Veronica, Linda and Alice have lost their husbands in a tragedy. They discover their husbands were professional thieves. To add to their grief, they find their lives under siege, specifically from Jamal Manning. While he is running for public office, Manning is also a local crime lord…and it so happen’s the women’s husbands died stealing from him. He wants his money and gives them a month.
When she discovers her husband’s records of all her heists, Veronica brings the other widows together to try and complete the next heist that her husband had planned.
Widows is one of those movies that you don’t really get prepared for from the trailers. Most Heist films are heavily focused on the planning and the heist. Widows is more interested in setting up its characters. Everyone feels important. We walk with them as their lives intersect. This is to the film’s benefit. We get to really know everyone involved, both the heroes and villains of the tale.
Viola Davis gives a great performance as Veronica. She is both vulnerable and tough as nails. Colin Farrell and Robert Duvall play son and father of a political dynasty that are at each other throats. Daniel Kaluuya is riveting and immensely terrifying as Manning’s right hand man.
Director Steve McQueen makes some bold choices in the film (one sequence takes place within a car, and we only hear the actors as the camera stays outside, as the focuses on the car itself). The end result is a very compelling character film that happens to feature a heist. Managing some excellent surprises before it ends, I found Widows a very satisfying watch.
If prizes were awarded for the most inconsistently named franchise? Pretty sure this franchise would own that. If George Lucas was involved, they would all get renamed something like Dom Toretto and the Fast and The Furious (Who care if Vin is in every film or not).
The seventh film in the series that has not apparently run out of gas (and fifth film directed by Justin Lin) finds the team no longer on the run and being a family. Dom and Letty are working on their relationship, as she has not regained her memory. Brian and Mia are enjoying parenthood. Everything is going smoothly…well, except the fact that somebody is trying to murder the crew…and not just the crew, but anyone connected with the take down of Shaw in the previous film. Which means Hobbs needs to team up with the family once more.
The sixth film throws in a twist for Dom, Brian and their family. Letty is back, but now she appears to be their competition. Hobb’s has let the gang be, seeing as how they have stayed out of the heist scene since their last encounter…but a new crew of high precision vehicle themed criminals. Hobbs knows he needs help and seeks the skills of Dom and the crew. The carrot he dangles before them is the discovery that Letty is, in fact, alive and working with this group that is a threat to free nations everywhere.
For the fourth film, they dropped “The” from the title. Because…saving space on the poster? I guess? This film brings it back to the original. O’Conner is working with the Feds again, while Toretto and Letty are pulling heists. When Letty is murdered, O’Conner and Toretto’s paths cross again. Admittedly, it is a bit of a strained relationship. Dominic is seeking revenge on Letty’s killer, but Brian wants to bring her killer in. Brian also finds his relationship with Mia rekindled.
2000 and 2001 were a good couple of years for Vin Diesel. He had a supporting role in Steven Spielberg’s Saving Private Ryan, but only a small spattering of roles before that. His other “big” role was the voice of the titular character in Brad Bird’s the Iron Giant. But between Pitch Black and the Fast and the Furious, Diesel’s value rose prominently.