A Time For Grief, A Time for Theft (Widows, 2018)

Widows_PosterVeronica, Linda and Alice have lost their husbands in a tragedy. They discover their husbands were professional thieves. To add to their grief, they find their lives under siege, specifically from Jamal Manning.  While he is running for public office, Manning is also a local crime lord…and it so happen’s the women’s husbands died stealing from him.  He wants his money and gives them a month.

When she discovers her husband’s records of all her heists, Veronica brings the other widows together to try and complete the next heist that her husband had planned.

Widows is one of those movies that you don’t really get prepared for from the trailers.  Most Heist films are heavily focused on the planning and the heist. Widows is more interested in setting up its characters.  Everyone feels important.  We walk with them as their lives intersect. This is to the film’s benefit.  We get to really know everyone involved, both the heroes and villains of the tale.

Viola Davis gives a great performance as Veronica.  She is both vulnerable and tough as nails.  Colin Farrell and Robert Duvall play son and father of a political dynasty that are at each other throats.  Daniel Kaluuya is riveting and immensely terrifying as Manning’s right hand man.

Director Steve McQueen makes some bold choices in the film (one sequence takes place within a car, and we only hear the actors as the camera stays outside, as the focuses on the car itself). The end result is a very compelling character film that happens to feature a heist.  Managing some excellent surprises before it ends, I found Widows a very satisfying watch.

It’s Good to Be King (Black Panther, 2017)

Black_Panther_PosterCreated by comic book icons Jack ‘the King’ Kirby and Stan Lee, Black Panther has seemed like a character Marvel wants to really make active…but struggles to figure out how to make him work best.  Initially being a guest star in the pages of the Fantastic Four and the Avengers, T’Challa (the titular Black Panther) got solo stories starting with 1973’s Jungle Action # 5. The series was not a top seller, and Marvel cancelled it. They tried to continue the Black Panther in his own series, which lasted until 1979.  They tried again in 1988, with a mini-series. This was followed by an appearance in Marvel’s anthology series Marvel Comics Presents in 1989.  1990 saw another series.  But it was 1998 where Black Panther found some footing.  Christopher Priest began his run and truthfully, he cracked the code with an incredibly engaging series. It lasted 62 issues (Priest wrote 60 of those issues). They worked on a new series in 2005 with Reginald Hudlin. 2016 brought back the Panther in his own series led by Ta-Nehisi Coates. This, for me, has come the closest to rivaling Priest’s terrific run.

While the Black Panther film was announced a few years ago, we did not get to see the Marvel Cinematic Universe take on the character until Captain America: Civil War.  I really enjoyed his introduction.  The film only hinted at a larger Wakandan culture, and so now is the opportunity to explore it deeper. This is a spoiler free review (so story references remain vague).

Opening with a young boy asking him to tell the story of home (Wakanda) before bedtime. This works rather nicely, filling us in on how Wakanda was built on Vibranium, how five tribes were united under a single king who was granted powers via plant life altered by the vibranium. Wakanda grew more technologically advanced than any other nation.  They sought to hide from the world.

The film quickly establishes that while the world believes that Wakanda is a low tech third world country, it is a vibrant high tech society. T’Challa and his family are still reeling from the events of Civil War, and it is time to T’Challa to take the mantle of King.

Of course, there are those who oppose him.  The weapons supplier Ulysses Klaue (pronounced “Claw” and first introduced to audiences in Avengers: Age of Ultron) and a mysterious young man called Killmonger are collecting Wakandan tech.

T’Challa struggles with his role as king. Heartbroken over his father’s death (again, in Civil War) and struggling with the role of Wakanda in the world.  His ex-girlfriend Nakia believes that Wakanda should be sharing it’s riches with the world…to be a beacon for the world, not tucked away. She loves him, but cannot see a place for herself in Wakanda when she has seen such suffering in the outside world.

The film shows us a society which has a richness of history and culture. The costume design is beautiful.  The king’s personal guards are all striking in appearance with lush reds and gold.  They are all warrior women with shaved heads (in one entertaining moment T’Challa, Nakia and general Okoye are undercover and she complains about having to wear a wig).

The Wakandan tech is exciting sci-fi tech that would make Bond jealous.  The Wakandan landscape is a combination a immense futuristic cities and beautiful forests and mountains. There are some fight scenes set amongst giant waterfalls that Director Coogler and his cinematographer use lighting and sunsets to amplify the sequences with intensity and beauty.

I really liked the characters in this film.  For T’Challa, it carries over his lessons learned from Captain America: Civil War.  T’Challa is merciful and a good man.  Heavy is the head that wears the crown…this film shows T’Challa struggling to be a King and Protector and not being blind to the world around him.

The women really steal the show in this film.  Okoye is a formidable warrior and guardian.  Nakia is intensely stubborn in her dedication.  But she also is in love with T’Challa (who is also very in love with her).  His mother is a woman of pride and wisdom (Angela Basset is just regal and beautiful).  And then there is his sister Shuri.  She is a fun character who lovingly spars with her brother.  She is a brilliant scientist, but her youth presents a more brash attitude. She is like a super competent “Q”.

Everett Ross (created by Christopher Priest in his 1998 series) appeared in Civil War, but we did not get a real feel for the character.  Here we find him seeming over-confident at first, but he rises to the challenge of helping the Black Panther and his family. While he begins seeming a bit like he might be the comedy relief, he becomes a character who shows himself as heroic and willing to risk himself for his friends.

Killmonger is a villain with a good back story.  He wants to rule the world, but not in some cheesy maniacal ruler fashion. He wants to rise his people up to subjugate the colonizers. Klaue is just after money, and shows no arc…but Andy Serkis seemed to have a lot of fun in the role.

Full of action, heart and punctuated with some great humor, Black Panther was worth the wait.  I would easily categorize this as one of Marvel’s best.

Something Is Off (Get Out, 2017)

get_out_posterGet Out is about a young photographer named Chris meeting his girlfriend Rose’s parents for the first time.  He is a bit nervous that they might be upset that their daughter is dating a black man.  When they arrive, he finds that there is something a bit…off.  Her parents are white progressives, who would have voted for Obama for a third term if they could.  The only black people he meets seem to be in a daze.

The white people in town offer casual racism, except they seem to believe they are being positive in their objectification.  I cannot really say more without ruining the film.  Directed by Jordan Peele of Key & Peele.  I admit, I was surprised that a skilled comic making his directorial debut has made a terrific and tense thriller.

Peele has recommended seeing this in the theaters with an audience, and he is right.  This film is meant to be seen with a group.  It would be incorrect to call this a horror movie, it is a excellent thriller.  Peele knows how to use tropes of the genre without making them feel like tropes.  The film has light moments, mainly provided by LilRel Howery as Chris’ friend (and dedicated TSA agent).  Everybody turns in great performances, with the film having a creepy vibe that grows throughout the film.

Get Out is a terrific film worth checking out while it is still in theaters.

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