Backward Compatible (Bumblebee, 2018)

It is Charlie’s 18th birthday. And Charlie feels out of sync with the entire world. It seems her mother and brother were able to move past the death of her father. She had no friends. The rich snobs mock and bully her. All Charlie has is her car. Which does not work. A project she had been working on with her father. And she cannot even make it work.

But on her birthday, in her Uncle Hank’s junk storage she finds an old VW Bug. She tries to bargain with Hank, but he simply lets her have it as a Birthday gift. After getting it home, She makes a discovery about her car.

Bumblebee has always been one of the big favorites of the Transformers for the audience. He is easily one of the most likable parts of the live action franchise (in spite of some rather “ug” moments) and so, it makes sense to put him front and center.

This seems like it should have been destroyed by fatigue of a franchise that has never been particularly good. But against the odds, the trailers actually got even jaded fans kind of hopeful.

What we have gotten is a movie about a robot that transforms into a yellow VW Bug who is befriended by a heart broken young woman. And…

It works. It works really well. Charlie is sympathetic in her sullenness. She does not simply lash out angrily. She just cannot understand why it seems like the rest of the world has found it so easy to move on, when the death of her father seems so insurmountable. Her family is not terrible. Really…they are painfully awkward. But they are trying. Memo, the young man who is crushing on her is actually a real welcome change of pace for this franchise. It is not that he is super competent. But he is brave, funny and kind. Cena’s military man is a balanced take. He is a good guy trying to make the right decisions(and the lone voice of reason when the Government considers working with the Decepticons).

The friendship of Hailee Steinfeld’s Charlie and Bumblebee is really sweet and charming. There is just a goofy wholesomeness there that is really endearing.

I think this film has the best designs of the franchise. The Bay films have been painfully busy and confusing. Here, they have opted for looks more in line with the 80’s cartoon and toys and the result is beautiful and clean. The film makers commit to their late eighties setting by including a nearly constant barrage of 80’s classics.

Along with heart, the film has real humor.

I used to say that the first Michael Bay Transformers film was probably about as good as you could hope for when it comes to a movie about giant robots that turn into cars. Turns out, I was wrong. Six movies later, we get the best Transformers movie.

December 23, 2018 0

Speed Racers, Pt 4 (Fast & Furious, 2009)

For the fourth film, they dropped “The” from the title. Because…saving space on the poster? I guess? This film brings it back to the original. O’Conner is working with the Feds again, while Toretto and Letty are pulling heists. When Letty is murdered, O’Conner and Toretto’s paths cross again. Admittedly, it is a bit of a strained relationship. Dominic is seeking revenge on Letty’s killer, but Brian wants to bring her killer in. Brian also finds his relationship with Mia rekindled.

In the first film, O’Conner ultimately remained aligned to the side of the law. His devotion was challenged, and while he did not walk away, he made a choice that cost him the job, but he also stayed on the side of good, so to speak. This film challenges his faith in the law to make the right choices.

In the hopes of getting Toretto off the wanted list, Brian cuts a deal with his boss…but when the agency jumps the gun and messes up a planned bust of villain Campo, it falls on Brian’s head. He and Dominic set out to get Campo on their own.

This film is the turning point for the series, it also sets the stage for each film trying to really top the big spectacle of the previous film. This one opens with a pulse pounding attempt to steal some tankers. It closes with a high speed chase through narrow tunnels.

Director Justin Lin (who directed Tokyo Drift) can put together a compelling action scene and keep it exciting. This time around, he has a much moire entertaining film, closer in spirit to the first film.

July 28, 2017 0

The Hunter or the Hunted? Pt 11 (Alien vs Predator: Requiem, 2007)

While critics and plenty of fans pummeled the first film, it was more than successful enough to get a sequel greenlit. Directed by the Brothers Strause (that is what they direct under), Requiem is a real mess in more ways than one.

The cast is immense, so you start figuring out who will die sooner than later based on how much attention they get. The film picks up right after the first film, with a xenomorph bursting from the body of a predator. It has the predator mouth and dreadlocks., so it gets nicknamed the Predalien. It rapidly makes trouble for the Predator ship crew and their ship crashes in a forest.

The predator and a couple face-huggers escape, a new Predator comes to earth after getting an emergency alert from the crashed ship. Soon the town is besieged by Aliens.

It is all pretty much what you would expect, unfortunately there is little to set it apart. Oh, the “Predalien” looks big and aggressive, and instead of laying eggs, the Predalien shoves it’s secondary mouth in your throat and feeds live larva into your stomach. It gets pretty gross when the Predalien takes over a hospital and assaults multiple pregnant women. The vast majority of characters are there to be alien fodder.

Time has no meaning in the film…the Predator make it from his planet to Earth in a couple hours, aliens grow to full size in a couple hours…as usual, the practical effects are the high point and the digital a bit dodgy. This film also messes with the timeline, at least the first film ends in a way you could argue humanity is not aware of the Xenomorphs. That is wholly implausible in this film. I can understand why Scott blew this crossover off for Prometheus.

June 7, 2017 0

The Bigger They Come (Kong: Skull Island, 2017)

King Kong and variations on the Giant Ape concept are older than even Godzilla. Kong: Skull Island has opted to not re-tell the story of King Kong. Instead, this is a new story. Not new in the sense of it completely new territory. You have the mismatched band of explorers arriving on Skull Island, encountering monsters and natives.

The film opens in 1944 where an American and Japanese pilot crash land on Skull Island. They fight until they stumble on a frightening sight that changes everything for them. The film jumps to 1973, with soldiers about to leave Vietnam. They are brought in by the mysterious Monarch company as a military escort on a top secret mission to visit and explore a newly discovered island. The company has also brought along an award winning anti-war photojournalist and a tracker to help then go through the wilderness.

Of course, the mission goes very wrong. Hope that does not spoil anything.

Really, the film sets everything up at a fast pace. They give you what you need to know without giving the film a chance to get boring. And unlike previous Kong film outings, the filmmakers introduce us to Kong very quickly. No hiding him, just Kong smashing helicopters.

The characters are engaging to various degrees, though John C. Reilly is the strongest and most memorable. Samuel L. Jackson is…well, Samuel L. Jackson. I found myself liking Hiddleston’s James Conrad and Brie Larson’s Mason Weaver…but I must admit, most of what separates the characters is who is performing them. You also know which soldiers are “important” because they get a lot of set up, while most of the soldiers are just “people to die”. Of course, they also give Jackson his motive for wanting to destroy King Kong.

But the truth is, I found Kong Skull Island a lot of fun. Yes, the post credit scene confirms that Legendary has plans of a “Giant Monster-verse”…and Kong Skull Island serves the purpose, in part, to set it all up (It is supposedly connected to 2014’s Godzilla film as well, with the tie being the Monarch organization). But I did a far better job of still telling it’s own story than some other attempts to create a shared universe franchise.

Really, Kong Skull Island is no game changer, but it is a lot of fun. Visually, it is good, and the digital monsters look great. The cast is great and make for an overall very entertaining film.

March 11, 2017 0