The Bigger They Come (Kong: Skull Island, 2017)

Kong-Skull-Island-PosterKing Kong and variations on the Giant Ape concept are older than even Godzilla.  Kong: Skull Island has opted to not re-tell the story of King Kong.  Instead, this is a new story.  Not new in the sense of it completely new territory.  You have the mismatched band of explorers arriving on Skull Island, encountering monsters and natives.

The film opens in 1944 where an American and Japanese pilot crash land on Skull Island.  They fight until they stumble on a frightening sight that changes everything for them.  The film jumps to 1973, with soldiers about to leave Vietnam.  They are brought in by the mysterious Monarch company as a military escort on a top secret mission to visit and explore a newly discovered island.  The company has also brought along an award winning anti-war photojournalist and a tracker to help then go through the wilderness.

Of course, the mission goes very wrong.  Hope that does not spoil anything.

Really, the film sets everything up at a fast pace.  They give you what you need to know without giving the film a chance to get boring.  And unlike previous Kong film outings, the filmmakers introduce us to Kong very quickly.  No hiding him, just Kong smashing helicopters.

The characters are engaging to various degrees, though John C. Reilly is the strongest and most memorable.  Samuel L. Jackson is…well, Samuel L. Jackson.  I found myself liking Hiddleston’s James Conrad and Brie Larson’s Mason Weaver…but I must admit, most of what separates the characters is who is performing them.  You also know which soldiers are “important” because they get a lot of set up, while most of the soldiers are just “people to die”.  Of course, they also give Jackson his motive for wanting to destroy King Kong.

But the truth is, I found Kong Skull Island a lot of fun.  Yes, the post credit scene confirms that Legendary has plans of a “Giant Monster-verse”…and Kong Skull Island serves the purpose, in part, to set it all up (It is supposedly connected to 2014’s Godzilla film as well, with the tie being the Monarch organization).  But I did a far better job of still telling it’s own story than some other attempts to create a shared universe franchise.

Really, Kong Skull Island is no game changer, but it is a lot of fun.  Visually, it is good, and the digital monsters look great.  The cast is great and make for an overall very entertaining film.

Refueled (xXx: Return of Xander Cage, 2017)

xxx-roxc-poster12 years after the franchise stalled, comes an attempt to revitalize it.  Director D.J. Caruso (Disturbia) takes the reigns as Vin Diesel returns to the role of Xander Cage.  This time around, the idea is…”if one Bond is awesome…imagine if we had nine of them!”  Xander has been presumed dead, but when the CIA is hit by some highly skilled enemy agents who steal a dangerous weapon, they find Xander hiding out.

This time around, Cage sets up his own xXx team.  These are highly skilled extreme types. And they get a government agent assigned to them.  A cute and plucky girl named Becky.  She is also their “Q”.  On their way to retrieve the weapon, Cage and friends end up discovering he is up against other xXx agents that were recruited by Samuel L. Jackson’s Gibbons.  This ultimately leads to all the agents teaming up to take down the real bad guys.

The xXx films are pretty much “What if Bond was on steroids.”  Except this film.  The Return of Xander Cage is really “What if xXx was on steroids???”  It seems like the last 40 minutes were non-stop action and a Gospel Choir.

This film does not totally rewrite the book.  Instead, it is more of a blending of the Bond formula and the Fast & the Furious.  It is exciting and fun, and if you enjoyed the first two films, it is unlikely you will be disappointed by this one.  I would totally be in for the entire cast (those who make it out alive) to return for another round.

Franchise Adjustment (xXx: State of the Union)

xxx-sotu-posterSo, one year before Casino Royale, xXx is back.  Vin Diesel is not, but yeah, the Franchise soldiers on.  Although both Diesel and  Rob Cohen were both signed on, they eventually dropped out.  In a bit of irony, the film is directed by the director of Die Another Day, Lee Tamahori.  Replacing Diesel’s Xander Cage as the new xXx is Ice Cube’s Darius Stone.

Samuel L. Gibson’s Gibbons is back in charge, and they face a situation that requires someone tougher than Cage.  That is Darius Stone.  Stone is a highly decorated Marine who tried standing up to his corrupt commanding officer and was locked up for it.  Stone is pretty much a one man army, as evidenced by his prison escape.

It turns out, his former CO is part of a dark plot that needs Stone, as xXx, to take him and his cronies down.  And that is pretty much it.  Like it’s predecessor, State of the Union is mostly a showcase for outrageous stunts and action sequences.  And snappy comebacks.  Ice Cube is always reliable for attitude fueled quips.

The film was very obviously setting itself up for a sequel, setting the franchise up to have a different actor in the role each film.  This seems like a setup of necessity.  This is a serviceable sequel with the expected performances from it’s cast.  If you are looking for deep espionage, xXx: State of the Union is not going to be all that satisfying.  It is, however, a pretty fun popcorn action spy movie.

Breaking Bond (xXx, 2002)

xxx_posterVin Diesel was a star on the rise.  2000 to 2002 really cemented him as a certain type of action star.  He had a hit with the Fast and the Furious.  He followed up with the action spy thriller xXx.  The film re-teamed Diesel with his The Fast and the Furious Director Rob Cohen.

As spy movies go, the clear inspiration here is James Bond.  It follows that template closely.  There is the M (Gibbons, played by Samuel L. Jackson), the Q, the gadgets and the girls.  And of course, the Bond.  Diesel’s Xander Cage is an attempt to flip the Bond formula on it’s head.  He has no real interest in being a warrior for his country.  Xander is a popular Extreme Sports guy and anarchist who does not suffer fools lightly.  His first act is to steal and trash the car of an anti-video game senator.

Xander is pushed by Gibbons to join the Triple X program, as a super spy.  He tracks down and engages with the bad guys, meets a girl who may or may not be on the side of good.  The story is not the star here.  It is Diesel and the stunts.  It is a showcase for exciting and death defying acts.  And Diesel has a certain charm as the tough guy who walks that line of heroic but driven by ego.

This came out the same year as the final Brosnan Bond film Die Another Day.  That film put the Bond Franchise to sleep for a few years.  xXx is not a classic, but it definitely had fun with the formula, making for an enjoyable ride.

Rebellious Teens (Avengers: Age of Ultron, 2015)

Avengers-Age-of-Ultron-PosterAs with every sequel, things must get bigger and louder.  Unlike the first film, the danger really comes from within.  Tony is obsessed with changing the way things are done by building a peace keeping for that will put an end to the need for the Avengers.  He has been working on an A.I. to watch over the world and prevent tragedy.  Even as the Avengers are in action, he has Iron Man like robots trying to do crowd control.  But the people are not as confident.

When Tony gets access to some Asgardian technology, he recklessly uses it to try and jump a hurdle with his A.I.’s processing power.  Of course it goes wrong, resulting in a mad child called Ultron.  Ultron constantly works to better himself.  And one goal is to put an end to the Avengers.  Not quite in the way Tony anticipated…he was thinking retirement.  Ultron is thinking annihilation.  To better reach those ends, he brings brother and sister Pietro and Wanda Maximoff.  The orphans consented to Hydra experiments that have given them super-powers.  Pietro is the super-fast Quicksilver and Wanda has reality warping powers.

In a confrontation with Ultron, the Scarlet Witch manipulates several Avengers, including the Hulk who goes on a rampage.  Eventually the reveal of Ultron’s plans (including wiping out the human race) horrifies his cohorts.  His continuing evolution actually leads to the introduction of a new character for the MCU.  The Vision is introduced when the Mind Stone and lightening (along with the Jarvis AI) are combined to create the Vision.

Age of Ultron tries to be the Empire Strikes back, and is certainly loaded with darker themes than the previous films.  The performances are strong, and when the Scarlet Witch exposes Iron, Cap, Black Widow, Thor and the Hulk to their greatest fears of their past or potential futures, it threatens to break their bond apart.

The action is top notch.  There are several excellent and memorable fight sequences.  The jokes mostly land (but who thought it was a good idea for Tony to suggest if he can lift Thor’s hammer that he would reinstate the practice of kings sleeping with new brides on their wedding night).  There are a couple running jokes that can be particularly entertain.  The running gag about lifting Thor’s Hammer (which has a very good payoff) is especially fun.

The movie gives more attention to Hawkeye.  There was talk that Renner was very frustrated with the path the character took in the first Avengers.  This may be Whedon’s way of saying “sorry” to Renner.  It also establishes firmly the friendship with Natasha.

The effects are very good.  Vision looks very close to his comic book counterpart, without looking to fake.  Yet he is slightly unnatural.  Which is kind of the point.  Bettany gives life to the role.  It only took his seven years to be more than a voice-over (now he is a motion capture voice-over).

The film faced some criticism over Natasha calling herself a monster to Bruce Banner.  Some viewers felt the takeaway was that Natasha saw herself as a monster due to being sterilized.  I don’t know that I accept it was that clear cut.  Because the film is quite direct that it is the idea that she was a cold and efficient killer, and the folks who sterilized her believed this would make her that cold and efficient killer.  But I will agree it was somewhat clumsy in the writing, and Whedon deserves the credit for that.

In the end, I enjoyed this second outing with the Avengers.  It has some weak points, but nothing that ruined the overall enjoyment.

I Will Avenge Thee (the Avengers, 2012)

Avengers-Movie_PosterThe Avengers was the culmination of four years of effort on the part of Marvel Studios.  They worked to establish their interconnected Universe building up to this.  People were excited and the Marvel Machine had primarily seen success with their films leading up to this.  The first hiccup was losing Edward Norton.  Ed and Marvel could not come to an agreement for the Avengers.  So Marvel brought in the likable Mark Ruffalo.  The other big announcement was that Joss Whedon would direct.  He did not have that many movies under his belt, but he did have a few beloved television series, so as an overseer for the Cinematic Universe, he seemed well suited.

Loki is the central villain of the film, working with an alien race called the Chitari.  The film moves quickly to introduce the core members to each other, with a brief but exciting “Heroes meet, misunderstand the situation and fight” sequence.  This is an old comic book trope, and Whedon makes it work, and does not drag it out.

Once the heroes are brought together, they capture Loki who has a devious plan.  His escape leaves the team in shambles and a supporting character dead (but don’t worry, he got better for the S.H.I.E.L.D. TV series).  This, of course, encourages the heroes to band together and defeat Loki and stop the alien invasion.

Whedon proves himself to be quite skilled with both small moments and spectacle.  The final battle is exciting and full of grand heroics as Captain America takes charge.  We see him as a wise strategist.  When a police officer questions why they should listen to his instruction, he takes out an alien assault, no questions as the officer starts telling his men to implement Cap’s plan.

The introduction of Black Widow is pretty classic.  It is one of those “damsel in Distress” sequences where you realize the bad guys never had a chance.  The cast has an amazing amount of chemistry.  Even their bickering is engaging.  The film has the rapid quippy dialog Whedon is known for in shows like Buffy and Firefly.  Ruffalo fits in to the crew seamlessly.  As much as I like Norton and his Bruce Banner, Ruffalo manages to make the character all his own.  It is all quite engaging.

I feel the biggest lapse in judgement is having Hawkeye spend the first half of the film as a possessed lackey of Loki.  It just feels like the character deserves better than that.

While there is weight of imminent destruction, the film never gets too dark.  You have lighter moments to even it all out.  The Avengers was overall a great success that is a lot of fun to watch.

In From the Cold (Captain America: The Winter Soldier, 2014)

TCaptain_America_Winter_Soldier_Posterhe success of both the first film and the Avengers, Captain America was bound to return.  While the First Avenger had a straight forward black and white approach (not to hard when your villains are Nazis) the Winter Soldier is about how far the world has fallen.  Steve’s values are clashing with even the good guys.  He is starting to doubt his missions and his teammates.

The one bright spot is his meeting Sam Wilson, who works with vets in dealing with their experiences and return to civilian life.  Steve is also trying to keep the trust with Natasha (Black Widow).  Meanwhile, Nick Fury seems to be hiding secrets from Cap and the government to boot.

When Alexander Peirce calls for Captain America to be arrested for Treason, the movie shifts into hero on the run trying expose a conspiracy.

This film shakes up the status quo of the Marvel Cinematic Universe* with it’s deep dark conspiracy based plot line.  The primary heme is “Who can you trust?”  And overall it it is handled pretty well.  There are some spectacular action sequences, especially the close quarters of an elevator.  The film has a lot of humor, considering the plot.

The cast is full of charm.  Anthony Mackie’s Falcon is a blast (and off-screen comments indicate Mackie has had a blast playing the character).  Of course, Chris Evans makes a noble and heroic man out of time.  As Black Widow, Johansson is getting a change to build on the role from the Avengers.  Robert Redford brings a  certain gravitas of an elder statesman.

This is a strong and exciting entry in the franchise, and is a nice companion to the First Avenger.

*well, it did for ten minutes.  Agents of S.H.I.E.L.D. pretty much put S.H.I.E.L.D. back in play.

Marvel Begins (Captain America: The First Avenger, 2011)

Captain-America-First-Avenger-PosterCaptain America was a hotly debated character for the Marvel Films.  Could a character so tied to American Nationalism be a hero the world loved?  Joe Johnston (who directed Disney’s fun comic book movie the Rocketeer 20 years earlier) was brought in and found a way to make that answer be yes.  Among the choices made were to set the film in World War 2, rather than begin in Present day.  Chris Evans was hired on to play Steve Rogers.  This was not his first foray into a Marvel Property, He was Johnny Storm (the Human Torch) in the 2005 and 2007 Fantastic Four Films.  He was also one of the Evil Exes in Edgar Wright’s adaption of Bryan Lee O’Malley’s Scott Pilgrim graphic novels.

The film quickly establishes Steve Rogers as heroic, in spite of his physical weakness.  He will take a beating.  Standing up for him is his buddy ‘Bucky’ Barnes.  This is one of the film’s biggest deviations.  In the comics, Bucky was a teen sidekick to Captain America.  The filmmakers (rightly) realized that may not play so well.  And there is a twist to having Bucky go from Steve’s savior to needing saving by Steve.  Steve’s multiple rejections by the military catch the attention of a part of our military that is looking for someone to be a part of an experiment.  While many try, scrawny Steve Rogers keeps managing to stand out, not by his physical prowess, but by ingenuity.  This catches the eye of British officer Peggy Carter.

One of the things the movie does so well is that they avoid tropes.  Peggy and Steve are smitten before his transformation.  She is impressed by who he is, not what he is.  It would have been easy to make her yet another obstacle for her to notice only after he is physically altered.  And yet, due to a terror incident that destroys the remaining Super Soldier serum, Steve is still unable to see combat.  Instead, he is reduced to a promoter of War Bonds and propaganda.

Evans really sells Roger’s frustration and even feelings of humiliation.  But while on a USO tour, he ends up making a big save, convincing the military they need him.  This leads to crossing paths with the Red Skull, who is determined to rule the world through Hydra.  Hydra begins as an arm of the Nazis, but has it’s own goals.

The film ultimately hangs on Evans to sell the character of Captain America, and boy does he sell it.  He comes off as kind, dedicated to justice and most of all, simply heroic.  He is supported but a great cast of actors.  Tommy Lee Jones is perfectly cast as Colonel Phillips.  Hugo Weaving got one of the better villain roles, since he gets to simply be Nazi Evil Incarnate.  The movie makes the choice to introduce the Howling Commandos (Sans Nick Fury) as the team that works with Cap.  They are an entertaining bunch.

But the standout is Haley Atwell.  She is more than Cap’s love interest.  She is a tough and clever military officer.  But at the same time?  She and Evans have a real solid chemistry, and when the film reaches it’s inevitable conclusion, their exchange (certain Steve is heading to his death) is heartbreaking.

Johnston gives us a terrific film that stands on it’s own, even if part of it’s purpose is to set up the first Avengers film.

Strike While the Iron Is Hot (Iron Man 2, 2010)

iron-man-2-posterSeriously…Iron Man 2… not Invincible Iron Man???  What a miss…

Anyways, The first Iron Man was a surprise hit.  Marvel was building towards their shared movie universe and did not want to mess that up.  So, they stuck to their guns.  Favreau was back to direct Downey Jr. and the entire cast that survived made it back for the sequel.

Well, almost everyone.  Terrence Howard tried to renegotiate his fee, and Marvel was not interested…so they asked him to not let the door hit him on the ass and brought in Don Cheadle.  I was pretty torn.  I thought Howard did well and was likeable as Jim Rhodes.  On the other hand?  Love Don Cheadle.

One of the harder parts of Iron Man is his rogues gallery. He fights a lot of armored guys.  That can get repetitive…on the other hand, you have guys like the Mandarin.  A Magical Asian.  So they went with…um…Whiplash.  I wondered how they could make that interesting  They kind of succeeded.

Whiplash is obsessed with Stark because he feels Stark’s father betrayed his father.  The other villain in the film is Tony’s weaker competitor, Justin Hammer.  Hammer is trying to give the government the same kind of technology Stark has.  Ultimately they achieve it by using Whiplash, who has knowledge of Tony’s tech..  The film also introduces us to Natasha Romanoff, also known as the the Black Widow.  Whiplash is freed from the authorities by Hammer who wants to use his expertise.  Hammer is cocky, but he he is less competent than Tony or Whiplash, who double crosses Hammer to get his revenge on Tony.

There is a lot to like here.  But the best stuff is almost all at the end.  We get Stark and Rhodey fighting together against Hammer’s drones, Black Widow kicking butt and just a lot of cool stuff.  But at times, it feels like it is taking forever to get there.  This film has the exact opposite issue of the first film.  The build up is not all that involving as an audience member, but the ending is great.

Again, the chemistry between Downey and Paltrow is magnetic.  And Cheadle slides right into the role like he was always there.  Johansson gives us just a taste of the character to come, and it is great.  Rockwell is wonderfully sleazy as Justin Hammer.  Samuel L. Jackson’s Nick Fury is established as a major player tying the Marvel Cinematic Universe together.

Iron Man 2 is not quite the follow up I would have hoped for, but it would not sink the franchise or the MCU either.   It is one of the weakr entries, but strong enough to not be totally dismissed.

A Bond By Any Other Name… (Kingsman: The Secret Service, 2015)

kingsman-the-secret-service-posterLike Matthew Vaughn’s previous Mark Millar adaption (Kick Ass), Kingsman: The Secret Service promises to be a bold and irreverent take on it’s genre.  Kick Ass poked fun at super-heroes through excessive violence and profanity.  Kingsman follows through.  It is irreverent, extremely violent at times and full of profanity.

And yet, it seems to be a bit more loving of it’s target.  It is as much homage to the classic spy films of the past.  Colin Firth’s Galahad is older, handsome and stylish.  He seems proper and speaks of manners even in a fist fight.  Eggsy (Taron Egerton) is a rough hooligan lacking a sense of manners.

But when we first meet Eggsy, his father has died, and the promising future is dashed.  His father was a secret agent, a member of the Kingsman organization.  Heartbroken, his mother appeared to have never recovered from that loss.  Eggsy gets in trouble with the police, only to meet Galahad who invites him to join the Kingsman Organization.

Unsurprisingly the other recruits are high society kids.  The film focuses heavily on Eggsy going through each test, and building his friendship with Galahad.  The central villain is a flamboyant tech genius named Valentine (Samuel L. Jackson).  His goal is to wipe out a massive number of the human population to save the world from global warning.  One of his more interesting quirks is that he does not take pleasure or joy in the actual death, but he is certain that it is a worthy end.

The film is comically violent (there are at least two scenes of massive carnage) far more than any Bond film ever managed.  But the film manages to be entertaining.  There is good humor, and the cast has great chemistry together.  I especially liked how the three women are characters, not love interests. One of his competitors, Roxy (Sophie Cookson) is his equal, and he supports her not because he wants to date her, but because they are friends.

Eggsy is a troubled guy, but he is decent, a supportive friend, cares deeply for his mother and baby sister…he has solid qualities that Galahad seeks to steer towards a greater good.

The film is, all in all, quite a bit of fun.  The characters are likable, the cast is solid through and through.  It is an effective action movie, even if some of the beats are somewhat predictable.  The film embraces it’s super-spy inspirations and follows the conventions.  It does it with fun style (Valentine’s henchwoman is pure old school Bond).

While there are moments that seem to relish the crass violence, overall this film is an effective adventure that left me smiling.

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