Roid Rage Part 3 (Red Sonja, 1985)

Red_Sonja_PosterThis film is an example of not getting your ducks in a row.  The producers wanted to capitalize on the success of Conan.  They decided on Red Sonja, a warrior woman within the same universe.  Well, sort of.  Red Sonja as written by Howard was not set in the world of Conan at all. She was a swashbuckler in the 16th century.  Roy Thomas introduced her in the Conan comics.

The producers convinced Arnold to return as Conan for what was supposed to be a glorified cameo, though, basically, he was tricked into a co-starring role.  But here is where they also ran into problems.  It turns out they did not have the rights to use Conan.  So, instead, after a brief prologue getting us up to speed on Red Sonja’s past (her family was killed when she rejected the advances of the evil Queen Gedren, who also had Sonja raped by her soldiers) we see Not Conan.  Now called Kalidor, he is on a mission, but keeps running into dead ends.  His destination is a temple where Priestesses are preparing to destroy a Mcguffin called the Talisman.  It is super powerful, so evil people want it, and the ceremony is interrupted by Queen Gedren.

One Priestess escapes and finds Not Conan.   She is Red Sonja’s sister.  Red Sonja has been training to be the Ultimate Warrior. And her trainer confirms she is officially the best.  But she should really trust men better.  This is one of those weird cartoon feminism things.  It also is a little odd that she is only distrustful of men, considering it was the Queen that had her family killed.  But whatever.

Red Sonja goes on a quest for vengeance after her sister dies, but also to, you know, destroy the Talisman.  She is joined by Not Conan, a boy prince and his man servant, the Beast Rabban. The second two characters are more comic relief, which undermines any possible seriousness the film has.  And Brigitte Nielson is not the most charismatic actress as Red Sonja.  Which is a problem, as she has to carry the weight of the film. Add to that the fact that this is her film debut and it seems remarkably unfair to her.

Directed by the same man who directed Conan the Destroyer, Richard Fleischer, this film really lacks the excitement of the Conan Films. A lot of the action seems repetitive and kind of boring. Red Sonja has enjoyed a resurgence in popularity, but this film does her no service.

The Adventure Begins (Raiders of the Lost Ark, 1981)

Indiana_Jones_Raiders_Poster1981 was the meeting of two titans.  Steven Spielberg had thrilled the world with Jaws and two years later George Lucas had started to take over the world with Star Wars.The two teamed up to create the ode to pulp novels and action serials of yore.

Dr. Henry Jones, nicknamed Indiana is a professor of Archaeology and adventurer.  He is not a treasure hunter, at least not in the traditional sense.  He locates artifacts in the belief that they should be shared with the world for education and discovery.

Jones is contacted by the Government regarding the Biblical Ark of the Covenant.  Teaming up with an old flame, Marion Ravenwood, Indy must stop Nazis from getting their hands on the Ark.  What follows is a series of exciting near misses at getting the Ark.

Raiders of the Lost Ark is a roller coaster ride of a film.  It has the adventure, heart, and humor that engages the viewer throughout. Indiana Jones instantly has an iconic feel.  He is rough around the edges, without being a neanderthal.  He is good at thinking on his feet (especially handy in attempts to escape sticky situations.  But he is not alone here.  Marion is the daughter of his mentor Abner, and she is every bit the adventurer.  She is smart and clever, Indy’s equal.

Of course, in a story like this, villains matter.  Indy is really dealing with two foes.  One is Belloq, who is his greedy counterpart.  Belloq is a fortune hunter and seeks the Ark for his own lust for power.  He has teamed with the Nazis, led by the creepy Major Toht.  The Nazis, of course, seek the Ark to consolidate their power.

Lucas tends to be good at ideas, but a bit goofy on execution, so giving the story to Lawrence Kasdan to write and having Spielberg direct brings all their unique skills together to create one of the best adventure films of film history.  It brings the sense of the old serials to a vibrant modern life with terrific characters fighting near impossible odds.

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