Kumail Nanjiani is the titular Stu. Stu is a…uh… studious guy. He works to thankless job, and is helping a woman he is in love with start her own business. Meanwhile, Dave Bautista is the reckless and angry cop Vic. Vic is dedicated to catching the cop killing drug dealer Oka Tedjo. But on the day he gets eye surgery, he finds out that he only has hours to find Oka.
This leads to Vic Reluctantly ordered an Uber ride and forcing the driver, Stu, to take him around town tracking the villain down holding the promise of a badly needed Five Star Rating over his head.
The main things to like in the film is that Nanjiani and Bautista. They work well together, Bautista working his “tough guy muscles” and Nanjiani flexing his “nice but downtrodden guy muscles”. That part works really well.
Unfortunately, they are surrounded by a largely predictable and cliched story. They try and lampshade this, making light of the cliches, but the film never feels like it is truly having fun with the action premise as much as it appears they wanted to. I saw every major plot twist coming. And that is too bad…this film has a good cast (the leads are supported by Natalie Morales as the daughter of Vic and Mira Sorvino as Vic’s boss).
I am not saying you should avoid the film…it has it’s moments. It looks good and again, the cast is great. I enjoyed their interactions and performances. The movie is okay as a diversion for an hour and half of your time. I just feel like it could have been…more.
And so here we are at Quentin Tarantino’s ninth film (Apparently Death Proof does not count?). A pretty loving homage to the Hollywood of the 60’s, Tarantino weaves a tale of fading actor Rick Dalton and his best friend Cliff Booth and their place in it all. Cliff is less bothered, content to help out his friend and then spend the evening sitting in front the TV with his dog. But after a meeting with producer Marvin Schwarz, Rick is realizing he is becoming…well obsolete…and it scares him.
The writing is both the cleverness we expect from Tarantino matched with compelling characters (there is a bit of a question if Cliff is maybe a darker guy, but the film leaves the door open on just how dark). I would say the weakest link in the main characters is Robbie’s Sharon Tate. Not because Robbie is a bad actress. She is charming and kind as Tate. There is a sequence where we see Robbie express insecurity turning to joy as she watches a movie she is in with an audience. Robbie sells this moment. But she feels so incidental to the story for much of the time.
After the massive epic that was Avengers Endgame, a smaller story to actually close stuff off may seem like an odd choice. And yet? Well, it may have been what was needed.
While Pixar had pushed the Cars franchise at an aggressive rate, their other films had been allowed to remain largely untouched. In spite of the second film’s success, it was not until 2010 that we saw the third installment of the Toy Story films.
Toy Story had almost cemented itself as a classic in the public mind within a few short years.
In the 80s Pixar’s team thought that computers could usher in a wave of new animation….animation by computer. They made their name in the industry with the short The Adventures of André and Wally B. A few years later it was followed up by the Tin Toy.
The Child’s Play franchise is seven films in and has a TV series in the making, so when a remake of the 1988 original, it was met with…skepticism. Especially as the film has no real ties to the original film via writer or director.
Honestly, the Toy Story films are something rare. Never feeling like a cash grab when you actually watch them, they stand together in a way other animated franchises rarely do….even from Pixar.
Rom Coms are an often maligned genre. Much like Horror, if a Rom Com is done well, people try and argue it is not really a Rom Com. This is a lot to do with the fact that Rom Coms have a pretty solid formula that has worked for a long time.
Always Be My Maybe is the story of Sasha and Marcus, lifelong friends whose lives are dealt a painful blow that causes them to lose contact for over a decade. Sasha grows up to be a world famous Chef, while Marcus lives with his father and has a band that has never left the block he lives on.