Spy Games (The Spy Who Dumped Me, 2018)

Spy_Who_Dumped_Me_PosterIt is Audrey’s birthday and she has not been having a good day. Recently, her boyfriend Drew dumped her via text, and her best friend Morgan is determined to bring her spirits up. When Morgan texts Drew that they are going to burn his stuff, he suddenly responds, asking her not to, and promising to show up the next day, but in the meantime, she is accosted by the CIA who announce that Drew is actually a spy. Drew shows up and gives vital information to Audrey and Morgan before being killed.

What ensues is the two being caught up in an international espionage plot as they try and determine who they can trust. Hunted by the CIA, British intelligence and a terrorist group they try and survive shootouts, car chases and evil torturers.

Honestly…I feel like I should just hate this movie and trash it. The plot is not fresh and the film is incredibly predictable. At no point did any surprises…well, surprise me. But you know what?

I enjoyed this flick. A lot. This is largely because the cast makes it work so well. I was laughing throughout the movies and the cast was the reason. Mila Kunis and Kate McKinnon totally have great comedic chemistry.  They sell the heck out of their friendship and their comedic timing with each other is a blast. Gillian Anderson is a straight man character, but she creates laughs with the simplest of moments. The small roles are filled with people who just make the most of them (Lolly Adefope killed me with her role as a condescending co-worker and Kev Adams had me in stitches with his role as an Uber driver).

The Spy Who Dumped Me makes up for it’s shortcomings with such engagingly funny interactions and jokes that it left me smiling and laughing as I left the theater.

Blurred Lines (Den of Thieves, 2018)

Den_of_Thieves_PosterRay Merriman is ex-military and leads a skilled team of criminals that specialize in hard to pull off heists. They run afoul of the corrupt cop “Big Nick” O’Brien and his crack team officers who try and take them down.

Big Nick and his crew force help from Merriman’s driver Donnie.  Donnie then has to try and play both sides the best he can to survive.

The film switches between their current heist and flashbacks, and it is a little confusing at first, but then the film starts to get better at making these jumps clear. To be honest, I have always felt Gerard Butler has limited range…but the film puts that to it to the best use.

There is nothing new to the heist genre here. The bad guys are super clever, the cops trying to stop them are of questionable moral character…even a lot of the big reveals are entirely too easy to see coming. But it does follow the rules pretty well, resulting in a fairly competent heist film.

Big Little (Ant-Man and the Wasp, 2018)

Ant_Man_Wasp_PosterWe last saw Ant-Man in prison with the other heroes who sided with Cap in Civil War. People noticed that he was absent from all the Infinity War promotions, and while Infinity War gave a quick explanation of where he and Hawkeye were, Ant-Man and the Wasp gives us the “full story”. With days to go on his house arrest, Scott Lang has been out of contact with Hank Pym and Hope Van Dyne for months, having parted on less than good terms as he stole the costume for his role in Civil War.

Hank and Hope have renewed hope that Janet Van Dyne (believed lost in the Quantum realm) may be alive.  They are working in secret to locate her. When one of their experiments coincides with a crazy dream of Scotts, the three are brought back together to try and rescue her. But it is not as simple as they hope, as they are in competition with underground arms dealer Sonny Burch and a mysterious villain called Ghost. Ghost is trying to get the Pym lab because she has phasing powers, but cannot control them. Add to this being hunted by the FBI, rescuing Janet may not be as easy as they hoped.

The film is more focused on Hank and Hope, with Scott brought along somewhat unwillingly, but I found this worked okay. The first film had a running joke about how Hope was far more competent a super-hero, but never got to wear the suit. This film gives us a lot of Wasp action, and it is a whole lot of fun to watch. Scott gets some solid action of course as well, and he even gets a few opportunities to really show his cleverness (a FBI breakout sequence calls back to a scene in the first film, but flips the roles).

Rudd is as goofily charming as in the first film…and Michael Peña is hilarious (even though they only give us one of his elaborate stories). The return of Judy Greer and Bobby Cannaval is welcome.  I really like that the relationship between Cannaval’s Paxton and Scott is not some sort of rivalry over their shared family. Instead, Paxton seems to want the best for Scott and genuinely like him.

The film has some genuinely touching moments with Scott and his daughter Cassie. A wise kid who looks up to her dad and wants to be his sidekick.

The story works very organically, the things that bring the first film’s cast together makes sense (Scott, Luis and their team of ex-cons now have a security business to help businesses avoid being hit by folks like…well, themselves).

The first Ant-Man was a surprising film and a welcome relief to the trend of telling bigger and bigger stories in the solo Marvel films. Ant-Man and the Wasp carries the fun over, building on it’s small scale mythology (the post credit scene ties it to Infinity War).  Ant-Man and the Wasp is a pretty worthy sequel and a lot of fun to watch.

 

Reach for the Sky! (Skyscraper, 2018)

Skyscraper_PosterI imagine the pitch meeting for Skyscraper went something like this…

“Think ‘Die Hard’ in a really, really, really, really, really, really, really tall building.”

“uh…”

“Starring the Rock!”

SOLD!!!!!!!

The Rock plays Will Sawyer, who was in a major accident as a FBI hostage rescuer. A decade later he is a husband and father. He runs a small security business and he has been brought to Hong Kong with his family to give his expert advice for the tallest smart building in the world.  But when the building is attacked and Will is framed, he must do everything in his power to get into the building and save his family.

The film moves at a pretty fast page, mostly because, really, there is very little characterization.  Will and his wife Sarah are the most fleshed out, followed by building owner Zhao Long Ji. This is great for Sarah who plays much more than just “wife in distress” and is instead a very active participant in their survival.  The movie definitely hinges on the Rock’s natural charm though.  The terrorists are extremely generic, with only two set apart….the leader and  his right hand woman Xia…whose main characterization is “can walk through a hail of bullets without flinching or getting hit”.

And yet, the film remains pretty exciting, regardless of how familiar many of the beats feel, in fact, I honestly only thought about the shortcomings later. In the moment? Skyscraper kept up a fast pace that kept me engaged.

 

Fear And Anger (Death Wish, 2018)

Death_Wish_posterThe seventies were a time of unrest and in some parts of America, high crime.  Tough Guy Charles Bronson brought to live an everyman pushed to the edge by criminals who attack his wife and daughter. The original Death Wish spawned four sequels. Architect Paul Kersey journeyed through crime ridden neighborhoods to do what police could…or would not…do.

In Eli Roth’s remake, America’s favorite tough guy, Bruce Willis, plays Paul Kersey. In the original franchise he was a mild mannered architect. Here, we find Paul Kersey to be a skilled surgeon in the emergency room. The film shows Kersey to be a decent guy, but also one who backs down in confrontation. It also makes a point in one scene to show that Paul does not own any guns.  But when his wife and daughter are attacked, the police start to seem a lot less effective. It eats at Paul and he becomes drawn to a local gun store.

After a couple false starts, Paul manages to foil a car jacking and soon follows it up by killing a noted drug dealer. The media erupts and Paul is nicknamed the Grim Reaper.

Many have noted that it is practically an ad for the NRA. But really, this film is more of a promotion of the fear that certain politicians foist upon us. Fears of rampant crime, violent drug dealers, foreign invaders and so on. And it is not that these things do not exist. But the film overhypes them.

Eli Roth uses his trademark subtlety with this one.  The core of the film is revenge because “You touched my stuff!”  This may seem harsh, but the daughter spends almost the entire film in a coma and her mother is dead. The women in his life are reduced to being stuff to drive his anger, fear and resentment.

The way the film ties up it’s story is just overly neat and tidy. Implausibly so. Roth plays lip service to the idea that maybe Kersey is in the wrong…but it is set dressing. It is painfully clear that we are to identify with and thrill over his violence and cruelty.

When I took the disk from the player…I really found the movie pretty unremarkable, fading from my memory. It follows the required rules of action movies…but it fails to make the character interesting or complex. This is not John McClane taking on terrorists whose plot he stumbled into.  This is a predator going on the hunt, which is a lot harder to root for.

Triple Threat (Jurassic Park III, 2001)

Jurassic_Park_III_PosterAlan Grant and his assistant Billy are hired by a rich couple to give them a tour of the island from the second film. Grant discovers that instead of just flying low over the island, his hosts plan to land on the island.

It turns out that the couple are actually there to find their son who disappeared on a trip with his mother and her boyfriend. When they are attacked by a new large dinosaur, they find themselves on the run and trying to figure out their way off the island.

This film does not really try anything new. It set the story on an island again. They take refuge in run down empty buildings. They narrowly escape dinosaurs. Somebody’s greed gets them in trouble.

Steven Spielberg did not return to direct the third Jurassic Park film, instead it was directed by Joe Johnston (the Rocketeer and Captain America). Johnston is a good director, but the film really lacks the Spielberg touch. In addition, the dinosaurs, while mostly looking find, can at times look a bit stiff. Again, the film makes heavy use of raptors. The new dinosaurs are pretty interesting visually.

The film has a good cast, but some of the rather cliched storylines simply feel tired. This is especially true of the divorced couple rekindling their love.  The adventure brings them closer together, suggesting they will recommit to each other. But this ignores the fact that Leoni’s character discovers her boyfriend was eaten by dinosaurs hours earlier.

While Jurassic Park III is passable entertainment, it is easily the weakest entry in the entire franchise (in my opinion, anyways).

Rules of Survival (The Lost World: Jurassic Park, 1997)

Jurassic_Park_Lost_World_posterThe Success of Jurassic Park made a sequel pretty inevitable, but Spielberg took time to craft a new adventure, rather than rush out something that just met the obligatory requirements of a sequel.

This film focuses on a second island…the real labs of InGen. When the park went out of business, so did site B.  And the dinosaurs thrived. Hammond fought to leave the island alone and let the dinosaurs live in piece. To help his agenda, he has sent a team to simply observe and report about life on the island.

He requests the help of Ian Malcolm, who refuses, until he finds out his girlfriend Sarah is already on the island. His hope is to bring her right back. In the meantime, his daughter Kelly is upset by Ian dumping her off with a family friend. She stows away to follow her dad to the island.

Team Ian soon discover they are not the only ones on the island. The company wants to push Hammond out and capitalize on the dinosaurs. They bring a crew to capture dinosaurs to be returned to the States for a small scale version of the Park in San Diego.

The general idea of there being no park is a somewhat interesting change. Goldblum is highly entertaining here. Pete Postlethwaite plays a variation on the first film’s Muldoon. He is a big Game hunter who is there for very mercenary reasons, but is providing professional guidance. The effects are excellent, with some exciting new dinosaurs not seen in the prior film. The primary villain is more in the vein of the original book. A Corporate raider looking to exploit, Peter Ludlow is the example of corporate hubris believing it can control what others could not.

The film’s big finish is a T-Rex chase through San Diego. It is a bit of a shame that they squander such a great notion as “dinosaurs loose in a city” in a brief twenty minute sequence. I also really found the whole “daughter” subplot more annoying. The inclusion of kids in the first film actually made sense, here it seems forced and unneeded.

But when you get down to it, Spielberg can make most anything work, and the Lost World is a lot of fun.

Parks and Wreck (Jurassic Park, 1993)

Jurassic_Park_PosterJohn Hammond has built an amazing and elaborate theme park. One like no other, and he has spared no expense.  But as they prepare to go a live, there is a deadly accident. His investors demand professionals endorse the safety of the park.

Hammond enlists Paleontologist Alan Grant and Paleobotanist Ellie Sattler, while the corporate lawyer brings in the “Chaotician” Ian Malcolm. At first, they are not fully sure what their presence is required for…until they discover that Jurassic Park is no ordinary vacation place.  Hammond’s company has perfected cloning to the point that they are able to use DNA to create new dinosaurs.

While at first awed by what they see, the three scientists start to question the decision to bring dinosaurs back into our world. The lawyer, meanwhile, is seduced by visions of money (“And we can charge anything we want, $2,000 a day, $10,000 a day…and people will pay it”).

Along with his grandchildren (Hammond’s target audience), Hammond sends everyone on the tour.  The crew has left for the weekend, leaving a very small staff.  Pretty much just Hammond, Ray Arnold (who runs the control room), Dennis Nedry (His IT guy) and Muldoon. Muldoon is a groundskeeper of sorts. An experienced big game hunter, he is also security in regards to things dinosaur related.

However, as one would expect…most anything that can go wrong does and our characters find themselves trying to regroup and get off the island without getting eaten.

As you would expect from a Spielberg adventure film, Jurassic Park is an exciting film full of great performances.  Jeff Goldblum’s Malcolm is especially entertaining in his over the top personality.

The film walks the line of challenging capitalism and corporate greed, without going all out for it. The lawyer represents the villainous corporate world, not Hammond. Hammond is the kindly grandfather with grand dreams of sharing his creation with the world. This is a change from the book, where Hammond is a much darker character who has a rather gruesome fate.

The film’s effects were groundbreaking for the time…and while it is a bit clearer now to see where the dinosaurs switch from digital to practical effects, the visuals in the film are still good enough to not be all that distracting today. It is easy to get lost in the excitement and danger of Jurassic Park.

 

Clearing House (Jurassic World: Fallen Kingdom, 2018)

Jurassic_World_Fallen_Kingdom_PosterWell, after the debacle at the end of the last film, the Jurassic World Park was closed down. Now, the island is about to explode, because it is actually a dormant volcano.

There is controversy about people who want to save the dinosaurs on the island and those who think we should let them die.  But of course, there are those with darker plans.

Claire, the icy business woman from the previous film who learned the importance of getting a guy and having kids over a career from her nephews is now campaigning to save the dinosaurs. She is no longer involved with Owen, the cool sexist seventies throwback from the first film. She is hired by an estranged associate of the late John Hammond to go and save as many dinosaurs as possible to set them loose on a private island reserve. They bring Owen so they can save Blue (the good velociraptor from the last film). Things go awry, because this is a film in the Jurassic Park series.

The dinosaurs look great and I find both Owen and Claire far more likable in this adventure. The mystery behind the one kid in the film is kind of an interesting twist on the film’s themes, though it seems like it was played up as being a much…bigger deal than it really is.

The film continues the ideas began in the last film of militarized dinosaurs. And this film pretty much takes the perspective that the dinosaurs are the heroes now. But I am actually very intrigued by the way the chose to end the film.  Other films in the franchise hinted at this…but the next film could be quite interesting.

While the film is violent, it tends to be about as gory as any of the entries. Most of the kills are either offscreen or obscured. For the most part, I enjoyed Fallen Kingdom and felt that, for the most part, the story works and the film is pretty entertaining. And honestly? That is really all I want from a movie about genetically created dinosaurs.

All By Myself (Solo: A Star Wars Story, 2018)

Solo_PosterIf you have ever wondered why the Millennium Falcon looks like tuning fork or how Han Solo got the name Han Solo? Solo a Star Wars Story will leave you giddy.

Han Solo is a young man enslaved by a brutal crime lord and in love with fellow slave Qi’ra. When their escape attempt goes awry, and they are separated, Han joins the Empire.  Not to good at it, sees an opportunity with Beckett and his crew.  They find themselves forced to pull off a dangerous heist to get back in the graces of the crime syndicate Crimson Dawn.

It probably sounds at this point like I really disliked Solo. But actually, I had a lot of fun.  When the film focuses on the *story* (in other words, the heists) it is a whole lot of fun. But when it starts doing the whole “gotta show this thing the original trilogy referenced” it tends to feel forced into the story. And yeah, if you are making a Han Solo movie, you need Chewbacca.

The performances are largely quite good.  I mean, Bettany’s Voss actually kind of made me curious about his background. Woody Harrelson gives a dependable performance as a weary smuggler, hoping to retire.  Of course, Glover is a standout.  He manages to channel the swagger of Billy Dee Williams without merely imitating him.  The droid L3-37 is highly entertaining as a snarky co-pilot for Lando and a droids rights activist (When Lando asks if L3-37 needs anything, she responds “Equal rights?”).

Alden Ehrenreich is not bad in the role…but he does not quite have the self assured cockiness of Ford’s portrayal. The film plays Han as more of a “good guy optimist” who is on the path to the self centered cynic of a New Hope.

And while the film features many double and triple crosses, very little  of these come as a surprise.  The film tries to make you think you should be surprised…but stuff is telegraphed from afar.

I would say this is my least favorite of the New Star Wars films, but I still had a good time with it overall.

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