Now You See Me (The Invisible Man, 1933)

Invisible_Man_1933_PosterThe Invisible Man opens mid story.  A mysterious bandaged stranger arrives at a tavern and demands a room.

When he becomes abusive to the tavern owners the police come and the truth is revealed…beneath the bandages is emptiness. Meanwhile, associates of the invisible man are trying to locate him in the hopes of curing his condition.

It is revealed that while he is initially trying to heal his infliction, Jack Griffin is being driven mad with power through the invisibility. Through his beloved Flora and her father, we discover he was a better man, and they are hoping to return him to that.

The idea that invisibility would turn any man or woman deviant no matter how decent they are is not really quite explored here, as it is shown to be a side effect of the formula that is driving him mad.

The Invisible Man is short and moves quickly, and Claude Rains is quite entertaining.  The effects are still incredibly effective, making this a fun part of movie history.

Give It All Away (Brewster’s Millions, 1985)

Brewsters_Millions_PosterBack in 2008, Bill Gates retired from the day to day of Microsoft and had the plan to devote his fortune to charity. Twelve years of giving charitably, Bill Gates is now worth more than he was in 2008.

Monty Brewster is a down on his luck minor league baseball player who discovers he had a long lost rich uncle.  Monty is the last living relative and is set to receive $300 million on one condition.

Monty is required to spend $30 million in thirty days. At the end of thirty days, he can only have the clothes on his back.

Monty takes the challenge, but finds quickly discovers the odds are against him. The Law Firm dispensing the money will gain all of the estate if they fail, and so they set about trying to sabotage him. His friends enjoy spending the money with him, but Monty has the problem that people assume he does not want to go broke and he cannot tell them why he is spending like a madman.

The seventh adaption of a book from 1902, this version is written by Timothy Harris (who wrote Trading Places, another “rich men put the poor through the ringer” story) and directed by Walter Hill (48 Hours and the Warriors), this version is a vehicle for the late Richard Pryor.  And it is a fun vehicle.  The antics as Monty tries to spend his way to being broke is supported by terrific cast.  John Candy is Spike, Monty’s best friend.  This is pure Candy charm at work, emphasizing a nice and goofy nature with just a hint of being a womanizer.  Lonetta McKee is the person assigned to keep track of Monty’s spending, but unaware of his full situation, she is repulsed by his squandering of money when it could be used for good.

Thirty five years later, Brewster’s Millions still holds up as a fun comedic farce.

 

The Rich Eat the Poor Eat the Rich (Parasite, 2019)

Parasite_PosterParasite opens with a family struggling to find access to someone’s wi-fi so they can use their phones. Comical and relatable it is also clear the Kim Family are constantly trying to find ways to make money and cut costs.

When a friend of son Ki-Woo asks him to take over a job tutoring a girl from a rich family for him while he is away at college, the Kim family gets an idea.  They plot to infiltrate the family via employment.  They find ways to get the current employees of the rich Park family fired and take their places.

Parasite is one of the more clever and nuanced looks at class and really the entire system of capitalism.  Bong Joon Ho weaves a tale without heroes. Instead, we follow the families and see how different the worlds they live in are and yet how interdependent those worlds really become. It is not a critique of the rich.  The rich in the film are not direct evil. We Americans tend to be more comfortable with clearly delineated good and evil.  But Parasite looks at the economic system of capitalism and suggests it makes us all parasites.

The cast is terrific, with all great performances.  The writing is wickedly funny and emotionally charged. Parasite earned it’s Oscars and is a film I highly recommend.

Oh the Horror! (Cats, 2019)

Cats_PosterCats has a scene where Rebel Wilson’s Jennyanydots unzips her fur to reveal more fur and a costume and she eats cockroaches with human heads.

This is a nightmare.  And I do not know where the responsibility all is falling too.  The story is pretty odd and nonsensical. And the film never really justifies the nonsense. The visual effects work against the film as they are largely creepy and sometimes feel incomplete.  I don’t blame the effects artists…they were over worked and trying to deliver for an incomplete vision. The cast is amazing and practically the only person who seems to care is Ian McKellan, like everyone feels as if they are in a different movie.

I really cannot think of anything I liked.  I mean, some of the songs were enjoyable?

Cats is already going the Rocky Picture route, so maybe see one of the Cats Rowdy Screenings at an Alamo Drafthouse? I mean, I would consider watching it again there.

Moving On (Harley Quinn: Birds of Prey, 2020)

Harley_Quinn_BoP_PosterThe DC Extended Universe Films have struggled. A lot.  By the time Justice League came out the only film that had seemed to be a solid success with critics and audiences. Wonder Woman was joined by Aquaman and Shazam! as viewed through a largely positive lens.  Of course, Shazam! was a bit of a disappointment in the box office, which is too bad considering it is a fun and entertaining film.  Harley Quinn had it’s own issues facing it… a spin off (it is not really a sequel to Suicide Squad in any sense of the word) to a poorly received film (Suicide Squad made nearly its entire haul opening weekend) that went for an “R” rating.  The only character appearing in this film was Harley Quinn. Mind you, Margot Robbie is often cited as one of the best parts of Suicide Squad, mainly because she was.

Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is a pretty messy title, and considering this is a Harley Quinn movie, rather misleading.  The focus is Harley Quinn and her life post Joker. But Harley discovers that life outside of the Joker actually makes her a big target for the underworld. Her biggest Danger is the Black Mask, Roman Sionis. He is after a unique jewel that was stolen by the pickpocket Cass Cain.  But things get complicated and Harley finds it hard to turn Cass over to Sionis.

Alongside are several interconnected side stories, Black Canary is working for Sionis, Detective Montoya is trying to take Sionis down and the Huntress is out for revenge on Sionis and his goons. Which means they will all have to team up together.

As I said, this is Harley’s movie. She narrates the film and will constantly suddenly decide we need to learn more of the story.  While this could lead to a complete mess, it kind of works as an aspect of Quinn’s personality.

I really like the characters in this film.  In fact, I found myself wanting more of Black Canary and the Huntress. Ewan McGregor is clearly having a good time playing an off the rails villain. Of course, Margot Robbie is making the character her own, becoming identifiable in the way Ryan Reynolds is with Deadpool or Hugh Jackman is with Wolverine.  She is so much fun in the film.

The action scenes are very well constructed and make for a whole lot of fun to watch.  The film is incredibly colorful, there is one scene where she is in the local jail taking people down with glitter pellets and other “silly” takes on weapons that is gleefully played out. They also use a visual queue similar to Suicide Squad…except they do it far better.

The “R” rating does not feel necessary and the film goes a little long. But it was a really entertaining time, and frankly, I wish this was the type of movie Suicide Squad had been.

Losing Together (The Farewell, 2019)

The_Farewell_PosterThe Farewell is the story of Billi, whose parents moved to the United States from China when she was young. While she has remained in contact with the family, she is feeling disconnected to them.

When she discovers that her Grandmother has cancer and that her parents kept it from her and were not bringing her on a trip to visit her Nai Nai, she is heartbroken. It does look cold, but the truth is, nobody has informed her Grandmother of her illness and they feel that Billi could not hide this. But Billi decides to to make the trip anyways and surprise her family.

As her uncle explains, they are keeping her condition from Nai Nai to carry the burden for her. In a heartbreaking moment, he suggests that Billi wants to tell Nai Nai the truth because it will make things easier for Billi.

The film really captures the entire family struggle, as Billi is less alone than she realizes. Her father and mother, her uncle, her cousin…all are struggling with the reality and putting on the brave faces for Nai Nai.

But the Farewell is not all sadness.  In fact, it is also sweet and funny.  Lulu Wang is exploring grief, but also what it means to be a part of a family. Honestly, it is a beautiful film and worth watching.

Also, not nominating Awkwafina for an acting Oscar is a crime.

My Favorite Films of 2019 (Favorites, 2019)

So, I decided to go with a list of fifteen films on my list of favorite films for the year. I missed Parasite in theaters and so have not yet gotten to see it and I have not seen 1917 since it does not go into wide release until Friday.

  1. Knives Out
    Rian Johnson’s Knives Out was the most fun I had in the theater this year. I loved this movie. Original characters in a story that pays homage to classic whodunnits, it is filled with nothing but terrific performances with some fun twists. Johnson has announced a new Benoit Blanc mystery and I am excited.
  2. Jojo Rabbit
    You could never make Blazing Saddles today.  Comedy is too hard in today’s woke environment said Joker director Todd Phillips. Boo hoo, folks. Taika Waititi tells the tale of a young boy so dedicated to the Nazi cause, his imaginary best friend is Hitler.  A surprisingly funny and touching film, Jojo Rabbit is a gem.
  3. Little Women
    I have never read the book, nor seen any of the prior adaptions. But this movie worked so well. Gerwig and her cast weave together a beautifully engaging film.
  4. Uncut Gems
    Adam Sandler’s best performance since Punch Drunk Love, the Safdie Brothers give an intense story of human greed and misery.
  5. Midsommar
    Ari Aster does it again. Where Hereditary was full of darkness, Midsommar attempts the rare choice of a well lit horror. Tense, unnerving and a tad goofy, this film is terrific.
  6. A Beautiful Day In the Neighborhood
    While not flawless, this film is a beautiful exploration of love and forgiveness through the eyes of a heartbroken cynic who meets the beloved Mr. Rogers. Marielle Heller makes some beautiful choices (such as imitating the television show’s models for transitions).
  7. Dolemite Is My Name
    Eddie Murphy gives a great performance here.  The movie itself manages to be a crass love letter to Rudy Ray Moore, a man determined to make it against a world that seems to not be interested in his success.
  8. Ford vs Ferrari
    Really enjoyed this supposed “Dad Movie”.  Genius in the face of corporate roadblocks push the drama here.  The racing scenes are exciting and the film is inspirational.
  9. The Lighthouse
    I still do not know what to make of the film, but it is so visually beautiful, I still think about it.
  10. Us
    Some people got really hung up on the “how does it work” aspect. But honestly, Jordan Peele’s followup to Get Out had my attention from the beginning and just never lost me.
  11. Avengers Endgame
    Technically, I think Infinity War was the better movie…but this one was so much more satisfying.
  12. the Irishman
    While I think this has some great performances, I was not nearly as pulled into this one as I hoped. It was good, but was not my favorite Scorsese film. I know a lot of people praised this as a great triumph, but honestly, part of me feels like those folks felt obligated to really hype the film over the silly Scorsese/Marvel brouhaha.
  13. Once Upon a Time in Hollywood
    Fun film from Tarantino, not his greatest film, but entertaining and great performances.
  14. John Wick 3: Parabellum
    The weakest of the three films, but still an amazing feat of action choreography and enjoyable performances.
  15. Ad Astra
    A thoughtful Sci-Fi film with Brad Pitt as a detached astronaut on a mission to discover if his presumed dead father may still be alive. Beautiful visuals and a quiet pace make this a solid sci-fi film.

Honorable Mentions (in no particular order):

Doctor Sleep- I am almost tempted to switch out John Wick 3 for this one.  Doctor Sleep was a real surprise.

Ready or Not- This was just a fun and ridiculous horror film.

Spider-Man: Far From Home- I enjoyed this one a lot. Mysterio was a cool villain and it was nice to see a villain we had not seen before. Plus, the mid credit scene.

Klaus- A beautiful little animated film.

Godzilla: King of Monsters- I had a blast with this one.

Shazam!- This is a fun movie. I had a great time.

Take a Stab At It (Knives Out, 2019)

Knives_Out_PosterFamous Crime novelist Walter Thrombey is found dead after his birthday party. At first, declared a suicide, famous detective Benoit Blanc arrives and sees possible suspects in every member of his family. Caught up in it all is his nurse Marta who may have the most to gain.

I cannot really say more…so I am just going to say this:

SEE THIS MOVIE.

It is superbly written, directed and performed.  It is hilarious and a rewarding watch.  This was the most fun I had at the movies all year.

It’s Not Just a Jungle Out There (Jumanji: The Next Level, 2019)

Jumanji_Next_Level_PosterAlex, Martha, Fridge and Bethany have all moved forward in life, but college life has been disappointing for Alex and he has become distant from the others.

When everyone returns home for Christmas, Alex decides maybe what he really needs is to recapture the confidence he gained from the last time they went through Jumanji. When he never shows up for a planned breakfast, Fridge, Bethany and Martha find themselves forced to enter the game.  But due to damage to the console, the group find themselves lost in a new part of the game and in the wrong avatars (well, except Martha).  To make matters worse, the game has pulled in Spencer’s grandfather and his old business partner Milo.

The Next Level faced a challenge.  How to convincingly argue the kids would re-enter the game and how not to lose the magic of the interplay of the last film.  The previous film was one of those rare films that did not depend on Johnson basically being himself.  The cast was convincing and fun playing the roles of teens trapped in a video game.

Kasdan ups the ante with this one. Gillan, Black, Hart and Johnson all get to play multiple inhabitants of their avatars (with Hart and Johnson doing fun takes on Glover and Devito for much of the film).

This was a real fun follow up that manages to carry over the character growth of the last film while still capturing what made the previous so much fun. The cast is great and the action is fun.

Friendship is Magic (Jojo Dancer, 2019)

Jojo_Rabbit_PosterJojo is a young boy living in Hitler’s Germany.  He aspires to be a great Nazi, to the point that the ten year old’s imaginary best friend is Adolf Hitler. After getting wounded at a Nazi gathering for Hitler Youth, these hopes are dashed. Instead, Jojo has to stay behind and support the Nazis through canvasing with propaganda.

But his life takes an even bigger turn when he discovers his mother is helping hide a young jewish woman named Elsa in their house.

Jojo Rabbit is a fascinating film.  It delivers lots of laughs, of course, in part due to the fact that it falls into a long history of presenting the Nazis as buffoons. Sam Rockwell is the disillusioned military man who has lost his faith in the cause of the Nazi regime. Rebel Wilson is the more devoted but goofy (at one point telling the kids at camp she has had eight babies for Germany).

Scarlett Johansson turns in a solid performance as the rebellious mother of Jojo, who hides her activities from Jojo to protect both him and herself.  She loves her son deeply, and hopes to turn him from his being a Nazi back to her son…a little boy.

Taika Waititi plays Hitler.  And he pulls off a stunning transformation. Early in the film, he is funny and almost sweet. When Jojo is humiliated by some older boys at Nazi Camp-giving him the Rabbit Nickname- Adolf tells him what a brave and noble animal a rabbit is. But as a friendship with Elsa grows, Hitler starts to become more menacing. He is really the dark ideology Jojo clings to, and as Jojo finds himself questioning it, the poison festers and fights to maintain dominance.

Roman Griffin Davis gives a great performance as young Jojo.  He has a sweetness that seems to conflict with his belief in the Nazi ideology, and ultimately, that nature starts to assert dominance. He also has a wonderful chemistry with Thomasin McKenzie. At first, she is abrasive with him as a survival tactic, but more and more their walls break down for each other.

Truthfully, the trailers did not prepare me at all for the film.  Because, yes, it is funny. And it challenges the viewer with uncomfortable moments. But it also is heartfelt and hopeful. And Heartbreaking. There are gut punch moments I was not anticipating. The film is unafraid to acknowledge the horror and evil of the Nazis, even while laughing at them.  And, maybe that is how it should be?

While Todd Phillips complains that comedy is too hard in today’s environment… Taika Waititi on the other hand makes a film that has laughs and heart. It has moments of raw and painful emotion that gets at the center of our conflicts and growing past our ills. Jojo Rabbit looks at us at our darkest and dares to call for hope. It calls on us to dance.

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