Boldly Going Pt 13 (Star Trek Beyond, 2016)

Star_Trek_Beyond_PosterAfter Into Darkness, Trek lost Abrams to Wars. Simon Pegg stepped up as a screenwriter with Doug Jung to try and get the Kelvin timeline back on track.  The studio also decided to try out an action director, Justin Lin, who had success with the Fast and the Furious franchise.

I have already reviewed this, and one of my early criticisms was that the film is a bit slow going at the open. But after repeat viewings, I found that I really am not sure what I would do to speed things up.

After a fun little bit that sets up the film’s macguffin, the film focuses on where the characters are at.  They pick up about half way through their five year mission, which finds Kirk feeling lost and unsure.  In a clever bit of dialog, he comments that their mission has begun to feel “episodic”. Spock receives word of the passing of his future self (as Nimoy had passed away by this point) and questions whether he should stay with Starfleet or focus on the survival of the Vulcan race.

But after a mysterious pilot arrives at the space station where the Enterprise is docked, the Enterprise and her crew head to help the pilot’s disabled ship on the other side of a nebula.  After they are attacked and the Enterprise is destroyed (the second time in this timeline!) Kirk and the team find themselves trapped on a planet with aggressive aliens bent on getting the piece of a weapon that the Enterprise had.

Beyond is pretty much a 180 degree turn from Into Darkness.  It is fun, Elba plays a solid villain with a twist.  Sophia Boutella is a highly entertaining character named Jaylah who is befriended by Scotty and Kirk.  There is some solid character stuff with McCoy and Spock.

This is an action packed film that I find myself enjoying more each time I watch it.  It makes me wish a follow-up in the Kelvin timeline were a lock instead of so uncertain.  Of the timeline, I have really enjoyed two of the films, so I am definitely open to more.

 

Going Boldly Pt 12 (Star Trek Into Darkness, 2013)

ST_Into_Darkness_PosterAfter a pretty successful first outing, the whole team came back. So, my hopes were riding high for another exciting Star Trek film.

But early on I saw a danger sign. They were basically doing a Man of Steel. It was clear that they were going to use Khan.  The film makers denied this aggressively, especially after Benicio Del Toro left and was replaced by Benedict Cumberbatch.

When the film begins, it starts out okay, I guess…I mean, they still have not started their five year mission yet, and I have no idea why this could not have been set within that…but Kirk and crew save a primitive civilization from extinction and this gets Kirk demoted. But when a terrorist named John Harrison attacks Star Fleet headquarters killing Captain Pike, the Enterprise crew is sent to kill Harrison on the command of Admiral Marcus.

When they find Harrison, Kirk gives into his conscience and takes Harrison Prisoner.  As they speak with him, they discover is is actually leader of a genetic super community.  His advanced intellect is being used by dark areas of the Federation called Section 31…this knowledge puts the Enterprise in danger and they must work with Khan.

Clearly, Abrams, Orci and Kurtzman thought using Khan would excite fans, after all, we all loved Wrath of Khan, right?

Except, Khan and his vengeance had tremendous weight because Kirk and Khan had a history dating back to the original series.  This creates a tension that this film cannot recreate, quite simply because they do not know who Khan is. In fact, they have to reach out to Old Spock to have him give the rundown, because Khan is not even famous historically here.

They also try and flip the Wrath of Khan’s ending by having Kirk Sacrifice himself and send Spock to capture Khan.  Except, when Spock gave his life in the Wrath of Khan, it hit the viewer. We were losing a friend for the good of the many. And here? Kirk is barely dead two minutes and we find out they can resurrect him…and they do…we never get to feel worry or loss for Kirk…he was never in danger.

This film is just lacking the emotional resonance that it is attempting to duplicate. It is an empty and uninspired adventure.

Boldly Going Pt 11 (Star Trek, 2009)

ST_Kelvin_2009_PosterIt is often not really a great sign when a franchise seems to go dormant. After the struggle at the box office with Nemesis and a large amount of negative fan reaction, Paramount’s Star Trek team started trying to figure out new ideas, most which put the Next Generation Crew out to pasture.

Eventually, they opted to focus more on the Television side while they tried to crack a new approach.  And then they reached out to J.J. Abrams. He and his team came up with an idea… what if we went back to the beginning? What if we go back and meet the Enterprise crew all over again? Captain Kirk? Mr. Spock?

This seemed like a risky proposition…the original cast was tied to those characters and the idea of bringing new actors in to give the crew new life and adventures had a huge chance of going wrong.

Abrams chose to go back to the start of the series…but with a twist.  On the day James T Kirk is born, his father sacrifices himself as a Romulan ship appears from a black hole. In the original series, Kirk grew up with his father…and with this change Kirk grows into a rebellious and responsibility avoiding lout. But one night in a bar, he meets Cadet Urhura- and ends up in a fight with several of her fellow cadets. The fight is ended by Captain Christopher Pike who convinces Kirk to apply to Starfleet.

Kirk’s recklessness in the academy puts him at odds with the Vulcan Spock.  But when the Romulan ship reappears 25 years leader, Bones helps get Kirk on the  Enterprise and the crew must face the mad Romulan and also deal with interpersonal conflicts.

The casting of the film is interesting, as only Zachary Quinto bears any likeness too Nimoy. Yet, give Karl Urban the right haircut and let him channel DeForrest Kelley and he is uncanny in his likeness.  Really, the entire cast does so well, that I quickly found myself not paying attention to the details that said it is not the same person. This cast is… well, a lot of fun to watch. They have a real chemistry and work very well together.

I confess, I am one of those people who kind of gets annoyed when Trek has a prequel series with better tech than the original series.  I get this is mostly due to budget changes and better tech for film and television. But it always bugs me a bit to see a setting from before the original series with sleeker tri-corders. However, here? I find it pretty easy to excuse this world on the simple “history has changed” rationale.

The Enterprise here is bright and vibrant and feels wide open in a way prior television and film never really managed.

The film took some heat for being a little more Star Wars than Star Trek, and Abrams has openly stated he was always more of a Star Wars guy.  This is true of me as well.  I like Trek, but Wars was always a bit more my jam. And so, I do not really dispute the criticism, but for me it is a bit of a bonus.

The villain Nero is kind of lackluster…Eric Bana is not really given room to flap his wings. He almost feels like an afterthought.  While I enjoy seeing Nimoy return to the role of Spock, I also feel like he is being used in the film to shortcut mountains… specifically the relationship of Kirk and Spock.  Theirs is a friendship that feels deep and real because we got to spend decades with it. Here, Old Spock has to give pushes to Kirk and his younger self in the right direction. It feels a bit like a cheat.

Oh…and all the damn lens flares…

But those points aside, this was an incredibly fun new approach to characters we know and love and begin to get to know again.  It is a blast and a new start that had me very excited for the next film.

Oh foolish youth.

The Length of Love (The Book of Life, 2014)

Book_of_Life_posterLa Muerta rules over the joyful Land of the Remembered, while Xibalba rules over the Land of the Forgotten. He tries to convince La Muerta to change sides, but she is not interested.  He proposes a wager. Observing the rivalry of two young boys (Manolo and Joaquin) over their friend Maria, each god chooses a boy as the one who will marry Maria.

La Muerta disguises herself as an old woman who asks if Manolo might give her a piece of bread.  Instead he generously offers a full loaf. Xibalba tries the same thing, but Joaquin is not so giving. Maria is sent off by her father, returning years later.  Sensing Maria is favoring Manolo, Xibalba tricks Manolo into giving up his life.

In the afterlife, Manolo discovers he has been duped and seeks the help of La Muerta.

The design of this film is remarkably charming.  The framing device is that a museum tour guide is telling the story, and all the characters look like wooden puppets.

The Land of the Dead is a wonderfully bright and colorful world. The characters are full of charm. La Muerta is a kind and gentle, yet fearless goddess.  Xibalba on the other hand is both scheming and yet friendly (he is voiced by Ron Perlman, whose performance is just a lot of fun).  And while the story frames Manolo as a kind and generous artist and Joaquin as a cheerful braggart? Joaquin is not a villain.  The story is pitting the two against each other, and it obviously favors Manolo as the man for Maria. But Joaquin is seen as simply misguided and in need of a lesson. The film has sympathy for him.  And then there is Maria.  She is not interested in belonging to anyone and regularly challenges her two friends. And there is Chuy the pig who makes a sound like a goat.

The music of the Book of Life blends American Pop music with latin flavors to great effect.  But the highlight are the two original tunes I Love You To Much and the Apology Song.

The Book of Life is a charming fairy tale of love, loss and rebirth.

Father-Son Bonding (Guardians of the Galaxy Vol 2, 2017)

guardians_vol_2_posterGuardians of the Galaxy was a bit of a risk for Marvel Studios.  It was really their first film that had little name recognition.  It also was their first film not closely tied to the Avengers.  And yet, under the guidance of James Gunn, Guardians of the Galaxy succeeded with a healthy dose of humor and action.  Towards the end of the film, Yondu mentions knowing who Starlord’s father is.  In this sequel, we meet dear old dad.

While fighting an inter-dimensional beast, Rocket steals some batteries from the Sovereign.  This results in a chase through space that culminates in Starlord meeting his father Ego. Ego is a “living” planet.  He has a human avatar who sired Starlord.  In the meantime, they are being hunted by Yondu and the Ravagers to collect a bounty for the Guardian set by the Sovereign.

Volume 2 carries forward with the same tone and attitude of the first film, making it a lot of fun to watch.  The opening credits are a blast to watch.  Easily one of the best opening sequences for a comic book film.  The cast has really come together and it shows in their performances.

The new cast adds to the fun, with Kurt Russell being a high point for…well being Kurt Russell.  He is one of those actors you hire because you want a “type” that is specific to a particular actor.  Call it the Goldblum Effect if you will.  You hire Jeff Goldblum for a movie because you want a “Jeff Goldblum Type”.

In addition, Sylvester Stallone, Ving Rhames and Michelle Yoeh have small but pivotal roles (obviously setting up Volume 3).  The film is full of blink and you might miss it fan service, but with James Gunn, it is not distracting (for the most part) and for people unfamiliar with the comics will be unnoticed.

Of course, the soundtrack is integral to this film, each song clearly chosen carefully by Gunn.  Marvel was wise to stick with Gunn for the Guardians brand because he has a very specific vision that allows these films to stand out from the Marvel Pack.

A lot of the humor this time around is coming from Drax (Dave Bautista) and Baby Groot. Some of the more surprising emotion comes from Michael Rooker’s Yondu.

Guardians of the Galaxy Volume 2 can be pretty intense and it is not really for young kids.  But teens and adults alike will find a lot to enjoy here.  Personally, I found Volume 2 to be a very fun film-going experience and find myself anticipating the next outing.

Oh, and by the way…there are five mid to post credit scenes.  So do not get up and head for the door right away.

Hooked On a Feelin’ (Guardians of the Galaxy, 2014)

Guardians_of_the_Galaxy_PosterWhen Marvel announced Guardians of the Galaxy, it was met with a pretty collective “huh?”  The announcement of director James Gunn was not much help.  Gunn had directed 2 films prior.  The Sci-Fi comedy Slither and the dark super-hero satire Super.  His writing credits were a bit more substantial.  While comic fans knew who the Guardians of the Galaxy were, the masses did not.  And this did not bode well for early anticipation.

And yet…James Gunn managed to deliver one of Marvel’s best films to date.  A traditional “Mismatched Crew Saves the Day” tale, the writing and performances make the most of the weirdness to carve a very fun film.

The film opens with young Peter Quill at the bedside of his dying mother.  When he runs off, he is abducted by aliens.  Because in Marvel’s world, that is just the kind of stuff that happens.  After a heavy-hearted beginning, we are introduced to grown up Quill.  In what seems like a serious sci-fi moment, Quill walks the landscape of a dead planet.  He pauses and puts on earphones and the booming sound of Come and Get Your Love.  This sets up a tone for the film that is highly effective.

We learn that Quill is not the brightest and gets by on luck.  As he tries to pawn off the magical McGuffin he steals from an old temple, he finds himself dealing with the green skinned Gamora who is after the McGuffin.  At the same time, Rocket (a talking raccoon) and Groot (a talking tree) are bounty hunters pursuing Quill.  This leads to all of them being imprisoned.  They are forced into a team, getting a late addition of Drax (Also green skinned and also tattooed).  Drax wants to kill Gamora, because she is an associate of the mad Kree Warrior and religious zealot Ronan.  Ronan killed Drax’s family and he is seeking his vengeance. Quill talks the other four into a prison escape, as Gamora knows someone who is interested in the McGuffin.

The prison escape is both action packed and highly entertaining.  Gunn keeps everything moving, and even when the film slows down?  It has momentum.  Gunn makes sure not to ignore the development of the Guardians.  They have opportunities to grow and Gunn (along with initial screen writer Nicole Pearlman) and overcome their situations.  Vin Diesel has one line, yet manages to imbue different emotions every time he says it.  When Drax discovers that Ronan does not appear to remember him or his family…he is lost and beaten.  He was entirely of no consequence to Ronan.  It causes him to alter his perspective.  He also starts to get the value of his friends.  Even if he does not understand how to talk to them.

The film focuses on the Guardians as David’s to Ronan’s Goliath, and it really works.  The cast is effective,  Probably the biggest flaw of the film is Ronan.  This has not been uncommon, a lot of the Marvel Cinematic Universe films seem to be thin on their villains (usually expecting to be overcome by good casting).  Otherwise the film is full of humor and excitement.  Gunn took an unknown group of characters and made a strong tale of friendship and misfits overcoming adversity.

To Infinity And… (Star Trek Beyond, 2016)

Star-Trek-Beyond-PosterIn the third film since J.J. Abrams rebooted the Star Trek Universe, we get an original story.  And really? It is quite a bit of fun.  It begins a bit shaky with attempts to give us brief character moments that are not entirely effective.  It is nice to see McCoy taking a bigger role then the last film, and more of a focus on the friendship of he and Jim.  And hey, they are actually in the midst of their five year mission of exploration!  The previous two films were set before that.

We find James T. Kirk having lost his way in the far reaches of space.  Not literally, but spiritually.  He is not alone, Spock is having a personal crisis regarding his role on the enterprise versus feeling of obligation to his fellow Vulcans.  While visiting a space station, they are contacted by an unfamiliar species, a captain who begs for help for her stranded ship.  The Enterprise takes her out only to be attacked and (in the long standing tradition of Trek) destroyed.  To be honest, this sequence gets a little boring as it seems endless and kind of confusing.  But when the crew lands and is dispersed on a nearby planet, the film kicks into gear.

I was skeptical of bringing a director of the Fast and Furious (admittedly director of some of the best films in the franchise) in to direct.  But Justin Lin shows a lot of skill at making an energetic sci-fi film.  The villain’s full motives are mysterious at first, but when revealed it all falls into place.

Everyone’s performances are true to form and this feels like an action packed version of the original crew.  It is not that much deeper than the previous two installments, but it is far more effective in it’s story telling.  Personally, I found the interaction between Spock and McCoy tremendously enjoyable.  they had nice moments of expression of concern and admiration as well as some entertaining banter.  Kirk’s “ladies man” persona is downplayed in this film, he never even hits on Jaylah, the pretty alien girl.

If ranking the Altered Timeline films, I would say Beyond is easily the best as it hits it’s marks.  The villain is a strong and compelling threat (something the previous entries suffered at) and the villains plan at least makes sense and is not entirely dependent on complete coincidence.  Okay, maybe a slight coincidence.  But I enjoyed Star Trek Beyond, and enjoyed it very much.

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