Bob vs Bill (Batman and Bill, 2017)

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Everybody knows Batman.  And most people know who Bob Kane is.  He is the creator of Batman.  Every Batman comic book tells you this.  Right there in print.  “Batman Created by Bob Kane”.  Bob vehemently defended this idea that Batman was his creation and only his.  But why?  Why would he need to defend this notion?

The documentary Batman and Bill tells you exactly why.  In the comic book world, it was long known that Kane had the name “Bat-Man”, but his original design was a guy with a red suit.  He consulted friend and writer Bill Finger who contributed pretty everything we know to be Batman.  Kane then took the idea to the publishers and presented it as solely his idea.  He got a contract that established this.  He promised he would share success with Finger in spite of this.

Bob Kane never did.  In fact, it was long after Finger had died, and shortly before his own death that Kane changed his story and admitted Finger deserved a lot of the credit.  But that is not the whole story, as author Marc Tyler Nobleman took it upon himself to try and find any heirs of Bill Finger.  The path is full of surprises and heartbreak.

This is a tragic story of a creator who was not given the respect that should have been due to him.  Through archival footage, we hear from both Finger and Kane.  The story is expanded on through interviews with comic book pros familiar with the history behind it all.  Directors  Don Argott and Sheena M. Joyce present everything as an unfolding mystery, befitting the famous cowled detective himself.  You are drawn into it by what starts as a frustrating professional injustice that evolves into a heartbreaking story of familial loss.

The first time anyone has credited Finger for Batman was 2015’s Batman V Superman: Dawn of Justice.  21 years after he died alone in his apartment.

It’s All About Image (The Image Revolution, 2016)

“We broke Batman’s back.  We killed Superman.” – Rob Liefeld

Image_Revolution_PosterThe 90’s were an amazing time for comic books.  It was the highlight of the speculator market, it was all about foil covers, and pouches.  Characters with hundreds of pouches.  In the early 90’s Rob Liefeld, Todd McFarlane and Jim Lee were the top names.  They each set records for the sales of X-Men and Spider-Man books.

Comics have a pretty sordid history when it comes to the treatment of their talent.  Jack Kirby, the King of Comics, died pretty much at his desk to pay bills.  He saw no compensation for co-creating characters like the Hulk and Fantastic Four.

The Image Revolution looks back on the moment a group of artists decided they had had enough.  The mega-popular McFarlane was frustrated that Marvel was licensing products with his art…and he was not even getting a t-shirt out of it.  McFarlane and Liefeld started recruiting the top Marvel Artists who all  walked away from Marvel and DC to form Image Comics…a company where the creator ruled and owned their characters.

The documentary explores the highs and lows the group faced.  They had very high highs, especially in proving their critics (who gave them six months at best) wrong.  They broke sales records, found new talent, brought in other big names who wanted to do creator owned work.  And then there were the lows, mostly ego and in-fighting…especially between Liefeld and Marc Silvestri.

It moves at a rapid pace, covering the twenty five year history.  There are plenty of interesting and amusing anecdotes (how Robert Kirkman got Image to green light the Walking Dead comic book is quite funny).  For comic fans, or people curious about the industry, the Image Revolution is a fun and informative watch about one of the biggest shakeups the industry has ever seen.

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