Comic Book Colorist Chris Sotomayer is open to Playing Reed Richards in the MCU if asked.
Colorist Open to Playing Reed Richards in the MCU
Tangled Webs (Spider-Man: Far From Home, 2019)
After the massive epic that was Avengers Endgame, a smaller story to actually close stuff off may seem like an odd choice. And yet? Well, it may have been what was needed.
Bringing back director Jon Watts and the cast of Homecoming, we get a personal story in which Peter Parker really just wants to go on his school trip abroad and confess his love to MJ. But things are complicated. It turns out that pretty much every major character from Homecoming was caught up in the snap. And now they have to deal with the fact that all their classmates are now five years older. The film explores some rather interesting aspects…like all the returned people who were displaced. Peter and May found themselves homeless, which was one of those things you just do not thing about in the grand schemes.
It turns out that Nick Fury is trying to reach Spider-Man, but Peter refuses to take his calls. But once on vacation in Italy, the class comes under attack by a water monster, which is defeated by Mysterio. A mysterious man who Nick Fury informs Peter is from an alternate earth where he fought the threat of elemental men that are now plaguing Peter’s world.
Far From Home bumps up certain characters too much bigger roles, and it is to the benefit of the film. Holland and Zendaya have real chemistry and their storyline is both adorable and a lot of fun.
The Mysterio storyline is really well done. There is a scene where his illusion powers is straight up the stuff of the comics. The visuals in the film are terrific and Gyllenhaal gives a solid performance.
Unlike Homecoming, Happy seems more invested in Peter and Spider-Man. This makes sense on a few levels, but I really did enjoy their interactions in the film.
I really enjoyed this latest outing, even more than Homecoming. It is funny, has heartfelt moments, good performances and great visual effects. Oh, and stay for the Mid and Post Credit scenes. They are game changing moments.
Higher, Further, Faster (Captain Marvel, 2019)
Set in the 1995, Vers is a Kree warrior. She struggles with no memory of her life past six years. The Kree are in a war with the shape shifting Skrulls. Vers and a few Skrulls end up on earth, and Vers is in a race against time to locate the MacGuffin. She finds herself allied with S.H.I.E.L.D. agent Nicholas Fury.
Vers starts to put her life back together with the aid of Fury as the Skrulls close in, all while Vers awaits the arrival of her fellow Kree.
The film is action packed. Captain Marvel (Vers) is one of the more powerful of the Marvel Cinematic Universe heroes, but hardly over powered. The action sequences are pretty exhilarating with good effects. The Skrulls are pretty cool looking, matching fairly closely their comic book counterparts. I really liked their transformation process.
The Relationship of Vers (who learns she if from earth and was named Carol) and her fellow pilot Maria works quite well. In fact, I really like the little team the film assembles. And then there is Goose the cat. Greatest movie cat ever.
The film has Stan Lee’s final cameo and it has an extra layer if you are especially observant. Since this is set after Captain America the First Avenger and before Iron Man, there is a slight bit of prequelitis, where the film acknowledges some stuff that happens in later films. You know…answering the questions we never had. For the most part, these are unobtrusive. But there was really only one bit that really made me groan. The film is largely self contained, so it does not lose to much focus from that.
Captain Marvel has faced some definite hurdles. It got pushed from 2017 to 2019 to make room for other films. The one other film to get moved (the Inhumans) actually went through a drastic change into a television series. Add to that a campaign against the film by certain folks who saw it as the opportunity to send a message to Disney and Marvel about “SJW Politics”. These folks also went on a crusade against star Brie Larson. Larson made a reasonable concern over a lack of diversity in journalists at press junkets, only to have people twist her words into a caricature and accusing her of saying things like she “hoped white men did not see Captain Marvel”. On Jimmy Kimmel, she joked about how she and Sam Jackson “hate the same people” and this was made out to be a reference to fandom (she made no mention of fandom).
Add in attempts to review bomb (put negative reviews of a product in order to create a false view of a majority of negativity. Often this is done to new product from creators who have committed the crime of having opinions) and the film had a bit of an uphill climb.
So…is Captain Marvel a hardcore Feminist and SJW screed?
No. In fact, if that is your perception of the film? Actual Feminism will kill you.
What the film actually is? Quite a lot of fun. No, it does not rewrite the script on the MCU. But I had a great time and the audience I saw it with were very into the film, even clapping after it ended.
Big Little (Ant-Man and the Wasp, 2018)
We last saw Ant-Man in prison with the other heroes who sided with Cap in Civil War. People noticed that he was absent from all the Infinity War promotions, and while Infinity War gave a quick explanation of where he and Hawkeye were, Ant-Man and the Wasp gives us the “full story”. With days to go on his house arrest, Scott Lang has been out of contact with Hank Pym and Hope Van Dyne for months, having parted on less than good terms as he stole the costume for his role in Civil War.
Hank and Hope have renewed hope that Janet Van Dyne (believed lost in the Quantum realm) may be alive. They are working in secret to locate her. When one of their experiments coincides with a crazy dream of Scotts, the three are brought back together to try and rescue her. But it is not as simple as they hope, as they are in competition with underground arms dealer Sonny Burch and a mysterious villain called Ghost. Ghost is trying to get the Pym lab because she has phasing powers, but cannot control them. Add to this being hunted by the FBI, rescuing Janet may not be as easy as they hoped.
The film is more focused on Hank and Hope, with Scott brought along somewhat unwillingly, but I found this worked okay. The first film had a running joke about how Hope was far more competent a super-hero, but never got to wear the suit. This film gives us a lot of Wasp action, and it is a whole lot of fun to watch. Scott gets some solid action of course as well, and he even gets a few opportunities to really show his cleverness (a FBI breakout sequence calls back to a scene in the first film, but flips the roles).
Rudd is as goofily charming as in the first film…and Michael Peña is hilarious (even though they only give us one of his elaborate stories). The return of Judy Greer and Bobby Cannaval is welcome. I really like that the relationship between Cannaval’s Paxton and Scott is not some sort of rivalry over their shared family. Instead, Paxton seems to want the best for Scott and genuinely like him.
The film has some genuinely touching moments with Scott and his daughter Cassie. A wise kid who looks up to her dad and wants to be his sidekick.
The story works very organically, the things that bring the first film’s cast together makes sense (Scott, Luis and their team of ex-cons now have a security business to help businesses avoid being hit by folks like…well, themselves).
The first Ant-Man was a surprising film and a welcome relief to the trend of telling bigger and bigger stories in the solo Marvel films. Ant-Man and the Wasp carries the fun over, building on it’s small scale mythology (the post credit scene ties it to Infinity War). Ant-Man and the Wasp is a pretty worthy sequel and a lot of fun to watch.
And Starring Jeff Goldblum as Jeff Goldblum (Thor: Ragnarok, 2017)
Thor has been a fun character in the Marvel Cinematic Universe. He is cheerful, boisterous and powerful. He is also boastful and over confident. This drove his first film, while the second film seemed a bit aimless.
In Avengers: Age of Ultron, Thor had a vision of the end of Asgard. He left to get answers and was missing for Civil War. After Thor and Loki locate Odin, they are warned of the coming of Hela…their sister and the goddess of death Almost immediately Hela arrives and destroys Thor’s hammer. In their fight, Thor and Loki are separated and tossed into space. While Hela conquers Asgard, Thor finds himself on the planet Sakaar. Captured by the Grandmaster Thor must fight in the Contest of Champions..and the champion he must defeat? His pal Hulk.
Marvel has done pretty well in tapping directors with limited experience in big budget films and having it work out in their favor. Here they brought on New Zealander Taika Waititi, who is known for his unique comedies. Check out the films Hunt for the Wilderpeople and What We Do in Shadows and while laughing, you will likely not think “a Super Hero movie is next!”. But it pays off.
Thor is full of great action and humor. Unlike the previous two films, which were very earth centric, Earth has a brief cameo in the beginning. Otherwise the film is heavily focused on Asgard. To be frank, the previous films really failed to let Jane Foster shine and the relationship never had the strength of either Tony and Pepper or Steve and Peggy. So, the film quickly addresses that “they broke up”.
The film works to give most of the leads “something to come back from”. Thor must figure out who he is without his hammer, Hulk must get back to Banner, Valkyrie must reclaim her glorious standing as an Asgardian Warrior. There is not a lot to these arcs, of course, but the performances and interplay of the characters make it almost easy to miss.
The cast really makes the film. Hemsworth and Hiddleston have a solid chemistry together, where you buy right into their weird sibling relationship in which Loki will betray Thor over and over and Thor is still going to give him a chance. Tessa Thompson gives a real spark to Valkyrie, who could have been a pretty one note character. Cate Blanchett’s Hela is actually not any deeper than previous Marvel Cinematic villains, but Blanchett seems to have had a lot of fun in the role and the result is that I enjoyed her as a villain. It was great to see Mark Ruffalo back as Bruce Banner. The character is a bit shell shocked, which makes sense, as he has been “hulked out” for about two years, ever since the rampage in Age of Ultron.
And of course, there is Jeff Goldblum. The actor you hire when you want a Jeff Goldblum-esque performance. But seriously, Goldblum always delivers, and his Grandmaster is the Jeff Goldblumiest thing you will see all year. Unless Jeff Goldblum is Jeff Goldblum in another film before December 31st, 2017.
Thor: Ragnarok is a real blast of a film. It is light hearted, exciting and quite funny.
Father-Son Bonding (Guardians of the Galaxy Vol 2, 2017)
Guardians of the Galaxy was a bit of a risk for Marvel Studios. It was really their first film that had little name recognition. It also was their first film not closely tied to the Avengers. And yet, under the guidance of James Gunn, Guardians of the Galaxy succeeded with a healthy dose of humor and action. Towards the end of the film, Yondu mentions knowing who Starlord’s father is. In this sequel, we meet dear old dad.
While fighting an inter-dimensional beast, Rocket steals some batteries from the Sovereign. This results in a chase through space that culminates in Starlord meeting his father Ego. Ego is a “living” planet. He has a human avatar who sired Starlord. In the meantime, they are being hunted by Yondu and the Ravagers to collect a bounty for the Guardian set by the Sovereign.
Volume 2 carries forward with the same tone and attitude of the first film, making it a lot of fun to watch. The opening credits are a blast to watch. Easily one of the best opening sequences for a comic book film. The cast has really come together and it shows in their performances.
The new cast adds to the fun, with Kurt Russell being a high point for…well being Kurt Russell. He is one of those actors you hire because you want a “type” that is specific to a particular actor. Call it the Goldblum Effect if you will. You hire Jeff Goldblum for a movie because you want a “Jeff Goldblum Type”.
In addition, Sylvester Stallone, Ving Rhames and Michelle Yoeh have small but pivotal roles (obviously setting up Volume 3). The film is full of blink and you might miss it fan service, but with James Gunn, it is not distracting (for the most part) and for people unfamiliar with the comics will be unnoticed.
Of course, the soundtrack is integral to this film, each song clearly chosen carefully by Gunn. Marvel was wise to stick with Gunn for the Guardians brand because he has a very specific vision that allows these films to stand out from the Marvel Pack.
A lot of the humor this time around is coming from Drax (Dave Bautista) and Baby Groot. Some of the more surprising emotion comes from Michael Rooker’s Yondu.
Guardians of the Galaxy Volume 2 can be pretty intense and it is not really for young kids. But teens and adults alike will find a lot to enjoy here. Personally, I found Volume 2 to be a very fun film-going experience and find myself anticipating the next outing.
Oh, and by the way…there are five mid to post credit scenes. So do not get up and head for the door right away.
Lost to An Alternate Universe?
So, the day Sony and Disney drop the new Spider-Man: Homecoming trailer (which was met with a pretty positive response) producer Amy Pascal drops the bomb.
One of the things that I think is so amazing about this experience is that you don’t have studios deciding to work together to make a film very often.
In fact, it may never happen again–after we do the sequel.
It appears Sony is hoping to pull Peter back into their fold-out of the Marvel Cinematic Universe. We probably should have seen this coming, after Sony announced plans for their own Spider-Verse, starting with an ‘R’ rated Venom movie. Sony and Pascal seem to be misreading this situation.
Sony had some success in 2002 and 2004 with the Spider-Man franchise when it was headed by Sam Raimi. But after the mess of Spider-Man 3 and then a somewhat lackluster reboot…Sony was floundering. They made the deal with Disney after the big hack two years ago humiliated the studio.
Marvel Studios, on the other hand, won praise for Peter Parker’s appearance in Captain America: Civil War. The previous incarnations of Spider-Man tended to get aspects right, but Marvel’s team pretty much got it all right.
And I suspect that everything that looks so good about Spider-Man: Homecoming is from the Marvel Studio’s side. Backing out and taking him out after the next sequel and Avengers: Infinity War would be a mistake. Sony will, no doubt, mess up their progress. To remove him from the MCU just to start their own Marvel Universe? Not a wise decision.
If Sony insists on starting their own Spider-Verse. I propose the following…
Leave Peter Parker in the Marvel Cinematic Universe proper. Let Marvel continue to handle him. Instead, create your Sony MCU around Miles Morales from Ultimate Spider-Man. Sony can double their money and have their alternate Spider-Man themed MCU. And fans get to see Spider-Man remain in the MCU.
Tripping Through Gateways 