It’s Not Just a Jungle Out There (Jumanji: The Next Level, 2019)

Jumanji_Next_Level_PosterAlex, Martha, Fridge and Bethany have all moved forward in life, but college life has been disappointing for Alex and he has become distant from the others.

When everyone returns home for Christmas, Alex decides maybe what he really needs is to recapture the confidence he gained from the last time they went through Jumanji. When he never shows up for a planned breakfast, Fridge, Bethany and Martha find themselves forced to enter the game.  But due to damage to the console, the group find themselves lost in a new part of the game and in the wrong avatars (well, except Martha).  To make matters worse, the game has pulled in Spencer’s grandfather and his old business partner Milo.

The Next Level faced a challenge.  How to convincingly argue the kids would re-enter the game and how not to lose the magic of the interplay of the last film.  The previous film was one of those rare films that did not depend on Johnson basically being himself.  The cast was convincing and fun playing the roles of teens trapped in a video game.

Kasdan ups the ante with this one. Gillan, Black, Hart and Johnson all get to play multiple inhabitants of their avatars (with Hart and Johnson doing fun takes on Glover and Devito for much of the film).

This was a real fun follow up that manages to carry over the character growth of the last film while still capturing what made the previous so much fun. The cast is great and the action is fun.

Rise of a Zero (Hercules, 1997)

Hercules_Disney_PosterThe gods of Olympus are celebrating the birth of the son of Zeus and Hera (um…slight change from myth, Disney cannot be seen as endorsing extramarital god flings) Hercules.  Everybody seems happy except brother Hades. Hades attempts to turn Hercules mortal…but is only half successful, forcing Zeus to allow his son to be raised on earth by a poor couple of peasants. Hades is unaware that his plan was unsuccessful, mislead by his minions Pain and Panic, and believes Hercules is dead.

But years later, Hercules is a clumsy young man, who seems to cause trouble anywhere he goes, due to not being able to properly judge his own strength. He seeks the help of satyr Phil to train to become a true hero. Along the way he falls for “bad girl” Meg, who turns out to be a pawn of Hades. He is shocked to discover that Hercules is alive and sets out to get rid of Hercules and Zeus at the same time.

Frankly, James Woods is the best thing here. His Hades is a darkly comic jerk who is quite  bit of fun. The films tone and honor are kind of all over the place, and not particular effective (especially the whole mocking of “branding”, which rings kind of hollow as critical humor goes).

I really like the character design of the film.  The art style is unique from previous Disney animated features. Ultimately, we are left with a light film that is kind of a mess in it’s execution.

It is not something I plan to do often, but this essay from Lindsey Ellis on the film hits pretty much everything I like and dislike about the film.  And is more entertaining than my ramblings.

Back In Gotham (Batman Returns, 1992)

batman_returns-posterJack Nicholson kind of established the villains would always be played by big names.  Danny DiVito was brought in to play the Penguin.  But this was not the traditional Penguin from the comics.  Not merely a short round guy is a top hat, Burton envisioned an origin in which Oswald Cobblepot is born to an affluent family who are repulsed by his grotesque appearance. His father (played by Paul Reubens, who would play Penguin’s father on Gotham decades later) and mother (Diane Salinger) dump him over a bridge where he is found by penguins.

Batman Returns is a rather odd duck.  Selina Kyle is a meek secretary who discovers the evil plans of her boss Max Shreck (Christopher Walken).  She is thrown out a window and barely survives…but wakes after being found by cats.  She flips out and apparently has the nine lives of cats and a really sexy persona.

While the film still  has the gothic visuals, it really feels all over the place.  Adding the secondary “villain” of Catwoman means there is that much more story to address.  On top of that you have a villain in the name of Max Shreck.  Add to that a few moments of implications of Penguin being a bit of a sexual creep (for instance, he is running for mayor and he puts a button on a young woman, groping her breast as he does it).

The film has a more interesting plan than the first film, but still, the sheer goofiness makes it almost to campy.  You have penguins fitted with rocket launchers, weird carnival henchmen, evil businessmen, latex covered secretaries…It never really comes together, and falters repeatedly.

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