Day the World Ended (Demon With the Atomic Brain, 2017)

Mihm_Demon_Atomic_Brain_PosterChristopher R. Mihm’s latest film presents the possible end of the Mihmiverse.  A specially built computer has caused a rift in time and space that is threatening to destroy everything.  A team of military and specialists come together to try and stop it.

What happens next is an adventure through alternate futures, each one seeming more dangerous than the last.

The Demon With the Atomic Brain is one of Mihm’s most ambitious films in scope.  There are multiple set pieces.  It has several creatures and monsters and a decently large cast (which of course gets whittled down).  Both the animated monsters and the costume creations (by Mitch Gonzalez, who always makes fun and effective monsters for the Mihmiverse). There are these flying monsters where you can see the strings as they fly around.  Again, this is part of the low budget charm of Mihmiverse movies.

As always, the film has an authentic look to the era of the fifties.  This one has some splashes of color in each of the alternate futures.  It can be subtle, as they are heavily desaturated.  But it is very effective in giving a unique personality to each scene.

The actors are all very entertaining in their roles, effectively straddling that fine line of goofy delivery with sincerity.  Nobody feels like they are trying to act badly.  It is more that the dialog can fall into that sci-fi type of discussion that sounds less natural for most people.

The Demon with the Atomic Brain is a fun science fiction adventure with a unique identity (while paying homage to its inspirations).

Bucket of Blood (Weresquito: Nazi Hunter, 2016)

Mihm_Weresquito_CoverDuring World War II Cpl. John Baker is captured and experimented on by the deviant Nazi scientist Schramm.  He was saved by the Allied forces, but he is forever changed.  When he sees blood, he is transformed into the human-mosquito, or rather the Weresquito.  He is on a mission to find Nazis (and specifically Schramm) who are hiding out in America.

His search has unexpected complications as he starts to fall for Schramm’s niece (who is unaware of her uncle’s dark past).

Weresquito is one of those high-concept ideas that feels like it would have been at home in the late fifties.  It is promoted as being in Plaz-Mo-Scope which evokes, of course, the gimmicks of the era.  What this means is that anytime we see blood, it is red, and the only color in the entire film.  This makes for a neat effect.  If you have ever seen the horror film Popcorn, this film feels like it could have been one of the “fake fifties films” they made for that movie.

The performances are good (and James Norgard is clearly having fun going over the top as Schramm). The Weresquito himself is a great monster visually.  Listen, if you want to see Nazis get their blood sucked out by a man-sized mosquito (and I think you are lying if you say you do not)? This is your film!

 

Galaxy Express (Danny Johnson Saves the World, 2015)

Mihm_Danny_Johnson_CoverChristopher R. Mihm often has a specific influence for a film.  For Danny Johnson Saves the World, he was focused on creating a family adventure.  It is the tale of young Danny Johnson (we’ve seen Danny in prior Mihmiverse films) who is playing a game of “hide and seek” with his friends when they run smack dab into an alien invasion of…puppets.  Danny has to save his friends and little sister from the diabolical Alien Queen (and her imbecilic King).  He is helped by an alien defector named Steve.

Danny Johnson Saves the World has a flashback framing device that is reminiscent of the Princess Bride and a Christmas Story as aged Danny Johnson (played by James Norgard) is telling his grandchildren a story as they wait for the Christmas Meal.

The film is a lot of fun and achieves its goal as a family film. There are action and monsters, but nothing too intense for younger viewers.  The effects have that look of a 50’s family sci-fi with a neat looking robot villain and a monster called Meat (it looks like something from Dungeons and Dragons) that features more classic stop-motion animation like we saw in the Late Night Double Feature.

 

October: The Dead, Martians and Atomic Brains

romero

Welcome to the month of October.  As with every year, it will be scary movies all month.  Themes for this month include the films of George A. Romero and Tobe Hooper.

I had started doing a zombie theme for the month, but the death of Romero in July prompted an exploration of his films, as I really had only seen a few.  And I had not seen some key parts of his older work, so it was interesting to take a look at films like Martin and Season of the Witch (one I find myself generally thrilled with and the other…well…).

Only a month later, Hooper passed.  Now, I have covered a few Tobe Hooper films in the past so I will not be creating new entries for those.  For Lifeforce, the Texas Chainsaw Massacre, the Texas Chainsaw Massacre 2 and the Funhouse…click the links). I confess Hooper’s films start to take a sharp turn after the Mangler (which is more a crazy mess than a classic).  I am going to also include his Masters of Horror episodes Dance of the Dead (which seems like it would be a Romero title for a zombie movie set at a rave, oh wait, that was one of the Return of the Living Dead films) and the Damned Thing.

tobe_hooper_72

Also, later this month, I will be going through the entire filmography of Christopher R. Mihm, a local Minnesota filmmaker.  He has a new movie coming out this month, the Demon with the Atomic Brain.  His films are loving odes to the horror and sci-fi films of the fifties and sixties.  His Mihmicerse is populated with ghosts, mutant animals, and Nazi Killing Weresquitos.  I will expound more as we get to the films later this month.

mihm_monsters

Hope you have as much fun reading these as I have had writing them.

Blog at WordPress.com.

Up ↑