Same Old Story (Long Shot, 2019)

Long_Shot_PosterHave you heard about this movie where the schlubby guy hooks up with a hot chick out of his league? You know…the plot of, like, 77% of rom-coms? I mean…Seth Rogan? He is a type…

Rogan is Fred Flarsky, a lefty journalist who finds himself out of a job when his paper is bought by Parker Wembly (an unrecognizable Andy Serkis as a Rupert Murdoch type media mogul). At a party, he runs into his old baby sitter Charlotte Field, about to enter the ring as a presidential candidate.

Charlotte hires him to punch up her speeches and slowly, the pair find themselves falling for each other, in spite of the fact that her staff think this is a very bad idea, mainly because… well, Fred is a potential liability. He is a casual drug user, he has no filter and well…there is more.

And really? In the hands of less talented a less talented creative team and cast?  This might have been an embarrassment of cliches.  I mean, this film certainly follows all the tropes, right to the end.  And yet, I never found myself caring.  The film is funny, the characters endearing…I rooted for them to succeed. Theron and Rogan are great and I did not find myself questioning what she could see in him.

Long Shot is a terrific comedy that shows that you can actually follow the Rom Com template and make a very entertaining film.

The Bigger They Come Part 14 (Godzilla, the King of the Monsters, 2019)

Godzilla_King_of_the_Monsters_PosterReturning to the present after Kong Skull Island’s 70’s setting, Godzilla: King of the Monsters is our chance for some giant monster against monster action.

With a quick revisit to the destruction of the end of 2014’s Godzilla by Gareth Edwards, we meet the Russell family who are searching for their son while Godzilla fights the MUTOs.

Jumping to the present, Mark and Emma Russell are estranged, with Emma continuing her scientific work with Monarch. When Emma and their daughter Maddie are kidnapped by Echo-Terrorists, along with a weapon that allows for some communication with the titans, Mark is recruited by Monarch to help get them back.

It turns out to be more complex than that, some believe that the Titans are the key to healing the planet.  But their confidence lacks important data that could doom the planet and humanity.

So… One of my complaints with Edward’s Godzilla was it’s slow drawn out reveal of Godzilla. This was the umpteenth version of Godzilla and the slow reveal was unnecessary and pretty annoying. Here, we get to start seeing the titans very quickly and dramatically.  Director Michael Dougherty knows that a movie called Godzilla: King of the Monsters will need to deliver on the monsters.

And boy does he.  The film has several exciting sequences as Godzilla fights the new renditions of classic ToHo monsters. The designs of the creatures are great, they have a sense of life and threat.

I also liked the human characters in this film. It was nice to see Ken Watanabe and Sally Hawkins return from the previous film. Chandler is solid as a character who would just as soon see the titans all dead, but is forced to confront his anger and bitterness to save his family and the world. Vera Farmiga is both sympathetic and frustrating as Emma, who loves her family, but seems to skirt the line of ethics in her choices.  And Stranger Thing’s Millie Bobby Brown is very good as the surviving child who really wants to do what is right and also honor her lost brother.  The film has a fun supporting cast as well.

I really enjoyed this film.  The myth building, the action and the characters came together for crazy monster bashing fun.

 

Blurred Lines (Den of Thieves, 2018)

Den_of_Thieves_PosterRay Merriman is ex-military and leads a skilled team of criminals that specialize in hard to pull off heists. They run afoul of the corrupt cop “Big Nick” O’Brien and his crack team officers who try and take them down.

Big Nick and his crew force help from Merriman’s driver Donnie.  Donnie then has to try and play both sides the best he can to survive.

The film switches between their current heist and flashbacks, and it is a little confusing at first, but then the film starts to get better at making these jumps clear. To be honest, I have always felt Gerard Butler has limited range…but the film puts that to it to the best use.

There is nothing new to the heist genre here. The bad guys are super clever, the cops trying to stop them are of questionable moral character…even a lot of the big reveals are entirely too easy to see coming. But it does follow the rules pretty well, resulting in a fairly competent heist film.

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