Hope in Retreat (Dunkirk, 2017)

Dunkirk_PosterThe Nazi’s are on the march across Europe.  In the French city of Dunkirk, the Allies have been beaten back.  The British and the French are trying to get out before they are overtaken by the Nazi armies.

The British are waiting for ships to arrive and bring the troops home.  But they are facing regular air barrages from the Germans.

The Allies recruit boats from local small boat captains.  They go on their way to try and retrieve the soldiers, and at the same time, a small group of British pilots try and provide the boats cover.

The film starts with breaking down the story into three parts.  Earth (where the soldiers wait), sea (following a boat on it’s way to Dunkirk), and air (following three pilots).  When you see the immense number of soldiers waiting for rescue, it becomes clear why Nolan made this choice.  On the ground, we follow Tommy and Gibson, two very young soldiers.  They are trying to get on a ship, and end up getting bumped to the front of the line when they risk their lives carrying a wounded soldier on a stretcher to a medical boat.  But the soldiers face a horror as German planes bomb the ship and they can only watch as a ship full of wounded men sink into the sea.

We also get to see the concerns of the top officers who are trying to get their soldiers out.  While they are making every effort, they are given some instructions that trouble them.  Specifically, they are told to leave the French soldiers behind.

The sea focuses on a small vessel driven by Mr. Lawrence, Peter and George.  Early on, they pick up the only survivor of another ship that has been sunk.  This soldier (Cillian Murphy in a role credited only as “Shivering Soldier”) is terrified when he finds out they are going to Dunkirk.  We never see exactly what he has witnessed, but he is adamant they return to Britain.

Air is focused on pilots Farrier and Collins.  They are two of three planes trying to shoot down as many Germans as they can and save as many soldiers as possible.

On it’s face, Dunkirk seems like an odd choice of World War 2 Events,  Most World War 2 films seek to focus on the great victories, especially against great odds. And, certainly, there is an aspect of that here.  But Dunkirk was a moment in which the Allies faced a defeat and had gone into retreat.

However, it is clear to see why the British see this as such an important moment of their history.  This is about finding hope and unity in moments of great defeat. It does not shy away from the cruelty of war, even though it is never as graphic as say, Saving Private Ryan.  Nolan looks at the demons of war, but also sees where humanity can shine.  We see men, both soldier and citizen uniting to survive.  To get back alive and rebuild.

Nolan’s use of audio, both in sound and the music, are in top form here.  The intensity is constantly building as music blends with the sounds of ships and planes.  Much of Dunkirk was actually filmed on the beach of Dunkirk, adding to the reality and weight of the film.

Nolan has created a powerful epic that looks at the destruction, both physical and emotional, war will do…and sees where humanity can triumph in the face of that adversity. And he manages this looking at a moment when the good guys were facing a resounding defeat.

To Save a Life (Silence, 2016)

Silence_PosterMartin Scorsese is most known for his gritty portrayals of the American underworld. But something that has often come up in his career is references to his Catholicism.  This comes to life in Silence, the story of two seventeen century Catholic Missionaries who go to Japan to find their missing mentor.  There are reports he has apostatized, which the two young men reject.  They see it as impossible that the man that trained them in faith would reject that same faith himself.

They get help entering Japan from a tormented soul who turns is a Christian who denied his faith to save his life, while the rest of his village refused to renounce and were burned alive. He introduces them to Japanese Christians, which begins their  harrowing experience.  The film focuses heavily on Father Rodrigues (Andrew Garfield) trying to hold on to his faith as he is tormented by the Inquisitor who is dedicated to convincing Rodrigues to renounce his faith and convictions.

What makes this story so harrowing is the brutality of the torture.  For Rodrigues, it is entirely psychological. The Inquisitor uses the suffering of others to try and drive the wedge between Rodrigues and his Christ.

Silence is a powerful and tremendous film.  The sound design largely eschews music, with the exceptions of Christians singing and music played by the Inquisitor’s people. Otherwise, it is the sounds of nature that envelope the viewer’s ears.

Garfield and Driver are compelling in their performances, and of course Liam Neeson brings his trademark calm as the missing Ferreira.  Issei Ogata is strangely both cruelly wicked and almost like a kindly grandparent.  It is a testament to his performance that I could not totally hate the character. Yôsuke Kubozuka role as the troubled Kichijiro is such a frustrating and heartbreaking performance. Tadanobu Asano’s Interpreter is one who almost can convince you that the choice to apostatize is the only right choice.  You almost believe his pleading with Rodrigues is out of heartfelt sympathy to save lives.

Scorsese’s Silence is a gut wrenching exploration of faith in the face of tribulation.

My Top Ten Films of 2017

Here is my top ten… top eleven… top twelve … wait… top THIRTEEN no, noTop FOURTEEN films of 2017. Before anyone asks?  I have not seen Ladybird, Blade Runner 2049, Call Me By Your Name, Dunkirk, Murder on the Orient Express, Wind River, Hostiles, the Shape of Water or Mother!

logan-movie-poster1.  Logan
Logan is the swan song for both Hugh Jackman and Patrick Stewart in their memorable runs as Wolverine and Professor X.  Set in a time where most of the X-Men are gone and Wolverine’s health is failing, Logan was a gutsy move.  It earns it’s ‘R’ rating in the first five minutes, but what really makes it stand out is the emotion that is packed into it.  Stewart gives a wonderful performance here.

2. Land of Mine
I know this was released in Denmark in 2015, but technically, it is a 2017 film for the U.S. So I am calling it as “this year”.  After all, the director’s next film is due out in 2018.

3. War For the Planet of the Apes
Matt Reeves managed to make the most consistent trilogy of films.  All three of his Apes movies have been top notch.  Emotional and exciting, Reeve shows a real understanding of the balance of action and drama.

4. Wonder Woman
Wonder Woman was everything I wanted to see from the DC film universe.  Wonder Woman is hopeful and filled with excitement.  It was a bright spot for Super-Hero films in general, the DC Cinematic Universe quite specifically.

get_out_poster5. Get Out
Jordan Peele, best known as part of the comedy duo Key and Peele, wrote and directed this smart dark social satire thriller that skewers liberal attitudes towards black Americans.  It has great writing and some really good performances.

6. The Big Sick
A wonderful and personal story from husband and wife creative team Kumail Nanjiani and Emily V. Gordon, the Big Sick mines humor and heartbreak from their real life experience.  In what seems like the ultimate Rom Com movie plot, Emily had fallen into a coma early in their relationship.  The Big Sick does not approach this from a glossy sense of “isn’t it romantic”. It is messy and gut wrenching at times.  It is also endearing and joyful.  They explore the issues of cultural differences, the pressures those can bring on relationships. Really, the Big Sick is a wonderful little movie.

7. Star Wars: The Last Jedi
Unexpectedly one of the most controversial films of the year… and one of the rare reversals for Star Wars where the critics largely love it, while the general audience is more sharply divided…The Last Jedi is kind of the Unforgiven of Star Wars. It also has one of Mark Hamill’s best live action performances ever.

Atomic_Blonde_Poster8. Atomic Blonde
This film was not what was advertised.  This is not a James Bond Spy Action flick.  This is an Espionage Thriller, and a very, very good one at that.

9. Edge of Seventeen
I thought this was a real good “coming of age” film, full of wit and heart.

10. It
It (Chapter One) is a pretty solid fright film.  Dramatic with some of the strongest kid actor performances I have seen in a long time, this was a real intense scare film and one of the best adaptions of King to date.

11. Logan Lucky
I suppose this is really just “White Trash Ocean’s Eleven”…but it is full of great performances, and held together emotionally by Channing Tatum and young Farrah Mackenzie. Really, this was a lot of fun.

12. Baby Driver
Baby Driver is not a deep film. It is not even all that emotionally engaging.  It is the simple story of a getaway driver trying to get out of his job for the girl he loves. But Edgar Wright does not give the film any such pretense of being more than just a really good noir action flick with a killer soundtrack.

Thor_Ragnarok_Poster

13. Thor: Ragnarok
Ragnarok is a lot of fun. I simply had a terrific amount of fun.  The Hulk has evolved, Cate Blanchett’s Hela is a good villain and Taika Waititi managed what seemed to be looking impossible…a Thor film that rose above, “I guess it was okay.”

14. Spider-Man: Homecoming
Sam Raimi had a decent run with Spider-Man, but ended on a flawed note.  Marc Webb made Spider-Man films with some good points, but still did not quite connect for audiences.  Sony’s deal with Marvel to bring Spider-Man into the Marvel Cinematic Universe paid off.  Skipping over the origin story, we get a Spider-Man months into his role.  Peter Parker wants to be an A-List Super-Hero badly, but he is stuck on a neighborhood level, and his connections to Tony Stark are not boosting him forward like he hoped.  Between good arcs for both Spider-Man and his nemesis the Vulture, I am excited to see where Peter goes next.

Honorable Mentions:

John Wick 2.  Somehow, these John Wick movies have me wanting to see more.  I mean, they are really enjoyable.  Kong: Skull Island was fun, much in the same way as Baby Driver.  A Cure For Wellness was just such a weird film, but I really liked it. Also really enjoyed Guardians of the Galaxy 2.  While not perfect, it is a lot of fun.

Stress (Land of Mine, 2015)

Land_of_Mine_PosterSet in Denmark after World War II, the Danish Government realizes their beaches are covered in deadly landmines.  Rather than risk their own people, they choose to use the German POWs that are so despised.

The film introduces us to Sergeant Carl Rasmussen as the Germans are being marched out of Denmark.  He is a man consumed with rage, and sees a German carrying a flag, and assaults him.  Rasmussen is assigned several German POWs to clear a local beach of landmines. The POWs are actually about fifteen to eighteen years of age.  They really are boys who seem to not understand what they were fighting for.

There is a scene early on in which several of the boys became sick.  When it is discovered they stole pig feed from the local farm out of desperation, it is realized they ingested rat dropping, causing the illness. The woman who owns the farm laughs, telling Rasmussen that she got some Germans after all.

And this is the movie’s big risk.  These boys were Nazis. But they are young boys, and it makes it harder to just be callous towards them.  And much of Land of Mine is about Rasmussen’s journey from anger to sympathy.  His concern that his superiors are being as cruel and as unkind as the Nazis were.

It is an intense film, where a cough can bring the unexpected end to a life.  You watch as these boys risk life and limb, and one careless moment can leave the viewer gasping.  This is a powerful film film, low on physical violence, but emotionally jarring.

 

Just Need to Take a Ride (Knightriders, 1981)

Knightriders_PosterI never really had any idea what this movie was about, based on the cover in the video store. s thought it was maybe about time traveling bikers in medieval times or a post apocalyptic future.  It turns out…it is about Ren Fair bikers who get super popular.

Billy leads a traveling show where everyone dresses as knights and other medieval citizenry, with the one different being they ride motor cycles rather than horses.  Most treat it as a fun business, but Billy seems to have really bought into the notion that there is a certain reality to his kingdom.  He starts to really have a crisis when he discovers a magazine write up about his crew that starts to cause fractures. It starts to get minds within the group to be tempted by dreams of fame and stardom.

Eventually, Morgan (Tom Savini) walk away to take a lucrative sounding offer of commercialization.  And while it is exciting at first, they start to become disillusioned, missing what they had with Billy.

It is interesting to see how they have framed various members of the Arthurian court.  Merlin is more of a hippie than magician…but he seems able to reach Billy in a fashion others cannot.

The film focuses on themes of being true to yourself and your ideals, an not caving to compromise.  And that can feel a bit goofy in a film about guy jousting on motorcycles for fun.

The jousting sequences are fun to watch and really, the cast does a good job of bringing it all to life convincingly.  If the film has one major flaw, it is quite simply that at two and a half hours? It is a bit to long.  But still, this is such an odd man out of the Romero catalogue, it has some real charms.

Love Is Illness (The Big Sick, 2017)

Big_Sick_PosterThe Big Sick is a fictionalized account of the beginning of the relationship of comedian Kumail Nanjiani and his wife, writer/producer Emily V. Gordon.  Kumail plays himself while Zoe Kazan takes on the fictional version of Emily.

Kumail grew up in Pakistan and his family wants him to marry a nice young Muslim Pakistani woman.  He is not really sure what he wants or even believes.  But he humors his mothers attempts at introducing him to women, tossing their pictures into a cigar box.  And when he meets Emily, they initially agree that there will be no relationship beyond their first night.  It is clear Kumail would like to continue the relationship, only declaring he is not looking for a commitment after Emily states she does not have room for a relationship right now.

But they are terrible at not dating and their relationship grows.  As they get closer, Emily wants to introduce him to her parents.  When she discovers he has never told his parents about her, the relationship hits a huge roadblock.  Here is the thing…Emily’s anger is totally justified.  And yet, it is hard not to understand Kumail’s reasoning.  He knows he risks losing his family over Emily.  The film is very careful about this.  The family is not portrayed as villains in this regard.  And that is a pretty tricky feat when your family is “standing in the way of love”.  But I felt for his parents, especially as they are shut out from a lot of Kumail’s life.  But early on it is established that one of his cousins was shunned by the family.

So, after they break up, Kumail tries to get on with his life.  But one night he gets a call from Emily’s roommate.  Emily is in the hospital and nobody is able to stay with her.  She is less than pleased to see him, but when she is put into a coma, Kumail finds himself being drawn deeper into her life.

In a standard rom com, Emily would wake up and be super touched and they run off together.  The Big Sick does not do this.  After all, when she went into her coma, she still was angry.  At one point, Emily tells Kumail that it great he had this awaking…but she was unconscious that whole time.

The Big Sick straddles that line of emotional drama and comedy better than some.  And there are scenes that ripped my heart out.  Kumail gets a call right as he is about to take the stage…and bombs in a fiercely awkward way.  He stumbles through his jokes before giving into sorrow and the sense of powerlessness in the situation.  I can tell you this, knowing something terrible has happened with someone you love and being stuck in your job?  It is mind numbing.

The scenes between Kumail, Holly Hunter and Ray Romano (as Emily’s parents) are very good.  They all connect and grow.  There is one scene, when Hunter and Romano have gone to watch Kumail’s standup (much to his chagrin).  At this point, her mother still does not trust him.  She resents how he hurt her daughter.  But when a frat boy starts heckling Kumail (in a most racist fashion), you see a new perspective growing within Hunter.  She is ferocious in this scene.

Kumail and Emily make for a good writing team here, finding both humor in their experiences as well as raw emotion.

Big_Sick_Kumail_Emily
Kumail Nanjiani and Emily V. Gordon

Maybe the film just connected with me in a way that I find it way better than it is.  But I found the film both fun and heart wrenching.

Cleanup In Aisle 4 (Bait, 2012)

Bait_Poster

Bait is trying to be a terrifying drama set in a below ground grocery store after a massive tsunami hits.  The film actually opens up a year earlier in the life of a young couple who are engaged.  A shark kills the young woman’s brother, and her fiance fails to save him.  He blames himself and damages the relationship.  When she shows up in the grocery store with a new man, her former fiance is not thrilled.

There is a subplot with a robbery gone bad, a police officer who has a strained relationship with his daughter and her boyfriend.  This is all interrupted by a tsunami, which fills the grocery store and the parking garage.  Trapped inside, the people start to try and work out a way to get to the surface.  This becomes much more complicated when several large sharks get in.

Bait means to give meaning to the lives and deaths of the characters, but what ends up happening is characters die for terrible convenience…the new boyfriend dies heroically, but it is clear he had to die so that the original couple could rekindle their relationship.

I do not have a ton to say about this film…the drama is overwrought, the sharks painfully cartoonish and there are no actual scares.

Up From the Depths Redux (Jaws 2, 1978)

Jaws_2_PosterWhen you beget the first summer blockbuster, the studio will want to get back to that gold mine.  Of course, Steven Spielberg did not return…reports include production conflicts as he was working on Close Encounters of the Third Kind.  Others report that he thought sequels were a joke.  Close Encounters also prevented Dreyfuss from Returning.

However, much of the central cast did return.  Set a few years after the first film, Brody is still the Chief of police.  He is struggling with his teenage son Mike.  And when there are some mysterious deaths, Brody jumps to his default…a big shark. Unsurprisingly, everyone tells him he is crazy…I mean, ANOTHER shark?  Who is this guy? John McClane?!

Of course, it is a shark, another great white to be exact…and it falls on Brody to put an end to it.

Jaws 2 is not really terrible.  It can be downright suspenseful in fact.  There are moments of high drama.  But in this film, there is no Quint or Matt Hooper for Martin to play off of.  He gets support from his wife, but in the end, it is all on Brody’s shoulders to kill the shark.

The film skips the hiding of the shark as the director felt there was no way to duplicate the original film’s big reveal.  And he is correct.  But the shark in this film seems even more rubbery, especially noticeable in a scene where the shark barely misses Mike Brody and slides against the boat.

Jaws 2 is a decent attempt to follow up the original, but in the end, it more imitates it, with only limited success.

I do have one question…after the events of the first film…who the heck voted to keep Mayor Vaughn in charge of things????

Up From the Depths (Jaws, 1975)

Jaws_posterIn 1975, Steven Spielberg created “The Summer Blockbuster”.  Based on the book by Peter Benchley Jaws tells the story of police chief Martin Brody, who must deal with an aggressive great white shark that has invaded the beaches of his island community.

The film opens on a beach party, a young woman named Chrissie runs off with Cassidy for a late night skinny dipping session.  While Chrissie swims, Cassidy passes out on the beach.  Suddenly, Chrissie is jerked under water…she surfaces, now frightened, then she thrashes violently.  We never see her attacker as she disappears below the water.

Chief Brody is a man frightened of water, yet lives on an island (He tells Matt Hooper that it is only an island if you are looking at it from the water).  When the coroner suggests Chrissie was the victim of a shark attack, he leaps into action, only to be shut down by the Mayor, who does not want to close the beaches during tourist season.  Only after a very public series of attacks do they allow Brody to take measures to destroy the shark.  He is joined by marine biologist Matt Hooper and the gruff Quint.

Jaws may have kicked off the concept of a Summer Tentpole film, but that does not mean it is light fare.  While there are plenty of thrills, Spielberg is focused on the characters and their stories.  Brody loves his family and becomes worried for their safety.  His wife Ellen is constantly trying to fight his obsession with the danger of the shark.  But even she finds it hard not to give in.  In one scene, Brody tells his son to get out of his small boat.  Ellen tries to convince him not to worry…until she sees a picture in a book that Brody is holding showing a shark tearing through a boat.

The film has many great character moments, such as when Martin and his oldest son are sitting at the table and the son starts to imitate his father.  It is a touching moment showing the connection Broody has with his family.  Then there is a moment between Hooper and Quint on Quint’s boat where they compare scars.

The performances in the film are compelling.  Roy Scheider, Robert Shaw and Richard Dreyfuss have a terrific chemistry.

The shark (nicknamed Bruce) tends to look pretty fake, and due to limitations of the time, Spielberg chose to cut the movie in a way that would hide these issues.  And it is a wise move that builds suspense effectively.

In later years, Benchley became an advocate for sharks, feeling both his book and the film created an irrational fear of sharks that resulted in people slaughtering them.  But still, Jaws is an effective classic, worth watching.

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