Forced Friendship (Stuber, 2019)

Stuber_PosterKumail Nanjiani is the titular Stu.  Stu is a…uh… studious guy.  He works to thankless job, and is helping a woman he is in love with start her own business. Meanwhile, Dave Bautista is the reckless and angry cop Vic.  Vic is dedicated to catching the cop killing drug dealer Oka Tedjo.  But on the day he gets eye surgery, he finds out that he only has hours to find Oka.

This leads to Vic Reluctantly ordered an Uber ride and forcing the driver, Stu, to take him around town tracking the villain down holding the promise of a badly needed Five Star Rating over his head.

The main things to like in the film is that Nanjiani and Bautista.  They work well together, Bautista working his “tough guy muscles” and Nanjiani flexing his “nice but downtrodden guy muscles”. That part works really well.

Unfortunately, they are surrounded by a largely predictable and cliched story.  They try and lampshade this, making light of the cliches, but the film never feels like it is truly having fun with the action premise as much as it appears they wanted to.  I saw every major plot twist coming.  And that is too bad…this film has a good cast (the leads are supported by Natalie Morales as the daughter of Vic and Mira Sorvino as Vic’s boss).

I am not saying you should avoid the film…it has it’s moments. It looks good and again, the cast is great.  I enjoyed their interactions and performances.  The movie is okay as a diversion for an hour and half of your time. I just feel like it could have been…more.

Fading Glories (Once Upon a Time… In Hollywood, 2019)

Once_Upon_A_Time_In_Hollywood_PosterAnd so here we are at Quentin Tarantino’s ninth film (Apparently Death Proof does not count?).  A pretty loving homage to the Hollywood of the 60’s, Tarantino weaves a tale of fading actor Rick Dalton and his best friend Cliff Booth and their place in it all.  Cliff is less bothered, content to help out his friend and then spend the evening sitting in front the TV with his dog. But after a meeting with producer Marvin Schwarz, Rick is realizing he is becoming…well obsolete…and it scares him.

I suspect Dalton’s crisis is not uncommon in Hollywood…but does it make for a great story?

Yeah.  It turns out that here? It sure does.

Now, of course, this is in part, due to the performances of both DiCaprio and Pitt as Dalton and Booth respectively. DeCaprio’s portrayal is both hilarious and endearing. Pitt gives Booth a real sense of casual cool.

Once_Upon_A_Time_In_Hollywood_Alt_PosterThe writing is both the cleverness we expect from Tarantino matched with compelling characters (there is a bit of a question if Cliff is maybe a darker guy, but the film leaves the door open on just how dark). I would say the weakest link in the main characters is Robbie’s Sharon Tate. Not because Robbie is a bad actress. She is charming and kind as Tate.  There is a sequence where we see Robbie express insecurity turning to joy as she watches a movie she is in with an audience. Robbie sells this moment. But she feels so incidental to the story for much of the time.

The cast is just full of great talent… Kurt Russell, Timothy Olyphant and a pretty endless group bringing their A-game.

Visually, the film feels it is of another time, truly like a creature of the 60’s. And the soundtrack is darn near perfect.

My only real criticism is a somewhat lazy time jump that glosses over six months. But, admittedly, had they shown all of it, the film would be, like five hours long. And I do like listening to the Kurt Russell narration.

I found Once Upon a Time… In Hollywood great fun.  Bear in mind, this is a Tarantino film…if you hate his previous work, I don’t think this will change your mind. But fans will appreciate this one for sure.

Tangled Webs (Spider-Man: Far From Home, 2019)

Spider-Man_Far_From_Home_PosterAfter the massive epic that was Avengers Endgame, a smaller story to actually close stuff off may seem like an odd choice. And yet?  Well, it may have been what was needed.

Bringing back director Jon Watts and the cast of Homecoming, we get a personal story in which Peter Parker really just wants to go on his school trip abroad and confess his love to MJ. But things are complicated.  It turns out that pretty much every major character from Homecoming was caught up in the snap.  And now they have to deal with the fact that all their classmates are now five years older.  The film explores some rather interesting aspects…like all the returned people who were displaced.  Peter and May found themselves homeless, which was one of those things you just do not thing about in the grand schemes.

It turns out that Nick Fury is trying to reach Spider-Man, but Peter refuses to take his calls. But once on vacation in Italy, the class comes under attack by a water monster, which is defeated by Mysterio. A mysterious man who Nick Fury informs Peter is from an alternate earth where he fought the threat of elemental men that are now plaguing Peter’s world.

Far From Home bumps up certain characters too much bigger roles, and it is to the benefit of the film. Holland and Zendaya have real chemistry and their storyline is both adorable and a lot of fun.

The Mysterio storyline is really well done.  There is a scene where his illusion powers is straight up the stuff of the comics. The visuals in the film are terrific and Gyllenhaal gives a solid performance.

Unlike Homecoming, Happy seems more invested in Peter and Spider-Man. This makes sense on a few levels, but I really did enjoy their interactions in the film.

I really enjoyed this latest outing, even more than Homecoming.  It is funny, has heartfelt moments, good performances and great visual effects.  Oh, and stay for the Mid and Post Credit scenes.  They are game changing moments.

Meet the New Kids (Toy Story 3, 2010)

Toy_Story_3_PosterWhile Pixar had pushed the Cars franchise at an aggressive rate, their other films had been allowed to remain largely untouched.  In spite of the second film’s success, it was not until 2010 that we saw the third installment of the Toy Story films.

This time, we find Andy getting ready for college.  When the toys are accidentally mistaken as trash, they decide to stow away in a box marked for the local daycare center.

Woody promises them it will be terrible, and shortly after they arrive, he tries to sneak out to return to Andy. However, on his way, he is found by young Bonnie, who brings him home.

 

The other toys are greeted by Losto (a stuff bear) and the other toys.  They sell our old friends on what a paradise the daycare is. But the truth is much darker. Lotso is pretty much the Godfather of the joint.  He runs the show and force new toys to be played with by the youngest kids in the daycare…regardless of whether these toys are meant for that age or not.

This is a pretty crazy story, but it works pretty well. Lotso is charming at first, but you learn he has turned dark from rejection.  Meanwhile, his henchman Ken is taken with Barbie. At first she is smitten, but when she discovers what Lotso does to the other toys, she rejects the cushy life Ken offers.

Meanwhile, Woody is also living a good life with Bonnie and her toys, but he wants to return to Andy…and when he finds out the truth about Lotso and the Daycare, he is determined to save the other toys.

The animation in this is pretty terrific and has come far.  Textures, vibrant colors, hair…everything looks great.  And this time around they have opted for a more stylized look to the human characters which is some much more pleasant to watch than the humans of the previous films.

As usual, there is a lot of heart to this film…it is a bit heavy as the toys contemplate death and complete destruction…but still, it really tugs at the heartstrings.

Again, the performances of the voice cast bring this to life in a way a lot of films fail.  Even the stunt casting never feels like a mere stunt.  The performances feel full of care, and everyone delivers.

Somehow, Pixar managed to keep the same quality in three films, avoiding the dreaded failure within the franchise that each announced film brought.  Toy Story three would have been a perfect cap off to the series, really.  You would have had a high quality trilogy.  It is full of love, humor and even grown up fears and emotion.  Toy Story 3 is a great continuation of the Toy Story Series.

 

 

Collectability (Toy Story 2, 1999)

Toy_Story_2_PosterToy Story had almost cemented itself as a classic in the public mind within a few short years.

This time, they open with a massive space adventure sequence which introduces Buzz’s arch nemesis Evil Emperor Zurg.

When Woody gets stolen by a collector at a yard sale, Buzz mounts a rescue mission. But for Woody, it turns out to not be as simple.

Woody discovers that he is not some random doll…but that he was originally part of a popular fifties toy and TV show combo.  And he finds out he was the last piece of the puzzle for a toy collector who plans to sell his collection to a museum in Japan.

At first, Woody is terrified by the notion.  But the rest of the collection (A cowgirl named Jessie, a horse named Bullseye and Stinky Pete-a toy still in his box, never opened) slowly convinces Woody that maybe life in a museum would not be so bad.

The film has a lot of fun, expanding both Woody and Buzz’s respective worlds.  They also find a new way to advance the story and give us “Buzz Does Not Know He is a Toy” in an entertaining way.

Jessie and Bullseye are engaging and lovable, making it easier to understand why Woody might consider abandoning Andy. Kelsey Grammer gives Stinky Pete just the amount of charm at the beginning to hint there may be more for him than we think. Admittedly, he is a bit of an indictment of collectors, as being left in the box plays a major motivation for Pete.

The animation shows some improvement here, though the human characters look…uh….freakish.  However, with Wayne Knight’s toy collector Al and the old man are much more cartoonish.  And it works more effectively when we see them on screen.

Toy Story 2 is a terrific follow up to the original, improving some things in the technical aspects and giving us a pretty tale revisiting characters we have come to love.

The Secret Life of Toys (Toy Story, 1995)

Toy_Story_PosterIn the 80s Pixar’s team thought that computers could usher in a wave of new animation….animation by computer.  They made their name in the industry with the  short The Adventures of André and Wally B. A few years later it was followed up by the Tin Toy.

When it came to their first feature, the team at Pixar looked at their limitations and based the film in those parameters.  They chose to focus on characters that did not need to look “realistic”.  Toys are made of plastic and fabric.

The concept is that toys are living things that have a purpose…and that purpose is to be a friend to the child to which they belong. And in this case, it is the toys of a kid named Andy.

Life in Andy’s room is full of adventure.  Andy Imagines scenarios in which his toys, ranging from a slinky dog to a dinosaur to cowboy named Sheriff Woody.  Woody is Andy’s favorite and the “leader”.  But all that changes on Andy’s birthday when he receives the exciting new Buzz Lightyear action figure.  A futuristic action toy that can shoot lasers, Woody wonders if he has lost his place in Andy’s heart. The other toys are in awe of Buzz and this only compounds Woodys fears.

Jealous, he ends up alienating himself…and then when he accidentally causes Buzz to be lost, the other toys no longer trust him.  This forces Woody to go on a rescue mission, facing himself and also needing to consider the possibility that a change in status is not bad.

A lot of what sells this film is the performances.  Especially Hanks as the slightly uptight Woody and Tim Allen as the toy who does not realize he is a toy, Buzz Lightyear.

The movie has a ton of fun with the conceit of living toys.  Most of the toys are generic (outside of Mr. Potato Head and a couple much older toys) but this works pretty well.  It allows the voice talent and script to imbue the toys with some genuine personality.

Even now, the animation holds up.  Sure, compared to later films even within the franchise everything is much simpler to look at, lacking a lot of texture…and when we do see people’s faces…well, let’s just say they look like the 2019 Chucky.

But this is a film that manages to overcome those limitations with solid storytelling and performances.  There is both heart and humor that has made this film a classic of modern animation.

New Model (Child’s Play, 2019)

Childs_Play_2019_PosterThe Child’s Play franchise is seven films in and has a TV series in the making, so when a remake of the 1988 original, it was met with…skepticism. Especially as the film has no real ties to the original film via writer or director.

Here we get the basic story idea.  Andy gets a doll that turns out to be dangerous and homicidal.

Here, Andy is a bit older.  His mother gets a Buddi Doll that has AI and can connect to your Smart Home devices.  It was returned as defective, and Andy’s mom takes it to give her son, as Andy is becoming more and more withdrawn. At first, the quirks do not seem to be to big a deal…until Chucky tries to kill the family cat after it hurts Andy.  Andy forbids Chucky from killing.  And for awhile, they become close friends.

But after some other kids discover that Chucky can swear and be generally rude, they want to hang with Andy.  It is only after Chucky murders someone that they all realize how dangerous Chucky actually is.

And a lot of the film is pretty effective.  I like Andy and his mom. And I think the AI take actually works in some interesting ways. Chucky is not inherently homicidal.  He becomes increasingly so, desensitized by his environment and working as a stalker.   He is not killing people out of a love for murder…but rather a warped ideal of his relationship to Andy.  And while this comes at the sacrifice of Dourif’s memorable characterization, I really appreciate the new approach.

Andy’s friends are a bit obnoxious, and honestly, it seems like much of the film they made sure to give Chucky victims who were pretty morally reprehensible.  I mean, there is only one character he kills that I genuinely liked.  I appreciated the attempt they made with Brian Tyree Henry’s Detective Norris, making him a friendly face in story…but the character is kind of dull (which is definitely not Henry’s fault, we saw him be pretty wonderful in Into the Spiderverse in a similar role.

And…well…Chucky’s design should have gone through a few more revisions.  He looks genuinely goofy sometimes.

But I found myself largely entertained by the film and felt it has far more positives than negatives.  I walked out feeling pretty satisfied with a film that I confess to having not had a lot of hope for.

How Are We Alive (Toy Story 4, 2019)

Toy_Story_4_PosterHonestly, the Toy Story films are something rare.  Never feeling like a cash grab when you actually watch them, they stand together in a way other animated franchises rarely do….even from Pixar.

Each film finds some new approach to its characters, new and thoughtful hopes and fears. And this time it is no different.  Though, the big questions are…well bigger.

Before the story begins proper, the film addresses why we did not see Bo Peep in the third film.  Granted, Bo is mentioned in a moment of that film as having been given to a new home, but here we get an action packed opener set several years ago, when the toys were still Andy’s.  Unlike the previous two films, which showed us Andy’s imagination, this sequence is the toys trying to save another toy in danger of being lost in a storm. This sets Bo up as being a bit more action oriented, since in earlier films, she is never given a lot to do, other than be the presumed love interest of Woody.

Everyone is shocked to find Bo is being given away, as Molly (Andy’s little sister) no longer is interested her. Bo tells Woody it will be okay and then the film picks up present time, with young Bonnie terrified of her first day at Kindergarten.  Against everyone’s recommendations, Woody stows away with Bonnie. At school, she creates a little friend she nicknames Forky.  When Woody sees how much joy he brings Bonnie, he becomes convinced he must protect Forky at all costs.

When the family takes a road trip, Woody and Forky become separated, they run into several obstacles when trying to get back to the family.

And honestly, the film works most of the time.  What happens to lost toys? Well, here we see a whole tribe under the loose care of Bo Peep.  I liked this adventuresome Bo Peep who represents a possibility that has never occurred to Woody.

There are also a lot of fun new characters, such as Duke Caboom and Giggle McDimples.

The biggest problem of the film is its central conflict character. Gabby Gabby is set up right away as a dark character.  We eventually learn the reasons why, and unlike Lotso in part three, she is offered a redemptive arc. Unfortunately, it is so rushed that it makes things very problematic.  I was not sure initially if it bothered me…but how it plays out could have been done in such a better way.

However, largely, this film is very entertaining and many times managed to tug at my heart strings more than once.  I liked the characters and had a good time overall.  This is not a quartet of near perfect films due to a few issues with Toy Story 4, but it is a pretty solid set of films. Toy Story 4 could have used another pass, but it is a strongly entertaining film.

Trapped In a Fantasy (Isn’t It Romantic, 2019)

Isnt_It_Romantic_PosterRom Coms are an often maligned genre. Much like Horror, if a Rom Com is done well, people try and argue it is not really a Rom Com. This is a lot to do with the fact that Rom Coms have a pretty solid formula that has worked for a long time.

Isn’t It Romantic attempts to mock the formula by working from within. Natalie was thrilled by Romantic Comedies as a child, until her mother made it clear that she would never be desirable and needed to settle for pretty much anything she gets in life.

So when we find her as an adult, she is a meek woman, interested in her male best friend Josh (who clearly thinks the best of her and is constantly trying to get her to step outside her walls). She is walked over by her coworkers who do not take her ideas seriously.  After a mugging goes way awry, Natalie wakes up in an amazing hospital emergency room greeted by an incredibly handsome doctor.

Natalie finds that New York is now smelling better, her apartment is gigantic and her dog is well groomed. Natalie tries to find her way out and decides the only choice she has is to play by the rules of a Rom Com.

The film indulges all the tropes with a wink, some too far better effect than others. The inability to actually get to have sex with handsome suitors is pretty amusing.

At the same time, early in the film, we get an extended sequence where Natalie explains why Romantic Comedies are toxic where we are told exactly what we will experience. The film also does nothing to really develop any of the characters outside Natalie.  Josh gets the most development as a character, at least enough to get why she likes him.  And while it is entirely predictable that they are going to end up together, it is at least understandable that the two always had feelings for each other.

Isn’t It Romantic does manage to subvert certain of its core criticisms of the genre and the cast is entertaining enough in spite of the lack of character development.  It is not as genre busting as it sets out to be, but it has its moments.

Rom Cooking (Always Be My Maybe, 2019)

Always_Be_My_Maybe_PosterAlways Be My Maybe is the story of Sasha and Marcus, lifelong friends whose lives are dealt a painful blow that causes them to lose contact for over a decade. Sasha grows up to be a world famous Chef, while Marcus lives with his father and has a band that has never left the block he lives on.

They are brought back together and struggle to get their friendship back on track. Of course, there are several impediments towards rekindling their romantic feelings.

And, honestly? Always Be My Maybe feels like it should be a real lackluster affair.  It crosses every “t” and dots every “i” of the Rom Com formula.  It never really holds any surprises….and yet?

Always Be My Maybe succeeds.  A lot of this is due to the cast.  Park and Wong have a real chemistry (no doubt from a longstanding friendship).  They feel like they have been long time friends.  And their supporting cast is great.  James Saito is heartwarming and kind as the father to Park’s Marcus.  Michelle Buteau is the assistant to Wong’s Sasha (and an old friend of Marcus’ as well) who is both warmly friendly and a bit of attitude, without tipping into Sassy Friend stereotypes.

And Keanu Reeves… well, he is great.

The film does have some pacing issues, but nothing that really overwhelmed the film for me.

Always Be My Maybe rises up to make a solid and enjoyable Rom Com.

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