You Can Never Have Too Much Spider-Man (Spider-Man: Into the Spider-Verse, 2018)

A few years ago, after the big Sony hack, Sony and Marvel resumed the failed talks about Spider-Man films. It resulted in the very fun Spider-Man: Homecoming, pretty much run by Marvel. But Sony still holds the rights to do with the Spider-Man characters what they want. And so…that gives us this animated feature.

Miles Morales lives with his mom and dad, but is starting life at a new school. After a frustrating week, he goes to see his uncle Aaron, who takes him to a hidden place where he can do some street art. Miles gets bit by a Spider-Man. When he witnesses a tragedy and finds himself having to make a promise to Spider-Man moments before he is killed…with no idea how to do it. Until he stumbles across Peter Parker…Spider-Man???

They discover that whatever the Spider-Man of Mile’s Morales’ world was trying to thwart has actually brought several Spider People into Miles’ world. But the world may end and so they have to team up to send everyone home and stop the destruction of the Spider-Verse.

And you know what? This only sounds confusing. Because the movie manages to make everything pretty darn simple. Our focus is on Miles, and even the Spider-Man we meet in the beginning is a celebrity. We don’t get to know him. We just get glimpses, enough to know he was a real hero.

The film also gives us intros to each character that are a whole lot of fun. Each Spider-Man has a unique look and artistic style. And it even impacts how they interact with the world they are in. Spider-Man Noir speaks in dark pulpy fashion and is always in black and white. And he is perplexed by color.

Jake Johnson’s Spider-Man is one whose life went a bit off track compared to the Spider-Man of Mile’s world. Spider-Gwen is keeping the world at bay, avoiding really connecting to people. And Spider-Ham is just hilarious.

This movie has a lot of heart, there are genuinely touching moments. Moments between Miles and his father, Peter and the life he has left in his universe (wondering if it is even worth going back to). Miles and Gwen, Miles and Peter….

But the film is also ridiculously funny. I mean, seriously funny. And part of that is in how the movie makes use of its medium. I cannot recall another animated film that took such grand opportunity to put it’s possibilities on full display.

In my book? This has been the best of all the Spider-Man movies. I want more with these characters. I want more movies with this version of Miles and his family and all the other Spider-People. This was a genuinely fun movie and I recommend checking it out. Sony raised the bar here…And I did not expect that. But Marvel better pay attention.

December 13, 2018 0

Bless the Beasts and Wizards (Fantastic Beasts 2: The Crimes of Grindelwald, 2018)

The first film, Fantastic Beasts and Where to Find Them had Newt Scamander, witches Tina and Queenie and muggle Jacob trying to save a young but powerful man from being both destroyed by his power and that of being a pawn by a wicked wizard. In the end, it appeared the young man, Creedence, was dead and the villainous Grindelwald was revealed.

The sequel picks up with an action packed escape by Grindelwald before returning to Newt Scamander who is trying to get his right to leave the country reinstated. The Ministry of Magic reveals that Creedence is alive and well. He is hiding in Paris trying to find out who he really is. He has fallen in love with a young woman. Tina and another Auror trying to catch Creedence (but with different goals). Jacob has regained his memory and he and Queenie are an item, but after a fight, Queenie runs off to Paris to find Tina, but Grindelwald is in Paris looking for Creedence…confused yet?

I actually quite liked the first film. I enjoyed the introduction of a decent and prominent “muggle” character. I felt the four leads had a nice chemistry. I was sympathetic to Tina’s attempts do things all by the book, but also her sympathy for Creedence in the film.

And yet, this film has none of that. For one thing, there are about twenty separate storylines, separating almost all the characters for a large part of the movie. So, it is all really a mess. And by themselves, some of the characters start to become grating.

The film is full of scenes giving us back story and it becomes super clear from the earliest moments in the film that this is literally all a set up. The film is more interested in its world building and fan service with origins to characters that never needed an origin. A lot of things feel like they will not pay off until a later film.

The last half hour or so just keeps hitting the audience with twists and reveals…and none of them feel consequential.

I mean, I basically liked Jude Law as a young Dumbledore. But can I say…the most controversial casting of the film was Johnny Depp. And I really do wish the filmmakers had listened to the outcry. Because, honestly? This is one of the most uninspired and dreadfully dull Depp performances I have ever seen. It is just lifeless.

This ends up being a lackluster sequel…and I am disappointed to say it did not keep me entertained.

November 18, 2018 0

Rebirth (X-Men: First Class, 2011)

After the cool reception of X-Men Origins: Wolverine the producers stepped back to determine their next step. So they went back to the drawing board. X-Men First Class starts at the beginning with a Young Charles Xavier and Magneto. It also gives an origin of sorts for Mystique. Oddly, for a character who mostly served a function of henchman for Magneto in the original series, the latest set of films are heavily focused on Mystique as a tortured soul torn between Professor X and Magneto. One of the interesting things that happened as the film came together was the return of Matthew Vaughn as a director. He dropped out of X3 for family reasons. Returning for First Class was a good move.

While the first trilogy gave no hint that Prof X and Mystique know each other, but early in the film we see them not only meet, but young Charles Xavier takes her in to live with him in his giant mansion. But the film opens with a faithful recreation of the first X-Men film’s opening. Young Magneto is brought into a concentration camp where he is seen as a great weapon by Nazi Officer Sebastian Shaw (Kevin Bacon). It is pretty clear that the X-Men Origins Magneto film morphed into this one and we get a well constructed scene where a grown up Magneto (now played by Michael Fassbender) finds two retired Nazis in a bar and torments them for information. We return to Charles Xavier (played by James McAvoy) with a full head of hair and Raven (Mystique, now played by Jennifer Lawrence). Xavier is recruited by the government for help regarding Sebastian Shaw, who has not aged a day. He is trying to play governments against each other in the midst of the cold war. The world does not know mutants are out there, but the government does and they want them. This help brings Professor X and Magneto together when Magneto tried to take down Shaw, messing up the sting.

They start working with CIA Agent Moira MacTaggert (Rose Byrne) and A Man in a Suit (Oliver Platt) to locate new mutants. The entire time, Magneto struggles with his desire for revenge against Shaw. Raven finds herself drawn to Magneto’s pride as a mutant. Meanwhile, Shaw and his henchmen (Including Emma Frost, inexplicably a grown woman in a film set years earlier than X-Men Origins Wolverine) are working to incite nuclear war (the film is really set around the Cuban Missile Crisis).

Overall, First Class is fun, exciting and compelling. Magneto: Nazi Hunter is a great introduction. The collection of characters is an intriguing mix from the X-Men comics. You have longstanding members like Beast (Nicholas Hoult) and Havok (Lucas Till) and newer characters such as Angel Salvadore (Zoë Kravitz) and Darwin (Edi Gathegi). The film is extremely well cast and is filled with strong performances. There is a lone exception. January Jones once claimed her ex Ashton Kutcher told her she cannot act. I am inclined to agree. Her Emma Frost is dull and lifeless. Emma Frost is a character who should be intensely arrogant and cold. And here she feels entirely inconsequential.

While the original films irked people with the leather outfits, this film pays homage to the early costumes, with black and yellow color schemes. This is one of the strongest films in the franchise, full of life and character. There is much to admire and enjoy with First Class.

There are some slipups in the choices they make, such as the film kills some characters with great potential for the old “See How Great the Danger Is?” It also just happens to be one of the few minority characters in the story.

And yet, it starts some continuity cracks. First Class is going back to the beginning, not pretending the first three films never happened. Moira McTaggert is a scientist in the third film, played by Olivia Williams. First class has the same character in another job altogether decades earlier. They use characters without concern for whether they appeared in the previous films with entirely different incarnations. Jubilee appeared in the third film ad then in Apocalypse. Apparently never aging. The quality of the film overcomes these issues, but it starts a series of problems.

July 29, 2016 0

Drive Mad (Mad Max: Fury Road, 2015)

The Mad Max franchise went quiet after 1985’s Mad Max Beyond Thunderdome. That film fell a bit short of the Road Warrior, the film that we tend to mostly recall when we think of the Mad Max franchise. Talk began as far back 2003, back then it was set to star original Max Mel Gibson.

The film struggled through development, eventually announcing Tom Hardy taking over the role. I was not all that interested, to be honest. It seems like it was a sequel nobody was interested in getting and that we were all happy to to see it be a remnant of 80’s franchises.

Turns out we were all wrong. This film is the shot in the arm action franchises needed. Fury Road is an adrenaline rush. Director George Miller intended the film to be a massive chase film. And he achieves that successfully. The film pushes down the pedal almost right away, and rarely takes a break.

The plot is simple, Max is being a loner and gets dragged into a battle against Immortan Joe (Hugh Keays-Byrne who was Toe Cutter in the original Mad Max) who is pursuing Imperator Furiosa (Charlize Theron in a terrific performance). She has stolen precious cargo from him, and he wants it back. The cargo is his harem. These young women do not want to bear children to be fodder for his Warboy Army.

So much stands out, the editing (the film was edited by Miller’s wife Margaret Sixel, who has never edited an action movie before…this was a wise call, as she did a bang up job), the fact that there is almost no digital work with stunts, the grim humor…this is an adrenaline rush of a film.

As with the previous incarnation’s Max inhabits a dark world. Immortan Joe rules from the citidel, where he keeps all the best for himself, throwing scraps to the people below. He rules cruelly, while his Warboys live for nothing other than to die for his glory. He has used a weird viking style religion promising glory to those he smiles upon.

Furiosa wants to rescue the young women Joe keeps to bear him children from this oppressive life. Furiosa is tough and powerful. She is a striking character who stands up to the gruff Max, and in turn winning his respect and help.

While the heroes often rely on violence to achieve their ends of getting away from the forces of Immortan Joe, what stands out to me if there is also room for the power of mercy and gentleness to bring about change on an individual level.

Mad Max Fury Road is the best action film I saw all year. It spends little time on exposition (who are the ghosts that haunt Max? How long after Thunderdome is this taking place, etc). The visuals are insanely engaging…I mean…look at this:

You either think that is the dumbest thing ever, or you love it. The world is just…, well, bonkers. Characters have names like Nux, Toast the Knowing and the Splendid Angharad. I find myself excited for the blu-ray so I can watch it again. I am curious to see the next film that they give us in Max’s story (Hardy is on for three more films).

July 11, 2015 0