Open House Pt 5 (House: the Collection)

For a long time, it was hard to come by the films in this set, outside of the first two which were more well known. Until Arrow came along, a complete blu-ray set seemed an unlikely scenario.

House_Box_set

Each disc comes in its own case with reversible art, one side newly created artwork for the Arrow Releases and the other side the original poster or VHS art. I admit, my preference is to the original art.  The paintings are really nice, but the disembodied hand ring the doorbell is iconic.

The Box itself is sturdy, allowing for safe storage.

Each disc is loaded with extras, including bonus interviews, audio commentaries and all new documentaries for three of the films. I wish they had one for the third film. However, the Horror Show includes the American and European cuts in HD.

This is a good set, full of really good extras to let you immerse yourself in the history of each movie.

Open House pt 4 (House IV: The Repossession, 1992)

House_4_posterAfter the massive departure with the Horror Show (including abandoning the “House III”) Sean S. Cunningham worked with a new team to bring out House 4.

This film is an attempt to return to something closer to the first two films.  This film features the “return” of Roger Cobb, again played by William Katt. Cobb and his wife are being pressured by his step-brother to sell their old house.

Roger is killed an accident that also leaves his daughter wheelchair bound.  Roger’s wife Kelly wants to keep the house, but also senses a presence and sees visions.  Roger’s Step Brother is in league with a sleazy business man who is looking for a place to unload his toxic waste and they want the land on which the house sits.

The odd thing with this film is that it really does not connect to the original film at all.  In that film he was divorced and had a son. This film has a wife and daughter and it appears they have been happily married for over a decade.  There is really nothing that indicates there is any connections between the Roger Cobb of the first House and this film.

This one has an uneven feel.  There are a few instances where they aim for humor, but it still stays closer to a serious tone for most of the film.  And it moves at a slow pace. Having William Katt return as Cobb is just kind of confusing.

Overall, this film has a very early Fox TV movie feel (lie, the early days of Fox when they were trying anything to make it work…like the Omen IV). This never matches up to the heights of fun absurdity of the first two films, nor the gory seriousness of the third film, and it is just a bit lackluster.

Open House pt 3 (House III: The Horror Show, 1989)

House_3_PosterAfter the failure of House II and the collapse of New World pictures, the franchise took a bit of time off.  When Sean S. Cunningham found new studio for funding, the new team wanted to give the franchise a fresh start. So in America, they called the film the Horror Show, while in Europe it would be called House III. Cunningham decided this was better than nothing.

But the end result is that there is nothing that really ties the film to the franchise. There is no house the film is centered around.  Instead, the film focuses on traumatized detective Lucas McCarthy.  A family man, he is overwhelmed by nightmares about Max Jenke, a notorious serial killer he put away. Okay, most of the kills happen in the house and Max’s spirit is primarily focused on the McCarthy family, but the house never feels like a center piece or character as the two prior films.

But when Jenke is put to death by electrocution, he is actually set free as a vengeful spirit and sets out to torment McCarthy.

McCarthy must try and stop Jenke, while convincing himself, the police and his family that he is not going crazy and homicidal. This film also lacks the sense of fun of the previous two entries, it’s tone dreadfully dark. I mean, Brion James turns in a wicked performance, but he is a much darker take on the Horace Pinker character, making this film a more dreary ride.  Even with Lance Henrickson at the lead, it never rises above the standard fare of super natural horror. Writer Allyn Warner even took the infamous Allan Smithee credit. This one just lacks the identity of the first two films.

Create a free website or blog at WordPress.com.

Up ↑