his way, he is found by young Bonnie, who brings him home.

The other toys are greeted by Losto (a stuff bear) and the other toys. They sell our old friends on what a paradise the daycare is. But the truth is much darker. Lotso is pretty much the Godfather of the joint. He runs the show and force new toys to be played with by the youngest kids in the daycare…regardless of whether these toys are meant for that age or not.

This is a pretty crazy story, but it works pretty well. Lotso is charming at first, but you learn he has turned dark from rejection. Meanwhile, his henchman Ken is taken with Barbie. At first she is smitten, but when she discovers what Lotso does to the other toys, she rejects the cushy life Ken offers.

Meanwhile, Woody is also living a good life with Bonnie and her toys, but he wants to return to Andy…and when he finds out the truth about Lotso and the Daycare, he is determined to save the other toys.

The animation in this is pretty terrific and has come far. Textures, vibrant colors, hair…everything looks great. And this time around they have opted for a more stylized look to the human characters which is some much more pleasant to watch than the humans of the previous films.

As usual, there is a lot of heart to this film…it is a bit heavy as the toys contemplate death and complete destruction…but still, it really tugs at the heartstrings.

Again, the performances of the voice cast bring this to life in a way a lot of films fail. Even the stunt casting never feels like a mere stunt. The performances feel full of care, and everyone delivers.

Somehow, Pixar managed to keep the same quality in three films, avoiding the dreaded failure within the franchise that each announced film brought. Toy Story three would have been a perfect cap off to the series, really. You would have had a high quality trilogy. It is full of love, humor and even grown up fears and emotion. Toy Story 3 is a great continuation of the Toy Story Series.

June 26, 2019 0

Collectability (Toy Story 2, 1999)

Toy Story had almost cemented itself as a classic in the public mind within a few short years.

This time, they open with a massive space adventure sequence which introduces Buzz’s arch nemesis Evil Emperor Zurg.

When Woody gets stolen by a collector at a yard sale, Buzz mounts a rescue mission. But for Woody, it turns out to not be as simple.

Woody discovers that he is not some random doll…but that he was originally part of a popular fifties toy and TV show combo. And he finds out he was the last piece of the puzzle for a toy collector who plans to sell his collection to a museum in Japan.

At first, Woody is terrified by the notion. But the rest of the collection (A cowgirl named Jessie, a horse named Bullseye and Stinky Pete-a toy still in his box, never opened) slowly convinces Woody that maybe life in a museum would not be so bad.

The film has a lot of fun, expanding both Woody and Buzz’s respective worlds. They also find a new way to advance the story and give us “Buzz Does Not Know He is a Toy” in an entertaining way.

Jessie and Bullseye are engaging and lovable, making it easier to understand why Woody might consider abandoning Andy. Kelsey Grammer gives Stinky Pete just the amount of charm at the beginning to hint there may be more for him than we think. Admittedly, he is a bit of an indictment of collectors, as being left in the box plays a major motivation for Pete.

The animation shows some improvement here, though the human characters look…uh….freakish. However, with Wayne Knight’s toy collector Al and the old man are much more cartoonish. And it works more effectively when we see them on screen.

Toy Story 2 is a terrific follow up to the original, improving some things in the technical aspects and giving us a pretty tale revisiting characters we have come to love.

June 25, 2019 0

The Secret Life of Toys (Toy Story, 1995)

In the 80s Pixar’s team thought that computers could usher in a wave of new animation….animation by computer. They made their name in the industry with the short The Adventures of André and Wally B. A few years later it was followed up by the Tin Toy.

When it came to their first feature, the team at Pixar looked at their limitations and based the film in those parameters. They chose to focus on characters that did not need to look “realistic”. Toys are made of plastic and fabric.

The concept is that toys are living things that have a purpose…and that purpose is to be a friend to the child to which they belong. And in this case, it is the toys of a kid named Andy.

Life in Andy’s room is full of adventure. Andy Imagines scenarios in which his toys, ranging from a slinky dog to a dinosaur to cowboy named Sheriff Woody. Woody is Andy’s favorite and the “leader”. But all that changes on Andy’s birthday when he receives the exciting new Buzz Lightyear action figure. A futuristic action toy that can shoot lasers, Woody wonders if he has lost his place in Andy’s heart. The other toys are in awe of Buzz and this only compounds Woodys fears.

Jealous, he ends up alienating himself…and then when he accidentally causes Buzz to be lost, the other toys no longer trust him. This forces Woody to go on a rescue mission, facing himself and also needing to consider the possibility that a change in status is not bad.

A lot of what sells this film is the performances. Especially Hanks as the slightly uptight Woody and Tim Allen as the toy who does not realize he is a toy, Buzz Lightyear.

The movie has a ton of fun with the conceit of living toys. Most of the toys are generic (outside of Mr. Potato Head and a couple much older toys) but this works pretty well. It allows the voice talent and script to imbue the toys with some genuine personality.

Even now, the animation holds up. Sure, compared to later films even within the franchise everything is much simpler to look at, lacking a lot of texture…and when we do see people’s faces…well, let’s just say they look like the 2019 Chucky.

But this is a film that manages to overcome those limitations with solid storytelling and performances. There is both heart and humor that has made this film a classic of modern animation.

June 24, 2019 0

How Are We Alive (Toy Story 4, 2019)

Honestly, the Toy Story films are something rare. Never feeling like a cash grab when you actually watch them, they stand together in a way other animated franchises rarely do….even from Pixar.

Each film finds some new approach to its characters, new and thoughtful hopes and fears. And this time it is no different. Though, the big questions are…well bigger.

Before the story begins proper, the film addresses why we did not see Bo Peep in the third film. Granted, Bo is mentioned in a moment of that film as having been given to a new home, but here we get an action packed opener set several years ago, when the toys were still Andy’s. Unlike the previous two films, which showed us Andy’s imagination, this sequence is the toys trying to save another toy in danger of being lost in a storm. This sets Bo up as being a bit more action oriented, since in earlier films, she is never given a lot to do, other than be the presumed love interest of Woody.

Everyone is shocked to find Bo is being given away, as Molly (Andy’s little sister) no longer is interested her. Bo tells Woody it will be okay and then the film picks up present time, with young Bonnie terrified of her first day at Kindergarten. Against everyone’s recommendations, Woody stows away with Bonnie. At school, she creates a little friend she nicknames Forky. When Woody sees how much joy he brings Bonnie, he becomes convinced he must protect Forky at all costs.

When the family takes a road trip, Woody and Forky become separated, they run into several obstacles when trying to get back to the family.

And honestly, the film works most of the time. What happens to lost toys? Well, here we see a whole tribe under the loose care of Bo Peep. I liked this adventuresome Bo Peep who represents a possibility that has never occurred to Woody.

There are also a lot of fun new characters, such as Duke Caboom and Giggle McDimples.

The biggest problem of the film is its central conflict character. Gabby Gabby is set up right away as a dark character. We eventually learn the reasons why, and unlike Lotso in part three, she is offered a redemptive arc. Unfortunately, it is so rushed that it makes things very problematic. I was not sure initially if it bothered me…but how it plays out could have been done in such a better way.

However, largely, this film is very entertaining and many times managed to tug at my heart strings more than once. I liked the characters and had a good time overall. This is not a quartet of near perfect films due to a few issues with Toy Story 4, but it is a pretty solid set of films. Toy Story 4 could have used another pass, but it is a strongly entertaining film.

June 22, 2019 0

Pokémon Is a Mystery (Pokémon Detective Pikachu, 2019)

I will be honest…I went into this film knowing very little. Pokémon rose to prominence at a time where it passed me right by. So, I sat in the theater basically knowing that Pokémon are super powered animal things that people catch or somethings.

Thankfully, Pokémon Detective Pikachu gives you just enough information to make it easy enough to follow.

Justice Smith is Tim Goodman…a young man who once aspired to be a Pokémon Trainer, but after his mother dies and his relationship with his father fell apart, he never even took on a Pokémon partner.

After he is informed his father is dead, he finds his father’s Pikachu, who has amnesia, but is certain that Tim’s dad is alive. Unexpectedly, Tim is able to speak with Pikachu (voiced by Ryan Reynolds). Reluctantly, the two try and determine what has happened to Tim’s dad.

This brings them into contact with Lucy, an aspiring reporter who is certain she is onto a dark secret involving Pokémon.

After the debacle involving Sonic the Hedgehog, it is interesting to see how successfully the filmmakers adapted the aesthetic of the cartoon designs to a live action setting. The various Pokémon simultaneously are cartoonish, but feel very plausible in the world we are watching.

The humor is well played throughout the film, embracing the absurdity of it’s premise. And there is a really good chemistry between Smith and Reynolds, they play off each other really well.

All in all, as someone that had no attachment to the Pokémon franchise, I had a lot of fun watching Pokémon Detective Pikachu. It was goofy fun, And the reviews from my two nephews (six and eight) was that they loved it.

May 23, 2019 0

4K Review: Feel the Magic (The Harry Potter 8 Film Collection, 2018)

So, this one is going to be pretty short. I have already explored the films themselves. So here I am just going to look at the set itself.

Really quickly…this is my set-up:

The Television:
Samsung – 49″ Class – LED – NU8000 Series – 2160p – Smart – 4K UHD TV with HDR

The Sound System:
Samsung – 3.1-Channel Soundbar System with 6-1/2″ Wireless Subwoofer and Digital Amplifier – Charcoal Black

4k Ultra High Def Blu-Ray Player:
Sony – UBP-X700 – Streaming 4K Ultra HD Hi-Res Audio Wi-Fi Built-In Blu-Ray Player – Black

The audio in the films includes DTS:X for the 4K discs. With my sound bar, the movies all sounded great. None of the audio was muddled, and I could hear the dialog without the old pain of turning up the volume, only to rush to turn it back down when the action started.

And then there is the picture. The films benefit greatly from the High Dynamic Range treatment. This is especially noticeable in the first five films. This makes sense as they were all a bit more colorful. Honestly, the only film that just does not seem to get anything specialized from the 4k Treatment is Harry Potter and the Half Blood Prince. Since the film’s colors are so dreary and desaturated. It is still a good and crisp picture…but it just cannot get the full benefits offered by the HDR. But still, the movies all look great.

The set includes all eight films on 4K Blu-Ray, Blu-Ray with a code to redeem a digital copy. There are no special features included on the discs, though the digital copies do appear to include the “Creating the World of Harry Potter” features included with previous blu-ray sets (at least mine do through Vudu).

I do think the video and audio make the set worth purchasing, but if you value special features, you won’t want to get rid of any earlier sets you might have.

March 7, 2019 0