William Hope – Tripping Through Gateways

Hellraiser: Hellbound picks up right after the first film and we find Kirsty under psychiatric observation.

The police, of course, think she is…well, a bit crazy. Doctor Channard is a famous psychiatrist (he runs the Channard Institute) and along with his protege Kyle, is overseeing Kirsty.

But Channard harbors a secret. The Institute’s basement is full of especially disturbed patients (it is reminiscent of the worst of the asylums that made the news in the 80’s). Kirsty has seen the skinless body of her father begging for her to help him, and she becomes obsessed with the notion. She convinces Kyle to investigate. It turns out that Channard is obsessed with the Lament Configuration and has done a crazy amount of research. He has several of the boxes. Kyle hides and witnesses Channard sacrificing a patient to bring Julia back from the first film. This sets everything in motion.

One of the interesting things is that it is kind of clear that although the Cenobites were the most memorable aspect of the films, the filmmakers wanted Julia to be the central villain. As Doug Bradley himself has noted, Pinhead and the Cenobites are more dispassionate observers. They are simply there to do their assigned duty.

The film delves deeper into the mythology of the Cenobites, or rather, it adds a mythology. Bradley said he had been told by Barker that Pinhead had once been human, and the film establishes he was a soldier in the 1920’s. The film actually attempts to redeem the Cenobites, by having them fight the other threats of the film. It ends up not quite working, but again Bradley’s performance is terrific.

The film also has some really interesting visuals. Hell is a confusing and seemingly lonely place. Pinhead warns Kirsty that everyone is in their own hell. She finds her uncle Frank and his hell is a constant teasing of his lust…beds slide out from the walls, women writhing under a sheet…but when Frank removes the sheet there is nothing their. He is facing an eternity of being unable to satiate his lust.

On the other hand, the film falls into the trap of a punning villain, which feels out of place next to the proper Pinhead.

Hellbound is kind of interesting, but also disappointing in how it deals with the Cenobites at the end of the film.

About seven years after Alien, hotshot director James Cameron brought the franchise roaring back to life. Rather than make a generic sequel, Cameron made a bold choice. The first film was a haunted house movie, Cameron opted to make a war movie.

Ripley is awakened 50 years after the first film to find everything she knew is gone. On top of that she is plagued by nightmares of the alien creature. Ripley joins a mission at the request of the corporation to check on a colony that is on the same planet they found the eggs with the alien xenomorph. It is promised to Ripley this is a search and destroy mission.

She is joined by a platoon of Space Marines. They don’t believe her claims of an alien monster, but of course, they soon find out she is neither crazy nor a liar. And then things get bad. And then? They get worse.

Aliens is one of those rare sequels that manages to rival it’s predecessor. Ripley is angry and aimless at the film’s beginning. When she discovers a young girl named Newt hiding in the remains of the colony she starts to see beyond merely destroying the aliens. In the extended cut of the film, it is revealed that Ripley had a daughter on earth who grew up and died in the time Ripley floated through space. This gives an added dimension to Ripley and her dedication to Newt throughout the film.

The marines are a hearty and confident lot. Their banter feels natural as they trade insults and yet fight to protect each other when it all comes crashing down. They are a compelling group. And then there is Bishop. A synthetic or android, Ripley does not trust him, due to the fact that the android on her ship tried to murder her. Bishop represents the other side of that coin. He is kind and polite. He is also willing to risk himself. At one point, after volunteering for a risky mission he states, “Believe me, I’d prefer not to. I may be synthetic, but I’m not stupid.” How much of this is programming that compels him, versus a certain human quality is unclear. He notes his programming prevents him from causing harm to a person, but does that programming extend to risking himself to save a person from outside threat?

This is a near perfect action film, with thrills and twists and turns. It manages to expand upon the mythology of the first film’s animal without being a tired retread of information. The performances are compelling and the visual effects have withstood the test of time. On top of that, in spite of being a sequel, you could go into Aliens never having seen Ridley Scott’s film and follow the story with few, if any, questions.

Tag: William Hope

Sweet Suffering Pt 2 (Hellraiser: Hellbound, 1988)

The Hunter or the Hunted? Pt 2 (Aliens, 1986)