A Battling We Will Go (The Hobbit: The Battle of the Five Armies, 2014)

The_Hobbit_Battle_PosterThe Battle of the Five Armies is a very long and busy film. From it’s opening moments, it is all about trying to out do Return of the king.  Dragon fights! Giant battles against orcs! Wizard Battles!

Bilbo and the Dwarves had failed to stop Smaug who attacks Lake Town.  As the citizens try and escape his wrath, the Bard seeks to fulfill his family’s promise and slay Smaug. After ending Smaug, the citizens make their way to the ruins outside the the mountain fortress of the Dwarves.

Thranduil arrives with an elven army to reclaim what he feels the elves are owed by the dwarves.  However, Thorin becomes obsessed with finding the Arkenstone.  To make matters worse, he seems to be falling pray to paranoia.  Unknown to the dwarves, Bilbo has found the stone. Concerned that Thorin is being spiritually poisoned by his obsession, he slips out to give the stone to the Bard as a bargaining chip.   This only makes matters worse.

Eventually, the armies must unite against the armies of orcs and other evil that sets upon the mountain. This culminates in a battle royale between Oakenshield and Azog.

The Battle of the Five Armies is really a culmination of the desire to recreate the Lord of the Rings.  The changes of the first Hobbit were not really needed, but mostly harmless.  But the snowball started in the Desolation of Smaug. And here, the battle is the focus.  And everything is gigantic. It consumes a large part of the time, and it gets kind of confusing.  And everybody starts to blur together.

So many things feel like calls back to the Lord of the Rings.  And granted, this is a prequel to those films.  The book the Hobbit came before the Lord of the Rings books. But the films are a prequel.  And it is expected to see some loose connections.  But here, it feels like nothing can stand as it’s own.

This all makes for a rather disappointing final.  I did not hate the movie, but I don’t think it comes close to, say, Jackson’s very flawed but still well done King King. The flaws make the good stuff harder to enjoy here.

I don’t hate these movies quite as much as some.  This may in part be due to the fact that I don’t have a real tight connection to the series.  I did not read the Lord of the Rings books until after I saw the films, as I was nearing thirty.  I did not read the Hobbit until after I started watching the films in 2012. So, I never entered the films with presumptions of what I would see, beyond vague memories of the Rankin Bass cartoon from the late 1970’s.

But unlike the Lord of the Rings films, I do not feel the strengths overcome the flaws.  And so the Hobbit trilogy is nowhere near as satisfying a watch as the Lord of the Rings films.

A Desolationing We Will Go (The Hobbit: The Desolation of Smaug, 2013)

The_Hobbit_Desolation_PosterThe film picks up with Bilbo, Thorin and their band of Dwarves on the run from Azog’s orcs.  They find themselves appearing to be hunted by a very large bear.  Gandalf promises they are near the home of a man who might help them with safety.  They rush, chased by the bear until they reach a remote home.

Once inside, Gandalf explains that the bear is actually the man they are trying to reach.  Beorn is a shapeshifter who is also mistrustful of dwarves, so Gandalf cooks up a plan to slowly reveal them to Beorn.

Once on their way, they find themselves facing giant spiders and elves, eventually reaching Laketown, near the mountain fortress they seek. Initially, Laketown presents an obstacle, but Thorin promises to share the riches of the mountain if they allow them passage and provide some weapons.  Of course, most of the citizens being poor and desperate, it is not a hard sell.  And the mayor is a greedy man who figures if they succeed he reaps the reward and if they get eaten by Smaug they are out of his hair.

Meanwhile, Gandalf has gone to find and confront the Necromancer, a dark being that is an impending threat to Middle Earth.

Once they reach the mountain and find the secret entrance, it falls to Bilbo to slip inside and see if he can locate the Arkenstone.  This turns out to be like looking for a needle in a haystack, as there are jewels and gold coins everywhere. Bilbo must outwit Smaug, who is wakened by the presence of Bilbo.

The Desolation of Smaug is the first of the three films to start really padding on story.  And this drags the film as a whole down.  There are some great sequences, and the Smaug sequence itself is pretty nicely done.  But the film also adds in completely unnecessary subplots like a love triangle. The film includes Legolas, whose father is the Elvenking Thranduil, as a link to the Lord of the Rings films.  Legolas did not appear in the book, though as he is the son of Thranduil, it is not an unreasonable addition.

The filmmakers felt it would be good to add a female cast member in some of the action scenes.  They created Tauriel, a young and skilled elven warrior.  Portrayed by Evangeline Lilly, she is a tough adventurer. Even as additions go, the character herself is not a problem.  I like Tauriel. However, Lilly agreed to take the role as long as her character was not in a love triangle. She was assured this was not going to be the case.  So the film has her being sought by both Legolas and the dwarf  Kili. It feels like they really wanted the Kili and Tauriel aspect be a callback to Aragorn and Arwen.  And while they introduce it as a love triangle, it is entirely pointless.  It is not a source of real conflict.  Legolas could have gone to her side simply as a friend, not out of romantic desire.  It is clear the film wants to focus on her and Kili.  And that is perfectly fine, and would have improved the sub-plot had they dumped the “triangle” part.

Honestly, the inclusion of the Necromancer stuff (none of which comes from the Hobbit, it is referenced in the Lord of the Rings appendices) is more to make the audience get those “Lord of the Rings” vibes. It does not enhance the story or threat…and it feels wholly unconnected to the main story.

Smaug looks great, and Cumberbacht’s voice performance is good stuff. The visuals are great.  I still enjoy the performances, I actually like a lot of the charcters…and yet?

Story suffers from bloat. When it drags along? It reaaaaally drags.

To Rule Them All Thrice (The Lord of the Rings: The Return of the King, 2003)

LOTR_Return_PosterAll stories must conclude.  Some just take longer than others.  A lot longer. But more on that later. Sauroman is defeated, Aragorn and the people of Rohan have defended Helms Deep and Frodo, Sam and Gollum are at the door of Mordor.

Te film actually opens by jumping back several hundred years before the story we have been watching where we see hobbits Sméagol and Déagol fishing in a small boat.  After being pulled into the water, Déagol finds… The Ring. Both are gripped by obsession for the ring, resulting in murder.

Aragon and the others make their way to Gondor to unite the armies of men against Mordor and it’s seemingly endless forces.  We see most of our characters reunited.  Sam and Frodo’s relationship is tested by the duplicitous nature of Gollum.

Without question, the visual effects, costume and set design are top notch.  There really is not much to say here that I have not recognized in my previous reviews.  Sure, there are minor slip-ups (hobbits that are clearly height doubles wearing masks of the actors) and a few of the “Legolas being amazing” sequences in battles are surely CGI.

Faramir and the hobbits all get better deals here. Both Merry and Pippin get to be more than comic relief, with downright heroic moments and emotional moments.  There is a scene between Pippin and Gandalf where they say nothing, but share a look of great heart break from across the room, as if Gandalf knows Pippin is about to face some truly unfair tests.

Gimli, unfortunately, has never recovered from the Two Towers and remains embarrassingly frustrating comic relief.

Elijah Wood tells the story of how Jack Nicholson told him he left after the first ending. And this film has, like the book, several endings.  Though, most lamented is the scouring of the Shire, which the extended edition and theatrical cuts never included (the first film paid tribute to it in a vision with Galadriel). Here, the extended cut moves the unceremonious end of Sauroman from the scourging to earlier in the story.

But the frustrating part is that each “ending” feels somewhat necessary. Each gives a certain sense of closure to the tale. For all their flaws, the trilogy comes together and has far more to love than hate.  The strengths of the performances, the overall writing, the effects, the set design, the costumes…brings together one great epic.

Two Rule Them All (The Lord of the Rings: The Two Towers, 2002)

LOTR_Two_Towers_PosterPicking up in the aftermath that split the fellowship apart, the Two Towers has a lot on it’s shoulders. Frodo and Sam are now on their own, making their way for Mount Doom to destroy the ring.  Aragorn, Legolas and Gimli are trying to rescue Merry and Pippin, who are believed to have been kidnapped by Orcs.

We quickly learn that Merry and Pippin found escape from the orcs on their own.  Aragorn, Legolas and Gimli are diverted by Gandalf who directs them to Rohan.  Gandalf realizes the time has come to prepare the armies of men for an epic battle against Sauron and his forces.

Rohan is under the influence of the Wizard Sauroman.  Their king is in a sickly trance, poisoned by Wormtongue, the agent of Sauroman.  Upon arrival, Gandalf excises the presence of Sauroman and chase out Wormtongue.  They warn the people there of the coming danger, and all agree they must make their way to an old fortress to protect everyone.

Meanwhile, Merry and Pippin discover the ancient race of Ents.  The Ents are ancient and sentient trees.  Pippin becomes determined to convince Treebeard and his fellow Ents to fight against the advancement of Sauroman and his orc army before it can join Sauron’s army.

And of course, there is Frodo and Sam.  Theirs is a somewhat less exciting route, as they are trying to avoid being seen.  Frodo confronts Gollum, who has been shadowing he and Sam in his attempt to get the ring back. Frodo takes pity Gollum, and chooses to take him along as a guide.

In the first film, we only had glimpses of Gollum.  This character presented a huge challenge and still stands as a monumental achievement in CGI effects.  Coupled with a terrific performance by Andy Serkis, Gollum comes to tragic and frightening life.  Serkis takes on a voice that can seem almost painfully childish and monstrous…sometimes at the same moment.  The film has a great moment using reflections and camera angles in which Gollum argues with himself over serving Frodo faithfully versus betraying him and stealing the ring back.

In the book, the stories are separated into two parts.  The first half follows Frodo and Sam and the second half follows the other characters. In one way, this does allow some interesting storytelling moments.  Frodo and Sam’s story will reference them seeing stuff we only see played out in the second half of the book.  But it also can make the Two Towers a tough read.  It does not break up the story enough.

Gimli continues his slide into little more than comic relief and Legolas even ends up having plenty of his swashbuckling antics coming off as comedic and cheesy (using a shield as a surfboard).

The film also undermines the character of Farimir, brother of Boromir.  In the book he is not tempted by the ring in any way.  He is a strong and confident man in ways his older brother was not.  Unlike Tom Bombadil, this not being tempted is an effective statement of Farimir’s character.  The film makes him much less sure of himself.  He is haunted by the ghost of his brother and his father’s greater love for Boromir. He does, of course, make the choice he makes in the book, but the overly wrought drama of giving him severe daddy issues works against the character in frustrating ways.  Yes, it allows Sam to be a dramatic voice of reason…but it really is an unnecessary detour that also makes Farimir come off as needlessly cruel at times.

The Two Towers does start to feel a bit meandering at times.  The extended cut suffers from this even more, though some of the additional scenes are quite entertaining.  While not quite an Empire Strikes Back (which is a bit leaner storytelling) it still is a pretty impressive film.

To Rule Them All (The Lord of the Rings: The Fellowship of the Ring, 2001)

LOTR_Fellowship_PosterJohn Rogers, one of the writers of the abysmal Catwoman film once also wrote “There are two novels that can change a bookish fourteen-year old’s life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.”

And the Lord of the Rings is definitely one of those book series that had legions of admirers.  Ralph Bakshi has adapted the three books into two animated films in 1978 and 1980. And there were a lot of false starts until the late 90’s.  The first plan was to try and make one film…then they thought they could convince a studio to do two…but somehow, Peter Jackson convinced New Line the only proper way to do the film was to adapt each novel and film them back to back.  They then took it a step further and released the special edition DVDs.  These sets were expanded to include many scenes not used in the theatrical releases.  My reviews will be of the Expanded Editions.

The story of the Lord of the Rings is that long ago the evil Lord Sauron tricked the leaders of the Elves, the Dwarves, and Man, creating powerful rings for them all…secretly creating the one ring that would rule them all.  In a battle between Sauron and the final alliance of men, dwarves, and elves, Sauron was defeated.  Instead of destroying the ring, Isildur keeps it for himself. He is eventually killed.  The ring was then lost to time.  It was found by a creature who hid with it in the mountains.  It eventually fell into the hands of the Hobbit Bilbo Baggins. He has had it ever since.  The Fellowship of the Ring is the beginning of the final push to destroy the ring.

The wizard Gandalf the Gray calls upon Frodo, nephew of Bilbo for this task. He sends Frodo on, promising to meet in a small town.  Frodo is accompanied by his friend Samwise (or more simply, Sam).  Soon after leaving, they are joined by fellow Hobbits Merry and Pippin.  As they go on their journey, they pick up help from the mysterious ranger Strider (Revealed to be Aragorn, a descendant of Isildur).

When Frodo is wounded by a Ringwraith (the souls of the original nine kings of men who were enslaved to Sauron), he is whisked away to the Elvish city of Rivendell. There they meet up with what are to be the final members of the Fellowship of the ring, the Elf Legolas, the Dwarf Gimli and Boromir, son of the Steward of Gondor.

They find themselves constantly under attack, primarily from Sauroman, a wizard like Gandalf, but having chosen to serve Sauron. Using magic and a new generation of Super Orcs he tries to stop them at every turn.

Filmed in New Zealand, almost every shot of this film is awe-inspiringly beautiful. The Hobbit Shire has been carefully created bringing the environments of the book to life in a vibrant way.

Along with the sets, the film’s costumes are incredible.  Everything has power and weight.  The craftsmanship of the weapons and costumes immerses you into this world.

The visual effects have withstood the test of time.  A lot of Weta Workshop’s work is a combination of digital and practical.  But unlike far too many movies, the digital is groundbreaking and almost never distracting (except in it’s dedication to looking natural).  The Fellowship of the Ring broke new ground in its digital work to create massive armies that seemed to move without being duplicated.

The film also uses a lot of practical tricks to create the illusion of different heights.  Both Hobbits and Dwarves are supposed to be significantly smaller than the rest of the cast, and in spite of actors who are as tall as anyone else in the cast, using perspective tricks, smaller actors as stand-ins they manage to create a nearly seamless illusion.

And then there is the cast.  Some scoffed when Elijah Wood was cast as Frodo.  The books describe Hobbits in a fashion that insinuates, they are naturally a bit hairy and pudgy.  But Wood (and really the other hobbit actors) are rather attractive.  But They all do quite well.  And Wood and Sean Astin really sell the deep and heartfelt friendship between Frodo and Sam.  Frankly, I love the fact that the films capture this love.  Films featuring male relationships can often be quite superficial.

Ian McKellen, so compelling as Magneto in the X-Men films carries great weight here as the wizard Gandalf.  He is warm, yet can seem stern and menacing when necessary.  And he brings a sense of grandeur so necessary for such a character.  Viggo Mortenson brings a quiet nobility to Aragorn.  And Cate Blanchett’s Galadriel as an unearthly and elegant beauty.

This is not to suggest there are no flaws.  While not as large of an issue here, Gimli can often be reduced to comic relief (the same with Pippin and Merry). On the other hand, the storytelling is more expedient than the books. Often, Tolkien can seem a bit obsessive in his world-building, with sudden diversions into poetry and legends and language of Middle Earth.  The filmmakers wisely cut the Tom Bombadil sequence.  While this is a fairly loved section of the book, the screenwriters are correct that it undercuts the narrative of the Ring to suddenly have a character who is not impacted at all by it.  Especially so early in the story.  Personally speaking? I don’t care for that section of the book, and so I did not miss it within the film.

The Fellowship of the Ring is s very strong adaption of the book, full of epic adventure. It was a risky venture that paid off quite well for the filmmakers and the studio.

 

 

Yo Ho Ho! Let’s Try This Again (Pirates of the Caribbean: Dead Men Tell No Tales, 2017)

Pirates_of_Caribbean_Dead_Men_PosterDead Men Tell No Tales comes six years on the heels of On Stranger Tides, and returns to the territory of the first three films.  We meet a young boy named Henry.  He takes a boat out to sea, ties a rock to his ankle and leaps into the sea.  He is saved by the flying Dutchman.  This is Henry, the son of Will and Elizabeth Turner. He tells his father he thinks he knows a way to undo the curse his father is under.  However, Will sends Henry back.  Several years later, Henry is on the hunt for Jack Sparrow to help him find the Trident of Poseidon.

In his travels, he meets the Ghost Captain Salazar who wants him to give Jack Sparrow a message for him.  Salazar was cursed while trying to kill Sparrow and is now trapped as a ghost.

Henry does find Sparrow, and an accused witch who is also seeking the Trident.  She is not a witch, but rather a very scientifically inclined young woman named Carina.  It becomes a race against time as they search for the Trident, pursued by Salazar and the British.

As previously noted this film came out six years after On Stranger Tides and this film completely ignores the events of that fourth film.  This is not to say they did not happen, but rather they bear no impact and feature none of the characters specific to that film.  And they return things to the Turner family.

It feels like they anticipated this being a final film as it brings everything to a feeling of finality (in spite of a post credit scene that makes little sense in regards to the way the film ends).  The film is packed with numerous action and escape sequences.  There is a thrilling sequence involving ghost sharks.  And the introduction of Jack Sparrow in this film is memorable and entertaining.

It takes awhile to get going, though the film is thankfully only about two hours, making it a lot more fun and less bloated than some of the previous installments.  As always, the visuals are top notch.  Salazar and his crew are crack and missing limbs and parts of their heads.  There is a neat look where Salazar’s hair flows like he is underwater.

And the cast is quite good.  The returning cast each get moments to shine and Javier Bardem appears to have had a lot of fun in his role as the angry and determined Salazar.

While not quite at the heights of the original film, this is still a fairly fun outing.

Yo Ho Ho, It is OVER! (Pirates of the Caribbean: At World’s End, 2007)

Pirates_of_Caribbean_Worlds_End_PosterHoly. Crap.  THIS. MOVIE. IS. SO. LONG.

Like, super long. It is ten minutes shy of three hours.

Anyhoo, picking up where the last film left off, the Kraken ate Jack Sparrow and now Elizabeth Swann, Will Turner and Barbossa are trying to rally the troops to find and return Jack from Davey Jone’s locker so they can stop Davey Jones.

And this ends up taking over an hour.  We see Sparrow in the afterlife and boy is he bored.  And frankly?  So was I.  This sequence is just excruciatingly long.  There are so many subplots, it just gets tiring and uninspired.  I found myself constantly wondering about how much longer we had to go.

The films seem to want to position Jack as some magical key to the universe, rather than some lucky idiot.  But really, the whole lunatic rockstar thing is wearing thin at this point.  If you cut about an hour of the film or a little more, this might be a lean and fun adventure.  Instead it makes the the Lord of the Rings: Return of the King look sleek.

Filmed back to back with Dead Man’s Chest, At World’s End tries be a massive epic, but it really only accomplishes feeling ridiculously bloated.

The visuals are quite good, as are the action scenes.  But the road the story takes is so meandering as it is hard to not get bored through great portions of this film.

Yo Ho Ho! Let’s Go For Another Ride! (Pirates of the Caribbean: Dead Man’s Chest, 2006)

Pirates_of_Caribbean_Dead_Mans_Chest_Poster“Abandon Ship, or Abandon Hope”, declares Kevin McNally’s Gibbs. Disney was full of hope they had a franchise after the hit of Curse of the Black Pearl. To make sure they could recapture the magic, they kept on the director, writing team and…of course… Johnny Depp and Captain Jack Sparrow.

Will and Elizabeth are engaged, Norrington has left the British Navy and now a bigger threat has arrived.  A man who seeks to destroy the Pirate Scourge.  His first act is to arrest both Will and Elizabeth, though this is a trap to try and force their hand in locating Jack Sparrow.  Who they want because they believe he holds the key to a bigger weapon against all pirates.

Jack Sparrow is finding himself trying to avoid a debt to Davey Jones (who gave him the Black Pearl to captain for thirteen years, even if Barbossa took over a mere two years into the deal). He must serve 100 years upon Jone’s ship the flying Dutchman which ferries those who die at sea to the afterlife.  Bootstrap Bill (Will Turner’s Father) comes to warn Sparrow that his time is up.  But when Davey Jones sends his leviathan beast after Jack, they decide to beach the ship and hide on an island.

Will Turner is searching everywhere for Jack, but the best people seem to be able to do is say where they heard he was headed.  He discovers the shipwrecked boat on a remote island and encounters Jack and the Black Pearl crew. They meet with witch Tia who tells them of a way to defeat Davey Jones, the cursed captain of the Flying Dutchman. Setting out to find the heart of Davey Jones, the crew re-unites, including Elizabeth Swann and the disgraced Norrington.

While Will and Elizabeth are played up to be the thread for the series, Jack Sparrow was the standout character for audiences in the first film, so the writers make sure we got a lot more Jack.  Elizabeth is gone from the film for a good forty-five minutes, stuck in a prison cell. She is relegated to the prize that drives Will, which is rather unfortunate.  Once she joins back up with the crew, she becomes much more active.

The visual design of the film is terrific.  As with the Curse of the Black Pearl, we have cursed pirates, but this time they are more elaborate.  Jones and his crew are connected to the sea so intensely, that they are blended with sea creatures.  Jones’ head is an octopus, with his tentacles serving as a beard.  Bill Nighy is terrific in the role, giving a darkly comic performance.

The film actually brings back almost the entire surviving cast, and everyone seems rather comfortable in their skins.  The film has a lot of fun action sequences and of course many, many narrow escapes.  But the extra focus on Jack also starts to run the risk of making the character more annoying than amusing.  The film also is starting to try and set up an “epic” tale thing for Will, Elizabeth and really Jack.  One character even notes that Will has the air of “destiny” about him.

This film is a lot of fun for the most part, and I would say it comes out pretty favorably in relationship to the first film.

Yo Ho Ho! Let’s Go For a Ride (Pirates of the Caribbean: Curse of the Black Pearl, 2003)

Pirates_of_Caribbean_Curse_PosterDisney was trying to find ways to tap various IPs (they did not yet own Marvel or Lucasfilm).  They started to look to their theme park rides.  And they tapped the director of the remake of the the Japanese Horror film the Ring. And hired Johnny Depp.

Young Will Turner was orphaned when a ship he was on (When he was much younger) was attacked by the pirates of the ship the Black Pearl.  Turner is found with a gold coin that young Elizabeth Swann pockets when she finds him.

He is now an apprentice to a blacksmith, but as you would suspect longs for adventure. He is also has a crush on Swann, daughter of the governor.

Elizabeth has been involved with Captain Norrington, who proposes to her.  Captain Jack Sparrow, a rock and roll pirate, arrives on a literally sinking ship.  He is attempting to steal a new ship in a quest.  But he gets captured when he sees Elizabeth fall into the sea and leaps in to save her.  The gold coin she found years earlier has a surprise reaction when it touches the sea.

That night, the Black Pearl arrives and pillages the village, as well as kidnapping Elizabeth.  The authorities do nothing, so Will teams with Sparrow to pursue the Pearl and Elizabeth.

Of course, being based on a ride, the  filmmakers have a lot of room to do whatever they want.  And so, Pirates of the Caribbean is equal parts adventure and fantasy.  The pirates of the Black Pearl are not just pirates, they are ghost pirates!  In the moonlight, they become skeletal monsters.  Led by the immortal Captain Barbossa, they are seeking the missing coins of the treasure that cursed them many years ago.

This ends up making for a rollicking fun, full of wild stunts, sword fights and high seas action.  While Orlando Bloom is a bit bland, the rest of the cast is extremely strong.  Keira Knightly’s Elizabeth Swann is a spirited fighter, while Geoffrey Rush’s Barbossa is a despicable and duplicitous fiend.  And while it is clear that Will Turner and Elizabeth Swann were meant to be the focus of the film, Johnny Depp’s Jack Sparrow pretty much steals the show.

It’s effects still largely hold up, which is a good thing, considering the film is very relient on their support.  Curse of the Black Pearl is an absolutely fun surprise of a film.  It does not take itself too seriously and has an enjoyable cast of characters.

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