The Past, Present and Future of the DC Cinematic Universe Part 7

That’s it!  The end is here!

Bringing everything to a close, we look at what the future may hold for DC’s Cinematic Universe.

All Marvel characters and footage © 2018 Marvel Comics Group

All DC Characters and footage © 2018 Warner Brothers

 

Part 1- https://youtu.be/D2zovFL1QgQ
Part 2- https://youtu.be/oy51WH3O86o
Part 3- https://youtu.be/1rrpUwYehuI
Part 4- https://youtu.be/alRmOuCRP9o
Part 5- https://youtu.be/r9J8CFRnkP0
Part 6- https://youtu.be/0N16wEC6hxE

The Past, Present and Future of the DC Cinematic Universe Part 6

And now it all comes together…the Justice League.

All Marvel Characters © 2018 Marvel Comics Group

All DC Characters and Video Footage © 2018 Warner Brothers

 

Part 1- https://youtu.be/D2zovFL1QgQ
Part 2- https://youtu.be/oy51WH3O86o
Part 3- https://youtu.be/1rrpUwYehuI
Part 4- https://youtu.be/alRmOuCRP9o
Part 5- https://youtu.be/r9J8CFRnkP0

 

On the Run Pt 3 (The Death Cure, 2018)

Maze_Runner_Death_Cure_PosterIn an attempt to save Minho from WCKD, the film opens with a train heist.  We discover that WCKD has been searching for a Cure for the Flare, and this was the purpose of the Maze. In the minds of Ava Paige and her scientists, they are doing noble work, and if they must sacrifice some kids to save more people, it is worth that cost. The heist saves several kids, but not Minho.

When Thomas, Jorge, Brenda, Newt and Frypan decide to go on a secret mission to break Minho out of WCKD headquarters, they find that WCKD is actually at the center of a massive walled city. With help from an old ally they make their way into the city and WCKD headquarters.

The Death Cure got delayed due to a pretty bad accident involving star Dylan O’Brien during filming. But the end result is a pretty exciting film.  It is practically one long prison break type of film, with the heroes trying to save their friend and end WCKD.

Game of Throne’s Aidan Gillen (introduced in the Scorch Trials) makes a good heavy whose motives are not at all altruistic. Walton Goggins has brief but memorable role as a rebel leader dreaming of taking down the city. A couple characters get nice redemptive arcs and a few meet tragic ends.

The action is pretty non-stop and makes for an exciting close to the story (thanks to the producers for not splitting the last book into a two parter).

I enjoyed this series quite a bit, and I think it was well served by having the same director and screenwriters for all three films. Considering that other than the Maze Runner films, Director Wes Ball has only directed a few short films. He shows himself pretty prepared for big action.

On the Run Pt 2 (The Scorch Trials, 2015)

Maze_Runner_Scorch_PosterAfter escaping the Maze, Thomas and his group of Gladers find themselves trying to escape the clutches of WCKD. They rush headlong into the Scorch…the world outside burned by the sun and filled with disease.

They come into contact with a group of freedom fighters who want to help get the uninfected kids to a safe zone and far away from WCKD. But they find that not all the Gladers can be trusted.

The Scorch Trials changes up their monsters.  The Infection (called the Flare) turns people into zombie like creatures that mindlessly attack and destroy anyone in their path.  The film builds a dramatic chase in which Thomas and freedom fighter Brenda try and escape these monsters. There is a great reveal in sewers and an exciting chase through a broken down skyscraper.

I really liked the new characters.  Brenda and Jorge seem sketchy at first, seemingly just out for themselves, but prove themselves trustworthy. Alan Tudyk has a brief but memorable role as a rather scummy informant Jorge deals with.

The film ends on a bit of a cliffhanger, but also a note of hope.  The Scorch Trials is a good second act for the Maze Runner series.  It is exciting and has interesting characters.

On the Run Pt 1 (The Maze Runner, 2014)

Maze_Runner_PosterWelcome to a dystopian future where Katniss is chosen to be part of a competition to the…oh wait…sorry, welcome to a Dystopian future where society has been restructured into five groups based on certain ski-wait, wait…that was something else…

So, in a dystopian future, ravaged by disease and a scorched earth, a young man awakens to find himself in an elevator with no idea how he got there. He soon finds himself in a Lord of the Flies type of situation.  A culture built by young teens.  At the top of the hierarchy are the Runners.

Runners enter the maze each day in an attempt to map it out to find a way to freedom. The young man, Thomas, risks his life one day to help two runners and gets stuck in the maze overnight.  They manage to be the first to ever survive a night in the maze.

Once made a Runner, Thomas pushes for the group to try and find the way out more aggressively.  This results in divisions among the group.

Part of the slew of films that adapted young adult novels to have the next Hunger Games, the Maze Runner exploits the ever popular “Teens in a Terrible Future” plot that fuels an entire subset of young adult books. But while it has strong similarities, it also sets itself apart a bit.  Built in with a larger mystery (why are the kids in the maze? What is WCKD?) the film smartly keeps the viewer in Thomas’ shoes.  He has no memory of why he is there or what he did before and we learn everything as he does.

The effects are pretty good, with an interesting monster design for the Grievers (creatures that hunt in the maze). The Maze design is intriguing and the action sequences are exciting.

The performances are quite good (Will Poulter, who played Eustace in the Voyage of the Dawn Treader, continues to impress me).

Is the Maze Runner awesome? No.  But it makes for a fairly entertaining sci-fi actioner.

 

Look Out In the Snow! (Tremors: A Cold Day In Hell, 2018)

tremors_cold_day_in_hell_cover.jpgBurt Gummer is back in the desolate town of Perfection. He is having tax problems, so when he is contacted by the daughter of Val and Rhonda (Kevin Bacon and Finn Carter’s characters from the first film) because their remote Alaskan research base is under Graboid attack, he and his Son Travis run off.

It all has everyone perplexed, as there seems to be no explanation for the Graboids to be so far north. Gummer starts to piece it all together when they discover a nearby Area 51 style base. But the Graboids start gobbling people up and the two groups have to team up to try and survive.

I have noted in the past I found it kind of interesting how the films migrated across time to focus on survivalist Burt Gummer as the hero.  The fifth film introduced his previously unknown son Travis and beefed up the graboids in size and appearance.  They also became more agile.

Gross seems to enjoy  the role, though it may simply be that at this point he has the core of the character down.  Kennedy’s Travis can grate on the nerves a bit, but there are several like-able characters, making it easy to avoid just rooting for the graboids to eat everyone.

The move in the fifth film to make more use of digital graboids (though, there are still practical monsters for some scenes) is less jarring than it could be.  For the most part, the digital monster look pretty decent.

As someone who enjoys the Tremors series, I found this to be a passable, even fun sequel.

Obligatory Bare Naked Ladies One Week Song Reference (The Week Of, 2018)

Week_of_PosterKenny Lustig is a lower middle class Jewish dad whose daughter is engaged to the son of rich surgeon (and black) Kirby Cordice. The week before the wedding, Kenny is trying to set everything up to go perfectly.  Shockingly in a story like this…that is not happening.

There is certainly a potentially entertaining movie in the story.  But the weight of the cliches and the casting brings to much drag. Kenny has big ideas, but is trying to pull them off on a budget and hide just how tight money is.  He is constantly fighting with his wife, his family is overbearing but he and his daughter have a special bond. Is the massive fighting with his wife (played by Rachel Dratch) something that needs resolution? I don’t know…maybe? It is almost more like “This is an Adam Sandler movie, he needs another person to have shouting matches with”.

Rock’s Cordice has no apparent relationship to his ex-wife or his kids. He hates her new man, and just threw money at the kids. But the movie never does a good job of showing this relationship. But at the end, we are supposed to accept how much he has grown.  But from where???

We don’t really get much of a sense of any of the relationships.  A lot of the running gags feel like the film was originally envisioned as a writer pitch to Wes Anderson.  The quirky friend who offers to sleep with guys for her best friend’s sake, another friend who throws herself at the weird neighbor kid who has been obsessed Sandler’s daughter for years…they are all “quirky”…but here it just feels like a weird clash.

And the biggest problem is the casting.  Sandler and Rock are just not the right guys for these roles. They do not bring any real personality or life to their characters.  Kirby and Kenny are ill defined characters, relying on cliches…and neither actor does anything to make these characters feel like they are more than those cliches.

Heck, they don’t even really make use of the cliches that might give them some solid awkward comedy.  The only gag we really get from the Black and Jewish thing is one that…well, makes Kenny look pretty bad.  He sees two black guys walking by the house and invites the (rather confused) two in because he assumes they are members of Kirby’s family.

Nothing really seems able to save The Week Of from drowning in it’s own lack of creativity.

It Is All In Your Head (I Feel Pretty, 2018)

I_Feel_Pretty_posterSo, remember that movie Shallow Hal? Renee Bennett is an average girl in an average life…who always always wished to be as beautiful as the models on magazines who advertise for her employer high end makeup producer Lily LeClaire. One day at a Soul Cycle Session she gets a hit to the head and awakens to find she is suddenly one of the most beautiful women she has ever seen. Perfect body and face…the hitch is…only she can see this. Completely unaware that she looks the same as before to everyone else, she proceeds to walk through her life believing she is physically a new person.

This is, of course, where most of the humor is mined. As Renee tries to convince her friends she really is still Renee, not some strange woman they have never met, her friends react totally confused recognizing the same woman they have always known.

Renee gets a lot of confused looks as she responds to advances and compliments never made. She talks about being able to eat whatever she wants and “still look like this”, believing the stunned and incredulous looks are reactions of agreement. Because she simply believes she is beautiful.

Unknown to her, this confidence has a powerful impact on the perceptions of those around her.  When she hits on Ethan believing he has made the first move, he finds himself confounded and totally taken with Renee.  And even her dream hunk, the brother of her boss, finds himself drawn to the cocky and self assured Renee.

But as she starts to succeed in ways she believes are only due to her newfound beauty, it starts to strain her friendships.  Because, when it comes down to it, Renee has bought into the notion that it is all about the exterior package. And so she starts to try and treat her friends as a product to be up-sold to other people.

The film avoids any cliched villains.  In fact their are no villains. When we are first introduced to Avery LeClaire, she seems to be a vapid elitist.  The elitist part is true, she struggles to connect with her grandmother’s desired discount product. But she turns out to have been a well educated young women who has long struggled to be taken seriously, judged on her exteriors.  Same with the beautiful young model Renee idolizes as being problem free…the film goes out of its way, in fact, to acknowledge that regardless of how you look, women are in this together.

Of course, Hollywood’s “it’s what is inside that counts” anthems are often well place but can feel a little empty.  Remember how I mentioned Shallow Hal? In that film, Hal is a guy obsessed with physical beauty. A chance encounter with a self help guru leaves Hal hypnotized so that he sees the inner beauty of a person.  So, he sees each woman he meets in an idealized light. But then, each female character Hal meets is a model later in makeup to make her look less pretty. Now, that film has it’s own positive and negative issues (typical with the early Farrelly Brothers material). But Hollywood is pretty looks obsessed. We humans favor beauty and Hollywood is more than happy to define it and feed it to us.

I Feel Pretty Tries to keep things grounded, and one of the smart things the film does is that we never actually see Renee’s idealized form. We don’t know what she is actually seeing. We see Amy Schumer the whole time.

The biggest problem the movie has is length. It just drags at times.  And most of the information in those scenes is communicated better elsewhere in the film. But largely, I enjoyed I Feel Pretty. It is largely funny, has it’s heart in the (mostly) right place and tries hard to leave it’s audience with a sense that life is a lot better if you don’t worry that your package is not good enough.

 

Break the Silence (A Quiet Place, 2018)

A_Quiet_Place_PosterOften, film makers like to look at the giant epic excitement of alien and monster invasions.  It is the spectacle, and does not let up. But every now and then, you find writers and directors who are more interested in the stories you can tell in the aftermath.  The deeply personal tales.

John Krasinski (you know, Jim from the Office) has directed two films prior to this and some episodes of the Office… but A Quiet Place is unique from his other works (both as an actor and a director, this is his first horror film) and also is set apart from a lot of modern horror.

Set in a near future where vicious predators appeared that hunt by sound have decimated the planet, the Abbott family is trying to come back from tragedy and survive in a world where silence truly is golden.

People walk barefoot, they communicate through sign language (the Abbott’s daughter Regan is deaf, giving the family a leg up). In fact, the film contains nearly no audible dialog.  Sometimes the film takes us into Regan’s perspective by going completely silent.

The film is incredibly intense and yet, emotionally engaging.  Late in the film, tension is built by a character struggling to evade a monster while enduring a very specific physical struggle. Krasinski and his real life wife Emily Blunt bring their relationship to the front here, as glue that holds the family together.  They are dedicated parents who will do whatever it takes to protest their children.  And the kids in this film give wonderful performances.  This is especially true considering that nobody in the film gets to sell their emotional beats with a dramatic monologue, it is all in their eyes.

This is not basing it’s horror in gory gross-out effects and buckets of blood…it is in the cat and mouse between the family and these beasts that wander through the countryside. A Quiet Place a wonderful movie, and a unique horror entry.

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