Stabbing the Franchise (Elektra, 2005)

No. Just…no. I refuse to review this.

Stop looking at me. I will not review it.

Absolutely no way.

Oh, OK…I finally sat through Catwoman…it seems unfair to avoid Elektra.

The film opens with General Zod telling us that Elektra is important to the forces of good and evil. We then get a sequence with Lucius Malfoy. He is telling a black ops type security team they are protecting him from Elektra. They fail. It is shot really nicely, most everything is awash in darkness, so the red of Elektra’s outfit is striking. And there ends the best thing I can say about the film.

We learn Electra is doing the paid assassins gig and is apparently a bit quirky about her DNA. We see her training with Stick (Terrence Stamp) and I am unsure if this is a flashback. She later meets this girl stealing a bracelet in a house that I guess is Elektra’s new house. his introduces us to Elektra’s motivation and her crisis of conscience as an assassin. The little girl is under siege by magical ninjas called the Hand.

When I say magical, I am not making an amusing joke. they can give you instant diseases, turn into smoke, have living tattoos and so on. When Elektra finds herself in a losing side of a battle with the Hand, Stick and a cavalry of Ninjas (we know they are good, cause their ninja clothes are white…seriously, it is that on the nose. It is an hour in, by the way when I realize Stick is blind.

I cannot think of a whole lot positive to say about Elektra. It is… Mystifyingly incoherent. It never really makes much sense, even after things are explained. Interestingly, it is a spinoff of Marvel’s Daredevil movie…but makes no connection. Her death is referred to in vague terms. The villains lack personalities…they are strictly defined by their powers. It is hard to care about the events of a film when you cannot be given a reason to care beyond being told repeatedly “this is important.”. The film lacks any characters for the viewer to connect to. Oddly, I chose to watch the directors cut…how much less incoherent was the theatrical cut of this film?!

While there are all sorts of references to the comics, they are not used well. And when you see how well the Netflix Daredevil series handles some of these same characters, it makes the film that much more disappointing.

Elektra certainly gives Catwoman a run for the money for a top spot in the Worst Comic Book Movie competition. Catwoman still wins…but it had a tough competitor.

September 20, 2016 0

Blind Faith (Daredevil, 2003)

Oh… Daredevil…

On the heels the success of the X-Men, Marvel pushed forward to get other properties going. Spider-Man was in the works and so was the Hulk. This was before Marvel Studios existed and the company was working with other studios. There was no cinematic universe, because different studios had the rights. Then the Marvel brass worked out a Daredevil deal. Daredevil was getting a resurgence due to the Marvel Knights line (being one of Kevin Smith’s first gigs for the big two). Daredevil had a classic background among Marvel books and certainly, would be less costly than Spider-Man or the X-Men.

Add to that the interest from some high profile actors and everything seemed good on paper. And so the film got greenlit. Unlike the X-Men, Spider-Man and Hulk, they opted to go with a director who was relatively unknown. Daredevil was Mark Steven Johnson’s second film, having recently directed Simon Birch.

Casting news was where the strength was. You had Ben Affleck as the Daredevil/Matt Murdock, Colin Farrel as Bullseye, Jennifer Garner as Electra, John Favreau as Foggy Nelson, Joe Pantoliano as reporter Ben Urich and the most controversial choice…Michael Clark Duncan as the Kingpin. The fans were unhappy, because the Kingpin was a large and rotund white man. The problem is, there did not seem to be a way to translate that without it looking pretty comical. Duncan actually is a large man, and had both the muscle and height to be an imposing threat, as the Kingpin should be. Granted, this was years before Vincent D’Nofrio made the role his.

Oddest casting complaint: They totally whitewashed Electra!!! (for those unsure why this is so strange…Electra is Greek but more than one person seemed to think she was Asian)

The film introduces us to Matt Murdock. He idolizes his boxer father (a nicely cast David Keith) until the day he discovers that his father is also working for the local mob as an enforcer. Matt gets into an accident as he runs away and gets a chemical splashed in his eyes. Matt is blinded, but soon discovers his other senses have taken on enhanced sensitivity. It creates an echo effect that allows Matt to “see”. What is really neat in the film is that they do let us see from Matt’s perspective. The way the film shows his powers is pretty wild, a world that is turned into sensory braille.

Grown up Matt is a lawyer, specializing in helping the poor in Hell’s Kitchen by day and dressed up at night as the Vigilante Daredevil. The police deny he exists, but he does leave telltale signs. Ben Urich is trying to prove the Daredevil is real.

Daredevil himself is working to track down the Kingpin. He scours seedy locations for lowlifes working his way towards the Kingpin, as the law has been unable to take the crime boss on.

The Kingpin hires expert assassin Bullseye to take out Nikolas Natchios (Erick Avari). He and his daughter Electra are in town for a gala event. Daredevil interferes and had a battle with Bullseye. Bullseye succeeds in killing Nikolas using one of Daredevil’s fighting sticks.

Electra goes on a revenge kick and falls in love with Matt/Daredevil. Meanwhile, Bullseye is now trying to take out the Daredevil and Electra is trying to kill Bullseye, because it turns out she is a ninja because…of course she is.

In a fight with Bullseye, tragedy strikes and Matt finds himself on his own. He is getting more and more desperate, and eventually takes down Bullseye. He manages to get to the Kingpin, in a big fight, the Kingpin is taken down. Happy ending, people!

The film got a very lukewarm reception when it opened on Valentines Day. This is not a totally unexpected. It is not a terrible movie, but it is far from perfect. The story seems to attempt to force a lot of stuff from the comics. It is clear that the primary source of inspiration comes from Frank Miller years. No big surprise, as those were part of the innovative years of Daredevil (before his more recent run by folks like Ed Brubaker).

But there seems to be some problems with a single movie that takes a massive character arc and compresses it. The film tries to take the character from a positive place and drag him through hell, all while also bringing Electra into it and having him take down the Kingpin. It seems a bit counter intuitive, considering they were attempting to get a franchise started. The darker edge seems like it might have been better saved for a sequel, as it all feels very rushed and not fleshed out here.

There seems to be confusion in the script as how to present Daredevil as well. Noble hero or grim vigilante. You have a sequence where he could save a rapist he failed to put away or let him get killed. Yeah, he may be a rapist and therefore scum…but it really is not the best portrayal to show Daredevil so callous about death. Then there is the moment where Daredevil dives in through a window and takes to pummeling one of Kingpin’s enforcers. Daredevil realizes that he is being watched…by the enforcer’s terrified kid. This would have been a great bit in a stronger film. In a sequel, you could have really sold a tale about Matt Murdock wallowing in darkness and being pulled back to reality. And that is what they are trying to do here…but it never has enough time to make it work.

It is nice the way they try and weave Murdock’s Catholicism into the story (with some great shots of Daredevil standing atop a cathedral to boot). It is fairly nicely handled with some interaction between Matt/Daredevil and his Priest.

Affleck does pretty well, though he and Garner (ironically for the time) don’t have a lot of chemistry. I am not sure I feel Ben fully carries the movie as a solo hero, he has little support from other heroes like the X-Men. Colin Farrel is pretty entertaining and he clearly just decided to really ham it up.

The odd thing with Bullseye is he has no costume. On the one hand, I get the concerns about his outfit from the comics. On the other, they gave Daredevil a pretty close approximation to his comic book costume. Bullseye simply has a bullseye carved into his forehead.

Jennifer Garner is kind of lifeless. I never really buy Electra’s hearbreak and thirst for vengeance-even though they give us a training montage set to a Evanescence song. The direction of the film feels pretty pedestrian, resulting in a film lacking real identity. And nothing really saves it. There is not a real unique sense of style to the film.

The film does a nice job in addressing Matt’s powers though-including how distracting they can be. In the film, he sleeps in a sensory deprivation chamber. And as I said, the times when we see things through Daredevil’s sonar are nicely handled.

But ultimately, while I appreciate the effort, in the end it is a film that is simply “okay”. The director’s cut is actually a slightly improved version, though the flaws remain.

September 19, 2016 0

Hooked On a Feelin’ (Guardians of the Galaxy, 2014)

When Marvel announced Guardians of the Galaxy, it was met with a pretty collective “huh?” The announcement of director James Gunn was not much help. Gunn had directed 2 films prior. The Sci-Fi comedy Slither and the dark super-hero satire Super. His writing credits were a bit more substantial. While comic fans knew who the Guardians of the Galaxy were, the masses did not. And this did not bode well for early anticipation.

And yet…James Gunn managed to deliver one of Marvel’s best films to date. A traditional “Mismatched Crew Saves the Day” tale, the writing and performances make the most of the weirdness to carve a very fun film.

The film opens with young Peter Quill at the bedside of his dying mother. When he runs off, he is abducted by aliens. Because in Marvel’s world, that is just the kind of stuff that happens. After a heavy-hearted beginning, we are introduced to grown up Quill. In what seems like a serious sci-fi moment, Quill walks the landscape of a dead planet. He pauses and puts on earphones and the booming sound of Come and Get Your Love. This sets up a tone for the film that is highly effective.

We learn that Quill is not the brightest and gets by on luck. As he tries to pawn off the magical McGuffin he steals from an old temple, he finds himself dealing with the green skinned Gamora who is after the McGuffin. At the same time, Rocket (a talking raccoon) and Groot (a talking tree) are bounty hunters pursuing Quill. This leads to all of them being imprisoned. They are forced into a team, getting a late addition of Drax (Also green skinned and also tattooed). Drax wants to kill Gamora, because she is an associate of the mad Kree Warrior and religious zealot Ronan. Ronan killed Drax’s family and he is seeking his vengeance. Quill talks the other four into a prison escape, as Gamora knows someone who is interested in the McGuffin.

The prison escape is both action packed and highly entertaining. Gunn keeps everything moving, and even when the film slows down? It has momentum. Gunn makes sure not to ignore the development of the Guardians. They have opportunities to grow and Gunn (along with initial screen writer Nicole Pearlman) and overcome their situations. Vin Diesel has one line, yet manages to imbue different emotions every time he says it. When Drax discovers that Ronan does not appear to remember him or his family…he is lost and beaten. He was entirely of no consequence to Ronan. It causes him to alter his perspective. He also starts to get the value of his friends. Even if he does not understand how to talk to them.

The film focuses on the Guardians as David’s to Ronan’s Goliath, and it really works. The cast is effective, Probably the biggest flaw of the film is Ronan. This has not been uncommon, a lot of the Marvel Cinematic Universe films seem to be thin on their villains (usually expecting to be overcome by good casting). Otherwise the film is full of humor and excitement. Gunn took an unknown group of characters and made a strong tale of friendship and misfits overcoming adversity.

September 18, 2016 1

Burning Love (Iron Man 3, 2013)

When they announced Iron Man 3’s villain there was concern The Mandarin was a character with a rather troubling past. An evil magical Asian. Then they announced he was being played by Ben Kingsley. He isn’t an example of Whitewashing exactly (Kingsley is not white). But in the end, this was not the big concern for most viewers. Favreau was out…Lethal Weapon scribe Shane Black was in.

Borrowing from the comic’s Extremis story-line, Tony runs into a guy trying to outdo his armor by creating soldiers who don’t need armor. They are living weapons. The problem is that they are volatile and prone to exploding. Then there is the mysterious terrorist the Mandarin. As Tony finds the situation escalating, he goes into hiding. He is still struggling with Post Traumatic Stress for the alien invasion in the Avengers. As it all comes together Tony discovers a few twists, including the possibility the terrorist organization does not even exist.

As usual, the cast is stellar, and Kingsley’s reveal is entertaining. Though as the Mandarin he has this weird southern drawl that seems…out of place. But other than that, the performances are quite good.

Of all the action sequences, there is a sequence where Iron Man saves people in freefall that is just great.

The effects are strong, though at times the powers seem arbitrary. People with Extremis technology exhibit some really random powers (such as breathing fire). They do look pretty cool though. Also, the ending seems to make no sense. Tony destroys all his armor for…I guess…reasons? It feels like they were trying to put a stamp of closure on the Iron Man franchise when we knew he would be back for another Avenger’s movie.

All in all, I found Iron Man 3 a bit of an improvement over the second film. It has intrigue, action and humor.

September 16, 2016 0

Strike While the Iron Is Hot (Iron Man 2, 2010)

Seriously…Iron Man 2… not Invincible Iron Man??? What a miss…

Anyways, The first Iron Man was a surprise hit. Marvel was building towards their shared movie universe and did not want to mess that up. So, they stuck to their guns. Favreau was back to direct Downey Jr. and the entire cast that survived made it back for the sequel.

Well, almost everyone. Terrence Howard tried to renegotiate his fee, and Marvel was not interested…so they asked him to not let the door hit him on the ass and brought in Don Cheadle. I was pretty torn. I thought Howard did well and was likeable as Jim Rhodes. On the other hand? Love Don Cheadle.

One of the harder parts of Iron Man is his rogues gallery. He fights a lot of armored guys. That can get repetitive…on the other hand, you have guys like the Mandarin. A Magical Asian. So they went with…um…Whiplash. I wondered how they could make that interesting They kind of succeeded.

Whiplash is obsessed with Stark because he feels Stark’s father betrayed his father. The other villain in the film is Tony’s weaker competitor, Justin Hammer. Hammer is trying to give the government the same kind of technology Stark has. Ultimately they achieve it by using Whiplash, who has knowledge of Tony’s tech.. The film also introduces us to Natasha Romanoff, also known as the the Black Widow. Whiplash is freed from the authorities by Hammer who wants to use his expertise. Hammer is cocky, but he he is less competent than Tony or Whiplash, who double crosses Hammer to get his revenge on Tony.

There is a lot to like here. But the best stuff is almost all at the end. We get Stark and Rhodey fighting together against Hammer’s drones, Black Widow kicking butt and just a lot of cool stuff. But at times, it feels like it is taking forever to get there. This film has the exact opposite issue of the first film. The build up is not all that involving as an audience member, but the ending is great.

Again, the chemistry between Downey and Paltrow is magnetic. And Cheadle slides right into the role like he was always there. Johansson gives us just a taste of the character to come, and it is great. Rockwell is wonderfully sleazy as Justin Hammer. Samuel L. Jackson’s Nick Fury is established as a major player tying the Marvel Cinematic Universe together.

Iron Man 2 is not quite the follow up I would have hoped for, but it would not sink the franchise or the MCU either. It is one of the weakr entries, but strong enough to not be totally dismissed.

September 15, 2016 0

The Iron Age (Iron Man, 2008)

Simply described as: How to start building your bigger, badder franchise.

Iron Man has a history going back to 1990 in attempts to bring it to the screen. Stuart Gordon (Re-Animator) was on board for Universal…years later, Nick Cage and Tom Cruise sought the role of Tony Stark. When They announced Director Jon Favreau as director and Robert Downey Jr. as Tony Stark/Iron Man, there seemed to be a collective “Meh.” I get why Favreau was not instantly met with a cheer. He had three films to his credit as director. The idea that he had the chops as director to take on something of this level certainly was at least hinted at with Zarthura… but I was more perplexed by the indifference to the ever talented Downy Jr. He seemed all to well suited for the role of a care free playboy that is Tony Stark.

The film opens in Afghanistan, with Stark riding in a Humvee. He has some playful banter with the soldiers, before they fall under attack. The film does a terrific job of switching the tones from the casual goofing off at the start to the harrowing action and destruction that follows. After diving behind a rock, Tony is surprised as a rocket lands next to him… Stark noticed his logo on the side of the rocket as it explodes. We see rough shots of men holding him captive before jumping back in time. We discover that Stark lives a pretty carefree life…he pays little attention to time, does not worry about losing large sums of cash while gambling and has a way with the ladies. He seduces a reporter only to leave dealing with her the next morning to his personal assistant Pepper Potts (Gwyneth Paltrow). He’s a genius who is constantly trying to occupy his mind (playing with cars) but also a terrific pitchman.

When we get back to Afghanistan, Tony discovers he is a prisoner of the Ten Rings, along with Dr. Yinsen (Shaun Toub) who saved Tony’s life. The Ten Rings want Tony to build them a new weapon. For parts, they show him a massive collection of Stark weaponry. Tony refuses to help. Once alone, Yinsen compels Tony to use his talents to fight back. Under the guise of agreeing to make the new weapon, Tony starts designing and building a means of escape. First, he builds a new version of the magnet repealing shrapnel from his heart. One that does not require a car battery.

It turns out to be a suit of armor. In a thrilling escape, Tony fights the minions of the Tenth Circle, but losing Yinsen in the process. One of the nice things that the script and performances manage is a convincing friendship between the two, so Yinsen’s death feels like it truly impacts start and that he is both heartbroken and angry at the loss. After returning to the states, Tony calls for a press conference where he announces-much to the shock of his second in command Obediah Stane (Jeff Bridges)-he is taking Stark Industries out of the Military Industrial Complex. We also meet an important character to the Marvel movie franchise. Agent Phil Colson (Clark Gregg) introduces himself to Pepper, wanting to discuss Tony’s escape.

Obediah seems to be an understanding and caring guy. He’s concerned about the future of the company, but seems to think they can make it work based off of the mini-arc reactor in Tony’s chest (the magnet in his chest). Tony starts to upgrade his reactor and build a new suit of armor. There are a lot of fun scenes with Tony stumbling through building high tech armor. This leaves Tony concerned about his friendship with Lt. Col. James Rhodes (Terrence Howard). Rhodey is seemingly frustrated that he sees Stark walking away from helping the military.

Stane reveals he locked Tony out of the company, as Tony is pushing for a more peaceable direction for the company. Seeing news about the Tenth Circle in Afghanistan, Tony suits up and hurtles through the sky. He takes out the Tenth Circle, destroying their weapons. He gets the attention of U.S. Military, which leads to an exciting cat and mouse game with Tony and two fighter jets.

Stane works to build a much bigger and more aggressive suit of armor. Of course, Stane and Tony come to blows in an big armor battle.

The chemistry between Tony and Pepper is excellent. It is playful, flirty and not overwrought with melodrama. Paltrow was a terrific choice and the character really shines. Downy Jr. and Paltrow are able to really make the relationship sell with the audience.

Downey Jr is terrific in the role. He seems to effortlessly move from fun and flirtation to passionate and intense focus. At no point does he seem like an ill fit for the part…Tony Stark works in this film because you believe Downey Jr.

Bridges makes a terrific Obediah Stane. He seems so kind and generous at the beginning, but when the charm needs to give way to menace, he really pulls it off. Howard’s Rhodey is a nicely handled role. He is a pro as a soldier, but he knows his friend well, and commits to helping him in any way he can.

Again, watching Tony develop the new armor provides a lot of laughs (Tony gets hurt a lot). His mechanical assistants seems full of personality and humor as we watch them work together. The armor effects are terrific and give the illusion of weight and mass that feels like it was on the set. It feels like it really would be functional. Even when they deviate (such as Jarvis being an A.I. instead of a real person) it often favors the film.

I felt the biggest flaw in the film was the end battle. It felt tacked on, like they suddenly realized they were almost at the end and had not resolved the main conflict with Stane. It’s almost to quick, and honestly a little confusing as to how the giant arc reactor was impacting what was going on (it seems to hurt Stane, but help Tony).

All in all, Iron Man was an exciting and fun film, cementing the idea that Marvel movies were fun and exciting rides…but that they also had solid performances and decent-if not outright terrific-stories. Of course, while it was exciting that they were doing something new-a movie universe-it was hard to tell if this would be a successful venture or a failed experiment.

September 14, 2016 0

Surf the Skies (Fantastic Four: Rise of the Silver Surfer, 2007)

I think people were a little surprised that the Fantastic Four got a sequel. And you gotta admit, doing the Silver Surfer/Galactus saga is a grand idea. Then they get Doug Jones for the physical body and Laurence Fishburne as the voice of the Silver Surfer (this was not actually a great idea in retrospect). Things are looking good! Man, who will they cast a Galactus, right?! Will he be totally CGI or what?!

So, we start off with Galactus eating a planet. Actually, we get a planet sized version of the Smoke Creature from Lost. Not kidding. Maybe Galactus is inside the cloud, right?! Then the Silver Surfer heads towards earth… where we find Sue totally freaking out about her pending nuptials. Seriously, how freaky must an invisible Bridezilla be?! But the Surfer ruins their first wedding attempt.

Johnny chases after the Surfer and ends up being dragged nearly into out space. He has trouble as he falls to earth. We find out that this is due to the effects of the cosmic energy that the Silver Surfer gives off. The Surfer continues gliding across the globe-his magic (so to speak) starts to impact the atmosphere and even frees Dr. Doom from his statue state.

Reed discovers Johnny can now switch powers with his team mates. This allows for another “Sue Caught Naked In Public” scene. It also gives an amusing moment when Johnny becomes Thing-i-fied and Ben returns to normal and has fire powers. The team has to try and save people from the effects of the Surfer’s travels, and find it harder than usual as they keep switching powers every time Johnny bumps into someone.

Reed soon discovers a pattern by tracing the Silver Surfer’s path through the cosmos. All the planets he has visited have been destroyed. So he starts formulating a plan to catch the Surfer. Both the Military and Dr. Doom join in. Of course, the audience knows he has an ulterior motive. Sue, meanwhile contributes about whining about not getting married yet. Eventually, they catch the Surfer (partially because he is enamored by Sue). This is when Doom strikes, stealing the Surfer’s tubular board-the apparent source of his power.

Dr. Doom plans to rule the world-while the giant cloud of smoke threatens to destroy it. The Fantastic Four tries to fight Cosmic Doom, but instead, he hits Sue with a fatal shot. Johnny takes everyone’s powers and beats the crap out of Doom, gets the Surfer his board back. The Surfer uses his magic to heal Sue and he flies into space to take on Galactus. So, now we finally get to see the real Galactus!!! AWESOME!!!! Oh wait…it actually is just a big cloud.

The Surfer seems to sacrifice himself to save the earth (except we find out he survived for a potential spin off). Reed and Sue get married and everyone is totally happy.

Well, except the viewer. The first film stumbled a lot, and the folks behind the this one (the same team as the first, pretty much) seemed to indicate they learned their lesson. But from character design to strange choices… Sue is once again reduced to offering little in the way of being a strong heroine, as she spends the whole film whining about getting married. It gets so bad that she chastises Reed both for having fun dancing in a club and also trying to protect the world instead of focusing on getting married. Because…why save the world, y’know?

While the power switching issue is an interesting concept, it never quite gels. And frankly, a Fantastic Four movie where three members sit out the final battle and one member pummels the bad guy? It kind of misses the point of calling them the Fantastic Four.

Galactus seems so secondary as a threat… Doctor Doom and his scheme to get the Surfer’s power. Once he has that power? He does not run off to stop Galactus from destroying the planet he wants to rule. No, he just goes around flaunting his power. This is a terrible lapse in logic and reduces one of the great complex comic book villains to Bad Guy with No Real Plan.

And let’s look at Galactus. I’ve commented on this before, but it bears repeating. A giant cloud is not awe inspiring. I get that folks involved might have thought the traditional appearance of the character would look goofy. But the cloud has no identity. What, a large (twelve feet or so) guy in a ship that is his life support machine was impossible to create? Make the ship in the shape of the helmet from the comics as a tip to fans. Done.

I will say that I found Ioan Gruffud far more engaging this time around. McMahon less so. Evans and Chiklis were terrific…and Alba? Well, god bless her, she tries to make a thankless role work… but they really give her two jobs… pout and be pretty. And yet again, the second film finds a way to get a sequence where she is naked in public. Oi. Kerry Washington is back as Alicia Masters…she does fine, but the role is pretty much there to show that the only person who could love Ben Grimm is a person unable to see him. Granted, that is part of the character in the comics as well…but still.

I will say the effects are pretty solid, and the Silver Surfer looks terrific. And Doug Jones is a top notch performer. I had the opportunity to speak with Jones last year and he noted he had actually been recording a really unique voice for the Surfer, which makes it a shame they over dubbed him, even if it was Laurence Fishburne.

Instead of stepping up and blowing it’s predecessor out of the water, the second film feels even more lackluster, and screws up a great comic story that should have been pretty easy to pull off.

September 13, 2016 0

The Four (Fantastic Four, 2005)

Oh…the controversy. The first Fantastic Four film was coming up after the successes of X2 and Spider-Man. The time seemed ripe to bring forth Marvel’s first family. This is not the first attempt. Roger Corman made an absolutely terrible film simply to retain the film rights in the early 90’s. The film was available on the convention circuit, but was never officially released.

Created by Stan Lee and Jack Kirby, the Fantastic Four ushered in the age of Marvel comics. Spider-Man and the X-Men may have gotten to the big screen first, but the First Family? Well…they were…uh…first. Lee and Kirby produced 102 issues of grand cosmic adventures.

The 2000’s seemed like an ideal time to adapt the film, because effects allowed the possibility of the characters not looking quite so ridiculous. And both X2 and Spider-Man 2 had proven what you could do with a comic book movie.

Marvel hired Tim Story, who at that time had Barbershop and Taxi as the big films under his belt. Writers Mark Frost and Michael France had long histories (Frost wrote for Twin Peaks and a lot of television since then, while France contributed to several Marvel films). The announcement of Story was surprising, as this was a big event movie. But one of the reasons Marvel brought him on board was to have the focus be on the family dynamic of the Fantastic Four. This is important, because it is that family dynamic that makes the Fantastic Four work. They are not simply four team members. They are a family unit and operate as such.

The first big controversy was the announcement of Jessica Alba. Specifically, former Fantastic Four writer/artist John Byrne declared Hispanic women who dye their hair blonde look like prostitutes. He’s all class.

The film begins with Reed Richards (Ioan Gruffud) and Ben Grimm (Michael Chiklis) making a pitch to Victor Von Doom (Julian McMahon), Science Based Industrialist. He has the money, while Reed is on hard times. Agreeing to do a test involving a cosmic cloud that will pass by Earth, the crew-comprised of Reed, Ben, Victor, Sue Storm (Alba) and hot Hamish Linklatershot pilot (and Sue’s Brother) Johnny Storm (Chris Evans).

Due to a miscalculation, the storm hits earlier than expected. When the crew comes to on back on earth, they find themselves quarantined in a very fancy mountaintop chalet. They start to notice changes. Sue starts to fade, Reed can stretch like rubber, Johnny can generate fire and Ben? He gains weight. Well, that and turns into an orange rock monster.

In a moment of desperation, Ben unintentionally causes an accident, and then goes about trying to save people. The other three jump in and help. After successfully averting a fatal disaster, they find themselves to be celebrities. Reed discovers that their space suits now work in conjunction with their powers. Reed begins a search to cure the four. However, Johnny is enjoying his powers. While showing off, he gives them all code names-The Invisible Girl (to which Sue bristles), Mr. Fantastic, the Human Torch and the Thing.

Meanwhile, Doom is having troubles of his own. He is apparently mutating, and his board of directors is taking him company out from under him. Doom is growing more and more paranoid. He soon discovers he can manipulate electricity. He starts exacting his revenge.

Ben meets a young woman named Alicia (Kerry Washington) who is a blind sculptor. She is instantly smitten, while Ben cannot understand why she would be interested in a monster.

Johnny continues to revel in his popularity, while Reed works to solve the riddle of returning them to normal and re-kindling his romance with Sue. Victor sees his opportunity. Victor helps Ben reverse his condition, but Ben realizes this is mistake, as the Fantastic Four is a family and a team who all bring something to the table with their powers. After Ben gets his powers restored, they have an all out battle with Doom, learning to work together as a team and taking Dr. Doom down.

To be blunt…the film is just not that great. Oh, it has it’s moments. The sequence where they save people on the bridge is thrilling. The resolution of their fight with Doctor Doom is solid. There is a lot of humor and nice touches (Johnny walking along popping popcorn with his hand). But so much of the problem lies in the villain’s motivation. Why is he so keen to kill our heroes? Sure, he’s jealous, and he becomes paranoid…but it feels like there is no real solid reason for Victor getting his hate on.

The casting is troubling as well. Now don’t get me wrong, Chiklis was inspired casting. He plays a perfect Ben Grimm. And Chris Evans is terrific as Johnny Storm. He is brash and excited, loving his powers. He uses his powers for fun as well as heroics. The chemistry between Chiklis and Evans is pretty great, they really capture that spirit of the adversarial friendship from the comics. The adversarial part is played up a little more, but it still makes for some enjoyable exchanges. And Julian McMahon does make a good Doom. He portrays the arrogant pride very well.

But then there is Ioan Gruffud. He has been good in other roles, but for some reason, his Reed Richards is pretty dull. And JessicaAlba. Oh, I get the idea of casting her. At the time she was more of a draw, giving them star power. And they took advantage of the casting (a gag wear Sue disrobes in public and suddenly becomes visible was apparently added after she had read the script). I get it, she’s pretty. But the problem is, Alba comes across as so much younger than everyone else-including her younger brother Johnny. It becomes hard to buy that she and Reed have some sort of broken past that needs mending.

Another big problem is some of the story choices. Specifically as this was meant to kick off a franchise. Curing Ben, albeit temporarily, in the first film is a poor choice. This is a franchise…build on that. Save it for down the road. Let it mean some something to the fans. Let it breathe, rather than be a five minute bit in the film.

This could have been a fun film, and the extended cut they released is a definite improvement. But this film does not rise to the levels of even the first X-Men and Spider-Man films.

September 12, 2016 0

15 Years

September 11, 2016 2

Comic Book Movies Are The End of Movies

I will be honest…I find this claim a bit dubious. Not because there is zero truth to it. But the headline lays the lack of staying power. Hollywood has relied heavy on genre before and movies survived. For one, westerns did not kill the industry. And they ruled for a long time.

But as the article notes, lots of movies from multiple genres are facing massive declines in their second and third weeks. The continued reliance on blaming comic book movies (or more specifically Super-Hero movies…after all, Road to Perdition and a History of Violence are comic book movies) for Hollywood’s ills is a bit overstating things.

There are less than ten super-hero films a year (usually less than five, but there is a year coming up with eight or nine on the slate). There are over a hundred films released every year. Super-hero films are not even ten percent of the films released each year. I have mentioned all this before. I think the article is right in the reference to all the choices cannibalizing each other.

I confess, there is one thing I wish Marvel Studios would do. Marvel has a large catalog of material. They are saturating their own market with such big movies, they are not planning for what will happen when super-hero films just won’t make money. Marvel Studios has a real concern there than DC does not have. DC is just part of the WB…they have other options.

Marvel’s sole option right now is their cinematic universe. Marvel Studios can, and should start considering making smaller movies…films not aimed at the blockbuster. Both in their cinematic universe and outside of it.

Marvel needs to look to the future if they want to succeed past 2020. They need to look into stuff they own that is not super-heroes. Fantasy, sci-fi, thrillers, adventures,espionage, comedy, family fare. Marvel has all sorts of options beyond their Cinematic Universe. They need to take the risk and see if they can succeed without the MCU. They took risks with Ant-Man and Guardians and now Doctor Strange. Now Kevin Feige and his team need to see if they can work their magic beyond super-heroes.

September 10, 2016 1