Where the Bad Guys Go (Hotel Artemis, 2018)

hotel_artemis_posterIn some vague near future, slightly more advanced than where we are now in a society that is collapsing in on itself, two brothers are trying to complete a heist.  Wounded, they seek the Hotel Artemis.  It is a private hospital created specifically for the criminal element.  It is run by the Nurse and her assistant Everest (he is fixit man, security and policy reminder).  If you do not have membership, you cannot get in.

Things get tough for the brothers when a wounded Gangster they just stole from shows up needing medical intervention.  Will anyone get out alive? Is there a setup that was able to bypass the security of the Hotel Artemis?

First time director Drew Pearce delivers a simple and straight forward action film.  It almost feels like a John Wick spin-off. It is full of crazy action scenes, unique characters and a lead you root for in Sterling K. Brown.

Foster gives a great “world weary” performance, a woman who took the pieces of her shattered life and put them back together as best she could. Dave Bautista as Everest is remarkably engaging. Jeff Goldblum, well, this is Jeff Goldblum.

Hotel Artemis does not reinvent the wheel. But it is a whole lot of fun.

Dive Deep (Aquaman, 2018)

Aquaman_posterSure, you know Aquaman can swim fast, talk to fish and punch hard. But what do you really know?

This holiday season, we have the full story of the savior of the seas.  Born of a lighthouse keeper from the surface world and the Princess of Atlantis, Arthur Curry has long dealt with the heartbreak of the death of his mother, believing it really to be his fault.

BUT THAT’S NOT ALL!!! when his half brother Orm sets his sites on uniting the kingdoms of Atlantis and destroying the surface world, the princess Mera seeks the aid of Arthur, who has avoided his Atlantean heritage.

BUT THAT’S NOT ALL!!! See, there is a magical trident that Aquaman will need to defeat his half brother, so he and Mera go on a big time treasure hunt.

BUT THAT’S NOT ALL!!! There is a guy called Black Manta who wants revenge on Arthur!

BUT THA- Oh, you get the idea.  They have packed a ton of stuff into this film, making it a bit of a mess. It is such a busy film full of story ideas it can make you wonder if any of those stories could have better room to breath in their own film.  However, one gets the sense that they had multiple assignments with this film. They had to fill in the back story not just of Arthur, but of Mera, Orm, Atlantis and a magical trident.

And yet, the film is a lot of fun.  The whole little side story in which Arthur and Mera are trying to find the trident National Treasure style is fun excitement.  And the film sets up a simple but good message for Aquaman to learn.  The effects are really good, which is important, because the entire sense of design depends on it.

The real highlight of the film is Atlantis. It is a lush and colorful undersea kingdom.  The use of undersea life in the designs of their vehicles and architecture is wondrous. This is DC film embraces the whimsy of it’s conceit to give a unique corner of the DCEU. There is also a real attention to small detail in all the underwater sequences that make is easy to forget people don’t breath or talk underwater. We get Aquaman in his traditional outfit and you know what? It looks great.

But it is not just the design and effects that the film has going for it. Now, Mamoa has limited acting range…but the filmmakers have filled the movie with a cast that keeps this from being an issue. He can do his brash and confident guy thing, because he is supported by top notch talent like Temuera Morrison, Nicole Kidman and Patrick Wilson. Wilson really carries a lot in the relationship between Orm and Arthur. He somehow manages to give a heart to a megalomaniacal maniac king. His hatred of Arthur is in a misguided blame for the loss of their mother, and Wilson sells this well.

And then there is James Wan. Wan is without a doubt one of the strongest directors in action films today. Even his giant action scenes are easy to follow. He balances sequences with multiple simultaneous leads exceptionally well (such as when Arthur and Mera become separated and have their own individual fights).

Aquaman manages to overcome a lot of odds, being far more entertaining than the elements ought to allow. So, in spite of a busy storyline, Aquaman is a rollicking fun adventure.

Backward Compatible (Bumblebee, 2018)

Bumblebee_PosterIt is Charlie’s 18th birthday. And Charlie feels out of sync with the entire world. It seems her mother and brother were able to move past the death of her father. She had no friends.  The rich snobs mock and bully her. All Charlie has is her car. Which does not work. A project she had been working on with her father. And she cannot even make it work.

But on her birthday, in her Uncle Hank’s junk storage she finds an old VW Bug.  She tries to bargain with Hank, but he simply lets her have it as a Birthday gift. After getting it home, She makes a discovery about her car.

Bumblebee has always been one of the big favorites of the Transformers for the audience. He is easily one of the most likable parts of the live action franchise (in spite of some rather “ug” moments) and so, it makes sense to put him front and center.

This seems like it should have been destroyed by fatigue of a franchise that has never been particularly good.  But against the odds, the trailers actually got even jaded fans kind of hopeful.

What we have gotten is a movie about a robot that transforms into a yellow VW Bug who is befriended by a heart broken young woman.  And…

It works.  It works really well. Charlie is sympathetic in her sullenness. She does not simply lash out angrily. She just cannot understand why it seems like the rest of the world has found it so easy to move on, when the death of her father seems so insurmountable.  Her family is not terrible.  Really…they are painfully awkward.  But they are trying.  Memo, the young man who is crushing on her is actually a real welcome change of pace for this franchise. It is not that he is super competent.  But he is brave, funny and kind. Cena’s military man is a balanced take. He is a good guy trying to make the right decisions(and the lone voice of reason when the Government considers working with the Decepticons).

The friendship of Hailee Steinfeld’s Charlie and Bumblebee is really sweet and charming.  There is just a goofy wholesomeness there that is really endearing.

I think this film has the best designs of the franchise. The Bay films have been painfully busy and confusing.  Here, they have opted for looks more in line with the 80’s cartoon and toys and the result is beautiful and clean.  The film makers commit to their late eighties setting by including a nearly constant barrage of 80’s classics.

Along with heart, the film has real humor.

I used to say that the first Michael Bay Transformers film was probably about as good as you could hope for when it comes to a movie about giant robots that turn into cars.  Turns out, I was wrong.  Six movies later, we get the best Transformers movie.

Shedding the Mortal Coil (Mortal Engines, 2018)

Mortal_Engines_PosterIn the future, there are predator cities and there are the cities trying to survive. What does this mean? Uhhhh…well, a gravelly voice informs us of the 60 minute war that left the world devastated. To survive, people built mobile cities that roamed the countryside. Smaller cities were more like miner towns of the old west, except the towns are mobile. They also face the threat of predator cities, which are dedicated to roaming the land and overtaking smaller cities for scraps.

Set amongst all this is the plans of Hester Shaw, a mysterious women hellbent on revenge against Thaddeus Valentine, who overseas the giant predator City of London. London is desperate and running on fumes, but Valentine believes he has found the answer in the ancient technology that destroyed the world. So, ambitious people.

The film actually opens with one of the dullest “car chases” I have ever sat through. I was bored during the majority of the large city on city stuff. Early in the film there is a fairly exciting on foot chase, which is the true inciting incident forcing a mismatched pair (a young Londoner unaware of Valentine’s deviousness until it is to late and the previously mentioned Hester Shaw, who spends a good chunk of the film annoyed with him). There are rebels, who live in a sky city, scavengers and slave traders…it is a miserable world, except for the mystical city that Valentine hopes to overrun with his powerful new weapon.

Honestly, the hard part of the film for me was…well, it begs far more questions than the movie has time to answer. How on earth did the roving cities come about? The film also references parts of that history that are interesting, but unable to be examined.  Why if this was a book… (it is)

See, suspension of disbelief is a really weird thing. First, it can vary from person to person. But some stories make it a little easier.  ”

Why can this guy shoot lasers from his eyes? Genetic mutation!”

“How are dinosaurs and giant apes on this island? The island has been cut off from the rest of the world for centuries, and evolution went it’s own way!”

But here? There is just so much that does not make sense. Why roving cities? Who came up with the notion? How was this done???

And sadly, the story is just not interesting enough to override the questions. I found myself bored repeatedly, and that made the moments of heart or interest more disappointing than anything.

It is visually nice, though if a bit dreary, but everything is functional. it lacks any real sense of wonder.  Mortal Engines just lacks the life needed to make it work.

Manic Monday (Venom, 2018)

Venom_PosterBefore Sony worked out a deal with Marvel Studios to bring Peter Parker into the MCU, they had planned a Spider-Man Cinematic Universe. This included a Sinister Six film, Black Cat and Venom.

But the Marvel Deal does not include any of those ideas…and so Sony is trying to develop the properties sans Spider-Man. In the case of Venom though? It make some sense. Spider-Man 3 had condensed the Venom story and did it pretty poorly. This does not change the idea that a Spider-Manless Spider-Verse is a bad idea. Spider-Man and his villains are pretty tightly tied together.  Venom does keep a lot of the core ideas of the character. A gooey alien symbiote with violent tendencies attaches to Eddie Brock as a host.
Eddie is a reporter who ruins his life when he cannot hold back his disdain and accuses Carlton Drake of ruthlessly killing the desperate and poor to achieve his scientific success.

When he is smuggled into Drake’s compound he gets infected by a parasite that calls himself Venom. Eddie and Venom need each other, as a Symbiote cannot survive long in an oxygen rich environment without a host, and Eddie needs Venom to survive as he is hunted by Drake’s men.

I am…not entirely how I feel at this point about the film. Venom has a great cast, and I liked Hardy’s manic performance.  I really liked the idea of making Eddie some sort of VICE styled journalist.  It makes for an interesting approach, rather than a guy being driven by jealousy.

On the other hand, the film takes some time to get going, because there is a lot of setup. And while the film has some laughs, it is not as darkly funny as it could have been.

I guess, I would say that Venom is…not terrible. It is watchable with decent effects and a great cast. I will say…the post credit scene kind of makes me want to see a sequel.

 

The Hunter or the Hunted Pt 12 (The Predator, 2018)

The_Predator_PosterShane Black, writer and director of the terrific films Kiss Kiss Bang Bang and the Nice Guys returns to the franchise he was part of at the very beginning. Black played Hawkins…who told terrible jokes to Sonny Landham’s Billy that he constantly had to explain and Billy only finds funny once.

Predators did not reignite the franchise, and so eight years later we have an attempt to reboot the series.  This film is firmly set in the continuity of the films Predator and Predator 2, with references and imagery to them, but not in a way that would be confusing to someone going in blind. It never acknowledges the third film, but it makes sense that nobody is aware of those events as they took place on another planet.

The film opens on Quinn McKenna, a military sniper with PTSD. He is on a mission when he comes into contact with a predator. The military tries to silence him by sending him to a military psychiatric hospital. There he meets a group of troubled soldiers. Meanwhile Dr. Casey Brackett is brought in to help study a captured Predator. She wants to speak with Quinn, so the prison bus is routed and they arrive as the Predator is breaking out and…well, okay…so the film is a bit all over the place in the beginning.

By this, I mean they introduce a ton of characters and that means it takes awhile to get to the meat.  But when all the threads come together, the film begins to pick up.  The finale is crazily packed with action and violence.

I like Black’s attempt to deal with human situations like Autism and mental illness.  Admittedly, at times the conditions of the soldiers can feel a bit more like they are jokes, but I still found myself liking the characters enough that when the carnage starts, I wanted them all to make it out alive.

The film has a pretty solid cast. I always like to see Thomas Jane pop up and Olivia Munn gets to be pretty badass and have more character than her role as Psylocke a couple years back in X-Men: Apocalypse.

The Predator tries to give the Predators a larger goal than simply hunting people, and it is not terrible. It is good enough to work anyways. While it is a bit slow on the start, it eventually becomes a fun action sci-fi movie.

It is too bad that the film is mired in a controversy that was brought about by Shane Black. He skipped over traditional casting and gave his friend a small role hitting on Munn. What nobody, including Munn, knew was that he was a convicted sex offender.  He had attempted to “entice” (legal term) his 14 year old cousin into a sexual relationship. Black knew his friend was an offender. Munn petitioned the studio to cut the scene, which they did. Munn faced little support in the beginning (with Black and the rest of the cast backing out of a press junkett, leaving Munn to be interviewed alone).

The cast has, since stepped up and Black apparently had been unaware of the seriousness of his friend’s situation and has apologized. He has said he is working with Munn privately to try and repair the damage.  Considering the film clearly left open for a sequel, I would like to see Olivia Munn return. Black really dropped the ball with his actions, as he did not at least make cast mates aware.

That said, I still really did enjoy the film, and in spite of flaws, it is certainly an entertaining entry to the franchise.

You Know Ethan (Mission: Impossible: Fallout, 2018)

Mission_Impossible_Fallout_PosterThe Mission Impossible franchise is kind of…well, a weird one. I thought the first one was okay…but the second film was a mess. J.J. Abrams streamlined things a bit and made an improvement with the third film.  Brad Bird and Christopher McQuarrie directed the fourth and fifth installments…and these turned out to be the most entertaining films of the franchise.  With the sixth film, Fallout, McQuarrie is the first director to return to the franchise.

The actions of the previous film have had an impact on the world terrorism scene. Ethan, Luthor and Benji lost weapons grade plutonium on a mission, and their attempt at cleanup ends up being overseen by the CIA who assign their top agent and assassin Walker to join the IMF. Angela Bassett’s Erika Sloane states that the IMF is like a scalpel, but she prefers a hammer.

Full of twists and turns, McQuarrie keeps the action going and strives to avoid being to predictable, though some of the tropes of the franchise seem unavoidable. Nobody stops the  secret weapon five minutes before the countdown will end…because where is the drama in that?

Cruise does not show any signs of quitting, and he manages to keep up a convincing performance as an action hero within the franchise. Hunt is portrayed as the guy who has the small picture in mind allowing his higher ups focus on the bigger picture.  Two different characters inform Ethan that he pretty much cares about the individual lives so they don’t have to.

Cruise, Rhames and Pegg have good comedic chemistry and play well together as a team.  He and Rebecca Ferguson have a good tension, but thankfully, Ilsa continues to have an agency beyond a potential love interest.  The film manages to make every character feel pretty important, and saving the day falls on all of their shoulders.

I really enjoyed the film…but here is my one caveat regarding the Mission:Impossible Franchise. I have enjoyed the films…but find them hard to remember. I remember I liked them.  I just do not really remember much about them later. I wonder if Fallout will continue this trend.

Back In Action (The Incredibles 2, 2018)

Incredible_2_PosterRight before the film starts, the cast and crew pop up on screen to tell us the fourteen year wait for the sequel will totally be worth it. Not exactly needed of course. Hey, my butt is already in the seat.

The original Incredibles film was a fun comic book film that was doing that Marvel type of action four years before we got Iron Man.  Probably of all the Pixar films, the Incredibles was one of the few that readily seemed to be set for sequels. But when asked, Pixar tended to defer to the availability of Brad Bird.

After the collapse of the highly anticipated Tomorrowland…Pixar got their chance.

Set shortly after the end of the first film, we discover things did not go so well. People still feel that the heroes do more damage than good. Enter brother and sister Winston and Evelyn Deavor. They want to convince the world that super-heroes are necessary, and so they convince Helen Parr to resume life as Elastigirl (noting she had a much lower history of property damage). Bob, on the other hand, becomes a stay at home dad. Bob really wants to be fighting as Mr. Incredible, but he is trying to step back and be a supportive husband ad father.

A lot of the moments I enjoyed most were with Bob and the kids. While the first film revealed baby Jack Jack to have a variety of powers, the Parr family never actually witnessed it. While Bob is initially excited, he finds it taxing, one more problem along with trying to help Dash with schoolwork and Violet come to terms with a frustrating love life. There is a genuinely sweet moment when Bob is exhausted and apologizes for not being the father he wants to be…Violet has a look of kindness as she reaches out to reassure him. It is a really sweet moment.

Flipping the situation for Helen and Bob works very well in the film. The Elastigirl scenes are fun and exciting.  There is a great fight scene where she is in the position of having to keep her eyes closed to avoid being hypnotized. Bird and company make this quite exciting.

The film also gives us something new, which is other Supers beyond the Parr family and Frozone. This leads to an action packed finale where saving everybody actually falls onto the Parr kids.

The Brad Bird voiced Edna Mode returns for a fun sequence that explores Jack Jack’s abilities.

I feel Pixar has created a pretty successful sequel here that compliments the original film quite well.

Need a Way Bigger Boat (The Meg, 2018)

The_Meg_PosterA few years ago deep dive rescuer Jonas made a critical decision that cost him his job. Jump ahead to the present and a deep sea exploration team has become trapped deep in the ocean after discovering a hidden world teeming with life…including giant Megalodon sharks. They bring in Jonas to conduct a rescue…but after the rescue it appears they are not the only ones to return to the surface.

Is the Meg a great film? No. Like the books it is inspired by, it is cheesy.  The film is full of over the top characters (at one point Rainn Wilson’s excitable billionaire notes that Statham’s Jonas has a heroic walk, but seems to have a bad attitude).

This is pretty much…what if Jaws was a big action movie.  And you know what? It is a lot of fun.  I had a whole lot of fun watching this one. It is action packed and has a rather engaging cast. This second part is important because these characters are not particularly deep, but the cast tends to imbue them with enough personality to make for an entertaining and cheesy ride.

No, it is not a great film. The Meg is not a classic, bt it is dumb and goofy fun.

Game Addict (Ready Player One, 2018)

Ready_Player_One_PosterIn the future, life is so bleak, everyone hangs out in the virtual reality of the Oasis. There, everything is focused around the 80’s pop culture that it’s creator, Halliday was obsessed with. People have video game avatars inspired by various films and they spend all their time and money in the Oasis. Upon his death, Halliday announced a competition to find an Easter Egg that grants the winner the ownership of Halliday’s fortune and the Oasis itself.

Apparently, it was so hard, only a few people are still trying.  On one side are folks like Wade (in the Oasis he goes by the name Parzival) and his friends Aech, Sho and Daito. The other involves an evil corporation run by Sorrento that wants the Oasis to exploit it. Wade pines for the mysterious and legendary Art3mis.

I am going to be honest here. I tried reading the book Ready Player One by Ernest Cline. I could not finish it. It was absolutely awful. So, filtering it through Steven Spielberg is probably a necessary move. Because the movie is not totally terrible.

It has some really dumb stuff. I mean, Wade is obsessed with Art3mis but has only known her avatar.  In real life she is disfigured has a birth mark on her face. This is how we know how big of a guy Wade is…he doesn’t care. He still thinks she is beautiful. This is Olivia Cooke, who plays the character:
olivia_cook

So…yeah…he is a prince. The film is obsessed with filling every shot in the Oasis with pop culture references. We see King Kong, Chucky, Freddy, endless video game characters, Parcival drives the delorean from Back to the Future, Art3mis drives the motorcycle from Akira, we see the van from the A-Team and the Batmobile.  It becomes sensory overload.

The characters are very, very by the book and not terribly interesting.

I mean, the most interesting characters are Aech, Sho and Daito.  And the cast is all pretty good. I mean, you have a supporting cast that includes Mark Rylance, Simon Pegg, Ben Mendelsohn and Lena Waithe.

The visuals are top notch.  I mean, the action scenes are fun to watch for the most part.

So, basically, Ready Player One is okay. Better than it’s source material, but pretty well below some of Spielberg’s strongest popcorn material.

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