Woke Culture (The Hunt, 2020)

The_Hunt_PosterSo, the Hunt was meant to be released last year, but after a mass shooting and leaks about plot specific information led to people declaring this movie should not be released, including a condemnation from the impeached President of the United States. And so the movie was pulled.  Although there seemed to be talk at the time of this film just being put on a shelf somewhere…well, it was released to theaters with a modest amount of commercials and it hit a week before movie theaters closed across the nation. Universal took the proactive move to make three of their recent films (the Hunt, Emma and the Invisible Man) available for streaming rentals. Disney has followed suit with Onward.  I recommend Onward and the Invisible Man as very worth watching.  I have no opinion on Emma yet as I have not gotten to watching it yet.

So…how is the Hunt? Is it a super hateful film celebrating killing Trump supporters? Well, my short answer is as follows.

No.  Yes, this film is about a bunch of rich liberals who hunt a bunch of red staters.  But the film is not at all sympathetic to its liberal characters.  They are all played as awful people, while the film is pretty ambivalent about the Red Staters.  Most of those characters get little to no characterization, not even in the sense of being stereotypes. Most of the liberals are stereotypes, with really only Betty Gilpin and Hilary Swank’s characters getting much personality.

Betty Gilpin is actually really good in this. She seems to be in a constant state of shock and on the verge of breaking down. But she also delivers some great action scenes and had a really good show down sequence.

As a genre film, this has a solid and classic hook.  This is in the vein of films like Surviving the Game (a personal favorite).  Honestly, I think it is hilarious that people assumed this would be a hateful screed against Trump when all the people who do not support Trump are evil cretins.  As a lefty, this did not bother me terribly much, Gilpin feels rather a-political and is easy for viewers to root for.

I liked it.  It is not the greatest film, but it is pretty effective as a genre thriller.

Fast Cars and Overheating Egos (Ford Vs Ferrari, 2019)

Ford_vs_Ferrari_PosterI confess…the subject of the film is not close to my heart. Cars are a utilitarian tool for me. So, I confess, the trailers did not excite me much. Damon and Bale are pretty proven variables…and Mangold has shown himself to be a skilled director.

Dramatizing the events of Ford’s attempts to beat Ferrari in racing and the team Ford assembled to pull it off, this got pitched as a dad movie.  Which, I mean, I guess dads will like it… but really it is a film that fans of creative innovations and risk will find appealing.

Forced to stop racing Carroll Shelby is recruited by Lee Iacocca (for Henry Ford II) to create a race car that can beat Ferrari in the 24 Hours of Le Mans. He reaches out to his friend, driver Ken Miles to help.  Reluctant at first, as he gave up racing to focuses on his life with his family, Miles becomes dedicated.  However, execs at Ford are not keen on having Ken as the driver, believing him too difficult.

The drama is terrific in the film, with the hard work, successes and disappointments as they fight to succeed against the odds. Damon and Bale have a very real connection as friends with a somewhat adversarial relationship.

There is some really solid cinematography on display here.  One of my favorite shots is Ken sits on the training track with his son as the night is falling. Just beautiful. I also thought the racing sequences were nicely played out.

Ford vs Ferrari is an engaging film worth watching, whether you are a dad or anyone else.

Quick Dive (Underwater, 2020)

Underwater_PosterSo, this was a film that seemed to get a lot of doubt cast its way before it opened.  It had a lot going against it. There is a group of people out there dedicated to just hating on Kristen Stewart due to her role in Twilight.  The film sat on the shelf for nearly three years.

But I was still curious from that first trailer…I love a good creature feature. Especially undersea monster films. And so I refused to let the naysayers get me down. And you know what?

This is a good deep sea creature feature.  It kicks in with the action right away, and keeps things moving quickly.  The characters are not all that complex, and if the film slowed down much, that could be a problem. But it really only pauses to set you up for what is about to take place or clarify what has happened. I really had fun watching the film and it is effective in all the ways I wanted, with enough of mystery surrounding the monsters that I was curious to learn more.

It is a strong film that accomplishes what it needs to in a way that should appeal to any creature feature fan.

Moving On (Harley Quinn: Birds of Prey, 2020)

Harley_Quinn_BoP_PosterThe DC Extended Universe Films have struggled. A lot.  By the time Justice League came out the only film that had seemed to be a solid success with critics and audiences. Wonder Woman was joined by Aquaman and Shazam! as viewed through a largely positive lens.  Of course, Shazam! was a bit of a disappointment in the box office, which is too bad considering it is a fun and entertaining film.  Harley Quinn had it’s own issues facing it… a spin off (it is not really a sequel to Suicide Squad in any sense of the word) to a poorly received film (Suicide Squad made nearly its entire haul opening weekend) that went for an “R” rating.  The only character appearing in this film was Harley Quinn. Mind you, Margot Robbie is often cited as one of the best parts of Suicide Squad, mainly because she was.

Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is a pretty messy title, and considering this is a Harley Quinn movie, rather misleading.  The focus is Harley Quinn and her life post Joker. But Harley discovers that life outside of the Joker actually makes her a big target for the underworld. Her biggest Danger is the Black Mask, Roman Sionis. He is after a unique jewel that was stolen by the pickpocket Cass Cain.  But things get complicated and Harley finds it hard to turn Cass over to Sionis.

Alongside are several interconnected side stories, Black Canary is working for Sionis, Detective Montoya is trying to take Sionis down and the Huntress is out for revenge on Sionis and his goons. Which means they will all have to team up together.

As I said, this is Harley’s movie. She narrates the film and will constantly suddenly decide we need to learn more of the story.  While this could lead to a complete mess, it kind of works as an aspect of Quinn’s personality.

I really like the characters in this film.  In fact, I found myself wanting more of Black Canary and the Huntress. Ewan McGregor is clearly having a good time playing an off the rails villain. Of course, Margot Robbie is making the character her own, becoming identifiable in the way Ryan Reynolds is with Deadpool or Hugh Jackman is with Wolverine.  She is so much fun in the film.

The action scenes are very well constructed and make for a whole lot of fun to watch.  The film is incredibly colorful, there is one scene where she is in the local jail taking people down with glitter pellets and other “silly” takes on weapons that is gleefully played out. They also use a visual queue similar to Suicide Squad…except they do it far better.

The “R” rating does not feel necessary and the film goes a little long. But it was a really entertaining time, and frankly, I wish this was the type of movie Suicide Squad had been.

Live Your Fantasy (Fantasy Island, 2020)

Fantasy_Island_PosterFantasy Island is a show mainly remembered for Ricardo Montalban as Mr. Rourke and his assistant Tattoo played by Hervé Villechaize. The show was an anthology series where every week, guests would arrive to fulfill a fantasy. Usually it was for an adventure to address a regret. The show was remade for television in 1998 with Malcolm McDowell stepping in as a more sinister Mr. Roarke.

Twenty Years later Blumhouse has given us an updated version that may or may not be meant to begin a franchise. And…

Well, I did not hate it.

But to be clear, it is not really that good either.  Now, the big deal made was that this was a horror re-imagining of the series.  Except, not really.  It follows the formula pretty closely. People arrive to live out fantasies that seem impossible. There is a sentimental story, a live the big life dream, an adventure and petty revenge. The petty revenge ends up being the horror plot (as was common on the series, Fantasy Island often had at least a few scary episodes each season). And the fantasies turning on themselves is totally part of the franchise.

The movie brings everyone together at some point, all their fantasies coalescing into a fight for survival. Most of the cast is okay, though I really was bummed that Michael Peña is so…well, not invested.  He constantly feels like he has a better role lined up so he is just delivering his lines as fast as possible so as to be done with the film.

The twists are somewhat predictable, but fine…save one.  The film’s biggest twist requires a scene that has to happen to keep the audience in the dark…but the minute you discover the twist, that scene makes absolutely no sense.

The film is pretty much TV movie level, and hey, maybe rent it when it hits streaming or Red Box?

The Continuous Horror of War (1917, 2019)

1917_PosterHonestly, the trailers for 1917 did not really grab me. War movies are not something I tend to get excited for. But then, I saw all the talk from people whose opinions I trust that it is a must see film, and more importantly worth seeing in the theater.

So, this weekend, I finally got the opportunity to sit down and watch the film in my local cineplex.  I tried to avoid getting my hopes set too high.

And I tell you this much…the film was amazing to watch.  By now, it is pretty well known that it is set up to look like one long and continuous shot, following two young soldiers in World War One given the mission to cross the German front line to warn a general that their planned attack needs to be halted, as it is a trap.

This is how you use a gimmick to tell a story. We stay with soldiers Blake and Schofield as they make their way through the treacherous landscape, which means we never see the dangers or threats until they come upon them.

Blake is more idealistic than Schofield, but both clearly struggle with the weight on their shoulders, the burden of the war.

While the whole film is impressive, the sequence that really blew may away is the night time sequence. Often we only see from the light cast by fires and explosions and flares. This creates a moment of great uncertainty and beauty as the scene brightens and then shadows rush over the landscape.

If you have not seen 1917 yet and it is still at your local theater? Check it out.  It is worth seeing in the theater.

My Favorite Films of 2019 (Favorites, 2019)

So, I decided to go with a list of fifteen films on my list of favorite films for the year. I missed Parasite in theaters and so have not yet gotten to see it and I have not seen 1917 since it does not go into wide release until Friday.

  1. Knives Out
    Rian Johnson’s Knives Out was the most fun I had in the theater this year. I loved this movie. Original characters in a story that pays homage to classic whodunnits, it is filled with nothing but terrific performances with some fun twists. Johnson has announced a new Benoit Blanc mystery and I am excited.
  2. Jojo Rabbit
    You could never make Blazing Saddles today.  Comedy is too hard in today’s woke environment said Joker director Todd Phillips. Boo hoo, folks. Taika Waititi tells the tale of a young boy so dedicated to the Nazi cause, his imaginary best friend is Hitler.  A surprisingly funny and touching film, Jojo Rabbit is a gem.
  3. Little Women
    I have never read the book, nor seen any of the prior adaptions. But this movie worked so well. Gerwig and her cast weave together a beautifully engaging film.
  4. Uncut Gems
    Adam Sandler’s best performance since Punch Drunk Love, the Safdie Brothers give an intense story of human greed and misery.
  5. Midsommar
    Ari Aster does it again. Where Hereditary was full of darkness, Midsommar attempts the rare choice of a well lit horror. Tense, unnerving and a tad goofy, this film is terrific.
  6. A Beautiful Day In the Neighborhood
    While not flawless, this film is a beautiful exploration of love and forgiveness through the eyes of a heartbroken cynic who meets the beloved Mr. Rogers. Marielle Heller makes some beautiful choices (such as imitating the television show’s models for transitions).
  7. Dolemite Is My Name
    Eddie Murphy gives a great performance here.  The movie itself manages to be a crass love letter to Rudy Ray Moore, a man determined to make it against a world that seems to not be interested in his success.
  8. Ford vs Ferrari
    Really enjoyed this supposed “Dad Movie”.  Genius in the face of corporate roadblocks push the drama here.  The racing scenes are exciting and the film is inspirational.
  9. The Lighthouse
    I still do not know what to make of the film, but it is so visually beautiful, I still think about it.
  10. Us
    Some people got really hung up on the “how does it work” aspect. But honestly, Jordan Peele’s followup to Get Out had my attention from the beginning and just never lost me.
  11. Avengers Endgame
    Technically, I think Infinity War was the better movie…but this one was so much more satisfying.
  12. the Irishman
    While I think this has some great performances, I was not nearly as pulled into this one as I hoped. It was good, but was not my favorite Scorsese film. I know a lot of people praised this as a great triumph, but honestly, part of me feels like those folks felt obligated to really hype the film over the silly Scorsese/Marvel brouhaha.
  13. Once Upon a Time in Hollywood
    Fun film from Tarantino, not his greatest film, but entertaining and great performances.
  14. John Wick 3: Parabellum
    The weakest of the three films, but still an amazing feat of action choreography and enjoyable performances.
  15. Ad Astra
    A thoughtful Sci-Fi film with Brad Pitt as a detached astronaut on a mission to discover if his presumed dead father may still be alive. Beautiful visuals and a quiet pace make this a solid sci-fi film.

Honorable Mentions (in no particular order):

Doctor Sleep- I am almost tempted to switch out John Wick 3 for this one.  Doctor Sleep was a real surprise.

Ready or Not- This was just a fun and ridiculous horror film.

Spider-Man: Far From Home- I enjoyed this one a lot. Mysterio was a cool villain and it was nice to see a villain we had not seen before. Plus, the mid credit scene.

Klaus- A beautiful little animated film.

Godzilla: King of Monsters- I had a blast with this one.

Shazam!- This is a fun movie. I had a great time.

It’s Not Just a Jungle Out There (Jumanji: The Next Level, 2019)

Jumanji_Next_Level_PosterAlex, Martha, Fridge and Bethany have all moved forward in life, but college life has been disappointing for Alex and he has become distant from the others.

When everyone returns home for Christmas, Alex decides maybe what he really needs is to recapture the confidence he gained from the last time they went through Jumanji. When he never shows up for a planned breakfast, Fridge, Bethany and Martha find themselves forced to enter the game.  But due to damage to the console, the group find themselves lost in a new part of the game and in the wrong avatars (well, except Martha).  To make matters worse, the game has pulled in Spencer’s grandfather and his old business partner Milo.

The Next Level faced a challenge.  How to convincingly argue the kids would re-enter the game and how not to lose the magic of the interplay of the last film.  The previous film was one of those rare films that did not depend on Johnson basically being himself.  The cast was convincing and fun playing the roles of teens trapped in a video game.

Kasdan ups the ante with this one. Gillan, Black, Hart and Johnson all get to play multiple inhabitants of their avatars (with Hart and Johnson doing fun takes on Glover and Devito for much of the film).

This was a real fun follow up that manages to carry over the character growth of the last film while still capturing what made the previous so much fun. The cast is great and the action is fun.

Whatever Time’s the Charm?? (Terminator Dark Fate, 2019)

Terminator_Dark_Fate_PosterTerminator Genisys was intended to kick off an all new trilogy following the exploits of Sarah Conner, Kyle Reese and Pops trying to stop the new version of Skynet. Of course, Terminator Salvation was supposed to kick off a new trilogy following the war against the machines leading to Kyle Reese going back to save Sarah Conner.  Which was a sort of continuation of Rise of the Machines.

Sort of.  Each sequel starting with T2 tried a twist, though the twist became the trope.  Arnold was moved from the “bad Terminator” to the “friendly Terminator”. This has never bothered my all that much, the way it was handled in each film usually worked okay.

And honestly, Pops was the thing I enjoyed most about Genisys. The failure of Genisys to revitalize the franchise left the series kind of lost. People got excited when there was talk of Cameron returning. And then they took the now popular strategy of making a sequel that ignores all but one or two of the earliest films. This time, they are picking up after T2: Judgement Day.

Sarah Conner tells us how she saved the world from Skynet, then the film reveals a shocking twist. We then are introduced to Grace who appears in Mexico, followed by the new Terminator, a Rev-9. He is in pursuit of Dani and Grace is there to protect her. They meet up with Sarah Conner and try to escape, ultimately reaching out to Carl, a Terminator who is displaced after the erasure of Skynet.

Carl is kind of an interesting character and honestly have no problem with it, as the second film established them capable of learning and adapting. I also, for the most part, like tough and bitter Sarah Conner, much like Jamie Lee Curtis’ updated Laurie Strode in 2018’s Halloween.  I also liked McKenzie Davis as Grace and Natalia Reyes as Dani.

The Rev-9 feels a lot like a slightly advanced T-X from Rise of the Machines.  A liquid metal coating over an exo-skeleton, except the two can work independently of each other.

The visual effects are solid and the action scenes are great. And yet, this is a Terminator film that kind of fundamentally betrays itself in a way the franchise really has not before. The big twist at the beginning has a major impact on the power of T2’s narrative. In a not good way.  It undermines this film and raises some big questions that the film never clearly establishes.  As an action film, this is a fun watch. As a Terminator film? It is not the fix that people were hoping for.

Two For the Price of One (Gemini Man, 2019)

Gemini_Man_PosterHenry Brogan is the best sniper there is. He has spent his life  shooting terrorists and those who help them.  But when he retires, he discovers that his most recent target may have been an innocent man, and retiring from the top secret government agency is permanent.

He ends up on the run with help from an old friend and a young agent as they try and piece together the facts.  But the biggest issue is the incredibly skilled young men sent after Henry. As the trailers revealed, Henry has been cloned and it was sent off to kill him. Younger and all his skills give Junior the advantage over Henry.

But Ang Lee is not interested in simply pitting two forces against each other. Instead, Henry is more interested in altering Junior’s path from that of a brutal killer. It helps keep things from getting two formulaic in the action genre. The action scenes are really well choreographed and well edited.  I like the characters, but the story kind of falls apart towards the end.

The big talk around the film is the use of High Frame Rate.  I saw this film in the standard frame rate, and I must confess, I am not sure the film would benefit.  There were outdoor scenes that looked like characters were just in front of green screens, HFR seems like it would make that stand out more.

The film uses cutting edge digital technology to create a digital Will Smith that is imposed over another actor. And it never quite looks natural.  While the digital de-aging Marvel did with Nick Fury in Captain Marvel looked like a younger Samuel Jackson, the digital puppet for Gemini Man looks like an artificial creation.

Gemini Man is an okay film with some good performances and great action, but it is not destined to be a sci-fi classic.

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