Fifteen years ago, Clifford McBride left earth to find intelligent life in the universe, leaving a wife and son behind. At some point, the mission was lost. McBride’s son has followed in his fathers footsteps and now works as part of a space station/satellite. After he survives a massive accident Roy McBride discovers that his father may yet be alive and that his experiments may be what caused the accident. See, the accident was due to a massive surge from space that has impacted the planet.
Roy is recruited to go on a mission to see if he can convince his father to stop the experiments. Much of the film is focused on Pitt’s Roy McBride’s trip and emotional journey. It is established early on that Roy is in a rather remarkable sense of self control. He is aware that this is detrimental to his relationships and that he is pretty distant from his own life. He even comments that he might be lying to everyone, even himself.
This tends to work really well, as Pitt keeps his performance largely detached and emotionless until you near the end of the film. Only as he sees possible closure do his emotions start to creep to the surface.
The film really rides almost completely on Pitt’s performance, as most characters pass in and out of the story very quickly. But Pitt is up to the task. The film is not terribly deep, it is about fathers and sons and letting go of personal pain. And the film is very much surface level. But I appreciated that the film does not get so lost in meandering philosophy (and it could have) that it feels like a solid resolution and hope for Roy by the closing minutes of the film.
The other thing I appreciated a lot in this film is the atmosphere and the world building. Set in the vague “near future” we have space stations on the moon and Mars, but nothing feels implausible. The tech feels like logical extensions from current tech. The moon is established as a borderless zone, full of tourists and threats. In the safety of America’s Moon-base you have fast food restaurants, families taking their pictures with mascots and hotel chains. but leaving there, you run into human threats.
Ad Astra is thoughtful sci-fi without being too esoteric for mainstream viewers. It is amazing to look at and Pitt gives a simple but interesting performance.
Captain America was a hotly debated character for the Marvel Films. Could a character so tied to American Nationalism be a hero the world loved? Joe Johnston (who directed Disney’s fun comic book movie the Rocketeer 20 years earlier) was brought in and found a way to make that answer be yes. Among the choices made were to set the film in World War 2, rather than begin in Present day. Chris Evans was hired on to play Steve Rogers. This was not his first foray into a Marvel Property, He was Johnny Storm (the Human Torch) in the 2005 and 2007 Fantastic Four Films. He was also one of the Evil Exes in Edgar Wright’s adaption of Bryan Lee O’Malley’s Scott Pilgrim graphic novels.
Batman Forever had some big shakeups. Tim Burton and Michael Keaton were out. Joel Schumacher and Val Kilmer were in. But the real shakeup was…Warner Brothers wanted to sell more toys. Schumacher had read Batman: Year One. He really wanted to tell that story. The studio was not interested. Schumacher thought that if he gave them the movie they wanted, he might be able to persuade them on the next film to do the film he really wanted to do.