Heart Breaker (Split Second, 1992)

In the Distant Future of…uh…2008… global climate change is causing environmental upheaval. In London, it has rained continuously for weeks, causing the streets to be flooded.

Rutger Hauer plays tough cop Harley Stone. When he has to deal with a new killer who mutilates their victims, he is forced to work with a rookie cop Dick Durkin.

As they try and track the killer down to end their reign of terror, the two discover that the killer may not be human at all. Things get worse as the killer seems to target Stone and his girlfriend Michelle.

This is a bit of a Predator knock off. The creature has the ability to mask itself and is a hunter. The writer does add some motives tied to astrology. The London setting is really effective though, with the characters constantly dealing with running through darkness and flooded streets.

Rutger Haur is playing a fairly stock character here, as he is the “Cop Who Operates By His Own Rules”. I also appreciate that the filmmakers allow Cattrall’s Michelle to be a part of the fight at the end, rather than just be the damsel in distress that needs to be saved.

Split Second is not particularly original, but I do find it a fun watch.

October 27, 2020 2

The Do-Over (The Omen 666, 2006)

Well…someone decided they needed to get a remake out by June 6th, 2006. In a weird twist, screenwriter of the original film returned to write this remake. I call it a weird twist because in a documentary about the original four films, Seltzer did not write the sequels because he does not do sequels.

The result is an almost shot for shot remake of the original. Not like Gus Van Zandt’s Psycho remake. There are slight differences here and there.

Mia Farrow’s performance as the nanny seems sweeter throughout the film, which make the sequence where she enters the hospital where Julie Style’s Katherine Thorn is being cared for really ominous.

The original film had a child in the role that was cherubic…adorable. You knew he was bad, but you could not help but sympathize. Seamus Davey-Fitzpatrick is made to look creepy in every shot. He is a scary kid.

The film is full of stylistic flourish, but it just feels like an imitation, trying to up the horrors of the original, but oddly falling short.

October 23, 2018 0

Rules of Survival (The Lost World: Jurassic Park, 1997)

The Success of Jurassic Park made a sequel pretty inevitable, but Spielberg took time to craft a new adventure, rather than rush out something that just met the obligatory requirements of a sequel.

This film focuses on a second island…the real labs of InGen. When the park went out of business, so did site B. And the dinosaurs thrived. Hammond fought to leave the island alone and let the dinosaurs live in piece. To help his agenda, he has sent a team to simply observe and report about life on the island.

He requests the help of Ian Malcolm, who refuses, until he finds out his girlfriend Sarah is already on the island. His hope is to bring her right back. In the meantime, his daughter Kelly is upset by Ian dumping her off with a family friend. She stows away to follow her dad to the island.

Team Ian soon discover they are not the only ones on the island. The company wants to push Hammond out and capitalize on the dinosaurs. They bring a crew to capture dinosaurs to be returned to the States for a small scale version of the Park in San Diego.

The general idea of there being no park is a somewhat interesting change. Goldblum is highly entertaining here. Pete Postlethwaite plays a variation on the first film’s Muldoon. He is a big Game hunter who is there for very mercenary reasons, but is providing professional guidance. The effects are excellent, with some exciting new dinosaurs not seen in the prior film. The primary villain is more in the vein of the original book. A Corporate raider looking to exploit, Peter Ludlow is the example of corporate hubris believing it can control what others could not.

The film’s big finish is a T-Rex chase through San Diego. It is a bit of a shame that they squander such a great notion as “dinosaurs loose in a city” in a brief twenty minute sequence. I also really found the whole “daughter” subplot more annoying. The inclusion of kids in the first film actually made sense, here it seems forced and unneeded.

But when you get down to it, Spielberg can make most anything work, and the Lost World is a lot of fun.

June 24, 2018 0

Modern Culture Clash (Clash of the Titans, 2010)

The new millennium brought a renewed interest in Greek mythology based films. This, of course, meant that a remake of Clash of the Titans was probably inevitable.

The modern take is…well, different. Here, Zeus is angered by King Acrisius and to punish him, he seduces and impregnates the king’s wife Danae. Angry, he seals her in a box with infant Perseus. The box is found by fisherman Spyros, who raises Perseus with his wife (Unlike the original film, Danae dies). Zeus is, of course, angered by this move and turns Acrisius into a monster.

Years later, Perseus is out fishing with his adoptive family. They witness soldiers tearing down a statue of Zeus. The soldiers are attacked by demons who also destroy Spyros’ fishing boat, resulting in the death of all but Perseus. He is found by soldiers who bring him to Argos. There he witnesses King Kephesus and Queen Cassiopeia. Cassiopeia mocks the gods and declares her daughter Andromeda more beautiful than any of the goddesses. Zeus and the other gods are watching and angered, but Zeus’ hand is staid by his love for man and the need for their prayers. But Hades demands that they must make men fear the gods again. He convinces Zeus to allow him to interfere.

Hades greets the King and Queen and demands Andromeda be sacrificed or Argos be destroyed. Perseus is convinced to go on a mission to find a way to defeat the titan called the Kraken. Along with several soldiers, Perseus begins his quest.

You may have noticed there are a lot of changes here. The film is less a remake and more a re-imagining. There is no love story between Perseus and Andromeda. His goal is to make a stand against the gods. Perseus is in denial of his demi-god status, constantly rejecting any help from Zeus in favor of doing everything “as a man”.

The gods themselves are worried about man’s rebellion against the gods and their power is waning as fewer people are praying to them. The only real example of the pettiness and competition between the gods is how Hades was betrayed by Zeus and Poseidon, which drives Hades’ desire to destroy his fellow gods. Noticeably missing?

The female gods. I mean, they are in the background. You see them, but they are pretty inconsequential. Unlike the original, Calibos is no longer the son of Thetis, and he is merely a pawn of Hades. It is disappointing that they push all other gods to the side beyond Zeus, Poseidon, and Hades. Making it about sibling rivalry is ignoring the rich history of the Greek gods. I suspect the fact that the original film was written by Beverly Cross, a woman, influenced the 1981 films inclusion of women in more equal standing.

In addition, the original cast women over forty in almost all the major goddess roles. In this update, most of the female roles prize youth and beauty above all.

Worthington is not nearly as engaging as some of his co-stars, which is a problem.

On the upside, the relationship of Spyro and Perseus is brief but nice. When his wife is pregnant, young Perseus is worried he will be loved less. Spyro offers comforting words noting Perseus is no less his son than if they were flesh and blood.

And while Judy Bowker’s Andromeda was a luminous beauty, she was not given a lot of time (though we see her decrying the rules of her curse which resulted in countless deaths). Here Andromeda is seen as a greatly compassionate woman. We see her going about the city in disguise to help the poor. She also refuses to accept the notion that others should die so that she might live.

The creature design is largely quite good (though the demons move so fast so as not to allow much detail to be seen). But even there, you have flawed concepts at work. Medusa should not be alluring, and yet, there she is in this film looking beautiful until the moment she turns you to stone.

The re-imagining ends up like a hodgepodge of mythical concepts that are thrown together, almost unrecognizable to their inspiration. In place of a romance with Andromeda, Perseus instead falls for the beautiful immortal Io. And at times, I found myself getting bored. This is in spite of the fact that everything tries to be much bigger than the original film. The scorpions are bigger, the Medusa fight is in a bigger temple, the Kraken is larger.

While Clash of the Titans is louder and slicker, it just feels like a pale imitation of its inspiration.

November 7, 2017 0

The Hunter or the Hunted, Pt 3 (Alien 3, 1992)

The success of Aliens had the studio rushing to try and get an Alien 3 going. There were a lot of false starts and bad ideas that led to what we got. Good scripts got tossed aside for weird ideas. There were questions on whether Weaver wanted to return. While she did finally return, she pushed for this to be the end of Ripley’s journey.

Music video director David Fincher was given the job of bringing the film to life. It should be noted, Fincher was deeply unhappy with his experience and even producers admit they treated him very badly. Which is unfortunate. Because the end result was a muddled and overall messy film with some good ideas and some terrible choices.

After the events of Aliens, Ripley, Newt, Hick and Bishop are in hypersleep on a small escape pod. There is a malfunction that results in the ship crashing on a small prison planet. Only Ripley survives. The prison operates on a skeleton crew, primarily made up of the inmates. Most have adopted a form of Christianity that sees themselves as so unable to resist the draw of sin, living on a planet without temptations is their only choice. As religious leader Dillon (Charles S. Dutton) notes, Ripley’s arrival has put temptations back in place.

An alien facehugger has escaped with Ripley and finds a host. This film added a new twist to the series. It suggested that the alien xenomorph actually borrows traits from it’s host. In this case it is a dog. This results in a xenomorph that runs around on all fours and is more canine in it’s movement.

Once the xenomorph is discovered, Ripley and the inmates struggle to defeat it. Alien 3 is an attempt at not repeating the previous films. So they drop Ripley on a planet with no weapons. Unfortunately, a lot of the decisions with the script resulted in nullifying the progress of Ripley in Aliens. Killing her defacto family put her back at square one. The studio interference left us with a film disowned by it’s director and far more to weaken it. The strengths are few and far between. The religious aspect is kind of interesting and the cast is terrific. Yet these things cannot save a slapped together script and poor CGI.

May 30, 2017 0