Up From the Depths Redux (Jaws 2, 1978)

Jaws_2_PosterWhen you beget the first summer blockbuster, the studio will want to get back to that gold mine.  Of course, Steven Spielberg did not return…reports include production conflicts as he was working on Close Encounters of the Third Kind.  Others report that he thought sequels were a joke.  Close Encounters also prevented Dreyfuss from Returning.

However, much of the central cast did return.  Set a few years after the first film, Brody is still the Chief of police.  He is struggling with his teenage son Mike.  And when there are some mysterious deaths, Brody jumps to his default…a big shark. Unsurprisingly, everyone tells him he is crazy…I mean, ANOTHER shark?  Who is this guy? John McClane?!

Of course, it is a shark, another great white to be exact…and it falls on Brody to put an end to it.

Jaws 2 is not really terrible.  It can be downright suspenseful in fact.  There are moments of high drama.  But in this film, there is no Quint or Matt Hooper for Martin to play off of.  He gets support from his wife, but in the end, it is all on Brody’s shoulders to kill the shark.

The film skips the hiding of the shark as the director felt there was no way to duplicate the original film’s big reveal.  And he is correct.  But the shark in this film seems even more rubbery, especially noticeable in a scene where the shark barely misses Mike Brody and slides against the boat.

Jaws 2 is a decent attempt to follow up the original, but in the end, it more imitates it, with only limited success.

I do have one question…after the events of the first film…who the heck voted to keep Mayor Vaughn in charge of things????

Up From the Depths (Jaws, 1975)

Jaws_posterIn 1975, Steven Spielberg created “The Summer Blockbuster”.  Based on the book by Peter Benchley Jaws tells the story of police chief Martin Brody, who must deal with an aggressive great white shark that has invaded the beaches of his island community.

The film opens on a beach party, a young woman named Chrissie runs off with Cassidy for a late night skinny dipping session.  While Chrissie swims, Cassidy passes out on the beach.  Suddenly, Chrissie is jerked under water…she surfaces, now frightened, then she thrashes violently.  We never see her attacker as she disappears below the water.

Chief Brody is a man frightened of water, yet lives on an island (He tells Matt Hooper that it is only an island if you are looking at it from the water).  When the coroner suggests Chrissie was the victim of a shark attack, he leaps into action, only to be shut down by the Mayor, who does not want to close the beaches during tourist season.  Only after a very public series of attacks do they allow Brody to take measures to destroy the shark.  He is joined by marine biologist Matt Hooper and the gruff Quint.

Jaws may have kicked off the concept of a Summer Tentpole film, but that does not mean it is light fare.  While there are plenty of thrills, Spielberg is focused on the characters and their stories.  Brody loves his family and becomes worried for their safety.  His wife Ellen is constantly trying to fight his obsession with the danger of the shark.  But even she finds it hard not to give in.  In one scene, Brody tells his son to get out of his small boat.  Ellen tries to convince him not to worry…until she sees a picture in a book that Brody is holding showing a shark tearing through a boat.

The film has many great character moments, such as when Martin and his oldest son are sitting at the table and the son starts to imitate his father.  It is a touching moment showing the connection Broody has with his family.  Then there is a moment between Hooper and Quint on Quint’s boat where they compare scars.

The performances in the film are compelling.  Roy Scheider, Robert Shaw and Richard Dreyfuss have a terrific chemistry.

The shark (nicknamed Bruce) tends to look pretty fake, and due to limitations of the time, Spielberg chose to cut the movie in a way that would hide these issues.  And it is a wise move that builds suspense effectively.

In later years, Benchley became an advocate for sharks, feeling both his book and the film created an irrational fear of sharks that resulted in people slaughtering them.  But still, Jaws is an effective classic, worth watching.

Doling Out the Punishment (The Punisher, 2004)

Punisher_2004_PosterThere is a lot to like…and yeeet…

Created in the early 1970’s by Gerry Conway, John Romita Sr. and Ross Andru, he debuted in Amazing Spider-man # 129,  the first attempt at the Punisher was in the 80’s.  It starred Dolph Lundgren.  At the time the casting seemed like an obvious choice.  But then the movie came out.  It was really more like they had a Dolph Lundgren action movie and decided they should market it as the Punisher because…hey, why not?  He did not even have the skull as part of his outfit.

The Punisher was enjoying a resurgence thanks to the immensely popular series being handled by Garth Ennis.  Ennis brought a wicked sense of humor to the character combined with an over the top approach to the violence (certainly not a new formula for Ennis, but rather his stock and trade).

Certainly, the Punisher seems like an obvious character to adapt.  He is not special effects intensive and his costume is not that complex.  To accommodate the age of the actor (Thomas Jane) they opted to make him an Iraq War vet who is now in the FBI.  After a drug bust results in the death of drug lord Howard Saint’s (John Travolta) youngest son, Frank Castle finds his entire family dead.  In the comics, it is his wife and kids…in the film?  It’s at a family reunion.  So, like, the entire extended family is slaughtered.  Talk about raising the stakes.

Frank survives the attack, because boy would this be a short movie if he died… and goes out for revenge.  Frank hides out in a shabby apartment complex that also is inhabited by Joan the Mouse (Rebecca Romijn), Spacker Dave (Ben Foster) and Bumpo (John Pinette).  Joan is a nervous woman, hassled by an abusive boyfriend, while Bumpo is an overweight guy with a grand love of cooking.  Spacker Dave is just kind of a strange dude.  They are curious about their new occupant, who never seems to interact with them.

Frank has converted his apartment to an armory.  He kidnaps low-level employee of Howard Saint Mickey (Eddie Jemison).   In an odd torture sequence (done more to show how clever the Punisher is-as he never actually hurts Mickey) he coerces Mickey to be his eyes and ears and his informant.

Castle works his way through Saint’s men working up to Saint himself.  In the end, the Punisher leaves Joan, Spacker Dave and Bumpo behind (but leaves them a little gift) and gets ready for the Punisher 2.

I said there is a lot to like.  For one thing, the film has a terrific cast.  Jane is a credible Frank Castle and is able to make the character dark and brooding-while finding the humor.  Frank doesn’t crack jokes, but his actions can border on the comical.  During his torture of Mickey, he explains how a blowtorch flame is so hot, it feels cold as it cooks the skin… he then presses a popsicle to the sufficiently freaked out Mickey’s back.  When the session is done, he shoves the popsicle in Mickey’s mouth (causing Mickey to realize he was played).  The fight with the Russian follows the comic closely, with Frank taking a beating while his neighbor obliviously prepare a meal.

The film touches on the quirkiness in the Ennis Punisher run.  The inclusion of Joan, Spacker Dave and Bumpo was good, as it gives the Punisher some human interaction that is not fighting or killing.  The Punisher is a smart and clever man in the film, which is an important aspect of the character.

Romaijn is kind of odd choice for Joan.  In the comic, Joan is pretty plain… Romaijn is/was a Super model.  They end up making her Hollywood Plain.  She does a good enough job…but still…

The flaw of the film is Howard Saint.  Not because Travolta is bad in the role.  He chews the scenery in an entertaining way.  But he really is “generic mob villain.”  Welcome Back Frank (the clear inspiration for much of the film) featured a memorable mobster in Ma Gnucci and her sons… Ma survives an attack from the Punisher and is just as dangerous with no arms or legs.

To include over the top stuff like the Russian (Kevin Nash) and Harry Heck (country singer Mark Collie-the character is the answer to “What if Johnny Cash was a mob assassin?”) but then not go as over the top with the main villain?  It just keeps the film from being as good as it could have been.  The issue with the Russian is that he is silent.  In the comics he is ridiculously talkative.  Plus, they never use Detective Soap from the comics, who played for strong comic relief throughout Ennis’ run.

And in the comics, the Punisher punches a bear.  Why wasn’t that in this film?!

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