Birth of the Demon Part 3 (Hellboy Animated: Blood and Iron, 2007)

Hellboy_Blood_and_Iron_PosterThis time, along with Perlman, Blair and Jones, John Hurt reprises his role as Professor Trevor ‘Broom’ Bruttenholm.  Borrowing from the legend of Elizabeth Bathory, Blood and Iron is a tale that spans two times. The early life of Broom dealing with a vampire queen and the present with the BPRD investigating a haunted castle in the same town.

As usual, there is a demonic goddess who is driving things, and she tries to tempt Hellboy to turn his back on humanity, while the vampire queen seeks revenge on Broom for a confrontation that had occurred decades earlier.

Unlike Sword of Storms, the team gets to interact more throughout the movie, which is an improvement.  We also get action hero Abe Sapien, jumping around and firing guns. While vampires and werewolves are not quite as inspired of monsters as the Japanese folklore of Sword of Storms, but the story makes up with this, including a snake goddess and two odd witches.

The animation of both films look better than the initial stills I had seen.  And the character designs seem even a bit stronger in this film.

I am not sure exactly where these films are supposed to fall.  Are they outside of Del Toro’s films? Are they part of that universe?  The fun notion of using the live action actors has a lot to do with the uncertainty I have.  But wither way, the Hellboy Animated films are pretty fun.

Birth of the Demon Part 2 (Hellboy Animated: Sword of Storms, 2006)

Hellboy_Sword_of_Storms_PosterAfter the theatrical Hellboy saw moderate success, the studio greenlit a series of animated film.  The first was Sword of Storms.

A professor finds an ancient scroll that tells the story of a samurai who defeated two storm demons and traps them in a sword. The professor becomes possessed from reading the scroll and goes missing.

While investigating the the missing professor, the Bureau finds the sword. Upon touching it, Hellboy is transported to another world, a mystical version of Japan.

Basically, the film completely separates Hellboy from the rest of the cast. While this could have worked, nobody else gets much to really do, they are just searching for Hellboy.  However, Hellboy is constantly dealing with fun monsters inspired by Japanese folklore.

The big draw for the film was the live action film’s voice cast appearing.  And we get some of the chemistry, but by separating the cast for much of the movie, it never feels like they get to gel…and granted, part of that may be due to the process of recording for animation, as actors are often not interacting with each other.  I feel this is especially true with Jones’ performance…which feels a lot more aggressive than his vocal performance in the Golden Army.

The character design Sean “Cheeks” Galloway is pretty slick and stylish, with its own distinct look.  It turned out that one of the conditions of the animated films was that the animation style could not look like the art of Mike Mignola, which had been the directors’ original plan. While that might have been cool, Galloway’s angular and cartoony style is quite good.

While not quite as fun as the live action Del Toro films, there is some really fun sequences in this animated take on Hellboy.

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