Oh the Horror! (Cats, 2019)

Cats_PosterCats has a scene where Rebel Wilson’s Jennyanydots unzips her fur to reveal more fur and a costume and she eats cockroaches with human heads.

This is a nightmare.  And I do not know where the responsibility all is falling too.  The story is pretty odd and nonsensical. And the film never really justifies the nonsense. The visual effects work against the film as they are largely creepy and sometimes feel incomplete.  I don’t blame the effects artists…they were over worked and trying to deliver for an incomplete vision. The cast is amazing and practically the only person who seems to care is Ian McKellan, like everyone feels as if they are in a different movie.

I really cannot think of anything I liked.  I mean, some of the songs were enjoyable?

Cats is already going the Rocky Picture route, so maybe see one of the Cats Rowdy Screenings at an Alamo Drafthouse? I mean, I would consider watching it again there.

Friendship is Magic (Jojo Dancer, 2019)

Jojo_Rabbit_PosterJojo is a young boy living in Hitler’s Germany.  He aspires to be a great Nazi, to the point that the ten year old’s imaginary best friend is Adolf Hitler. After getting wounded at a Nazi gathering for Hitler Youth, these hopes are dashed. Instead, Jojo has to stay behind and support the Nazis through canvasing with propaganda.

But his life takes an even bigger turn when he discovers his mother is helping hide a young jewish woman named Elsa in their house.

Jojo Rabbit is a fascinating film.  It delivers lots of laughs, of course, in part due to the fact that it falls into a long history of presenting the Nazis as buffoons. Sam Rockwell is the disillusioned military man who has lost his faith in the cause of the Nazi regime. Rebel Wilson is the more devoted but goofy (at one point telling the kids at camp she has had eight babies for Germany).

Scarlett Johansson turns in a solid performance as the rebellious mother of Jojo, who hides her activities from Jojo to protect both him and herself.  She loves her son deeply, and hopes to turn him from his being a Nazi back to her son…a little boy.

Taika Waititi plays Hitler.  And he pulls off a stunning transformation. Early in the film, he is funny and almost sweet. When Jojo is humiliated by some older boys at Nazi Camp-giving him the Rabbit Nickname- Adolf tells him what a brave and noble animal a rabbit is. But as a friendship with Elsa grows, Hitler starts to become more menacing. He is really the dark ideology Jojo clings to, and as Jojo finds himself questioning it, the poison festers and fights to maintain dominance.

Roman Griffin Davis gives a great performance as young Jojo.  He has a sweetness that seems to conflict with his belief in the Nazi ideology, and ultimately, that nature starts to assert dominance. He also has a wonderful chemistry with Thomasin McKenzie. At first, she is abrasive with him as a survival tactic, but more and more their walls break down for each other.

Truthfully, the trailers did not prepare me at all for the film.  Because, yes, it is funny. And it challenges the viewer with uncomfortable moments. But it also is heartfelt and hopeful. And Heartbreaking. There are gut punch moments I was not anticipating. The film is unafraid to acknowledge the horror and evil of the Nazis, even while laughing at them.  And, maybe that is how it should be?

While Todd Phillips complains that comedy is too hard in today’s environment… Taika Waititi on the other hand makes a film that has laughs and heart. It has moments of raw and painful emotion that gets at the center of our conflicts and growing past our ills. Jojo Rabbit looks at us at our darkest and dares to call for hope. It calls on us to dance.

Trapped In a Fantasy (Isn’t It Romantic, 2019)

Isnt_It_Romantic_PosterRom Coms are an often maligned genre. Much like Horror, if a Rom Com is done well, people try and argue it is not really a Rom Com. This is a lot to do with the fact that Rom Coms have a pretty solid formula that has worked for a long time.

Isn’t It Romantic attempts to mock the formula by working from within. Natalie was thrilled by Romantic Comedies as a child, until her mother made it clear that she would never be desirable and needed to settle for pretty much anything she gets in life.

So when we find her as an adult, she is a meek woman, interested in her male best friend Josh (who clearly thinks the best of her and is constantly trying to get her to step outside her walls). She is walked over by her coworkers who do not take her ideas seriously.  After a mugging goes way awry, Natalie wakes up in an amazing hospital emergency room greeted by an incredibly handsome doctor.

Natalie finds that New York is now smelling better, her apartment is gigantic and her dog is well groomed. Natalie tries to find her way out and decides the only choice she has is to play by the rules of a Rom Com.

The film indulges all the tropes with a wink, some too far better effect than others. The inability to actually get to have sex with handsome suitors is pretty amusing.

At the same time, early in the film, we get an extended sequence where Natalie explains why Romantic Comedies are toxic where we are told exactly what we will experience. The film also does nothing to really develop any of the characters outside Natalie.  Josh gets the most development as a character, at least enough to get why she likes him.  And while it is entirely predictable that they are going to end up together, it is at least understandable that the two always had feelings for each other.

Isn’t It Romantic does manage to subvert certain of its core criticisms of the genre and the cast is entertaining enough in spite of the lack of character development.  It is not as genre busting as it sets out to be, but it has its moments.

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