Meet the New Kids (Toy Story 3, 2010)

While Pixar had pushed the Cars franchise at an aggressive rate, their other films had been allowed to remain largely untouched. In spite of the second film’s success, it was not until 2010 that we saw the third installment of the Toy Story films.

This time, we find Andy getting ready for college. When the toys are accidentally mistaken as trash, they decide to stow away in a box marked for the local daycare center.

Woody promises them it will be terrible, and shortly after they arrive, he tries to sneak out to return to Andy. However, on his way, he is found by young Bonnie, who brings him home.

The other toys are greeted by Losto (a stuff bear) and the other toys. They sell our old friends on what a paradise the daycare is. But the truth is much darker. Lotso is pretty much the Godfather of the joint. He runs the show and force new toys to be played with by the youngest kids in the daycare…regardless of whether these toys are meant for that age or not.

This is a pretty crazy story, but it works pretty well. Lotso is charming at first, but you learn he has turned dark from rejection. Meanwhile, his henchman Ken is taken with Barbie. At first she is smitten, but when she discovers what Lotso does to the other toys, she rejects the cushy life Ken offers.

Meanwhile, Woody is also living a good life with Bonnie and her toys, but he wants to return to Andy…and when he finds out the truth about Lotso and the Daycare, he is determined to save the other toys.

The animation in this is pretty terrific and has come far. Textures, vibrant colors, hair…everything looks great. And this time around they have opted for a more stylized look to the human characters which is some much more pleasant to watch than the humans of the previous films.

As usual, there is a lot of heart to this film…it is a bit heavy as the toys contemplate death and complete destruction…but still, it really tugs at the heartstrings.

Again, the performances of the voice cast bring this to life in a way a lot of films fail. Even the stunt casting never feels like a mere stunt. The performances feel full of care, and everyone delivers.

Somehow, Pixar managed to keep the same quality in three films, avoiding the dreaded failure within the franchise that each announced film brought. Toy Story three would have been a perfect cap off to the series, really. You would have had a high quality trilogy. It is full of love, humor and even grown up fears and emotion. Toy Story 3 is a great continuation of the Toy Story Series.

June 26, 2019 0

The Secret Life of Toys (Toy Story, 1995)

In the 80s Pixar’s team thought that computers could usher in a wave of new animation….animation by computer. They made their name in the industry with the short The Adventures of André and Wally B. A few years later it was followed up by the Tin Toy.

When it came to their first feature, the team at Pixar looked at their limitations and based the film in those parameters. They chose to focus on characters that did not need to look “realistic”. Toys are made of plastic and fabric.

The concept is that toys are living things that have a purpose…and that purpose is to be a friend to the child to which they belong. And in this case, it is the toys of a kid named Andy.

Life in Andy’s room is full of adventure. Andy Imagines scenarios in which his toys, ranging from a slinky dog to a dinosaur to cowboy named Sheriff Woody. Woody is Andy’s favorite and the “leader”. But all that changes on Andy’s birthday when he receives the exciting new Buzz Lightyear action figure. A futuristic action toy that can shoot lasers, Woody wonders if he has lost his place in Andy’s heart. The other toys are in awe of Buzz and this only compounds Woodys fears.

Jealous, he ends up alienating himself…and then when he accidentally causes Buzz to be lost, the other toys no longer trust him. This forces Woody to go on a rescue mission, facing himself and also needing to consider the possibility that a change in status is not bad.

A lot of what sells this film is the performances. Especially Hanks as the slightly uptight Woody and Tim Allen as the toy who does not realize he is a toy, Buzz Lightyear.

The movie has a ton of fun with the conceit of living toys. Most of the toys are generic (outside of Mr. Potato Head and a couple much older toys) but this works pretty well. It allows the voice talent and script to imbue the toys with some genuine personality.

Even now, the animation holds up. Sure, compared to later films even within the franchise everything is much simpler to look at, lacking a lot of texture…and when we do see people’s faces…well, let’s just say they look like the 2019 Chucky.

But this is a film that manages to overcome those limitations with solid storytelling and performances. There is both heart and humor that has made this film a classic of modern animation.

June 24, 2019 0

Let’s Visit Texas (Texas Chainsaw Massacre: the Beginning, 2006)

The very nature of a horror movie prequel is pretty bleak. If you are going back to “the beginning”, you pretty much wreck any hopes for a happy ending.

Texas Chainsaw Massacre the Beginning follows two couples. The young men are brothers, one returning to duty in Vietnam and the other joining him. Except the younger brother really does not want to go. In what seems like a small action, he starts to burn his card, but they find themselves in a car accident. Who should find them? Sheriff Hoyt. Except, now we discover that Hoyt is not the Sheriff at all. Young Thomas Hewlett went on a slaughtering spree the day they closed the only job he could love…working the slaughterhouse.

When the sheriff stops Thomas, he is killed and Hoyt took over the role. When Hoyt finds the burned draft card, he gets irate and starts torturing the brothers. One of the girlfriends got away, but the other suffers all sorts of torment. The “Final Girl” (a term used very loosely here) tries to save her friends, but the situation just gets worse, right to the bitter end. You know she cannot get away…the Hewlett’s have to make sure nobody gets away.

Everything is pretty by the book, and the film lacks any real twists, as it is super busy filling in the blanks from the first film. These were not necessary to fill in, as they were things like “How did that old guy lose his legs?” Or “How come Hoyt has fake teeth?” The answer is that everything happened in this one moment of time in the 60’s.

The cast is pretty decent, and again Ermey is disturbingly entertaining. But other then that, nothing really stands out. It is gory and gritty, taking it’s look from the previous film. But it never quite grabs the viewer in any way. The characters are under developed, and while sometimes a film can be entertaining enough to give that a pass, this is not the case here.

One interesting note is John Laroquette reprises his role as narrator again, though the film closes with his narration instead of opens with it.

October 30, 2016 0

Let’s Visit Texas Part 5 (The Texas Chainsaw Massacre, 2003)

People stopped trying to make sequels and the franchise looked to be quietly slipping into history. Then, in the early 2000’s Michael Bay formed Platinum Dunes and purchased the rights to the Texas Chainsaw Massacre. Instead of going the sequel route, Bay opted for a remake. This was also a reboot of the franchise. The film was still set in 70’s and featured a young CW TV type of cast…before the CW existed.

The film opens with the same basic narration of the original (with John Laroquette reprising his role as narrator-which is a fun reference to the original) before introducing us to a group of friends on a road trip. They pick up a hitchhiker (much like the original), a young woman who seems very traumatized (unlike the original). She kills herself, which results in the kids looking for help. They meet local sheriff Hoyt. He is gruff and seems a bit off, but it is only later the kids realized what danger they are in.

Directed by music video director Marcus Nispel (among his video work? An Amy Grant video short) the film is definitely stylish. There are all sorts interesting camera shots (one gruesome shot pulls out from the terrified friends through a head wound an out of the bullet hole of the van’s rear window). The various citizens of the small Texas Community are all slightly creepy. Every location is unnerving. The film’s color scheme causes it to feel like it could be filmed in the 70’s, giving a gritty look to the film. Nispel went on to direct the glossy Friday the 13th reboot a few years later.

Leatherface is big and imposing…and R. Lee Ermey steals a lot of scenes with a character who is like his Full Metal Jacket drill sergeant, but slightly nicer. Okay, kidding. Ermey’s Sheriff Hoyt is disturbing and genuinely frightening.

The film’s cast is actually quite good, though the central young women are overly sexualized (not a big surprise from a Bay production). The film lingers especially on shots of Jessica Biel in her midriff top (well, technically, Erika Leerhsen is in less).

This is one of those remakes that manages to be pretty decent in it’s own right. It manages to take the things that matter from the original while choosing to tell it’s own version of the story. After the first two films, this is probably the strongest entry in the franchise.

October 29, 2016 0