Skating By (I, Tonya, 2017)

I will be honest…all I really remember about the Nancy Kerrigan story is that the talented skater and Olympic Hopeful was brutally assaulted, leaving her with a broken knee. What followed was pretty insane. It became apparent that her attack was coordinated by people related to her competition…Tonya Harding. Harding, her husband, her bodyguard and two other individuals apparently colluded to commit the crime.

I, Tonya tells the story in a darkly comic fashion. Showing Hardings tough childhood, the film frames Tonya as a victim who struggles to break free. The early film is actually quite heartbreaking as young Tonya, a talented skater at age four, manages to get the attention of a reluctant trainer. Her mother is cruel and absolutely horrific in her push for her daughter to succeed. The is a gut wrenching moment as her father drives away and Tonya is tearfully begging him to take her with him (McKenna Grace is wonderfully touching in her performance. You cannot help but feel broken for her).

She meets Jeff Galooley at age fifteen and begins a whirlwind remance that eventually becomes abusive. But Jeff is absolutely certain that he needs to be with her, no matter how often she walks out.

Nancy Kerrigan plays only a small role, as the film is mainly focused on Harding’s life and the controversy on her end.

The film is based heavily on interviews with Harding, Jeff, there body guard Shawn and LaVona (Tonya’s mother). The film has the framing device of on camera interviews with the primary players. This allows for a unique narration. We see Jeff hitting Tonya (the portrayal of the domestic violence is suitably unnerving) and Jeff interjects his denial of the events. Tonya pauses the film to quickly state that Kerrigan was no angel.

The performances here are top notch. Both Margot Robbie and Sebastian Stan have a good chemistry that convinces the audience both of their initial connection and the dissolution of the relationship. And Allison Janney as LaVona is inspired. You cannot help but despise her.

The makeup and costuming here is impressive. Janney is almost unrecognizable (only her voice made me recognize her). For much of the movie, both Robbie and Stan look positively average. Considering these are two very attractive people, the makeup people deserve kudos.

Now to the part of the film that might be troubling for many. Some take issue with the notion of “reforming a monster”. Tonya was part of a despicable crime. And the notion of the film rehabilitating her image did not sit well with people.

And, in a way, this is not entirely inaccurate. If the film is truthful? Harding was not in on the crime. She was only loosely associated. Mainly, she appears to maybe have only found out about her husband and bodyguards involvement after the fact. The film also portrays Jeff as having tried to put a stop to the plan. He had hoped to send letters with threats to Kerrigan…psychological warfare. In the film, when he finds out what Shawn had done, he is enraged that they went so far.

Does it rehabilitate Harding’s image? Does it make her seem a victim of cruel circumstances that shaped her into a tough person who got a raw deal? Yeah, I guess it does. But if the information in the film is accurate at all? Maybe she deserves it.

June 4, 2018 0

Curses (Logan Lucky, 2017)

Steven Soderbergh retired from directing in 2013. He directed multiple episodes of the Knick after that. He has three more films in the pipeline after this years Logan Lucky. The guy sucks at retirement.

But that is okay for me. Logan Lucky is about Jimmy Logan…should have been football star who hurt his knee and went on to live the blue-collar life in West Virginia. His brother, a one armed bar tender and vet Clyde, believes the Logan family is cursed. Tragedy follows the family everywhere. When he loses his job, Jimmy is desperate to find money to improve his situation. His ex wife plans to move with her husband and take their daughter with them. And this leads us to the heist at a race track on race day.

Like a blue-collar Ocean’s 11, Jimmy (along with Clyde and their sister Mellie) recruits Jimmy Bang (who in turn has them recruit his brothers) an explosives expert. The plan is elaborate, and you almost wonder if the kind but somewhat simple Jimmy can manage it. And here is the weird rub of heist films, for me.

I do not endorse robbing people. I do not believe it is okay to come up with big heists. But I sure do love a heist movie…watching the plan come together, watching the plan get executed…and the inevitable reveals of the stuff I missed.

And Logan Lucky does not disappoint there. It is charming and funny. Part of this is in the cast. Channing Tatum has been one of those guys who I under-estimated. As Jimmy Logan, he is soft spoken and gentle, but not afraid of a fight. And Adam Driver’s Clyde is somewhat heart breaking yet endearing. Riley Keough is the fast driving Mellie…and then there is Joe Bang…played to great comic effect by Daniel Craig. Oh yeah… Farrah McKenzie as Sadie Logan? Adorable little kid.

For the most part, the film loves these characters…the only characters that feel a little to over the top and cartoonish? Fish and Sam Bang…but even they have their moments. Logan Lucky was a lot of fun and even had a few moments that made me tear up. It plays out very in a very satisfying fashion.

The New York Post claims this film does not “get Trumpland”…but frankly? Why should a person who just enjoys a fun movie care about that?

August 27, 2017 0

In From the Cold (Captain America: The Winter Soldier, 2014)

The success of both the first film and the Avengers, Captain America was bound to return. While the First Avenger had a straight forward black and white approach (not to hard when your villains are Nazis) the Winter Soldier is about how far the world has fallen. Steve’s values are clashing with even the good guys. He is starting to doubt his missions and his teammates.

The one bright spot is his meeting Sam Wilson, who works with vets in dealing with their experiences and return to civilian life. Steve is also trying to keep the trust with Natasha (Black Widow). Meanwhile, Nick Fury seems to be hiding secrets from Cap and the government to boot.

When Alexander Peirce calls for Captain America to be arrested for Treason, the movie shifts into hero on the run trying expose a conspiracy.

This film shakes up the status quo of the Marvel Cinematic Universe* with it’s deep dark conspiracy based plot line. The primary heme is “Who can you trust?” And overall it it is handled pretty well. There are some spectacular action sequences, especially the close quarters of an elevator. The film has a lot of humor, considering the plot.

The cast is full of charm. Anthony Mackie’s Falcon is a blast (and off-screen comments indicate Mackie has had a blast playing the character). Of course, Chris Evans makes a noble and heroic man out of time. As Black Widow, Johansson is getting a change to build on the role from the Avengers. Robert Redford brings a certain gravitas of an elder statesman.

This is a strong and exciting entry in the franchise, and is a nice companion to the First Avenger.

*well, it did for ten minutes. Agents of S.H.I.E.L.D. pretty much put S.H.I.E.L.D. back in play.

September 28, 2016 0

Marvel Begins (Captain America: The First Avenger, 2011)

Captain America was a hotly debated character for the Marvel Films. Could a character so tied to American Nationalism be a hero the world loved? Joe Johnston (who directed Disney’s fun comic book movie the Rocketeer 20 years earlier) was brought in and found a way to make that answer be yes. Among the choices made were to set the film in World War 2, rather than begin in Present day. Chris Evans was hired on to play Steve Rogers. This was not his first foray into a Marvel Property, He was Johnny Storm (the Human Torch) in the 2005 and 2007 Fantastic Four Films. He was also one of the Evil Exes in Edgar Wright’s adaption of Bryan Lee O’Malley’s Scott Pilgrim graphic novels.

The film quickly establishes Steve Rogers as heroic, in spite of his physical weakness. He will take a beating. Standing up for him is his buddy ‘Bucky’ Barnes. This is one of the film’s biggest deviations. In the comics, Bucky was a teen sidekick to Captain America. The filmmakers (rightly) realized that may not play so well. And there is a twist to having Bucky go from Steve’s savior to needing saving by Steve. Steve’s multiple rejections by the military catch the attention of a part of our military that is looking for someone to be a part of an experiment. While many try, scrawny Steve Rogers keeps managing to stand out, not by his physical prowess, but by ingenuity. This catches the eye of British officer Peggy Carter.

One of the things the movie does so well is that they avoid tropes. Peggy and Steve are smitten before his transformation. She is impressed by who he is, not what he is. It would have been easy to make her yet another obstacle for her to notice only after he is physically altered. And yet, due to a terror incident that destroys the remaining Super Soldier serum, Steve is still unable to see combat. Instead, he is reduced to a promoter of War Bonds and propaganda.

Evans really sells Roger’s frustration and even feelings of humiliation. But while on a USO tour, he ends up making a big save, convincing the military they need him. This leads to crossing paths with the Red Skull, who is determined to rule the world through Hydra. Hydra begins as an arm of the Nazis, but has it’s own goals.

The film ultimately hangs on Evans to sell the character of Captain America, and boy does he sell it. He comes off as kind, dedicated to justice and most of all, simply heroic. He is supported but a great cast of actors. Tommy Lee Jones is perfectly cast as Colonel Phillips. Hugo Weaving got one of the better villain roles, since he gets to simply be Nazi Evil Incarnate. The movie makes the choice to introduce the Howling Commandos (Sans Nick Fury) as the team that works with Cap. They are an entertaining bunch.

But the standout is Haley Atwell. She is more than Cap’s love interest. She is a tough and clever military officer. But at the same time? She and Evans have a real solid chemistry, and when the film reaches it’s inevitable conclusion, their exchange (certain Steve is heading to his death) is heartbreaking.

Johnston gives us a terrific film that stands on it’s own, even if part of it’s purpose is to set up the first Avengers film.

September 27, 2016 0

Player vs Player (Captain America: Civil War, 2016)

Captain America: Civil War was a risky gamble. It has a bloated cast. I mean, Captain America is joined by practically everyone (Except Thor and the Hulk). The film was also going to be introducing us to a couple Major Players in Both the Black Panther and Spider-Man. There was always the possibility that this would be so bogged down, we would have Marvels first failure…the first Marvel film that outright sucked.

And the film should be a huge mess. We are being introduced to characters left and right. And as usual, the villain of the film is pretty thin. And yet, somehow? The film works. It stand and manages to remain extremely engaging. The film is dealing with the fallout of collateral damage we have seen through the previous films. All that destruction we have seen through the Avengers, Thor, Captain America the winter soldier. Culminating in an event in this film in which an attempt to save people kills several visiting Wakandans.

The United Nations is determine to intervene. And Tony Stark, after being confronted by an angry and heartbroken mother (Alfre Woodard) whose son died in Ultron’s Sokovia attack, is determine to see it happen. He, quite understandable, sees a need for Oversight. And this is what sets off the Conflict within the Avengers. Steve Rogers is certain that being shackled and having to get permission to fight the bad guys is a bad idea. We of course, sympathize with Cap, but one of the things the film does very well? The character motivations. They make sense. You understand why they choose the way they do. And the the fact that certain characters miss the villain’s big plan is quite believable.

The film is action packed, but not at the expense of the overall story. The characters get meaningful exchanges and yet, the film avoids feeling overly bogged down by a sense of self importance. The events matter, questions are asked, but without the self aggrandizing approach other Super-hero films had recently. Not naming names. The cast does great work with the script they were given. They bring the characters to life.

And then there is the humor. This is by no means a light film, but it has very effective humor. The film is not afraid that if we laugh we might miss “the important and heavy epic story being told”. These people are friends. They have history. They care about each other. And that is what gives the story it’s real conflict and weight. But it is also those established relationships that allow the fun.

Of course, the big question was…Spider-Man and the Black Panther-will they work? It is nice that we do not get an origin story (it should be pretty clear that T’Challa was already the Black Panther, he is not becoming the Black Panther for revenge). But he does get a nice story arc focusing on the thirst for vengeance, leading him to wisdom in his new role as King. Chadwick Boseman plays T’Challa as young, confident royalty. And yet, when he suffers lost, he gains a restrained ferocity.

And Tom Holland? He is Spider-Man. The portrayal of Spidey in this film was almost instantly lovable. His rapid fire chatter was dead on. He looked great in costume and his position of siding with Tony makes complete sense. I am genuinely excited to see both Spider-Man and Black Panther’s solo films.

James Gunn (Director of the Guardians of the Galaxy films) said this was the best Marvel film to date. And, in the end, if it is not actually the best? It is pretty darn close. This is a terrific adventure and worth seeing.

May 9, 2016 0

Being the Alien (The Martian, 2015)

For being a comedy, (thanks People’s Choice Awards) The Martian feels pretty serious.

That does not mean it is devoid of humor. Really, most any solid drama with have humor to break tension. And considering the situation Mark Watley (Matt Damon) finds himself in? Tension needs to break. After an accident leaved Watley left behind on Mars, (believed dead) he finds himself struggling to find a way to last until the next mission to Mars can pick him up…in about four years.

The Martian is a thrilling account of survival that manages to be filled with concern and joy. Ridley Scott likes his epics, but this is very low key in that regard. Instead, it is a focus on character and endurance. We get a window into Watley’s thoughts by way of his video recording everything he is doing as a journal. On the one hand, this could have felt like weighty exposition, and some might wonder why the filmmakers did not opt for the near silence of the first half of Castaway.

Damon’s delivery is light and accessible, rather than clunky, and it is easy to connect with the character. One of the film’s strengths is how it manages to give us insight to our characters very quickly, especially the crew. We meet them mere moments before the storm that separates Watley. And yet, you get a feel for the relationship of this crew and the dedication they have to each other in those few minutes.

The cast is very strong, everybody turning in enjoyable performances. The visuals are solid, considering it is a lot of reddish sand and rock. Scott really seems to like films set on barren planets.

The Martian is an engaging sci-fi drama well worth viewing.

January 26, 2016 0