Early Reports of Death

The early reports from folks who have seen Deadpool are coming in, and they are quite positive. Deadpool is a film that exists predominantly due to the fact that fans (and that includes Ryan Reynolds) want it really bad, like really bad.

And yet, part of me suspects it may be an overall flop, even if it is loved by critics. Right now? It is the fan community getting to see it. Of course, Fox wants that positive word of mouth. And it is encouraging to hear that the filmmakers really get what makes the comics and character so entertaining.

The ad campaign is very tongue in cheek and funny.

And yet, I wonder…will that all translate to success with a wider audience? Is the Deadpool fanbase enough to make this film a hit? Will the dark and violent humor translate outside that target market? It make, but I suspect that right now, this film may not be the success some are anticipating, precisely because it appears to be very reverent to it’s source material.

January 20, 2016 0

Shell Shocked (Teenage Mutant Ninja Turtles, 2014)

Anytime I see Michael Bay’s name attached to something, I instantly start lowering any expectations I might have. I have reached a point where disappointment is near impossible.

In a case like the updated Teenage Mutant Ninja Turtles, Bay put it in the hands of another director, Jonathan Liebesman (Darkness Falls, Texas Chainsaw Massacre: the Beginning, Wrath of the Titans). This did not bode entirely well, as I have made multiple attempts to watch Wrath of the Titans and have yet to manage to avoid falling asleep.

The latest version of the turtle does not evoke the silly fun of the cartoons or the gritty weirdness of the original comic books. It tries to update itself as a serious action film, with flat jokes and attempts at cashing in on nostalgia.
Frankly, in a film called Teenage Mutant Ninja Turtles, we do not need a scene where the Teenaged Mutant Ninja Turtles in question actually describe themselves as such. We get it.

And seriously, having Will Arnett’s character be both April’s (Megan Fox) sole supporter at her job as reporter and be the guy suggesting they hook up? Creepy.

As Bay-related films go, Teenage Mutant Ninja Turtles is not the worst. It is not the best. The characters are dull, and the film entirely seeks to get by on nostalgia combined with Bay effects extravaganza. And this is not enough to make the film actually fun and entertaining. I do not ask that my blockbusters be life altering or challenge how I view the world. But I do ask that they be engaging…and Teenage Mutant Ninja Turtles is not that.

September 28, 2015 0

Direct Sequel vs Kinda a Sequel

Zack Snyder has commented that in his mind, Batman V Superman is actually the Man of Steel Sequel. There is a Man of Steel 2 on the Warner Brothers slate-with talk of George Miller directing (which would be exciting)-but Zak really feels this is the true follow-up.

And this feels like it is becoming an issue with both Marvel and DC films.

In the early days, the Marvel stand alone films were allowed to focus on the hero. There might be a cameo, or a supporting role (Black Widow in Iron Man 2 and Captain America: The Winter Soldier). But the films were primarily focused on the hero’s journey, while the larger Avengers story-line might be lightly hinted at.

But Captain America: Civil War seems to be suffering the same problem as Batman v Superman… so stuffed with heroes, it feels more like “Avengers: Infinity War-Prologue”. They are feeling less like proper films in a franchise and more like the setup films. Adding Spider-Man to Civil War only enhances that.

I kind of get what they are doing with Batman v Superman, because Warner Bros has been playing catch-up after trying to determine how to get that Avengers cash without totally looking like they are trying to copy the the actual Avengers formula.

So we are getting long movies full of heroes, all while they give less and less room for the title character. Part of what I enjoyed about both Ant-Man and Guardians of the Galaxy was they had connections to the greater shared universe they inhabit without losing their own spirit.

I worry both DC and Marvel will be making it near impossible to allow even their solo movies to be focused on the hero whose name occupies the Title Card.

September 22, 2015 2

Dwight Dons Spandex (Super, 2011)

You remember that movie Kick Ass? You know, the one where the loser kid wonders why nobody ever fights crime in a costume-so he decides to do it? And teams up with a precocious ten year old girl who kills people and swears a lot? And how it was all seen as good something sane people would do?

James Gunn (writer director of Slither and Guardians of the Galaxy) thought that film was full of $#!^ (to use comic book talk). In the world of Super, in which Dwight from the Office has a mental breakdown and decides to fight the evil Kevin Bacon to save his elvish wife with the help of Juno, you have to be a little off to want to put on a costume and fight crime.

The story centers on Frank (Rainn Wilson, Dwight on the Office). Frank has lived a life of humiliation after humiliation. His only two good moments were marrying his wife Sarah (Liv Tyler) and the time he helped catch a criminal. His wife falls in with a bad crowd, hooked on drugs and eventually, she leaves him.

Frank sees a cheesy Christian Super-Hero called The Holy Avenger (played by Nathan Fillion) on TV (think Bibleman). Later, after pouring his heart out in a prayer, Frank has a vision. This vision convinces him he has a special calling. And so he vows to fight crime in a costume with a night stick.

Beating up criminals makes him a public phenomenon at first, until Frank overreacts to a guy who makes a slight social faux pas. He meets Libby (Ellen Page), who discovers his identity and becomes obsessed with being his “kid” sidekick. What soon becomes apparent is that she is not interested in doing what is right so much as the action and rush involved.

That the film can be very dark was not truly a surprise to me. It really does present the idea of super-hero work as requiring that you be a bit disturbed. While not a new idea in comics (Garth Ennis makes quite a living off of the notion) after several years of stable heroes in film…this rather cynical take works pretty well. Of course, it came out the same year as the film Defendor-and even covers similar ground. But still, Wilson makes a pretty compelling mental case, who can be endearing and yet a bit scary. Kevin Bacon is good as a low level drug kingpin wanna be, while Page goes from a fun exuberance to a really uncomfortable and tragic place. Gunn really makes the story work, and finding a way to inject satire in with sincerity that is usually very hard to get right.

There is a brutal honesty when Frank is on his knees, in tears begging God for an answer as to why his life seems so stacked against him. He pours out every bit of self resentment and begs God for an answer…why do I have to look like this? Why couldn’t I have been smarter? Cooler? More lovable.

Frank is messed up, but you can understand and sympathize as to why. He really wants life to be more simple than it is. Underpinning the film is a rather grim and unpleasant portrayal of violence that challenges the cool action hero of something like Kick Ass. It is disturbing and lacks the “cool one liners and puns” prevalent to other violent action heroes.

And yet, in spite of the grimness, the film finds a way to end on an upbeat and even inspirational note, without feeling false or tacked on. It never justifies what went on before, instead suggesting some healing for Frank.

Super really caught me off guard, in spite of having heard positive raves about it, I think I anticipated a more gritty take on Kick Ass, but I got something much better out of it. Yes, it was violent, but it was also thoughtful, touching and inspirational.

September 16, 2015 0

It’s the Little Things (Ant-Man, 2015)

Ant-Man is the 12th film in the Marvel Cinematic Universe. It has been the source of multiple controversies. It was not always meant to be a part of the Marvel Cinematic Universe, instead it was the pet project of Edgar Wright. With Iron Man, Marvel Studios birthed their cinematic universe, and slowly started to wrangle Ant-Man in. When Marvel announced actor Paul Rudd, it got a shot in the arm. Eventually Wright and Marvel hit an impasse. Wright left the project and people got nervous about Ant-Man. Although a founding Avenger in the comics, many questioned the point of a character seen as fairly obscure outside of comic circles. But Marvel was determined to make the film, hiring director Peyton Reed (Down With Love, Bring It On).

The film we have gotten is not necessarily what we would have gotten from Edgar Wright. But that does not make what we got a bad offering. The fears that we were getting the first official MCU bomb have not come true.

The film is the story of criminal Scott Lang (Paul Rudd). He was a skilled burglar who exposed a corporation screwing over it’s customers and is now recently released. His hopes of being a part of his daughter Cassie’s life are quickly dashed, as his ex-wife (Judy Greer-underused again) set strict rules before he can re-enter Cassie’s life.

Running parallel is the story of Hank (Michael Douglas) and Hope (Evangeline Lilly) Pym. Hank has spent 20 years trying to protect Pym Particles from falling into anyone’s hands and it strained his relationship with his daughter Hope. Hope felt abandoned at a time when she probably needed Hank the most-the death of his wife and her mother Janet.

The strong points of the film are that it stays mostly in it’s own grounds. There is an obligatory Avengers crossover, and we know Hank used to work for S.H.I.E.L.D. But it is mostly background. This is smaller scale, no universe/planet saving. In fact, it is more of a traditional heist film where they added the element of super-heroics. The final battle takes place in a little girl’s room. The only world at stake in that moment is Scott’s. After so many “bigger” Marvel films, the smallness of the film is pretty refreshing.

The cast is terrific, with Michael Peña‘s Luis being a real highlight. He is solid and enjoyable comic relief. It is a nice touch that he is not inept, simply excitable. I liked Evangeline Lily’s Hope, and even felt Douglas made Hank’s adamant refusal to allow her to don the Ant-Man costume made sense.

The miniature effects look great, and Reed makes the best of the moments.

At the same time, the film seemed to take short cuts. We never really see when Corey Stoll’s Darren Cross shift from ambitious business man to psycho villain. It just happens. While understandable why Hank opposes it, the idea that Hope never dons an outfit as the Wasp in the film? Disappointing.

Another controversy (which proves true in the final film) was “fridging” the original Wasp*. We never see much of her, she is hidden behind a mask. Between this and the lack of Lilly getting to be the Wasp left me wanting a bit more from the film.

The final work is still strong, with likable characters, fun adventure and great humor.

*”Fridging” is the term for storytelling where a female character is killed on or off screen for the sole benefit of the lead (usually male) character.

August 29, 2015 0

Fantastic Lemonade

So…I was not a fan of the the latest stab f the Fantastic Four. And I was not alone. But Jamie Broadnax, whose writing I respect and enjoy, has voiced an appreciation of the film.

This challenged me to think about the film a bit harder. Specifically, are there things I did like? Things that I could appreciate even if they did not work?

There things I liked. For instance, Franklin Storm. I liked him. He radiated a general kindness and his interactions with Johnny and Sue were welcome additions. It’s frustrating he kind of fades away until he is needed for the “Big Emotional Motivation” towards the end.

I did like Johnny Storm in general. The specifics frustrate me…Johnny as a free spirited risk taker works better for me than “Angry Risk Taker”. Michael B. Jordan manages to still infuse some charm into the role.

I like the cast in general. All the actors are proven talent, so the issue was never performance. The actors did their best with questionable material. Dr. Doom especially suffers there. Nothing about his early behavior suggests what he will become. There is an offhanded comment about whether the world should be saved…but once everyone gets their powers, Doom is lost and nobody seems to care. Once he reappears he hates the world and wants to destroy…because.

The use of powers, especially by Reed, were pretty effective.

I liked the inter-dimensional travel part of the plot. The use of science in general. The early suggestions of Sc-Fi Adventure would have been a great path to go. This was clearly borrowed from the Ultimate Fantastic Four comics. I think this works well.

Leaping from there, I think would have benefited the film to have a different villain. Victor Von Doom should have been there, but more as a scientific foil for Reed. It might have been a good idea to borrow from the comics, unbeknownst to the rest of the crew, Doom alters their coordinates, resulting in the tragedy that gives them all powers. And Sue would be there with them. Not sitting back at a computer terminal.

Instead, a different villain. An obvious choice would have been Annihilus. The discovery of an alternate dimension is not one way. Save Doom for a later film in the franchise.

And then there is the whole deal of Reed running away. Yeah, it gives Ben his motivation for anger towards Reed. But it felt like getting rid of Reed was more because they did not know what to do with him. The idea that Reed sees Ben in his rock form and simply runs away…just does not gel. It would have made more sense to show Reed working with Franklin and Sue Storm with the goal of getting everybody back to normal. The big conflict with the military regarding the attempts to turn Ben and Johnny into weapons.

There are all sorts of ways this film could have gone to be better. A brighter color pallet for instance. More humor. More heroics.

And for Pete’s sake…give Ben Grimm some pants.

August 11, 2015 0

Blahtastic (Fantastic Four, 2015)

Truthfully, the Fantastic Four reboot is exactly what I would expect from someone behind Chronicle. Chronicle was a good film, but it was tonally dark, focused on the breakdown of family bonds and friendship. It was dark and sad. None of these are really good tones for the Fantastic Four.

Josh Trank has already tried disowning the movie, but the problem is? It sure looks like the kind of movie I would expect from him. The film has a color treatment to suck out any and all vibrancy. It is a serious and un-cheery affair. Johnny Storm (Michael B. Jordan) is not a carefree adventure loving guy…now he is and aggressive, unhappy street racer.

Ben Grimm (Jamie Bell) is…a guy? Sue Storm (Kate Mara) is awkward socially, so is Reed (Mile Teller) and so is Victor Von Doom (Toby Kebbell). There is nothing that makes the characters easy to tell apart…and little to see a spark of heroism.

The film takes forever to get to the pivotal accident that gives everyone their powers. And then the film gets real boring. Doctor Doom is terribly dull, and lacks any visual identity. Sure, he has a green cloak. But He looks like a generic villain, like they forgot to finish the character design in the pre-production stage.

The film lacks any joy of discovery with the characters, and focuses on the darkest take of their getting powers. They do not have code names in the film. Everybody refers to the as Subjects. Johnny’s digs at Ben are simply mean, lacking the playful spirit (Captured so well by Chris Evans) of the character in the comics.

This is a dull film, that misses why people love these characters in the first place. I wish it had been a disaster, because that might have been interesting to watch.

And there is just something about the Thing not wearing pants that just looks weird.

August 8, 2015 0

Spider-Man Swings Past the Origin

The site Collider has a discussion with the writers (though, the actual interview occurred on the Andy Greenwald Podcast) of the rebooted Spider-Man franchise.

Much talk has been given about Spider-Man’s second reboot and his entering the the Marvel Cinematic Universe. The hype is getting so ridiculous that an article appeared in my Facebook feed *confirming* Spider-Man would appear in Civil War. People are so desperate for angles that they are confirming stories confirmed months ago.

The more interesting part is the address the most common concern people seem to have about the reboot. Are we getting stuck with another origin story? The fact that Spider-Man is appearing in Civil War would indicate the answer to be no. The MCU has been fairly good at not jumping backwards. The timeline appears as if they will be jumping into a story with an active Spider-Man.

This interview suggests that, currently, they are not writing an origin movie:

“I think that everybody feels like you know he got bit by a spider and you know Uncle Ben died, and we probably don’t need to revisit that.”

“We want to explore the fact that just because you get superpowers doesn’t make you into a really sophisticated, successful adult. He’s still a kid and he’s clumsy and he’s a geek and he’s a bit of an outcast, and in many ways the superpowers amplify that and exacerbate his trying to fit in.”

This is good to see. Truthfully, the origin movie is rarely needed. I get that there are all sorts of fun that can occur with someone learning their powers. But a simple solution is set the story early in the hero’s career. This allows for amusing and dramatic stumbles due to inexperience. You can still set up the rivalries.

In that sense, I get the idea that DC is working with. It seems like Batman v Superman will be introducing characters who are already active. I am not fully behind the “older Batman” approach…but in a way, I appreciate the way they seem to be avoiding another Batman origin story. Sure, it appears we will see some flashbacks, but comics have always reflected on characters origins in their storytelling. But Warner Brothers and DC seem to be realizing they can start the story later in the career of the character. Really, I think it would have helped Man of Steel to start in his early career, instead of the introduction to his world as fighting a massive and destructive battle with Zod.

To be fair, Marvel has not just given us origin films. The Incredible Hulk was not an origin tale and really, Thor was an established Asgardian Warrior. But Marvel really has leaned heavily on origin films. And it certainly worked for the best with Captain America. So it is good to see that Marvel and their screenwriters understand that it is just not necessary to retell the Spider-Origin all over again.

August 1, 2015 0

The Argh of Apocalypse

The X-Men films started off strongly (X-Men was decent, X2 was very strong) faltered in the middle (X3 and X-Men Origins Wolverine were big stumbles), X-Men:First Class started the films back to a solid footing that X-Men: Days of Future Past continued with. The Setting in the past helped give the films a sense of purpose. And as they go into the 80’s with the X-Men: Apocalypse, introducing Apocalypse makes a lot of sense.

In the Marvel comics world, Apocalypse was the first mutant. He is ancient. And he looks like this:

Entertainment Weekly recently revealed the look of Apocalypse for the film:

And it just feels…off. People slammed it quite harshly. My own reaction was that it looks like a lame Doctor Who villain or a rejected idea from the Wishmaster franchise. I mean, maybe there is going to be a barrage of digital yet. But some folks quickly jumped up to point out that folks complained about Quicksilver and look how that turned out.

And, this is fairly true. People howled loudly about how awful Quicksilver’s outfit looked. And yet, Quicksilver was one of the most engaging characters in the film. His sequence in Days of Future Past was a real standout.

And so, folks are understandably saying, the character could still be awesome. And true, the performance may turn out to be awesome. I am not expressing a dissatisfaction with the performer. But I am rather unexcited about the characters look…and no performance is going to suddenly make it look cool. I may like the performance and character, but unless there is a lot of post production touch up, I cannot see the character looking less comedic.

As an aside, the inclusion of Jubilee feels odd… Jubilee is really very much an element of the 90s X-Men comics. Yes, she technically first appeared in the 80s. May of 1989. The actress seems like a good choice and they do seem to have hit her style near perfectly.

Oh yeah, Moira McTaggert is in this one…if it’s not archival, there is a 20 year jump in time since we last saw her…are they aging Rose Byrne (the character would be pushing 50, if not older)? And really Entertainment Weekly and Filmmakers…if Scott Summers is a “bad boy” in your film…crap, that is a big misunderstanding of the character.

July 28, 2015 0

Better, But Still Not Quite…There…

So San Diego Comic Con saw the release of a new trailer for next year’s Batman vs Superman and…

Well, I am a little more hopeful…but not yet excited.

The trailer is unclear if Batman has been active for years or if he retired, though there seems to be indications he is returning to his cowl.

While I am a bit bummed that we will not have an established friendship, they are clearly coming at this with the heroes fight, realize they are wrong, join forces model. This is, certainly, a classic comic book story. But Superman and Batman have a long history as close friends. I would hope they can do it as effectively as John Byrne did in 1986’s Man of Steel mini-series.

They cannot, of course, give us a long established relationship, as Man of Steel established the very first time people saw Superman was his battle with Zod. And the Man of Steel is our introduction to the DC Cinematic Universe. It is off to a grim start. I have expressed in discussions with friends that I am bothered by the literal hero worship aspect because I felt it had not yet been earned. Granted, the film is likely set a few months after the previous film…and I can appreciate that they are trying to address all the destruction in Man of Steel.

So what makes me feel more hopeful?

The Man of Steel Returning cast. Getting to see Clark Kent active as a reporter. Eisenberg’s Lex Luthor is intriguing to me right now. Jeremy Iron’s Alfred seems to nail the idea that Alfred is Batman’s needed conscience. It looks pretty exciting. Wonder Woman looks tough.

So, I am still cautious and not yet at optimistic.

July 27, 2015 0