Sint (known as Saint here in the United States) is a contribution from the Netherlands. In this horror film, Saint Nick was not such a nice guy. He was a disgraced Bishop who would lead his followers to slaughter and pillage villages. The people seek revenge and kill Saint Nick and his band of ruffians…but this causes a curse. The film jumps up to 1968 and a family relaxing on December 5th. The house is besieged by strange little monsters who kill all but one member of the family. Then the film makes one more jump to the present.
It turns out that when there is a full moon on December 5th, Saint Nick returns to punish the naughty. In modern society, that means pretty much anybody. Goert, the kid that survived, grew up to be a policeman. He is a bit on edge some years later (the film is a little vague, one character says it occurs every thirty two years, another every 23 years, and one character refers to the death of the officer’s family being forty years ago, but if the film takes place in 2010? It is over fifty years). The film combines Old Saint Nick with the Krampus and gives us a rather bloody vision of holiday shenanigans.
The film has a bit of a misdirect, making it look like one character is the lead, but killing them off at the start of the action. Meanwhile a guy named Frank and his buddies are dressed as Saint Nick and Black Petes (this particular bit of folklore is highly controversial as most of the people who dress up as the character are wearing black face, as Frank’s buddies are). The Black Petes with the real Saint Nick are his troll like minions. Of course, the police do not believe Frank when he says the Real Saint Nick and his Black Petes killed Frank’s friends.
Frank and Goert team up to fight Saint Nicholas and crazy action ensues.
The film may be a bit off-putting for American audiences, as our horror films have always treated the death of children as taboo. While the film does not show graphic attacks on children, it is implied that terrible things happen to them.
Sint is visually striking (there is a nicely done scene with the police chasing Nicholas as he rides his horse across roof tops). The makeup for Saint Nicholas is effectively gruesome. The film is quite well done, though rarely breaks from the most standard of horror movie tropes. Nobody believes the people who know what is really going on. Two lone believers team up. People keep interfering with their attempts to defeat the monster. The final jump scare. There is a massive cover up. But still, it is a pretty decent effort that horror fans should enjoy.
There are two memorable things about the movie Elves. It is about little Nazi monsters that are an experiment to create racial purity that seek to mate with some teen girls. Ew. It also stars Grizzly Adams himself, Dan Haggerty. Haggerty died back in January of 2016…and thankfully was able to bury this with 29 acting credits. Because I have seen Axe Giant: The wrath of Paul Bunyan and as terrible as that film is, it is the better of the two films.
Last House on the Left’s David Hess directed one movie. And To All A Good Night tells you why his directing career began and ended with this film.
A Christmas Horror Story is in the vein of Creepshow or the more recent Trick Or Treat. There are several stories, all loosely connected by by characters. For example, one story follows a teenager and her family, while her boyfriend is a part of another story. Three kids are trying to pull a Ghost Hunters types of investigation of a haunted school. They are watching video of a police walk through and one of the cops is the center of another story.
The same year we got Silent Night Deadly Night, we got Don’t Open Til Christmas. Unlike all the films we have seen here so far, this British film is not about a killer Santa. It is about a killer of Santas.
Probably one of the most unique takes on Santa Claus in this series…Santa’s Slay suggests that Santa was not a jolly saint…but rather a demon who lost a bet to an angel…but now that the bet is over, Santa goes on a rampage of death and destruction, starting by killing Fran Drescher and Chris Kattan. Directed by a guy who was an assistant to Brett Ratner-Oh-this is making more sense now.
Let us continue our journey through the most celebratory aspects of the Christmas holiday season. Now, certainly, the concept of the “Christmas Horror” horror film was an attempt to cash in both the popular late 70’s phenomenon of slasher horror films centered on holidays. Add the extra dimension of controversy and I am sure the film makers thought they had a gold mine. It is rather interesting to note that these films came significantly after Black Christmas. The Christmas Horror Film, which is rapidly appeared to be “movies about psychos in Santa Suits.”
In this 2012 remake of the original film, Santa has something he was missing in the first film. A freaking flame thrower.
Oh boy. I genuinely feel bad for Mickey Rooney having this in his resume. On the other hand, the fact that he blasted the original film…well, it is kind of poetic. Rooney is kindly elderly toy-maker Joe Petto. Obviously, subtlety is not a priority for the film makers. Along with his son Pino (again, subtlety is a lost art), he runs a toy store. In case you missed it, there is a scene where a babysitter reads Pinocchio to a kid. His toys do not compete very well with the modern mass produced toys. But the film is not really about them…
This fourth film is an old to good old fashioned man-hating feminism. I kind of wonder if it was ghost written by Rush Limbaugh. It is also the first film in the series to have no killer Santas.