Live Your Fantasy (Fantasy Island, 2020)

Fantasy_Island_PosterFantasy Island is a show mainly remembered for Ricardo Montalban as Mr. Rourke and his assistant Tattoo played by Hervé Villechaize. The show was an anthology series where every week, guests would arrive to fulfill a fantasy. Usually it was for an adventure to address a regret. The show was remade for television in 1998 with Malcolm McDowell stepping in as a more sinister Mr. Roarke.

Twenty Years later Blumhouse has given us an updated version that may or may not be meant to begin a franchise. And…

Well, I did not hate it.

But to be clear, it is not really that good either.  Now, the big deal made was that this was a horror re-imagining of the series.  Except, not really.  It follows the formula pretty closely. People arrive to live out fantasies that seem impossible. There is a sentimental story, a live the big life dream, an adventure and petty revenge. The petty revenge ends up being the horror plot (as was common on the series, Fantasy Island often had at least a few scary episodes each season). And the fantasies turning on themselves is totally part of the franchise.

The movie brings everyone together at some point, all their fantasies coalescing into a fight for survival. Most of the cast is okay, though I really was bummed that Michael Peña is so…well, not invested.  He constantly feels like he has a better role lined up so he is just delivering his lines as fast as possible so as to be done with the film.

The twists are somewhat predictable, but fine…save one.  The film’s biggest twist requires a scene that has to happen to keep the audience in the dark…but the minute you discover the twist, that scene makes absolutely no sense.

The film is pretty much TV movie level, and hey, maybe rent it when it hits streaming or Red Box?

Next Level (The Vatican Tapes, 2015)

The_Vatican_Tapes_PosterI gotta admit…I kind of thought this was a found footage film. Turns out it is not.

Angela Holmes seems to be a regular young woman. She and her husband seem to have a happy life, she has a father who feels nobody is good enough for his daughter. But then mysterious and fatal events occur around Angela. Father Lozano, a former military man turned priest becomes intertwined with their lives. While doctors try and find a natural phenomenon, Lozano suspects it may  be more.

After an incident with a mental health facility, she is put into the hands of the church.  And Exorcist is brought in to set Angela free. But things turn out to be far worse than they ever imagined, and their failure could doom the world.

The Vatican Tapes are a blend of your standard possession film with a slight twist into another genre of religious horror.

The performances are good, and I especially like Péna as father Lozano. The Vatican Tapes was better than I expected, but is never all that scary. Even the exorcism feels more like an action movie.  But I was entertained.

Big Little (Ant-Man and the Wasp, 2018)

Ant_Man_Wasp_PosterWe last saw Ant-Man in prison with the other heroes who sided with Cap in Civil War. People noticed that he was absent from all the Infinity War promotions, and while Infinity War gave a quick explanation of where he and Hawkeye were, Ant-Man and the Wasp gives us the “full story”. With days to go on his house arrest, Scott Lang has been out of contact with Hank Pym and Hope Van Dyne for months, having parted on less than good terms as he stole the costume for his role in Civil War.

Hank and Hope have renewed hope that Janet Van Dyne (believed lost in the Quantum realm) may be alive.  They are working in secret to locate her. When one of their experiments coincides with a crazy dream of Scotts, the three are brought back together to try and rescue her. But it is not as simple as they hope, as they are in competition with underground arms dealer Sonny Burch and a mysterious villain called Ghost. Ghost is trying to get the Pym lab because she has phasing powers, but cannot control them. Add to this being hunted by the FBI, rescuing Janet may not be as easy as they hoped.

The film is more focused on Hank and Hope, with Scott brought along somewhat unwillingly, but I found this worked okay. The first film had a running joke about how Hope was far more competent a super-hero, but never got to wear the suit. This film gives us a lot of Wasp action, and it is a whole lot of fun to watch. Scott gets some solid action of course as well, and he even gets a few opportunities to really show his cleverness (a FBI breakout sequence calls back to a scene in the first film, but flips the roles).

Rudd is as goofily charming as in the first film…and Michael Peña is hilarious (even though they only give us one of his elaborate stories). The return of Judy Greer and Bobby Cannaval is welcome.  I really like that the relationship between Cannaval’s Paxton and Scott is not some sort of rivalry over their shared family. Instead, Paxton seems to want the best for Scott and genuinely like him.

The film has some genuinely touching moments with Scott and his daughter Cassie. A wise kid who looks up to her dad and wants to be his sidekick.

The story works very organically, the things that bring the first film’s cast together makes sense (Scott, Luis and their team of ex-cons now have a security business to help businesses avoid being hit by folks like…well, themselves).

The first Ant-Man was a surprising film and a welcome relief to the trend of telling bigger and bigger stories in the solo Marvel films. Ant-Man and the Wasp carries the fun over, building on it’s small scale mythology (the post credit scene ties it to Infinity War).  Ant-Man and the Wasp is a pretty worthy sequel and a lot of fun to watch.

 

…And Dip (Chips, 2017)

CHIPS_PosterChips was an action/drama from 1977 about motorcycle cops Ponch and Jon.  I know I watched it as a kid, but beyond Erik Estrada and the other guy?  Don’t remember much.  But when it was announced that they were making a comedy movie based on the show, it seemed like an odd choice.

Written and directed by Dax Shepard, the update begins with Ponch as an FBI Agent who is sent undercover to bust a drug ring suspected to involve crooked motorcycle cops.  He is teamed up with the highly inept Jon, who is trying to save a marriage he does not get is over.  Ponch and Jon are constantly at odds to an annoying degree.  In what I suspect was intended as a “positive” message, Jon criticizes Ponch of being homophobic which leads to, unsurprisingly, a whole lot of “Eeeew! NOT GAY” type of jokes.

The jokes don’t land and the characters lack chemistry.  By the time Ponch and Jon are a team, it feels entirely unearned.  The jokes are forced as well.  This is a shame, as the cast is the one high point of the film.  Michael Peña has great comic timing.  And Vincent D’Onofrio is the villain.  And yet, neither get to bring their skills to the rather uninspired script.  Dax’s Jon is particularly flat.  His real life wife, Kristen Bell just has a sweet persona and it is hard to buy she is this terrible marriage destroying wife.

Chips obviously aimed to fall into the same company of 21 Jump Street…but it misses that mark by a great distance.

 

Being the Alien (The Martian, 2015)

The_Martian_posterFor being a comedy, (thanks People’s Choice Awards) The Martian feels pretty serious.

That does not mean it is devoid of humor.  Really, most any solid drama with have humor to break tension.  And considering the situation Mark Watley (Matt Damon) finds himself in?  Tension needs to break.  After an accident leaved Watley left behind on Mars, (believed dead) he finds himself struggling to find a way to last until the next mission to Mars can pick him up…in about four years.

The Martian is a thrilling account of survival that manages to be filled with concern and joy.  Ridley Scott likes his epics, but this is very low key in that regard.  Instead, it is a focus on character and endurance.  We get a window into Watley’s thoughts by way of his video recording everything he is doing as a journal.  On the one hand, this could have felt like weighty exposition, and some might wonder why the filmmakers did not opt for the near silence of the first half of Castaway.

Damon’s delivery is light and accessible, rather than clunky, and it is easy to connect with the character.  One of the film’s strengths is how it manages to give us insight to our characters very quickly, especially the crew.  We meet them mere moments before the storm that separates Watley.  And yet, you get a feel for the relationship of this crew and the dedication they have to each other in those few minutes.

The cast is very strong, everybody turning in enjoyable performances.  The visuals are solid, considering it is a lot of reddish sand and rock.  Scott really seems to like films set on barren planets.

The Martian is an engaging sci-fi drama well worth viewing.

It’s the Little Things (Ant-Man, 2015)

ant_man_posterAnt-Man is the 12th film in the Marvel Cinematic Universe.  It has been the source of multiple controversies.  It was not always meant to be a part of the Marvel Cinematic Universe, instead it was the pet project of Edgar Wright.  With Iron Man, Marvel Studios birthed their cinematic universe, and slowly started to wrangle Ant-Man in.  When Marvel announced actor Paul Rudd, it got a shot in the arm.  Eventually Wright and Marvel hit an impasse.  Wright left the project and people got nervous about Ant-Man.  Although a founding Avenger in the comics, many questioned the point of a character seen as fairly obscure outside of comic circles.  But Marvel was determined to make the film, hiring director Peyton Reed (Down With Love, Bring It On).

The film we have gotten is not necessarily what we would have gotten from Edgar Wright.  But that does not make what we got a bad offering.  The fears that we were getting the first official MCU bomb have not come true.

The film is the story of criminal Scott Lang (Paul Rudd).  He was a skilled burglar who exposed a corporation screwing over it’s customers and is now recently released.  His hopes of being a part of his daughter Cassie’s life are quickly dashed, as his ex-wife (Judy Greer-underused again) set strict rules before he can re-enter Cassie’s life.

ant_man_leapRunning parallel is the story of  Hank (Michael Douglas) and Hope (Evangeline Lilly) Pym.  Hank has spent 20 years trying to protect Pym Particles from falling into anyone’s hands and it strained his relationship with his daughter Hope.  Hope felt abandoned at a time when she probably needed Hank the most-the death of his wife and her mother Janet.

The strong points of the film are that it stays mostly in it’s own grounds.  There is an obligatory Avengers crossover, and we know Hank used to work for S.H.I.E.L.D.  But it is mostly background.  This is smaller scale, no universe/planet saving.  In fact, it is more of a traditional heist film where they added the element of super-heroics.  The final battle takes place in a little girl’s room.  The only world at stake in that moment is Scott’s.  After so many “bigger” Marvel films, the smallness of the film is pretty refreshing.

The cast is terrific, with Michael Peña‘s Luis being a real highlight.  He is solid and enjoyable comic relief.  It is a nice touch that he is not inept, simply excitable.  I liked Evangeline Lily’s Hope, and even felt Douglas made Hank’s adamant refusal to allow her to don the Ant-Man costume made sense.

The miniature effects look great, and Reed makes the best of the moments.

At the same time, the film seemed to take short cuts.  We never really see when Corey Stoll’s Darren Cross shift from ambitious business man to psycho villain.  It just happens.  While understandable why Hank opposes it, the idea that Hope never dons an outfit as the Wasp in the film?  Disappointing.

ant_man_lillyAnother controversy (which proves true in the final film) was “fridging” the original Wasp*.  We never see much of her, she is hidden behind a mask.  Between this and the lack of Lilly getting to be the Wasp left me wanting a bit more from the film.

The final work is still strong, with likable characters, fun adventure and great humor.

ant_man_yellow*”Fridging” is the term for storytelling where a female character is killed on or off screen for the sole benefit of the lead (usually male) character.

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