Up From the Depths & In Your Face (Jaws 3-D, 1983)

Jaws_3D_PosterJaws 3-D was almost titled National Lampoon’s Jaws 3, People Zero…or so the story goes.  Spielberg apparently nixed the idea.  Instead, we got Jaws 3-D.  Set years after the second film, Mike Brody works for Sea World and is dating marine biologist Kay.  His little brother Sean comes in for a visit and becomes smitten with Kelly, a Sea World Performer.

Sea World is preparing to unveil its new Undersea Kingdom…a sprawling underwater complex for tourists to enjoy.  Overseen by the flamboyant Calvin Bouchard, he spares no expense when he sees potential dollar signs.  He also brings in celebrity game hunter Manimal…uh…Philip Fitzroyce.  Manimal…look it up, folks.

A baby great white enters the bay and is trapped inside.  When discovered Kay convinces Bouchard to allow her to catch it for study, noting that having the only great white in captivity would bolster Sea World’s reputation.  But baby jaws is the least of their problems when momma comes looking for her baby.

Jaws 3-D features an all new cast, with Dennis Quaid stepping into the shoes of Mike Brody.  The film actually has a pretty good cast.  Lea Thompson (in her film debut) as Sean’s love interest and Louis Gossett Jr. are fairly memorable.

But the story just is not all that compelling.  Moving the setting to a theme park might make it all look bigger, but it is a pretty hollow story with no real emotional resonance.

In addition, I would say the film has some of the worst shark effects of the entire film, with the sharks looking like plastic toys.  Jaws 3-D is inferior to both Jaws and Jaws 2.

Lost in Space (Enemy Mine, 1985)

Enemy_Mine_PosterIn the future, mankind has colonized space, but this has brought fresh dangers.  Mankind is at war with a reptilian race called the Draks.   During a firefight Earthling pilot, Willis and Drak pilot Jeriba find themselves stranded together on a hostile planet.

The two mortal enemies find themselves in a situation that requires cooperation to survive. Willis and Jeriba (who Willis refers to as Jerry) slowly build a bond, and as the years pass, their relationship becomes more like family.

Enemy Mine is a very simple story from Director Wolfgang Petersen (Das Boot and the NeverEnding Story).  But this is because it really is more of a science fiction fairy tale. with the moral more important than the specifics of the story.  And the moral here is that we are all more alike than we think.  Or as Sting once philosophized…the Russians love their children too.

The film keeps from getting bogged down by any truly elaborate cultural details for the Draks.  Their religion is relegated to a book that Jerry reads.  He teaches the ideas to Willis, who finds that the religious beliefs are scarcely different from the ideas found within Christianity.

It is the makeup and Louis Gossett Jr.’s performance that sell the Draks as a completely non-human race.  Gossett gives movements that are more like a lizard.  And even after Jerry has learned English, he affects an accent of one who is not used to the language.  Considering how cumbersome the makeup must have been, it is a real testament to Gossett Jr.’s talent to make it all come together so well.

Enemy Mine is at times thrilling, funny and ultimately heart warming.

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