After Into Darkness, Trek lost Abrams to Wars. Simon Pegg stepped up as a screenwriter with Doug Jung to try and get the Kelvin timeline back on track. The studio also decided to try out an action director, Justin Lin, who had success with the Fast and the Furious franchise.
I have already reviewed this, and one of my early criticisms was that the film is a bit slow going at the open. But after repeat viewings, I found that I really am not sure what I would do to speed things up.
After a fun little bit that sets up the film’s macguffin, the film focuses on where the characters are at. They pick up about half way through their five year mission, which finds Kirk feeling lost and unsure. In a clever bit of dialog, he comments that their mission has begun to feel “episodic”. Spock receives word of the passing of his future self (as Nimoy had passed away by this point) and questions whether he should stay with Starfleet or focus on the survival of the Vulcan race.
But after a mysterious pilot arrives at the space station where the Enterprise is docked, the Enterprise and her crew head to help the pilot’s disabled ship on the other side of a nebula. After they are attacked and the Enterprise is destroyed (the second time in this timeline!) Kirk and the team find themselves trapped on a planet with aggressive aliens bent on getting the piece of a weapon that the Enterprise had.
Beyond is pretty much a 180 degree turn from Into Darkness. It is fun, Elba plays a solid villain with a twist. Sophia Boutella is a highly entertaining character named Jaylah who is befriended by Scotty and Kirk. There is some solid character stuff with McCoy and Spock.
This is an action packed film that I find myself enjoying more each time I watch it. It makes me wish a follow-up in the Kelvin timeline were a lock instead of so uncertain. Of the timeline, I have really enjoyed two of the films, so I am definitely open to more.
After a pretty successful first outing, the whole team came back. So, my hopes were riding high for another exciting Star Trek film.
It is often not really a great sign when a franchise seems to go dormant. After the struggle at the box office with Nemesis and a large amount of negative fan reaction, Paramount’s Star Trek team started trying to figure out new ideas, most which put the Next Generation Crew out to pasture.
So, after the disappointing returns the studio brought in the director of Executive Decision, Stuart Baird, and John Logan, the screen writer of the Time Machine.
After a rousing success with First Contact, Jonathan Frakes returned to the directors chair with Insurrection.
For the Sophomore voyage of the Next Generation crew, they pulled a Wrath of Khan and a Voyage Home. They reached back to a central villain from the the series, the Borg, and added time travel.
Coming only a few months after the Next Generation series came to a close, Generations was to be the film to bridge the original series and the Next Generation.
Star Trek: the Next Generation was a good half way through its run when the work began on the final voyage of the original crew. Plans were already underway to transition the theatrical films to bring on the Next Generation crew. To try and set up a solid sendoff for Kirk and his crew, they brought back the director of the Wrath of Khan, Nicholas Meyer. The film revolves around plans for the Federation and the Klingon Empire to make peace and join together.