Friendship is Magic (Jojo Dancer, 2019)

Jojo_Rabbit_PosterJojo is a young boy living in Hitler’s Germany.  He aspires to be a great Nazi, to the point that the ten year old’s imaginary best friend is Adolf Hitler. After getting wounded at a Nazi gathering for Hitler Youth, these hopes are dashed. Instead, Jojo has to stay behind and support the Nazis through canvasing with propaganda.

But his life takes an even bigger turn when he discovers his mother is helping hide a young jewish woman named Elsa in their house.

Jojo Rabbit is a fascinating film.  It delivers lots of laughs, of course, in part due to the fact that it falls into a long history of presenting the Nazis as buffoons. Sam Rockwell is the disillusioned military man who has lost his faith in the cause of the Nazi regime. Rebel Wilson is the more devoted but goofy (at one point telling the kids at camp she has had eight babies for Germany).

Scarlett Johansson turns in a solid performance as the rebellious mother of Jojo, who hides her activities from Jojo to protect both him and herself.  She loves her son deeply, and hopes to turn him from his being a Nazi back to her son…a little boy.

Taika Waititi plays Hitler.  And he pulls off a stunning transformation. Early in the film, he is funny and almost sweet. When Jojo is humiliated by some older boys at Nazi Camp-giving him the Rabbit Nickname- Adolf tells him what a brave and noble animal a rabbit is. But as a friendship with Elsa grows, Hitler starts to become more menacing. He is really the dark ideology Jojo clings to, and as Jojo finds himself questioning it, the poison festers and fights to maintain dominance.

Roman Griffin Davis gives a great performance as young Jojo.  He has a sweetness that seems to conflict with his belief in the Nazi ideology, and ultimately, that nature starts to assert dominance. He also has a wonderful chemistry with Thomasin McKenzie. At first, she is abrasive with him as a survival tactic, but more and more their walls break down for each other.

Truthfully, the trailers did not prepare me at all for the film.  Because, yes, it is funny. And it challenges the viewer with uncomfortable moments. But it also is heartfelt and hopeful. And Heartbreaking. There are gut punch moments I was not anticipating. The film is unafraid to acknowledge the horror and evil of the Nazis, even while laughing at them.  And, maybe that is how it should be?

While Todd Phillips complains that comedy is too hard in today’s environment… Taika Waititi on the other hand makes a film that has laughs and heart. It has moments of raw and painful emotion that gets at the center of our conflicts and growing past our ills. Jojo Rabbit looks at us at our darkest and dares to call for hope. It calls on us to dance.

A Bitter Harvest (Three Billboards Outside Ebbing, Missouri, 2017)

three_billboards_posterWhen grieving mother Mildred takes the drastic measure of renting three billboards asking the local Police Chief Willoughby why he has not arrested anyone in the rape and murder of her daughter, the town is thrown into strife. Many believe it is unfair to call out Willoughby. Officer Dixon (an abusive racist cop) is especially incensed, because he feels she has attacked a great man. Add to that, Willoughby is facing a death sentence with cancer.

Three Billboards is a very good film. I want to get that out of the way.  The film is heartbreaking, angering and funny.  Frances McDormand’s Mildred is both sympathetic and a bit infuriating. In one scene, on a date, she is forced to face that she can be quite insensitive. You understand she is in a lot of pain, but she is remarkably out of touch with the world around her, even when people reach out in kindness.  And Woody Harrelson turns in a solid performance as the exasperated Willoughby, a man who seems to believe everyone in town is basically good, including racist Dixon.

And this is kind of the problem the movie has. See, Dixon is a violent racist, one scene plays it up for laughs. In another he violently attacks a the owner of the billboards and punches the man’s secretary in the face. And he just gets fired. Yet the film wants us to see this as a lead up to his redemption. And the film never earns that. There is no evidence he has seen the light for his racism. And even when he has a noble moment, in the end, he and Mildred go on a mission that…well…is morally dark.

I think this was best addressed by video essayist addressed it best in his video “How (Not) To Discuss Racism In Film.  I am including it here, but please note there are massive spoilers.

Strike While the Iron Is Hot (Iron Man 2, 2010)

iron-man-2-posterSeriously…Iron Man 2… not Invincible Iron Man???  What a miss…

Anyways, The first Iron Man was a surprise hit.  Marvel was building towards their shared movie universe and did not want to mess that up.  So, they stuck to their guns.  Favreau was back to direct Downey Jr. and the entire cast that survived made it back for the sequel.

Well, almost everyone.  Terrence Howard tried to renegotiate his fee, and Marvel was not interested…so they asked him to not let the door hit him on the ass and brought in Don Cheadle.  I was pretty torn.  I thought Howard did well and was likeable as Jim Rhodes.  On the other hand?  Love Don Cheadle.

One of the harder parts of Iron Man is his rogues gallery. He fights a lot of armored guys.  That can get repetitive…on the other hand, you have guys like the Mandarin.  A Magical Asian.  So they went with…um…Whiplash.  I wondered how they could make that interesting  They kind of succeeded.

Whiplash is obsessed with Stark because he feels Stark’s father betrayed his father.  The other villain in the film is Tony’s weaker competitor, Justin Hammer.  Hammer is trying to give the government the same kind of technology Stark has.  Ultimately they achieve it by using Whiplash, who has knowledge of Tony’s tech..  The film also introduces us to Natasha Romanoff, also known as the the Black Widow.  Whiplash is freed from the authorities by Hammer who wants to use his expertise.  Hammer is cocky, but he he is less competent than Tony or Whiplash, who double crosses Hammer to get his revenge on Tony.

There is a lot to like here.  But the best stuff is almost all at the end.  We get Stark and Rhodey fighting together against Hammer’s drones, Black Widow kicking butt and just a lot of cool stuff.  But at times, it feels like it is taking forever to get there.  This film has the exact opposite issue of the first film.  The build up is not all that involving as an audience member, but the ending is great.

Again, the chemistry between Downey and Paltrow is magnetic.  And Cheadle slides right into the role like he was always there.  Johansson gives us just a taste of the character to come, and it is great.  Rockwell is wonderfully sleazy as Justin Hammer.  Samuel L. Jackson’s Nick Fury is established as a major player tying the Marvel Cinematic Universe together.

Iron Man 2 is not quite the follow up I would have hoped for, but it would not sink the franchise or the MCU either.   It is one of the weakr entries, but strong enough to not be totally dismissed.

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